Pattern

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pamlanza

Text as pattern

Bildung

Empfohlen

Materials and Concept

pamlanza

Expressive figure

pamlanza

Why Work in Series?

pamlanza

Energy in line & shape

pamlanza

Pattern and Ink Blot Drawings

pamlanza

Voice and Visions Final Summ 2015

pamlanza

Modeling the Figure

pamlanza

Modeling

pamlanza

Empfohlen

Materials and Concept

pamlanza

Expressive figure

pamlanza

Why Work in Series?

pamlanza

Energy in line & shape

pamlanza

Pattern and Ink Blot Drawings

pamlanza

Voice and Visions Final Summ 2015

pamlanza

Modeling the Figure

pamlanza

Modeling

pamlanza

USING INK WASH and EDITING WITH GESSO

pamlanza

Communicators v. Indicators

pamlanza

Text in collage

pamlanza

Art works with free association text

pamlanza

Gursky, Heffernan, Goings, Blacharczyk

pamlanza

Contemporary Text Artists

pamlanza

Scrolls 2-gesture

pamlanza

ENERGY AND LINE

pamlanza

Heads, Hands, and Feet

pamlanza

Motif in Collage; Why Work in Series?

pamlanza

Texture: Folds in paper

pamlanza

Experiments in Figure Drawing and in unusual format (scrolls)

pamlanza

Introduction to Figure Drawing

pamlanza

Drawing Reflective Surfaces

pamlanza

Tension and Harmony in Composition

pamlanza

Tension & harmony

pamlanza

Small Books Unbound Workshop 2-8-15

Implied line & shape

Grids of Drawings

Studying the masters

Repurposed & Collaged Drawings

pamlanza

"Half-life" Drawing

pamlanza

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USING INK WASH and EDITING WITH GESSO

pamlanza

Communicators v. Indicators

pamlanza

Text in collage

pamlanza

Art works with free association text

pamlanza

Gursky, Heffernan, Goings, Blacharczyk

pamlanza

Contemporary Text Artists

pamlanza

Scrolls 2-gesture

pamlanza

ENERGY AND LINE

pamlanza

Heads, Hands, and Feet

pamlanza

Motif in Collage; Why Work in Series?

pamlanza

Texture: Folds in paper

pamlanza

Experiments in Figure Drawing and in unusual format (scrolls)

pamlanza

Introduction to Figure Drawing

pamlanza

Drawing Reflective Surfaces

pamlanza

Tension and Harmony in Composition

pamlanza

Tension & harmony

pamlanza

Small Books Unbound Workshop 2-8-15

Implied line & shape

Grids of Drawings

Studying the masters

Andere mochten auch (20)

USING INK WASH and EDITING WITH GESSO

Communicators v. Indicators

Text in collage

Art works with free association text

Gursky, Heffernan, Goings, Blacharczyk

Contemporary Text Artists

Scrolls 2-gesture

ENERGY AND LINE

Heads, Hands, and Feet

Motif in Collage; Why Work in Series?

Texture: Folds in paper

Experiments in Figure Drawing and in unusual format (scrolls)

Introduction to Figure Drawing

Drawing Reflective Surfaces

Tension and Harmony in Composition

Tension & harmony

Small Books Unbound Workshop 2-8-15

Implied line & shape

Grids of Drawings

Studying the masters

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Repurposed & Collaged Drawings

pamlanza

"Half-life" Drawing

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Disparate Elements, Contemporary Surrealism

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Drawing on Acetate Overlay

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Acetate Overlay Drawings

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Layers of Information

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Why Do Master's Studies

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Chance Encounters Introduction

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Delicious Ambiguity

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Combining elements from former drawings to create new ones

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REFLECTIVE SURFACES & CONTEMPORARY DRAWING ARTISTS, PART 2

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Drawing Drapery; Contemporary Drawing Part 1

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Industrial Objects and Paper Bags

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COMPOSITION

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MASTER STUDIES vs. MASTER COPIES

pamlanza

Draw a hpto keeping it upside-down the entire time. Turning it right-side up to make corrections or to tighten up your drawing to make it more exact defeats the important multiple purposes of the exercise: • To stop thinking in terms of rendering objects, and start seeing large shapes of light and dark • To note how placement of those shapes carves up the picture plane • To understand how the placement of values defines and energizes the composition • To abstract the photo into a drawing – not a photorealist drawing, but one with your own kinds of lines and choices and interpretation

DRAWING FILM STILLS UPSIDE-DOWN

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COMPOSITION & SHADING

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DRAWING WITHOUT FEAR! Week 1: Basic shapes

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Not Flat Workshop May 2018

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Repurposed & Collaged Drawings

"Half-life" Drawing

Disparate Elements, Contemporary Surrealism

Drawing on Acetate Overlay

Acetate Overlay Drawings

Layers of Information

Why Do Master's Studies

Chance Encounters Introduction

Delicious Ambiguity

Combining elements from former drawings to create new ones

REFLECTIVE SURFACES & CONTEMPORARY DRAWING ARTISTS, PART 2

Drawing Drapery; Contemporary Drawing Part 1

Industrial Objects and Paper Bags

COMPOSITION

MASTER STUDIES vs. MASTER COPIES

DRAWING FILM STILLS UPSIDE-DOWN

COMPOSITION & SHADING

DRAWING WITHOUT FEAR! Week 1: Basic shapes

Not Flat Workshop May 2018

Don't Box Me In Final Critique

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Pattern

1. TEXT AS PATTERN

2. Wosene Worke Kosrof

3. Peter Granville Edmunds

10.

12. Byron Gysin

13. Mel Bochner

14. Karen Justis

15. Karen Justis

16. Kurt Schwitters

17. Tom O’Neill

18. Squeak Carnwath