Dan Beudean; David Dodge Lewis & Ephraim Rubenstein

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Examples of charcoal & graphite series drawings

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Dan Beudean
David Dodge Lewis & Ephraim
Rubenstein

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Dan Beudean; David Dodge Lewis & Ephraim Rubenstein

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Art works with free association text

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TEXT AS BACKGROUND: UNUSUAL ASSOCIATIONS

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Space and Composition in Scrolls

Why Work in Series?

Pattern

Expressive figure

Expressive figure

Empfohlen

Dan Beudean; David Dodge Lewis & Ephraim Rubenstein

pamlanza

Art works with free association text

pamlanza

TEXT AS BACKGROUND: UNUSUAL ASSOCIATIONS

pamlanza

Space and Composition in Scrolls

Why Work in Series?

Pattern

Expressive figure

Expressive figure

Materials and Concept

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Dewitt Jordan

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Studying the Masters

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Tension and Harmony in Composition

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Working in Sereis - Introduction

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Pattern and Ink Blot Drawings

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Modeling the Figure

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Modeling

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Voice and Visions Final Summ 2015

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Time & Movement in Scrolls

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Heads, Hands, and Feet

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Communicators v. Indicators

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Grids of Drawings

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Transfer Workshop Fall 2014

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Figure planes

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Motif in Collage; Why Work in Series?

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USING INK WASH and EDITING WITH GESSO

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Experiments in Figure Drawing and in unusual format (scrolls)

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Text in collage

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Repurposed & Collaged Drawings

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"Half-life" Drawing

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Disparate Elements, Contemporary Surrealism

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Materials and Concept

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Dewitt Jordan

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Studying the Masters

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Tension and Harmony in Composition

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Working in Sereis - Introduction

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Pattern and Ink Blot Drawings

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Modeling the Figure

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Modeling

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Voice and Visions Final Summ 2015

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Time & Movement in Scrolls

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Heads, Hands, and Feet

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Communicators v. Indicators

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Grids of Drawings

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Transfer Workshop Fall 2014

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Figure planes

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Motif in Collage; Why Work in Series?

pamlanza

USING INK WASH and EDITING WITH GESSO

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Experiments in Figure Drawing and in unusual format (scrolls)

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Text in collage

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Materials and Concept

Dewitt Jordan

Studying the Masters

Tension and Harmony in Composition

Working in Sereis - Introduction

Pattern and Ink Blot Drawings

Modeling the Figure

Modeling

Voice and Visions Final Summ 2015

Time & Movement in Scrolls

Heads, Hands, and Feet

Communicators v. Indicators

Grids of Drawings

Transfer Workshop Fall 2014

Figure planes

Motif in Collage; Why Work in Series?

USING INK WASH and EDITING WITH GESSO

Experiments in Figure Drawing and in unusual format (scrolls)

Text in collage

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Repurposed & Collaged Drawings

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"Half-life" Drawing

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Disparate Elements, Contemporary Surrealism

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Drawing on Acetate Overlay

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Acetate Overlay Drawings

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Layers of Information

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Why Do Master's Studies

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Chance Encounters Introduction

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Delicious Ambiguity

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Combining elements from former drawings to create new ones

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REFLECTIVE SURFACES & CONTEMPORARY DRAWING ARTISTS, PART 2

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Drawing Drapery; Contemporary Drawing Part 1

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Industrial Objects and Paper Bags

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COMPOSITION

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MASTER STUDIES vs. MASTER COPIES

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Draw a hpto keeping it upside-down the entire time. Turning it right-side up to make corrections or to tighten up your drawing to make it more exact defeats the important multiple purposes of the exercise: • To stop thinking in terms of rendering objects, and start seeing large shapes of light and dark • To note how placement of those shapes carves up the picture plane • To understand how the placement of values defines and energizes the composition • To abstract the photo into a drawing – not a photorealist drawing, but one with your own kinds of lines and choices and interpretation

DRAWING FILM STILLS UPSIDE-DOWN

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COMPOSITION & SHADING

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DRAWING WITHOUT FEAR! Week 1: Basic shapes

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Not Flat Workshop May 2018

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Don't Box Me In Final Critique

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Repurposed & Collaged Drawings

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Disparate Elements, Contemporary Surrealism

Drawing on Acetate Overlay

Acetate Overlay Drawings

Layers of Information

Why Do Master's Studies

Chance Encounters Introduction

Delicious Ambiguity

Combining elements from former drawings to create new ones

REFLECTIVE SURFACES & CONTEMPORARY DRAWING ARTISTS, PART 2

Drawing Drapery; Contemporary Drawing Part 1

Industrial Objects and Paper Bags

COMPOSITION

MASTER STUDIES vs. MASTER COPIES

DRAWING FILM STILLS UPSIDE-DOWN

COMPOSITION & SHADING

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Dan Beudean; David Dodge Lewis & Ephraim Rubenstein

1. Dan Beudean David Dodge Lewis & Ephraim Rubenstein

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12. Lewis & Rubenstein