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Interviewing
•
•
•
•

A conversation with a purpose!
How to conduct an interview is the tricky part
Some describe it as an art rather than a skill
While others believe it can be learned with
practice

Truth to both…
Dramaturgy and Interviewing
• Dramaturgy, as a theoretical perspective,
involves the elements and language of theater
“even in research, the line between performer and audience
sometimes blurs, and the whole process becomes a dramatic
performance” – Denzin (2006)
Types of Interviewing
1) standardized interview
2) Semistandardized interview
3) Unstandardized interview
Ways to conduct an interview…
1) Face-to-face
2) telephone interview
3) Computer assisted interviewing
Standardized Interview

Semistandardized
Interview

Unstandardized Interview

• Most formally structured
• No deviations from
question order
• Wording of each
question asked exactly
as written
• No adjusting of level of
language
• No clarification or
answering of questions
about the interview
• No additional question
may be added
• Similar in format to a
pencil and paper survey

• More or less structured
• Questions may be
reordered during the
interview
• Wording of questions
flexible
• Level of language may
be adjusted
• Interviewer may answer
question and make
clarifications
• Interviewer may add or
delete probes to
interview between
subsequent subjects

• Completely unstructured
• No set order to any
questions
• No set wording to any
questions
• Level of language may
be adjusted
• Interviewer may answer
questions and make
clarification
• Interviewer may add or
delete question between
interviews
Interview Schedule
• Typically an interview is chosen over
questionnaire when the research requires
follow up.
• What someone ate as opposed to how they
make food choices
• When determining what type of interview
format, you must consider the kinds of
question you want to ask AND the type of
answers you expect to receive.
Schedule development
• Start with a sort of outline, listing broad
categories that are relevant to study
• Then REFINE by determining:
-question order
-essential questions
-extra questions
-throw away questions
-probing questions
-wording of questions
Problem questions
• Affectively worded questions – arouse negative
connotation, i.e. Why?
-neutralize the question
• Double Barreled questions – asks responders to
answer 2 question in 1.
• Complex questions
-keep questions brief
• Question sequence
- start easy to develop rapport
Length
Common researchers misconceptions:
-participants will not want to partake in
interviews that last several hours
Or conversely
-short interviews will not provide valuable
information
Interviewer as an Actor
• Perform your lines, routines, and movements
appropriately
• Must be aware of what the other actor
(interviewee) is doing
• Listen carefully to line cues in order to not
step on the lines of the interviewee
• Remain nonjudgmental
Interviewer as director
• Be conscious of how you perform lines and
move
• Must reflect on each segment as if you ere
outside the performance
• Must assess the adequacy of your
performance
• May include demonstrating both verbally and
visually that you are empathic
Interviewer as choreographer
• Choreograph your own movements and
gestures
• Script your own responses
The interviewer’s repertoire
• Interviewer may adjust throughout, switching
from role to role
• Interviewers rarely improvise
• A new technique should not be tried in a real
interview
• Not that an interviewer can’t pursue unexpected
leads or responses, but that the interviewer
should be armed with a series of questions that
fit virtually any topic
-”who with” “where” “how come” “how often”
Persuading a subject
• Novice interviewers often make the mistake of
thinking a subject win not discuss certain topics
• Often if a subject agrees to an interview, they are
willing to share more than you would expect
• A novice interviewer will often get shaken or
rattled if a subject resists or is skeptical to a line
of questioning
• Need to develop an interview repertoire
– Role play with an experienced interviewer
– Practice in front of competent critics
Techniques to get new researcher’s started
• Uncomfortable silences – a technique to consciously
create long, silent pauses
– Allows subject to reflect and associate and then break the
silence themselves with appropriate info
– Should last about 45 seconds.

• Echoing – tendency for interviewer to communicate
that they understand
- “I know what you mean”, “I understand”
• Letting People Talk – not step on the interviewee's
lines
- adjust pace with the interviewee’s pace
10 commandments
1) Never begin an interview cold
2) Remember your purpose
3) Present a natural front
4) Demonstrate aware hearing
5) Think about appearances
6) Interview in a comfortable place
7) Don’t be satisfied with monsyllabic answers
8) Be respectful
9) Practice, practice, and practice some more
10) Be cordial and appreciative

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Interview

  • 1. Interviewing • • • • A conversation with a purpose! How to conduct an interview is the tricky part Some describe it as an art rather than a skill While others believe it can be learned with practice Truth to both…
  • 2. Dramaturgy and Interviewing • Dramaturgy, as a theoretical perspective, involves the elements and language of theater “even in research, the line between performer and audience sometimes blurs, and the whole process becomes a dramatic performance” – Denzin (2006)
  • 3. Types of Interviewing 1) standardized interview 2) Semistandardized interview 3) Unstandardized interview Ways to conduct an interview… 1) Face-to-face 2) telephone interview 3) Computer assisted interviewing
  • 4. Standardized Interview Semistandardized Interview Unstandardized Interview • Most formally structured • No deviations from question order • Wording of each question asked exactly as written • No adjusting of level of language • No clarification or answering of questions about the interview • No additional question may be added • Similar in format to a pencil and paper survey • More or less structured • Questions may be reordered during the interview • Wording of questions flexible • Level of language may be adjusted • Interviewer may answer question and make clarifications • Interviewer may add or delete probes to interview between subsequent subjects • Completely unstructured • No set order to any questions • No set wording to any questions • Level of language may be adjusted • Interviewer may answer questions and make clarification • Interviewer may add or delete question between interviews
  • 5. Interview Schedule • Typically an interview is chosen over questionnaire when the research requires follow up. • What someone ate as opposed to how they make food choices • When determining what type of interview format, you must consider the kinds of question you want to ask AND the type of answers you expect to receive.
  • 6. Schedule development • Start with a sort of outline, listing broad categories that are relevant to study • Then REFINE by determining: -question order -essential questions -extra questions -throw away questions -probing questions -wording of questions
  • 7. Problem questions • Affectively worded questions – arouse negative connotation, i.e. Why? -neutralize the question • Double Barreled questions – asks responders to answer 2 question in 1. • Complex questions -keep questions brief • Question sequence - start easy to develop rapport
  • 8. Length Common researchers misconceptions: -participants will not want to partake in interviews that last several hours Or conversely -short interviews will not provide valuable information
  • 9. Interviewer as an Actor • Perform your lines, routines, and movements appropriately • Must be aware of what the other actor (interviewee) is doing • Listen carefully to line cues in order to not step on the lines of the interviewee • Remain nonjudgmental
  • 10. Interviewer as director • Be conscious of how you perform lines and move • Must reflect on each segment as if you ere outside the performance • Must assess the adequacy of your performance • May include demonstrating both verbally and visually that you are empathic
  • 11. Interviewer as choreographer • Choreograph your own movements and gestures • Script your own responses
  • 12. The interviewer’s repertoire • Interviewer may adjust throughout, switching from role to role • Interviewers rarely improvise • A new technique should not be tried in a real interview • Not that an interviewer can’t pursue unexpected leads or responses, but that the interviewer should be armed with a series of questions that fit virtually any topic -”who with” “where” “how come” “how often”
  • 13. Persuading a subject • Novice interviewers often make the mistake of thinking a subject win not discuss certain topics • Often if a subject agrees to an interview, they are willing to share more than you would expect • A novice interviewer will often get shaken or rattled if a subject resists or is skeptical to a line of questioning • Need to develop an interview repertoire – Role play with an experienced interviewer – Practice in front of competent critics
  • 14. Techniques to get new researcher’s started • Uncomfortable silences – a technique to consciously create long, silent pauses – Allows subject to reflect and associate and then break the silence themselves with appropriate info – Should last about 45 seconds. • Echoing – tendency for interviewer to communicate that they understand - “I know what you mean”, “I understand” • Letting People Talk – not step on the interviewee's lines - adjust pace with the interviewee’s pace
  • 15. 10 commandments 1) Never begin an interview cold 2) Remember your purpose 3) Present a natural front 4) Demonstrate aware hearing 5) Think about appearances 6) Interview in a comfortable place 7) Don’t be satisfied with monsyllabic answers 8) Be respectful 9) Practice, practice, and practice some more 10) Be cordial and appreciative