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Webinar Music Copyright & Contracts Goldmine Or Minefield

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Music Copyright & Contracts: Goldmine or Minefield Barbara T. Hoffman Instructor
THE LANDSCAPE OF THE MUSIC BUSINESS AND THE MUSIC ENTREPRENEUR
UNDERSTANDING COPYRIGHT LAW AND EXCLUSIVE RIGHTS ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
COPYRIGHT LAW AND EXCLUSIVE RIGHTS IN THE COPYRIGHT ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
COPYRIGHT TERM AND FAIR USE ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
WHAT IS THE LAW REGARDING SAMPLING? IS SAMPLING FAIR USE? ,[object Object],[object Object]
SAMPLING (cont’d) ,[object Object],[object Object]
SECTION 109 – LIMITATIONS ON EXCLUSIVE USE: EFFECT OF TRANSFER OF PARTICULAR COPY OR PHONORECORD ,[object Object]
SECTION 110 – LIMITATIONS ON EXCLUSIVE USE: EXEMPTION OF CERTAIN PERFORMANCES AND DISPLAYS ,[object Object]
SECTION 112 – LIMITATIONS ON EXCLUSIVE USE: EPHEMERAL ,[object Object]
SECTION 114 – SCOPE OF EXCLUSIVE RIGHTS IN SOUND ,[object Object]
[object Object],[object Object]
THE COMPULSORY MECHANICAL LICENSE PROVISIONS ,[object Object],[object Object],[object Object]
THE COMPULSORY MECHANICAL LICENSE PROVISIONS (cont’d) ,[object Object],[object Object]
THE COMPULSORY MECHANICAL LICENSE PROVISIONS (cont’d) ,[object Object],[object Object]
THE COMPULSORY MECHANICAL LICENSE PROVISIONS (cont’d) ,[object Object]
THE COMPULSORY MECHANICAL LICENSE PROVISIONS (cont’d) ,[object Object],[object Object]
WORK FOR HIRE ,[object Object],[object Object]
WORK FOR HIRE (cont’d) ,[object Object]
COPYRIGHT INFRINGEMENT ,[object Object]
SONGWRITING AND MUSIC PUBLISHING ,[object Object],[object Object]
SONGWRITING AND MUSIC PUBLISHING (cont’d) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SONGWRITING AND MUSIC PUBLISHING (cont’d) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object]
THE BAND/COLLABORATION ,[object Object],[object Object],[object Object],[object Object],[object Object]
RECORD DEALS AND RECORDING CONTRACT BASICS ,[object Object],[object Object],[object Object],[object Object]
A SUMMARY OF IMPORTANT CONTRACT POINTS ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
STARTING YOUR OWN RECORD LABEL ,[object Object],[object Object],[object Object]
INTERNET, VIDEO GAMES, CELL PHONES AND NEW MEDIA

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Webinar Music Copyright & Contracts Goldmine Or Minefield

  • 1. Music Copyright & Contracts: Goldmine or Minefield Barbara T. Hoffman Instructor
  • 2. THE LANDSCAPE OF THE MUSIC BUSINESS AND THE MUSIC ENTREPRENEUR
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  • 31. INTERNET, VIDEO GAMES, CELL PHONES AND NEW MEDIA