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A2 Media Studies
The history of music video
Nikoleta
Music Video
A music video is a short film or video, of variable length, that
integrates a song or album with imagery that is produced for
promotional or artistic purposes. Modern music videos are
primarily made and used as a marketing device intended to
promote the sale of music recordings.
Although the origins of the music video date back to musical short films
that first appeared in the 1920s, they again came into prominence in
the 1980s when the channel MTV (originally "Music Television") based
its format around the medium. Prior to the 1980s, these kinds of videos
were described by various terms including "illustrated song," "filmed
insert," "promotional film," "promotional clip," "promotional video,"
"song video," "song clip," or "film clip."
Music videos use a wide range of styles and contemporary
video-making techniques, including animation, live-action,
documentary, and non-narrative approaches such as
abstract film. Some music videos combine different styles
with music, such as animation and live-action. Combining
these styles and techniques has become more popular
due to the variety for the audience. Many music videos
interpret images and scenes from the song's lyrics, while
others take a more thematic approach. Other music
videos may not have any concept, being only a filmed
version of the song's live concert performance.
History And Development
In 1894, sheet music publishers Edward
B. Marks and Joe Stern hired electrician
George Thomas and various artists to
promote sales of their song "The Little
Lost Child". Using a magic lantern,
Thomas projected a series of still images
on a screen simultaneous to live
performances. This would become a
popular form of entertainment known as
the illustrated song, the first step toward
music video.
1926–1959: Talkies, soundies, and shorts
In 1926, with the arrival of "talkies" many musical short films were
produced.
Early 1930s cartoons featured popular musicians performing their hit
songs on camera in live-action segments during the cartoons. The early
animated films by Walt Disney, such as the Silly Symphonies shorts and
especially Fantasia.
Soundies, produced and released from 1940 to 1947, were musical
films that often included short dance sequences, similar to later music
videos.
Musical Films
Musical films were another important
precursor to a music video, and several well-
known music videos have imitated the style
of classic Hollywood musicals from the
1930s to the 1950s. One of the best-known
examples is Madonna's 1985 video for
"Material Girl".
1960–1973: Promotional clips
In the late 1950s the Scopitone, a visual jukebox, was invented in
France and short films were produced by many French artists, and the
Belgian Jacques Brel accompany their songs.
In 1961, for the Canada-produced show Singalong Jubilee, Manny
Pittson began pre-recording the music audio, went on-location and
taped various visuals with the musicians lip-synching, then edited the
audio and video together.
Most music numbers were taped in-studio on stage, and the location
shoot "videos" were to add variety.
In 1965, the Beatles
began making
promotional clips for
distribution and
broadcast in different
countries—primarily the
USA—so they could
promote their record
releases without having
to make in-person
appearances.
1974–1980: Beginnings of
music television
The Australian TV shows Countdown and
Sounds, both of which premiered in 1974,
were significant in developing and
popularizing what would later become the
music video genre in Australia and other
countries, and in establishing the importance
of promotional film clips as a means of
promoting both emerging acts and new
releases by established acts.
In 1980, the music video to David Bowie's "Ashes to Ashes" became the
most expensive ever made, having a production cost of $582,000, the
first music video to have a production cost of over $500,000. The video
was made in solarized color with stark black-and-white scenes and was
filmed in different locations, including a padded room and a rocky
shore. The video became one of the most iconic ever made at the time,
and its complex nature is seen as significant in the evolution of the
music video.
1981–1991: Music videos go mainstream
In 1981, the U.S. video channel MTV
launched, airing "Video Killed the Radio
Star" by The Buggles and beginning an era
of 24-hour-a-day music on television. With
this new outlet for material, the music
video would, by the mid-1980s, grow to
play a central role in popular music
marketing.

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A2 The history of music video

  • 1. A2 Media Studies The history of music video Nikoleta
  • 2. Music Video A music video is a short film or video, of variable length, that integrates a song or album with imagery that is produced for promotional or artistic purposes. Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings.
  • 3. Although the origins of the music video date back to musical short films that first appeared in the 1920s, they again came into prominence in the 1980s when the channel MTV (originally "Music Television") based its format around the medium. Prior to the 1980s, these kinds of videos were described by various terms including "illustrated song," "filmed insert," "promotional film," "promotional clip," "promotional video," "song video," "song clip," or "film clip."
  • 4. Music videos use a wide range of styles and contemporary video-making techniques, including animation, live-action, documentary, and non-narrative approaches such as abstract film. Some music videos combine different styles with music, such as animation and live-action. Combining these styles and techniques has become more popular due to the variety for the audience. Many music videos interpret images and scenes from the song's lyrics, while others take a more thematic approach. Other music videos may not have any concept, being only a filmed version of the song's live concert performance.
  • 5. History And Development In 1894, sheet music publishers Edward B. Marks and Joe Stern hired electrician George Thomas and various artists to promote sales of their song "The Little Lost Child". Using a magic lantern, Thomas projected a series of still images on a screen simultaneous to live performances. This would become a popular form of entertainment known as the illustrated song, the first step toward music video.
  • 6. 1926–1959: Talkies, soundies, and shorts In 1926, with the arrival of "talkies" many musical short films were produced. Early 1930s cartoons featured popular musicians performing their hit songs on camera in live-action segments during the cartoons. The early animated films by Walt Disney, such as the Silly Symphonies shorts and especially Fantasia. Soundies, produced and released from 1940 to 1947, were musical films that often included short dance sequences, similar to later music videos.
  • 7. Musical Films Musical films were another important precursor to a music video, and several well- known music videos have imitated the style of classic Hollywood musicals from the 1930s to the 1950s. One of the best-known examples is Madonna's 1985 video for "Material Girl".
  • 8. 1960–1973: Promotional clips In the late 1950s the Scopitone, a visual jukebox, was invented in France and short films were produced by many French artists, and the Belgian Jacques Brel accompany their songs. In 1961, for the Canada-produced show Singalong Jubilee, Manny Pittson began pre-recording the music audio, went on-location and taped various visuals with the musicians lip-synching, then edited the audio and video together. Most music numbers were taped in-studio on stage, and the location shoot "videos" were to add variety.
  • 9. In 1965, the Beatles began making promotional clips for distribution and broadcast in different countries—primarily the USA—so they could promote their record releases without having to make in-person appearances.
  • 10. 1974–1980: Beginnings of music television The Australian TV shows Countdown and Sounds, both of which premiered in 1974, were significant in developing and popularizing what would later become the music video genre in Australia and other countries, and in establishing the importance of promotional film clips as a means of promoting both emerging acts and new releases by established acts.
  • 11. In 1980, the music video to David Bowie's "Ashes to Ashes" became the most expensive ever made, having a production cost of $582,000, the first music video to have a production cost of over $500,000. The video was made in solarized color with stark black-and-white scenes and was filmed in different locations, including a padded room and a rocky shore. The video became one of the most iconic ever made at the time, and its complex nature is seen as significant in the evolution of the music video.
  • 12.
  • 13. 1981–1991: Music videos go mainstream In 1981, the U.S. video channel MTV launched, airing "Video Killed the Radio Star" by The Buggles and beginning an era of 24-hour-a-day music on television. With this new outlet for material, the music video would, by the mid-1980s, grow to play a central role in popular music marketing.