Skeuomorphs in interaction design: ornament or affordance?
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A talk given at Flashbacks: Nostalgic media and mediated forms of nostalgia International Conference (13-14 September 2012) at the University of Geneva.
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Skeuomorphs in interaction design: ornament or affordance?
- 1. Skeuomorphs in interaction design: nostalgic ornament or affordance ? Nicolas Nova | HEAD-Genève Sept. 14, 2012 | Unige
- 5. [iPhone app camera shutter sound]
- 10. Methodology Series of interview with interface designers Content analysis of formal (manual) and informal knowledge (forum discussions, blogposts) In order to highlight a series of tensions/ contrasted perspectives
- 11. Bad taste!?
- 12. Bad taste!?
- 13. Useless “Icons on a computer are the way they are because they're a good way to represent the concept of a block of bytes on the disc, a concept that many users do not want to have to engage with. But a calendar is an abstract concept that people already have an accurate mental model of, and therefore it doesn't have to look any particular way at all, especially now that we're just using a bunch of pixels to do the presentation.”
- 14. Incorrectly assuming user’s familiarity with the original component
- 15. Does not account for the new possibilities offered by the digital
- 16. Misplaced nostalgia? “They attempt to comfort us (to patronise us) by trying to show how they relate to physical objects in the real world when there is no need. How are we helped to understand what ‘Find My Friends’ does by the addition of leather trim?“
- 17. BUT
- 18. “if it's walking like a duck, it should quack” (Tom Hume) “skeuomorphism is a justifiable and inevitable approach to take when the interactions in your interface are direct-manipulative and use physical metaphors. If they behave as though they are real things, should they not appear like real things?” Jack Schulze, Berg London
- 19. Good Usability "texture and physicality give clues as to how an interface works"
- 20. A transition? “The arcane visual languages being used (even encouraged in the HIG) are an over-reaction against the slick, affordanceless hardware. It’s a phase I think, and actually quite visually pragmatic. The challenge of new visual languages for glowing rectangles that are intimately tied to the physical world” Timo Arnall, 2010
- 21. conclusion Contrasted perspective, skeuomorphs can be pertinent Different user targets, different design strategies Implicitly: the importance of physical objects in order to create digital interfaces
- 22. Thank you Quote sources nicolas@hesge.ch http://www.tomhume.org/2012/03/if-its-walking-like-a-duck-it-should-quack.html http://speedbird.wordpress.com/2010/06/25/what-apple-needs-to-do-now/ http://www.interaksyon.com/infotech/the-hardest-button-to-button-thoughts-on-interface-design @nicolasnova http://www.techiestuffs.com/blog/can-skeuomorphs-be-used-to-enhance-web-page-appearance/ http://alexandtheweb.com/blatherings/post.php?s=2012-03-24-skeuomorphic-interfaces-and-something- about-early-renaissance-painting
Hinweis der Redaktion
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- Coming from archaelogy, the notion of « skeuomorph » can be described as a feature of a current object inherited from some precursor artefact (Basalla, 1988). As described by Hayles (1999), this design feature « is no longer functional in itself but that refers back to a feature that was functional at an earlier time ». Skeuomorphs are often employed by designers as familiar cues to make a new object more accessible to the users.\n
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- Semi-spherical keys on the iPhone are reminiscent of the Braun ET calculator: they are meant to stimulate the look of a rounded 3D button, to reassure the user\n
- Sound skeuomorph\n\n
- Another example of Skeuomorph\n
- Backlash...\n
- Interestingly, this disgust is not new...\nOne way to look at it can be to compare what is similar and what’s new\nBut this is not where I am going...\n
- Another surprising aspect = is that the company who was quite keen on minimalistic design... is now at the forefront of skeuomorphism...\nThis means that it’s an interesting research object, there must be curious tensions at stake here, controversies in the design process\n
- Which is why I conducted a series of interview with interaction designers + literature review of designer’s practice... in order to highlight these tensions and contradictions\n\n
- Source: Co.DESIGN\n
- Source: James Higgs: http://madebymany.com/blog/apples-aesthetic-dichotomy\n
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- “Nearly everything about a real calculator is faithfully reproduced, but with the good comes the bad: nearly every limitation and frustration has also been reproduced. There’s very little reason to use the software facsimile over its real-world equivalent, and in some ways, the physical object is better. My preferred calculator [Soulver], which I will keep blogging about until it’s ubiquitous, wasn’t designed against any physical objects because there’s no physical equivalent to what it does.” Marco Arment\n
- Source: James Higgs: http://madebymany.com/blog/apples-aesthetic-dichotomy\n
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- Source: Tom Hume: http://www.tomhume.org/2012/03/if-its-walking-like-a-duck-it-should-quack.html\n
- Source: Timo Arnall, in a comment to http://speedbird.wordpress.com/2010/06/25/what-apple-needs-to-do-now/\n
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