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A manifesto for global art [email_address] Katowice 21 November 2008
Global Art ,[object Object],[object Object],[object Object]
Not on Wikipedia Not communication art Not space art Not planetary art Not network art Not satellite art But related to all the above
What is it ? ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
7 Big Questions ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Great variety ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Marshall McLuhan ,[object Object]
Yann Arthus-Bertrand
La Terre vue du ciel
Historical Overview ( the split of global art from communications arts ) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Satellite Arts Project ,[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
La plissure du texte (1983)
Tom Klinkowstein ,[object Object],[object Object]
Joe Davis Red Ruby Falls (project 1984)
Jean-Marc Philippe ,[object Object]
Stéphan Barron ,[object Object],Le Jour et la nuit (1995 - Adelaide-Paris) Ozone 1999
Fred Forest
Le centre du monde (Fred Forest 1999)
Philippe Boissonnet ,[object Object]
La conscience des limites Gaia, 1992 Galileo, 1993
Ingo G ünther ,[object Object]
Sensorium The Japanese concepts of "I (myself)" and "human being" reflect the essential and ambivalent "network-like" nature of our being. The Japanese "I" ("jibun") implies the existence only within a relational context, one that comprises both the relational aspects within myself and the holonic and relational structure of the universe.
Stelarc  Ping Body
[object Object]
Rafael Lozano-Hemmer
Alzado Vectorial Mexico City 1999-2000
Lorella Abenavoli Le Souffle de la Terre (1996-2002) Nox Mater with  Nicolas Reeves 2007
Maurice Benayoun ,[object Object],[object Object],[object Object],[object Object]
Emotional Traffic 2005
TRANSINTERACTIVITY
Example Sites – Initial Installation Examples: BCE Place  or  Eaton Center, Toronto
Galleria Vittorio Emannuelle II in Milan
Eaton Center - Toronto Eaton Gallery Toronto People will approach a large screen onto which a live, life-size, remote image is projected.
Eaton Center - Toronto People in one place will see and hear the distant persons as if they were physically present.
Eaton Center - Toronto The distant surroundings will appear to be a natural continuation of the local space
Eaton Center - Toronto
Why do we need this category ? ,[object Object],[object Object],[object Object],[object Object],[object Object]
Feeding global emotions
In the electric age, we wear all mankind as our skin

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Global Art Manifesto