1. abc del
Diseño Editorial

2. a
Utiliza tipografías clásicas

4. Adobe Caslon Perpetua
Garamond Courier
Bembo Times
Serif Bodoni Trajan
Lucida Stempel Schneidler
Minion Walbaum

5. Akzidens Grotesk Gill Sans
Avenir Helvetica
Bell Centenial Meta
Sans Serif Franlink Gothic Myriad
Frutiger Univers
Futura Vag rounded

6. b
No utilices demasiadas fuentes

7. ¡10 fuentes diferentes!

8. Tampoco utilices muchas
fuentes parecidas

9. Trabaja con las familias
c

13. Busca alineaciones y trabaja con la
d
retícula

15. Cuerpos de texto

16. e
Utiliza cuerpos que faciliten la lectura

17. 8-12 puntos es una tamaño establecido de buena lectura
A few years ago, there were good reasons for web developers to take the easy way out: an HTML spec that lacked
recommendations for appropriate symbols, combined with browers that frequently ignored what standards existed,
made that level of precision next to impossible.
So it made sense to use double hyphens (--) instead of em dashes and double primes (quot;) instead of quotation
marks. In any case, those workarounds were already familiar to anyone who’d grown up with typewriters, and
readers adapted to ascii-only typography during the early days of the Internet when usenet, email, and the web all
shared the same primitive markup and text display.
These days, standards-compliant browsers can handle entity names, and even Netscape 4.x can manage numeric
entity codes—but why should you care? After all, using the technically correct punctuation marks would mean a
dozen new entities to be memorized and a lineup of well-meaning but under-informed editors and teammates to
win over—and retrofitting any significant amount of copy is always a hassle.
Since most people don’t know or care about the difference between an em dash and an Emmy, why bother to make
the switch? In some cases, switching to correct typography may honestly not make sense. For all the rest, two
arguments: usability and style.

18. f Evita fuentes demasiado gruesas o demasiado
delgadas así como fuentes muy angostas o extendidas

19. A few years ago, there were good reasons for web developers to take the easy way out: an HTML spec that lacked
recommendations for appropriate symbols, combined with browers that frequently ignored what standards existed,
made that level of precision next to impossible.
So it made sense to use double hyphens (--) instead of em dashes and double primes (quot;) instead of quotation marks.
In any case, those workarounds were already familiar to anyone who’d grown up with typewriters, and readers
adapted to ascii-only typography during the early days of the Internet when usenet, email, and the web all shared the
same primitive markup and text display.
These days, standards-compliant browsers can handle entity names, and even Netscape 4.x can manage numeric
entity codes—but why should you care? After all, using the technically correct punctuation marks would mean a
dozen new entities to be memorized and a lineup of well-meaning but under-informed editors and teammates to win
over—and retrofitting any significant amount of copy is always a hassle.
Since most people don’t know or care about the difference between an em dash and an Emmy, why bother to make
the switch? In some cases, switching to correct typography may honestly not make sense. For all the rest, two
arguments: usability and style.
A few years ago, there were good reasons for web developers to take the easy way out: an HTML spec that lacked
recommendations for appropriate symbols, combined with browers that frequently ignored what standards existed, made
that level of precision next to impossible.
So it made sense to use double hyphens (--) instead of em dashes and double primes (quot;) instead of quotation marks. In
any case, those workarounds were already familiar to anyone who’d grown up with typewriters, and readers adapted to
ascii-only typography during the early days of the Internet when usenet, email, and the web all shared the same primitive
markup and text display.
These days, standards-compliant browsers can handle entity names, and even Netscape 4.x can manage numeric entity
codes—but why should you care? After all, using the technically correct punctuation marks would mean a dozen new
entities to be memorized and a lineup of well-meaning but under-informed editors and teammates to win over—and
retrofitting any significant amount of copy is always a hassle.
Since most people don’t know or care about the difference between an em dash and an Emmy, why bother to make the
switch? In some cases, switching to correct typography may honestly not make sense. For all the rest, two arguments:
usability and style.

20. g
Usa líneas de longitud adecuada. Las
líneas demasiado cortas o demasiado
largas interrumpen la lectura

21. Every now and again designers stumble upon the very same problem: the choice of a unique and
beautiful typeface which manages to fulfill three basic tasks. Support the corporate identity, enrich the
visual appearance and is compatible with the overall design. However, usually there are simply too many
options you can consider, which is why you need time to find the option you are most comfortable with.
Every now and again designers stumble upon the very Every now and again
same problem: the choice of a unique and beautiful designers stumble upon the
typeface which manages to fulfill three basic tasks. very same problem: the
Support the corporate identity, enrich the visual choice of a unique and
appearance and is compatible with the overall design. beautiful typeface which
However, usually there are simply too many options you manages to fulfill three
can consider, which is why you need time to find the basic tasks. Support the
option you are most comfortable with. corporate identity, enrich
the visual appearance and
is compatible with the
overall design. However,
usually there are simply too
m a ny o p t i o n s yo u c a n
consider, which is why you
need time to find the option
you are most comfortable
with.

22. Use interlineados que lleven al ojo con
facilidad de una línea a la siguiente
h

23. A few years ago, there were good reasons for web developers to take
the easy way out: an HTML spec that lacked recommendations for
appropriate symbols, combined with browers that frequently ignored
what standards existed, made that level of precision next to impossible.
A few years ago, there were good reasons for web developers to take
the easy way out: an HTML spec that lacked recommendations for
appropriate symbols, combined with browers that frequently ignored
what standards existed, made that level of precision next to impossible.
A few years ago, there were good reasons for web developers to take
the easy way out: an HTML spec that lacked recommendations for
appropriate symbols, combined with browers that frequently ignored
what standards existed, made that level of precision next to impossible.

24. i Evita viudas y huérfanas

26. j
Cuida los ríos y avenidas

30. El tracking es el espaciado que
se da entre todas las letras
El kerning es el espaciado que se
da entre dos letras específicas.

31. Brinda respiro al texto marcando párrafos
k

33. Utiliza columnas
l

35. m
Cuida el ancho de las columnas
e intercolumnas

36. Every now and again Every now and again designers Every now and again
designers stumble stumble upon the very same designers stumble upon
upon the very same problem: the choice of a unique
problem: the choice and beautiful typeface which the very same problem:
of a unique and manages to fulfill three basic the choice of a unique
beautiful typeface tasks. Support the corporate and beautiful typeface
which manages to i d e n t i t y, e n r i c h t h e v i s u a l
fulfill three basic appearance and is compatible
which manages to fulfill
tasks. Support the with the overall design. However, three basic tasks.
corporate identity, usually there are simply too Support the corporate
enrich the visual many options you can consider,
appearance and is which is why you need time to
identity, enrich the visual
compatible with the find the option you are most appearance and is
overall design. comfortable with. compatible with the
H o w e v e r, u s u a l l y
overall design. However,
there are simply too
many options you can usually there are simply
consider, which is why too many options you
you need time to find can consider, which is
the option you are
most comfortable why you need time to
with. find the option you are
most comfortable with.

37. n
Usa una alineación que facilite la lectura

38. Every now and again designers stumble upon the Every now and again designers stumble upon the
very same problem: the choice of a unique and very same problem: the choice of a unique and
beautiful typeface which manages to fulfill three beautiful typeface which manages to fulfill three
basic tasks. Support the corporate identity, basic tasks. Support the corporate identity,
enrich the visual appearance and is compatible enrich the visual appearance and is compatible
with the overall design. However, usually there with the overall design. However, usually there
are simply too many options you can consider, are simply too many options you can consider,
which is why you need time to find the option which is why you need time to find the option
you are most comfortable with. you are most comfortable with.
Every now and again designers stumble upon the Every now and again designers stumble upon the
very same problem: the choice of a unique and very same problem: the choice of a unique and
beautiful typeface which manages to fulfill three beautiful typeface which manages to fulfill three
basic tasks. Support the corporate identity, basic tasks. Support the corporate identity,
enrich the visual appearance and is compatible enrich the visual appearance and is compatible
with the overall design. However, usually there with the overall design. However, usually there
are simply too many options you can consider, are simply too many options you can consider,
which is why you need time to find the option which is why you need time to find the option
you are most comfortable with. you are most comfortable with.

39. Selecciona los márgenes de acuerdo al
proyecto
ñ

42. Utiliza la teoría del color para
optimizar la legibilidad
o

43. Every now and again designers stumble upon the very same Every now and again designers stumble upon the very same
problem: the choice of a unique and beautiful typeface which problem: the choice of a unique and beautiful typeface which
manages to fulfill three basic tasks. Support the corporate manages to fulfill three basic tasks. Support the corporate
identity, enrich the visual appearance and is compatible with the identity, enrich the visual appearance and is compatible with the
overall design. However, usually there are simply too many overall design. However, usually there are simply too many
options you can consider, which is why you need time to find options you can consider, which is why you need time to find
the option you are most comfortable with. the option you are most comfortable with.
Every now and again designers stumble upon the very same Every now and again designers stumble upon the very same
problem: the choice of a unique and beautiful typeface which problem: the choice of a unique and beautiful typeface which
manages to fulfill three basic tasks. Support the corporate manages to fulfill three basic tasks. Support the corporate
identity, enrich the visual appearance and is compatible with the identity, enrich the visual appearance and is compatible with the
overall design. However, usually there are simply too many overall design. However, usually there are simply too many
options you can consider, which is why you need time to find options you can consider, which is why you need time to find
the option you are most comfortable with. the option you are most comfortable with.
Every now and again designers stumble upon the very same Every now and again designers stumble upon the very same
problem: the choice of a unique and beautiful typeface which problem: the choice of a unique and beautiful typeface which
manages to fulfill three basic tasks. Support the corporate manages to fulfill three basic tasks. Support the corporate
identity, enrich the visual appearance and is compatible with the identity, enrich the visual appearance and is compatible with the
overall design. However, usually there are simply too many overall design. However, usually there are simply too many
options you can consider, which is why you need time to find options you can consider, which is why you need time to find
the option you are most comfortable with. the option you are most comfortable with.

44. p
Combina todas las variables anteriores
para obtener la mejor legibilidad

46. q
Utiliza imágenes atractivas en tu composición

51. Piérdele el miedo a los
espacios blancos
r

54. Di NO al sello de agua
s

56. Combina serif y sans-serif
t

57. Nuevamente las familias son una buena opción

58. Aunque también puedes combinar fuentes que armonicen entre sí

59. Un ejemplo clásico es utilizar
sans-serif para los titulares y
serif para cuerpos de texto

60. u
Conoce los formatos y experimenta con ellos

62. v
Conoce los diferentes tipos de papel y tintas

64. Mantén uniformidad en todo el diseño
w

67. Estudia los casos de éxito
x

70. y
Cuida TODOS los detalles

73. Experimenta, diviértete y practica
z