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Un Chien Andalou
(An Andalusian Dog)
1929
Un Chien Andalou
• silent Surrealist film
• Directed by Spanish director Luis Bunuel and
  artist Salvador Dali
• Andalusia- an autonomous community in
  Spain
• Limited showing in Paris in 1929
• Became popular and ran for eight months
features
• Purposely incorrect spellings of names in
  introduction (except for Dali)
• Absence of plot (in the conventional sense)
• Disjointed chronology
• Use of dream logic
• Use of Freudian free association
“ the most effective manner in which to
   appreciate the film is to allow the images to
   seduce, to watch with your eyes and emotions
   and not to seek an explanation.”

                     - Michael Koller, film critic
Title Card Guide
•   Once upon a time
•   Eight years later
•   Around three in the morning
•   Sixteen years ago
•   In Spring
Debriefing
• Story came from “the encounter between two
  dreams”
• Cloud slitting the moon/ blade slitting the eye
  - key to appreciating the film
  - castration anxiety
• Dislocation of space
• Bourgeoisie outrage
• Death head moth
The Persistence of Memory, 1931
The
Lugubrious
Game/The
Mournful
Game, 1929
Face of Mae
West which
May be used
as an
Apartment,
1935
The Last Supper, 1955
Gala Contemplating the
Mediterranean Sea, which at 30
meters becomes the portrait of
Abraham Lincoln (Homage to
Rothko)
1976
Charades Game
           (guess the painting)
• Count off
• Divide into 2 groups
• Each groups chooses a representative who will
  act out for the group. The other group
  chooses work from previous discussions for
  the other group to guess. The other group is
  given 30 seconds to guess the title.
• The group with the most points wins.

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Un chien andalou

  • 1. Un Chien Andalou (An Andalusian Dog) 1929
  • 2. Un Chien Andalou • silent Surrealist film • Directed by Spanish director Luis Bunuel and artist Salvador Dali • Andalusia- an autonomous community in Spain • Limited showing in Paris in 1929 • Became popular and ran for eight months
  • 3. features • Purposely incorrect spellings of names in introduction (except for Dali) • Absence of plot (in the conventional sense) • Disjointed chronology • Use of dream logic • Use of Freudian free association
  • 4. “ the most effective manner in which to appreciate the film is to allow the images to seduce, to watch with your eyes and emotions and not to seek an explanation.” - Michael Koller, film critic
  • 5. Title Card Guide • Once upon a time • Eight years later • Around three in the morning • Sixteen years ago • In Spring
  • 6. Debriefing • Story came from “the encounter between two dreams” • Cloud slitting the moon/ blade slitting the eye - key to appreciating the film - castration anxiety • Dislocation of space • Bourgeoisie outrage • Death head moth
  • 7. The Persistence of Memory, 1931
  • 9. Face of Mae West which May be used as an Apartment, 1935
  • 10.
  • 12.
  • 13. Gala Contemplating the Mediterranean Sea, which at 30 meters becomes the portrait of Abraham Lincoln (Homage to Rothko) 1976
  • 14.
  • 15. Charades Game (guess the painting) • Count off • Divide into 2 groups • Each groups chooses a representative who will act out for the group. The other group chooses work from previous discussions for the other group to guess. The other group is given 30 seconds to guess the title. • The group with the most points wins.