1. PAST QUESTIONS FOR WORLD CINEMA
Summer 2014
• 5. Discusshowfar the ‘look’createdbycinematographyandeditingcontributestothe impactof
the filmsyouhave studiedforthistopic.[35]
• OR,
• 6. ‘Itis vital tounderstandthe social andpolitical contextof the films’.How fardo youagree with
thisinrelationtothe filmsyouhave studiedforthistopic?[35]
Summer2013
5. ‘To findaninternational audience,filmsaboutlocal andparticularproblemsneedtouse
mainstreamtechniquessuchasthose associatedwithHollywoodcinema.’How fardoyouagree
withthisstatementinrelationtothe filmsyouhave studiedforthistopic?[35]
• OR,
• 6. How far shouldthe filmsyouhave studiedforthistopicbe seeninrelationtotheirparticular
time andplace?[35]
Summer2012
• 5. Explore howthe representationof urbanenvironmentscontributestothe keythemesof your
chosenfilms[35]
• OR,
• 6. ‘The stylisticchoicesmade byfilmmakersdefine notjustthe lookbutalsothe meaningof the
film.’Howfaris thistrue of the filmsyouhave studiedforthistopic?[35]
Winter2012
• 5. Compare the differentwaysinwhichconflictbetweenthe poorandthe powerful are
representedinthe filmsyouhave studiesforthistopic.
• Or,
• 6. How significantiseditingand/orsoundincontributingtothe powerof the narrative inthe films
youhave studiedforthistopic?
Summer2011
• 5. What isthe importance of cinematographyand/orediting incommunicatingissuesof power,
povertyandconflictinthe filmsyouhave studiedforthistopic?
• Or,
• 6. How far dothe filmsyouhave studiedforthistopicchallenge the audience,generatedebate
aboutthe worldstheyrepresent?
Winter2011
• 5. Compare the attitudestopovertyconveyedinthe filmsyouhave studiedforthistopic.[35]
2. • Or,
• 6. Explore howstylisticchoicescontributetothe representationof the urbanexperience inthe
filmsyouhave studiedforthistopic.[35]
Summer2010
• 5. How far doesthe impactof the filmsyouhave studiedforthistopicdependondistinctive uses
of filmtechniques?[35]
• Or,
• 6. How far dothe filmsyouhave studiedforthistopicofferananalysisof the social issuesthey
present?[35]