Peter Mason: Collectivisation or fragmentation and fair negotiations?
•
1 gefällt mir•108 views
Collectivisation or fragmentation and fair negotiations? While music publishing rights licensing remains fractured, a few key services are growing increasingly important, raising the issue of fairness and transparency in negotiations between rightsholders and services. Is there a risk of rightsholders being played off against each other and might additional safeguards be needed to ensure fair negotiations? How do we ensure fair treatment of writers and other rightsholders and avoid an inequality of available information and bargaining power in licensing negotiations Peter Mason, Solicitor, Russells, previously with PPL
Empfohlen
Empfohlen
Weitere ähnliche Inhalte
Ähnlich wie Peter Mason: Collectivisation or fragmentation and fair negotiations?
Ähnlich wie Peter Mason: Collectivisation or fragmentation and fair negotiations? (20)
Mehr von MME 4.5 / Music 4.5 / 2Pears
Mehr von MME 4.5 / Music 4.5 / 2Pears (20)
Kürzlich hochgeladen
Kürzlich hochgeladen (20)
Peter Mason: Collectivisation or fragmentation and fair negotiations?
- 1. Licensing Audio Services – Collectivisation and Fragmentation Music 4.5, 4 October 2018
- 2. Music Publishing Licensors for Radio Services
- 3. Music Publishing Licensors for Interactive Audio Services (Sony / ATV / EMI) (via DEAL / SACEM) (via PEDL / PRS) (BMG) (Kobalt) …. And many more….
- 4. The Interactive Audio Services Market – IFPI Digital Music Report 2011 • 3 Downloads • 7digital • AmazonMP3 • Babelgum • Beatport • Bleep • Boomkat • Breakbeat.co.uk • BT Vision • Classical.com • Classical Archives • Classics Online • Coolroom • Deezer • DJ Download • eMusic • Fairsharemusic • Historic Recordings • HMV Digital • iLike • Indie Mobile • Indmill • iTunes • Jamster • Joost • Juno • last.fm • Mewbox (Android) • mFlow • MTV • Music Anywhere • Music For Life (Talk Talk) • MusicStation • Music Unlimited powered by Qriocity • Musicovery • Muzu.tv • MySpace • Napster • Naxos Music Library • Nectar Music Store • Ooizit • Orange Music Store • Orange Monkey • Ovi Comes With Music • Ovi Music Store • Partymob • Passionato • Play Digital • Recordstore • Spotify • Tesco Downloads • Textatrack UK • The Classical Shop • T-Mobile UK • Track It Down • Traxsource • TuneTribe • Tunited • Vidzone (PS3 only) • Virgin Media Music • Vodafone • We7 • Yahoo Music • YouTube • Zune
- 5. The Interactive Audio Services Market – IFPI Digital Music Report 2011 • 3 Downloads • 7digital • AmazonMP3 • Babelgum • Beatport • Bleep • Boomkat • Breakbeat.co.uk • BT Vision • Classical.com • Classical Archives • Classics Online • Coolroom • Deezer • DJ Download • eMusic • Fairsharemusic • Historic Recordings • HMV Digital • iLike • Indie Mobile • Indmill • iTunes • Jamster • Joost • Juno • last.fm • Mewbox (Android) • mFlow • MTV • Music Anywhere • Music For Life (Talk Talk) • MusicStation • Music Unlimited powered by Qriocity • Musicovery • Muzu.tv • MySpace • Napster • Naxos Music Library • Nectar Music Store • Ooizit • Orange Music Store • Orange Monkey • Ovi Comes With Music • Ovi Music Store • Partymob • Passionato • Play Digital • Recordstore • Spotify • Tesco Downloads • Textatrack UK • The Classical Shop • T-Mobile UK • Track It Down • Traxsource • TuneTribe • Tunited • Vidzone (PS3 only) • Virgin Media Music • Vodafone • We7 • Yahoo Music • YouTube • Zune
- 6. The Interactive Audio Services Market – Number of Paying Subscribers on the Big Players Month Apple Music Spotify June 2017 28 million 57 million July 2017 - 60 million September 2017 30 million 65 million January 2018 - 70 million February 2018 38 million 71 million April 2018 40 million - June 2018 42 million 83 million Source: Statista.com and Apple and Spotify public announcements
- 7. What are the services going to do with all that power? • Daniel Ek, Spotify: "The long-term success metrics for this platform is growing the number of creators on our platform, growing the number of creators using our promotion, marketing and career-management tools, and the number of artists and labels paying us to use those tools and services." • Hiring TV executives (e.g. Dawn Ostroff) • Direct deals with artists • Enabling direct uploads • Use of “fake artists”
- 8. Complexity of Licensing Deals • Advance • Revenue share • Minima per subscriber • Minima per stream • Discounts for array of bundles and subscriber types
- 9. Controls on the licensing process? – Comparison to Collecting Societies • Complaints and alternative dispute resolution procedures • Transparency Obligations – Per rightholder – Per rights type – In aggregate • Good faith negotiation • Provide necessary information • Obligation to offer standard licences to all similar persons • Fees subject to a court or tribunal