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    Educational Fair Use &
    Creative Commons
    Chris Taylor
+
    Fair Use


                  Law of 1976
    Copyright

             Use” within the law
    “Fair

           of Temple University’s
    Focus
     Guidelines
+
    Guidelines by the Media Education
    Lab at Temple
           copyright policies for educational use
    The
     are usually overstated in regards to
     infringement
          code or guidelines do not address all
    The
     the parameters of fair use
             literacy education- “the
    Media
     transformative uses of copyright material
     in media literacy education that can
     flourish only with a robust understanding
     of fair use” (pg. 4).
+
    Definition of Fair Use (Temple pg. 5)


                gives limited property rights to
     “Society
      creators to encourage them to produce
      culture; at the same time, we give other
      creators the chance to use that same
      copyrighted material, without permission
      or payment, in some circumstances.”
     Right of the User (Instructors)
     Copyright laws are not specific about
      Fair Use therefore it is flexible for the
      user (pg. 6)
+
    Four Considerations that Judges
    make concerning Fair Use (Temple pg. 6)

             of the use
     Nature
     Nature of the work used
     Extent of the use
     Economic effect
+
    Two Key Questions in the Eyes of
    the Law (Temple pg. 6)
           the unlicensed use “transform” the
     “Did
      material taken from the copyrighted work
      by using it for a different purpose than that
      of the original, or did it just repeat the
      work for the same intent and value as the
      original?”
     “Was the material taken appropriate in
      kind and amount, considering the nature
      of the copyrighted work and of the use?”
+
    What does this mean for educators?

      Copyrighted    material should be available
       for their activities and those of their learners
      Educators “are aware of the increased
       vigilance with which copyright owners are
       enforcing their rights” (pg. 4).
      “Those who want to claim the benefits of
       fair use have a rare opportunity to be open
       and public about asserting the
       appropriateness of their practices and the
       justifications for them” (pg. 5).
The Principles described by the
+
  Media Lab at Temple University (pg.
  10-13)
  Educators may use material from the full range of

  copyrighted sources and make them available to learners
 Educators may integrate copyrighted materials into
  curriculum materials
 Share effective examples of teaching about media and
  meaning with one another including lessons and resource
  materials
 Educators should be free to enable learners to incorporate,
  modify, and re-present existing media objects in their own
  classroom work
 Educators design assignments so that students have the
  opportunity to distribute their work
+
    Creative Commons
        Founded in 2001
    

        Works along side copyright laws but allows people to
    
        modify their copyright to best suit their needs

        The body of work that is available to the public for free
    
        and legal sharing, use, repurposing, and remixing

        Some rights reserved
    
         Allows one to keep their copyright while allowing certain
          uses of their work

        Great opportunity for educators to create content and
    
        publish it while maintaining some control of its use

        This organization allows the distribution of content for
    
        free
+
     Six Types of Licenses that
     Educators may obtain
Type                         Characteristics


Attribution                     Allows others to distribute, remix, tweak, and
                                build upon your work, even commercially, as
                                long as they credit you for the original creation


Attribution Share Alike         Allows others to distribute, remix, tweak, and
                                build upon your work, even commercially, as
                                long as they credit you and license their new
                                creations under the identical terms

Attribution No Derivatives      Allows for redistribution, commercial and
                                non-commercial, as long as it is passed along
                                unchanged and in whole, with credit to you
Six Licenses Continued
+
Types                                       Characteristics

Attribution Non-Commercial                    Allows others to remix, tweak, and build
                                              upon your work non-commercially
                                              Must acknowledge you and be non-
                                              commercial
                                              They don’t have to license their derivative
                                              works on the same terms


Attribution Non-Commercial Share Alike        Allows others to remix, tweak, and build
                                              upon your work non-commercially and it
                                              must credit you
                                              The new creation must have the identical
                                              terms
Attribution Non-Commercial No Derivatives     Most restrictive of the licenses allowing
                                              redistribution
                                              “Free advertising” license
                                              Allows others to download your works and
                                              share them with others as long as they
                                              mention you and link back to you
                                              They can’t change the works in any way or
                                              use them commercially
+
    Examples of Creative Commons




     The Alamo by: Kevin Trotman




                                     Gettysburg by: Pat Henson


Our Friend, Albert by: photo-gator
+
    Resources

     Educational   Fair Use
      Center for Social Media: School of Communication
       American University. The Code of Best Practices in
       Fair Use for Media Literacy Education. Media
       Education Lab: Temple University.
       Centerforsocialmedia.org/medialiteracy

     Creative   Commons
      Creative Commons. http://creativecommons.org/
      FlickR. http://www.flickr.com

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Fair Use

  • 1. + Educational Fair Use & Creative Commons Chris Taylor
  • 2. + Fair Use Law of 1976 Copyright Use” within the law “Fair of Temple University’s Focus Guidelines
  • 3. + Guidelines by the Media Education Lab at Temple copyright policies for educational use The are usually overstated in regards to infringement code or guidelines do not address all The the parameters of fair use literacy education- “the Media transformative uses of copyright material in media literacy education that can flourish only with a robust understanding of fair use” (pg. 4).
  • 4. + Definition of Fair Use (Temple pg. 5) gives limited property rights to “Society creators to encourage them to produce culture; at the same time, we give other creators the chance to use that same copyrighted material, without permission or payment, in some circumstances.” Right of the User (Instructors) Copyright laws are not specific about Fair Use therefore it is flexible for the user (pg. 6)
  • 5. + Four Considerations that Judges make concerning Fair Use (Temple pg. 6) of the use Nature Nature of the work used Extent of the use Economic effect
  • 6. + Two Key Questions in the Eyes of the Law (Temple pg. 6) the unlicensed use “transform” the “Did material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original?” “Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?”
  • 7. + What does this mean for educators?  Copyrighted material should be available for their activities and those of their learners  Educators “are aware of the increased vigilance with which copyright owners are enforcing their rights” (pg. 4).  “Those who want to claim the benefits of fair use have a rare opportunity to be open and public about asserting the appropriateness of their practices and the justifications for them” (pg. 5).
  • 8. The Principles described by the + Media Lab at Temple University (pg. 10-13) Educators may use material from the full range of  copyrighted sources and make them available to learners  Educators may integrate copyrighted materials into curriculum materials  Share effective examples of teaching about media and meaning with one another including lessons and resource materials  Educators should be free to enable learners to incorporate, modify, and re-present existing media objects in their own classroom work  Educators design assignments so that students have the opportunity to distribute their work
  • 9. + Creative Commons Founded in 2001  Works along side copyright laws but allows people to  modify their copyright to best suit their needs The body of work that is available to the public for free  and legal sharing, use, repurposing, and remixing Some rights reserved   Allows one to keep their copyright while allowing certain uses of their work Great opportunity for educators to create content and  publish it while maintaining some control of its use This organization allows the distribution of content for  free
  • 10. + Six Types of Licenses that Educators may obtain Type Characteristics Attribution Allows others to distribute, remix, tweak, and build upon your work, even commercially, as long as they credit you for the original creation Attribution Share Alike Allows others to distribute, remix, tweak, and build upon your work, even commercially, as long as they credit you and license their new creations under the identical terms Attribution No Derivatives Allows for redistribution, commercial and non-commercial, as long as it is passed along unchanged and in whole, with credit to you
  • 11. Six Licenses Continued + Types Characteristics Attribution Non-Commercial Allows others to remix, tweak, and build upon your work non-commercially Must acknowledge you and be non- commercial They don’t have to license their derivative works on the same terms Attribution Non-Commercial Share Alike Allows others to remix, tweak, and build upon your work non-commercially and it must credit you The new creation must have the identical terms Attribution Non-Commercial No Derivatives Most restrictive of the licenses allowing redistribution “Free advertising” license Allows others to download your works and share them with others as long as they mention you and link back to you They can’t change the works in any way or use them commercially
  • 12. + Examples of Creative Commons The Alamo by: Kevin Trotman Gettysburg by: Pat Henson Our Friend, Albert by: photo-gator
  • 13. + Resources  Educational Fair Use  Center for Social Media: School of Communication American University. The Code of Best Practices in Fair Use for Media Literacy Education. Media Education Lab: Temple University. Centerforsocialmedia.org/medialiteracy  Creative Commons  Creative Commons. http://creativecommons.org/  FlickR. http://www.flickr.com