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Depicting Time With
        Photography

“Photography takes an instant out of
time, altering life by holding it still.”
            - Dorothea Lange
Pioneers of Capturing Motion

  Eadweard Muybridge                Harold Edgerton
April 9, 1830 – May 8, 1904   April 6, 1903 – January 4, 1990
Eadweard
Muybridge
experimented with
photography and
time, producing
famous studies of
human and animal
motion.
His work
conclusively
proved that when
horses gallop, all
                     Early experiments with
four hooves leave
the ground.          photography, time, and motion
How did he do it?
Originally, Muybrid
ge lined up a series
of cameras next to
each other. As the
horse galloped
past, it would
trigger strings
stretched across the
track and connected
to each individual
camera.
                       Early experiments with
                       photography, time, and motion
Eventually he perfected
this process and created
a camera with multiple
lenses and plates. He
would use several of
these cameras, all
controlled by a single
mechanism.




                           Early experiments with
                           photography, time, and motion
Muybridge then
invented a machine,
the Zoopraxiscope,
that allowed him to
play his images in
succession in a
rudimentary form of
animation.




                      The Zoopraxiscope
The images were
painted on glass
disks, which were
then spun and
projected.
This early work in
photography and the
capturing of motion
led to other forms of
rudimentary
animation.


                        The Zoopraxiscope
John Barnes Linnett
patented a new form of
moving pictures in
1868, which consisted
of a series of drawings
in a book that appeared
to move when the
pages were quickly
flipped.
He called his invention
the Kineograph, more
commonly known as
flip books.
These inventions all led   Flip Books
to the development of
motion pictures.
Harold Edgerton wanted
to push Muybridge’s
work to a new
level, trying to capture
motion at an even faster
rate.
Many of Harold
Edgerton's photographs
show a split second not
viewable by the naked
eye.




                           Capturing What the Eye Cannot See
Photography has the
capability of capturing
a small fraction of
time, but it also has the
ability to show the
passage of time in one
photograph. Take a
look at Edgerton’s
photograph of the
golfer in motion.
Unlike Muybridge's
work, this photograph
shows motion in one
frame, rather than
through a series of         Edgerton and Strobe Photography
photographs.
Muybridge and Edgerton
are still influencing
photography today!

Much like Muybridge’s
original setup using
multiple cameras, the
maker’s of The Matrix
set up hundreds of still
cameras around the
actors and pieced them
together to make a
moving image. However,
unlike Muybridge’s
cameras, these cameras
were activated
electronically by          “Bullet Time”
computer, rather than by   Photography and Motion Pictures
a series of strings.

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Depicting Time With Photography

  • 1. Depicting Time With Photography “Photography takes an instant out of time, altering life by holding it still.” - Dorothea Lange
  • 2. Pioneers of Capturing Motion Eadweard Muybridge Harold Edgerton April 9, 1830 – May 8, 1904 April 6, 1903 – January 4, 1990
  • 3. Eadweard Muybridge experimented with photography and time, producing famous studies of human and animal motion. His work conclusively proved that when horses gallop, all Early experiments with four hooves leave the ground. photography, time, and motion
  • 4. How did he do it? Originally, Muybrid ge lined up a series of cameras next to each other. As the horse galloped past, it would trigger strings stretched across the track and connected to each individual camera. Early experiments with photography, time, and motion
  • 5.
  • 6. Eventually he perfected this process and created a camera with multiple lenses and plates. He would use several of these cameras, all controlled by a single mechanism. Early experiments with photography, time, and motion
  • 7. Muybridge then invented a machine, the Zoopraxiscope, that allowed him to play his images in succession in a rudimentary form of animation. The Zoopraxiscope
  • 8. The images were painted on glass disks, which were then spun and projected. This early work in photography and the capturing of motion led to other forms of rudimentary animation. The Zoopraxiscope
  • 9. John Barnes Linnett patented a new form of moving pictures in 1868, which consisted of a series of drawings in a book that appeared to move when the pages were quickly flipped. He called his invention the Kineograph, more commonly known as flip books. These inventions all led Flip Books to the development of motion pictures.
  • 10. Harold Edgerton wanted to push Muybridge’s work to a new level, trying to capture motion at an even faster rate. Many of Harold Edgerton's photographs show a split second not viewable by the naked eye. Capturing What the Eye Cannot See
  • 11.
  • 12. Photography has the capability of capturing a small fraction of time, but it also has the ability to show the passage of time in one photograph. Take a look at Edgerton’s photograph of the golfer in motion. Unlike Muybridge's work, this photograph shows motion in one frame, rather than through a series of Edgerton and Strobe Photography photographs.
  • 13.
  • 14. Muybridge and Edgerton are still influencing photography today! Much like Muybridge’s original setup using multiple cameras, the maker’s of The Matrix set up hundreds of still cameras around the actors and pieced them together to make a moving image. However, unlike Muybridge’s cameras, these cameras were activated electronically by “Bullet Time” computer, rather than by Photography and Motion Pictures a series of strings.