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FILMS MADE
WMD
Life Just Is
Verity’s Summer
Dog City
LIFE JUST IS -
A PATCHWORK FILM
Pete, Tom, Claire and Jay are university
graduates having trouble making the move
into adult life. Beneath the hanging out and
the daily routines simmers Pete’s desire to
find a spiritual answer to life’s meaning,
Jay’s desperate need not to get hurt again,
and Tom and Claire’s ever increasing mutual
attraction. A thoughtful character drama, Life
Just Is, is a film about love, death, and,
most importantly of all, life itself.
The debut feature from writer/director Alex
Barrett, Life Just Is offers a fresh
examination of young adult life
PRODUCTION - FUNDING
• FUNDED BY - individual donations,
• Product placement
• Crowd funding –
• the collective effort of individuals who
network and pool their money, usually
online, to support efforts initiated by other
people or organizations
• Film funding companies- iFeatures , a
company looking for England’s most
imaginative and compelling stories from its
brightest filmmakers. Creative England led
alongside partners such as the BFI Film
Fund, BBC Films, and the Skillset Film Skills
Fund.
DISTRIBUTION
• Picked up by Independent Distribution
• They networked to find this placement , going to
conferences such as Power to the Pixel
• Joined organizations such as Film Specific who
help indie producers and production companies
distribute their product.
TECHNOLOGY
• Deliberately worked in trying to create trans-
media things, web-series or comic strip
accompanying main film to create backstory and
enrich the plot
• They discussed the idea that although this
synergy and technological convergence can
be expensive it can also be a money
spinner, if it successful. It was a lot of money to
gamble however so they felt that this could be
better dispensed on other areas of production.
• They didn’t want to just go across platform for
the sake of doing so
• Although they had good quality
cameras, these were hired and any
further quality was limited by the budget
that they had to spend
Patchwork’s
hired cameras
Time Warner’s
expensive self
owned cameras
AUDIENCES
• Thinking about
audience
response
• They realised
who they might
be
• Original no
target audience
• Rewritten to be
more targeted
http://www.youtube.com/watch?v=My5ni0w-
eHA&feature=player_embedded&safe=active
Patchwork Productions case study

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Patchwork Productions case study

  • 1.
  • 2. FILMS MADE WMD Life Just Is Verity’s Summer Dog City
  • 3. LIFE JUST IS - A PATCHWORK FILM Pete, Tom, Claire and Jay are university graduates having trouble making the move into adult life. Beneath the hanging out and the daily routines simmers Pete’s desire to find a spiritual answer to life’s meaning, Jay’s desperate need not to get hurt again, and Tom and Claire’s ever increasing mutual attraction. A thoughtful character drama, Life Just Is, is a film about love, death, and, most importantly of all, life itself. The debut feature from writer/director Alex Barrett, Life Just Is offers a fresh examination of young adult life
  • 4. PRODUCTION - FUNDING • FUNDED BY - individual donations, • Product placement • Crowd funding – • the collective effort of individuals who network and pool their money, usually online, to support efforts initiated by other people or organizations • Film funding companies- iFeatures , a company looking for England’s most imaginative and compelling stories from its brightest filmmakers. Creative England led alongside partners such as the BFI Film Fund, BBC Films, and the Skillset Film Skills Fund.
  • 5. DISTRIBUTION • Picked up by Independent Distribution • They networked to find this placement , going to conferences such as Power to the Pixel • Joined organizations such as Film Specific who help indie producers and production companies distribute their product.
  • 6. TECHNOLOGY • Deliberately worked in trying to create trans- media things, web-series or comic strip accompanying main film to create backstory and enrich the plot • They discussed the idea that although this synergy and technological convergence can be expensive it can also be a money spinner, if it successful. It was a lot of money to gamble however so they felt that this could be better dispensed on other areas of production. • They didn’t want to just go across platform for the sake of doing so
  • 7. • Although they had good quality cameras, these were hired and any further quality was limited by the budget that they had to spend Patchwork’s hired cameras Time Warner’s expensive self owned cameras
  • 8. AUDIENCES • Thinking about audience response • They realised who they might be • Original no target audience • Rewritten to be more targeted http://www.youtube.com/watch?v=My5ni0w- eHA&feature=player_embedded&safe=active