SlideShare ist ein Scribd-Unternehmen logo
1 von 43
“ To His Coy Mistress”  by Andrew Marvell
A METAPHYSICAL POET ,[object Object],[object Object],[object Object],[object Object],[object Object]
THE CONCEIT ,[object Object]
EXAMPLE OF CONCEIT ,[object Object],[object Object]
“ To His Coy Mistress”  by Andrew Marvell
Had we but world enough, and time, This coyness, lady, were no crime. We would sit down and think which way To walk, and pass our long love's day; Thou by the Indian Ganges' side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the Flood; And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires, and more slow. An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate.
But at my back I always hear Time's winged chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found, Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long preserv'd virginity, And your quaint honour turn to dust, And into ashes all my lust. The grave's a fine and private place, But none I think do there embrace.
Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may; And now, like am'rous birds of prey, Rather at once our time devour, Than languish in his slow-chapp'd power. Let us roll all our strength, and all Our sweetness, up into one ball; And tear our pleasures with rough strife Thorough the iron gates of life. Thus, though we cannot make our sun Stand still, yet we will make him run.
To His Coy Mistress  is one of many “seduction poems”.  The message is simple: the coyness of his mistress appeals to him, but life is too short to play games, so it's time to get serious.
To His Coy Mistress – The Argument ,[object Object],[object Object],[object Object],[object Object],[object Object],THESIS: The ideal state (”Had we…”) ANTITHESIS: The real situation (”But at…”) SYNTHESIS: What has to be done as necessary conclusion (”Now therefore…”)
Three Themes ,[object Object],[object Object],[object Object]
Had we but world enough, and time, 1 This coyness, lady, were no crime. Shyness, reserve, unwillingness – fashionable for women to behave in this way at the time – at least initially How does this pronoun help to persuade?  United in their battle against time time, Theme is immediately introduced – brevity of human life and pursuits vs time – Carpe Diem: seize the day ,[object Object],[object Object],[object Object],An attempt to escape the ravages of time to an idyllic life where they may pass each “long love’s day” together. Lyric poem Octosyllabic lines (8 syllables per line) Regular “sing-song” rhythm and rhyme creates a “comic” feel which contrasts strongly with the underlying theme of life and death
We would sit down and think which way To walk, and pass our long love's day; Thou by the Indian Ganges' side 5 Shouldst rubies find; I by the tide Of Humber would complain.  c.1650 – time of exploration and discovery -  EFFECT OF COMPARISON? Her: by the side of the River Ganges in India with rubies Him: by the side of the River Humber in Hull FLATTERY!
I would Love you ten years before the Flood; And you should, if you please, refuse Till the conversion of the Jews. 10 My vegetable love should grow Vaster than empires, and more slow. Biblical Flood / Noah’s Ark Over 4000 years ago In Christian texts – just before the end of the world How long? HYPERBOLE? Why does he compare his love to a slow growing vegetable? Why does he use the phrase ‘vaster than empires”? How do we know he will not fall out of love with her quickly?
An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, 15 But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. An  hundred years  should go to praise Thine eyes, and on thy forehead gaze; Two hundred  to adore each breast, 15 But  thirty thousand  to the rest; An age  at least to every part, And  the last age  should show your heart. How is time used to praise and flatter her?
For, lady, you deserve this state, Nor would I love at lower rate. 20 He called her “Mistress” before. Why does he now call her “lady”? How does this tally with what follows in the poem?
But  at my back I always hear Time's winged chariot hurrying near; And yonder all before us lie Deserts of vast eternity. START OF ANTITHESIS: we’ve been given the opening statement (thesis), now he discusses the reason why he can’t do as he’d like – the “But” What reason does he give for not being able to do what he would like?
HELIOS (or Helius) was the Titan god of the sun. He was also the guardian of oaths and the god of gift of sight. Helios dwelt in a golden palace located in the River Okeanos at the eastern ends of the earth. From there he emerged each dawn driving a chariot drawn by four, fiery winged steeds and crowned with the aureole of the sun. When he reached the land of the Hesperides (Evenings) in the West he descended into a golden cup which carried him around the northern streams of Okeanos back to his rising place in the East.  ( www.theoi.com/Titan/Helios.html )
HELIOS
But  at my back I always hear Time's winged chariot hurrying near; And yonder all before us lie Deserts of vast eternity. START OF ANTITHESIS: we’ve been given the opening statement (thesis), now he discusses the reason why he can’t do as he’d like – the “But” Time = negative, lifeless eternity Rejection of afterlife which will bring relief Reflects rising religious scepticism of the time Desert image: barren, no sex = no children - dull relationship
Thy beauty shall no more be found,  25 Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long preserv'd virginity, And your  quaint  honour turn to dust, And into ashes all my lust. 30 The grave's a fine and private place, But none I think do there embrace. Elegant but artificial – all very nice and honourable but worthless to him
Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires   35 At every pore with instant fires, SYNTHESIS – THE SOLUTION The threats disappear – approaches her more positively
Now let us sport us while we may; And now, like amorous birds of prey, Rather at once our time devour, Than languish in his slow-chapp'd power. 40 More passionate images and words Hoping to gain eternity through sexual union – they should devour time rather than time devouring them Slow devouring jaws of time
Let us roll all our strength, and all Our sweetness, up into one ball; And tear our pleasures with rough strife Through the iron gates of life. Plural pronoun – union, togetherness Break down the “iron gates” of time
Thus, though we cannot make our sun   45 Stand still, yet we will make him run. Returns to the image of sun and time. What is his final point? On the surface, this poem is about the attempted seduction of a woman…what is the message underneath about how we should live our lives? PUN?
Time flies?
[object Object]
Lines 1-20 ,[object Object],[object Object],[object Object],[object Object]
Lines 21-32 ,[object Object],[object Object],[object Object]
Lines 33-46   ,[object Object],[object Object],[object Object],[object Object],[object Object]
http://vccslitonline.vccs.edu/seduction-poetry/tohiscoymistress.html
TWO PARODIES
 
 
 
 
Overheard in the  'Coy Mistress‘ I think I need another gin - Your chat-up lines are wearing thin. In fact, you seem less hot than - coy. I start to feel you're just a boy. H ad we but world enough, and time,   T his coyness, Lady, were no crime. Good Sir, I think you may confuse A grim offence with simple ruse. W e would sit down and think which way   T o walk and pass our long love's day. To you it may seem long. To me It's rather short. At half-past three   T hou by the Indian Ganges' side   S houldst rubies find; I by the tide   O f Humber would complain. I would - You would, you say? I ndeed I would
Love you ten years before the Flood    And you should, if you please, refuse - But why on earth should I refuse? Till the conversion of the Jews. Jews?  What's wrong with Jews?  Why not? You talk about the Jews a lot. Well Buddhists then, if you prefer . Oh just get to the point, good Sir. My vegetable love should grow - Vegetable? Do you mean That bedroom-wise you're somewhat green - No vast experience then? Vaster than empires and more slow - Aha! You'll make a woman wait; Your vegetable may 'vegetate'. An hundred years should go to praise   Thine eyes and on thy forehead gaze; On about my eyes again.  What about my knees? It's plain You really think I haven't guessed You're just about to bring in 'breast'. Two hundred to adore each breast -   But thirty thousand to the rest... Men are obsessed with cars and numbers. Who, me?
Yes, you. You mentioned Humbers.   Lady - you are indeed most sage -   The most discerning of your age -    An age at least to every part,   And the last age should show your heart. Heart? You think you're getting that? I'd call the chance of that - well - fat. For Lady, you deserve this state - What - fat? No, Madam - more like Fate.   Nor would I love at lower rate.     But at my back I always hear   Time's wingèd chariot hurrying near -  That reminds me. I should get A taxi ordered.  Oh, not yet!   Yonder all before us lie   Deserts of vast eternity. I'm thirsty just to think of it. But Sir - you overstate a bit. What about another drink?   No, no! Tis sad to think   Thy beauty shall no more be found,   Nor, in thy marble vault -
The sound Of marble isn't really bound To woo. Let's go for 'alabaster' (Which incidentally rhymes with 'faster') Come on! What use is being profound Unless you  kiss me?  'Kiss'  shall sound   My echoing song; then worms shall try   That long preserved virginity - Virginity?  Oh please. How arid! I only said I wasn't married. And as for being tried by worms - Well - nothing doing on those terms.   And your quaint  'Quaint?' I really must Take exception. Quaint is just - - just too much.    - honour turn to dust,   And into ashes all my lust - Ashes? Do you plan erupting? Yes, if you keep interrupting.   The grave's a fine and private place -   But none, I think, do there embrace My point exactly. Let us trace Unerring logic. My informer Says you'd like somewhere much warmer.
Now, therefore, while the youthful hue   Sits on thy skin like morning dew - Like dew?  What's wrong with dew?   Well, dew Sounds like a filthy dose of flu. I'm not so sure I'd like the hue Of me imbued with 'morning dew'. And while thy willing soul transpires   At every pore with instant fires - Wait, wait!  What now?   Well, dew and  fire Do not mix well.    Now let us sport us  -  "Let us sport us"?  You have the passion of a tortoise!   Now let us sport us while we may -   And now -  You said 'now' twice. Make hay While sun permits. But in what way?   I thought   - like amorous birds of prey. Look here - no fetishes or freaks - Kisses, not pecks. Hugs, not beaks. Certain things I won't allow. And be consistent - 'you' or 'thou?
Rather at once our time devour   Than languish in his slow-chapt power . Slow-chapt? Yes. I thought it apt   To think of time as slow. But 'chapt'? Let us roll – A joint? Agreed.  I need the solace of the weed. No, let's   roll all our strength and all   Our sweetness up into one ball - It's funny that you're drinking  Becks . It rhymes, you know, with sex. Sex? Sex. Dear Lady, do not coolly utter   Parlance fitter for the gutter.   Wot we are the better for     A subtly-managed metaphor.   Let's  tear our pleasures with rough strife   Thorough the iron gates of life:   Thus, though we cannot make our sun - Whose son?  The  sun , my love. Not son. Does that mean that you haven't one? Not what I heard. In fact, I thought You'd two or three. I think I ought To call that taxi. Talk's sublime But still - it's nearly pumpkin time. A good-night kiss?
Stand still.  Stand still? You mean - well yes - of course I will. I've fancied you for ages, pet. I bet you noticed.  No, not   yet. I thought you had. For goodness sake Get on.  Ahem. Right -   We will   make   Our conversation last and last   Until this glorious night is past And –  No, good Sir. There's little joy In speechifying from the coy. Look here - I have a certain friend. He's not that confident. Pretend That you were me. What would you do If all he did was  talk  to you While  you  (that's me), were burning just To get a spot of naked lust? He's wilted somewhere near the stalk. He talks the talk, won't walk the walk. He's frankly - a pedestrian  While you -  Well can't you  make him run?

Weitere ähnliche Inhalte

Was ist angesagt?

Major themes of joseph andrews
Major themes of  joseph andrewsMajor themes of  joseph andrews
Major themes of joseph andrews
FRK NIAZI
 
Aristotle concept of ideal tragic hero
Aristotle concept of ideal tragic heroAristotle concept of ideal tragic hero
Aristotle concept of ideal tragic hero
sajjad farooq
 

Was ist angesagt? (20)

Ode to nightingale
Ode to nightingaleOde to nightingale
Ode to nightingale
 
Sons and lovers
Sons and loversSons and lovers
Sons and lovers
 
Hellenism in keats poetry
Hellenism in keats poetryHellenism in keats poetry
Hellenism in keats poetry
 
Ode to the west wind ppt
Ode to the west wind   pptOde to the west wind   ppt
Ode to the west wind ppt
 
Rape of the lock a mock heroic epic poem
Rape of the lock a mock heroic epic poemRape of the lock a mock heroic epic poem
Rape of the lock a mock heroic epic poem
 
Major themes of joseph andrews
Major themes of  joseph andrewsMajor themes of  joseph andrews
Major themes of joseph andrews
 
Preface to shakespear
Preface to shakespearPreface to shakespear
Preface to shakespear
 
To the lighthouse by Woolf
To the lighthouse by WoolfTo the lighthouse by Woolf
To the lighthouse by Woolf
 
Paradise lost-book-i
Paradise lost-book-iParadise lost-book-i
Paradise lost-book-i
 
The Study of Poetry - Matthew Arnold
The Study of Poetry - Matthew ArnoldThe Study of Poetry - Matthew Arnold
The Study of Poetry - Matthew Arnold
 
Aristotle concept of ideal tragic hero
Aristotle concept of ideal tragic heroAristotle concept of ideal tragic hero
Aristotle concept of ideal tragic hero
 
A Portrait of the artist as a young man
A Portrait of the artist as a young manA Portrait of the artist as a young man
A Portrait of the artist as a young man
 
To his coy mistress
To his coy mistressTo his coy mistress
To his coy mistress
 
The Duchess of Malfi- Themes and symbols
The Duchess of Malfi- Themes and symbolsThe Duchess of Malfi- Themes and symbols
The Duchess of Malfi- Themes and symbols
 
The Duchess of Malfi Presented by MM Shariful Karim
The Duchess of Malfi Presented by MM Shariful Karim The Duchess of Malfi Presented by MM Shariful Karim
The Duchess of Malfi Presented by MM Shariful Karim
 
Paradise lost
Paradise lostParadise lost
Paradise lost
 
The Rape of the Lock - A Mock Poem
The Rape of the Lock - A Mock Poem The Rape of the Lock - A Mock Poem
The Rape of the Lock - A Mock Poem
 
Heart of Darkness
Heart of DarknessHeart of Darkness
Heart of Darkness
 
Sailing to byzatium
Sailing to byzatiumSailing to byzatium
Sailing to byzatium
 
Sir Philip Sidney's Defence of Poesie
Sir Philip Sidney's Defence of PoesieSir Philip Sidney's Defence of Poesie
Sir Philip Sidney's Defence of Poesie
 

Andere mochten auch

Cultural studies in the poem 'To his coy mistress'
Cultural studies in the poem 'To his coy mistress'Cultural studies in the poem 'To his coy mistress'
Cultural studies in the poem 'To his coy mistress'
Dipti Vaghela
 
Coy mistress
Coy mistressCoy mistress
Coy mistress
akramq
 
Abraham cowley
Abraham cowleyAbraham cowley
Abraham cowley
Levilei
 
Paper-1 The Renaissance Literature
Paper-1 The Renaissance LiteraturePaper-1 The Renaissance Literature
Paper-1 The Renaissance Literature
devendra00
 
Hawthrone and his market &Chetan Bhagat and his market
Hawthrone and his market &Chetan Bhagat and his marketHawthrone and his market &Chetan Bhagat and his market
Hawthrone and his market &Chetan Bhagat and his market
MKBU Department of English
 
Other side of love - Lyric.
Other side of love - Lyric.Other side of love - Lyric.
Other side of love - Lyric.
elenaburcio
 
'Frankenstein'- Cultural Studies
'Frankenstein'- Cultural Studies'Frankenstein'- Cultural Studies
'Frankenstein'- Cultural Studies
Namrata Gohil
 
IOP - John Donne`s style
IOP - John Donne`s styleIOP - John Donne`s style
IOP - John Donne`s style
Frascio93
 

Andere mochten auch (20)

Andew marvell's To his coy mistress
Andew marvell's To his coy mistressAndew marvell's To his coy mistress
Andew marvell's To his coy mistress
 
"To His Coy Mistress" poem analysis through the sense of cultural studies
"To His Coy Mistress" poem analysis through the sense of cultural studies"To His Coy Mistress" poem analysis through the sense of cultural studies
"To His Coy Mistress" poem analysis through the sense of cultural studies
 
To His Coy Mistress
To His Coy MistressTo His Coy Mistress
To His Coy Mistress
 
cultural studies with reference to 'To his coy mistress'
cultural studies with reference to 'To his coy mistress'cultural studies with reference to 'To his coy mistress'
cultural studies with reference to 'To his coy mistress'
 
Cultural studies in the poem 'To his coy mistress'
Cultural studies in the poem 'To his coy mistress'Cultural studies in the poem 'To his coy mistress'
Cultural studies in the poem 'To his coy mistress'
 
"To His Coy Mistress"
"To His Coy Mistress" "To His Coy Mistress"
"To His Coy Mistress"
 
John Donne
John DonneJohn Donne
John Donne
 
To his coy mistress hammad
To his coy mistress hammadTo his coy mistress hammad
To his coy mistress hammad
 
A Valediction Forbidding Mourning : John Donne
A Valediction Forbidding Mourning : John DonneA Valediction Forbidding Mourning : John Donne
A Valediction Forbidding Mourning : John Donne
 
Coy mistress
Coy mistressCoy mistress
Coy mistress
 
Metaphysical Poet John Donne
Metaphysical Poet John DonneMetaphysical Poet John Donne
Metaphysical Poet John Donne
 
Famous Yorkshire Writers
Famous Yorkshire WritersFamous Yorkshire Writers
Famous Yorkshire Writers
 
Abraham cowley
Abraham cowleyAbraham cowley
Abraham cowley
 
Paper-1 The Renaissance Literature
Paper-1 The Renaissance LiteraturePaper-1 The Renaissance Literature
Paper-1 The Renaissance Literature
 
Hawthrone and his market &Chetan Bhagat and his market
Hawthrone and his market &Chetan Bhagat and his marketHawthrone and his market &Chetan Bhagat and his market
Hawthrone and his market &Chetan Bhagat and his market
 
Other side of love - Lyric.
Other side of love - Lyric.Other side of love - Lyric.
Other side of love - Lyric.
 
Religious imagery and metaphysical poetry
Religious imagery and metaphysical poetryReligious imagery and metaphysical poetry
Religious imagery and metaphysical poetry
 
'Frankenstein'- Cultural Studies
'Frankenstein'- Cultural Studies'Frankenstein'- Cultural Studies
'Frankenstein'- Cultural Studies
 
Presentation # 1.2.
Presentation # 1.2. Presentation # 1.2.
Presentation # 1.2.
 
IOP - John Donne`s style
IOP - John Donne`s styleIOP - John Donne`s style
IOP - John Donne`s style
 

Ähnlich wie To His Coy Mistress - Andrew Marvell

to-his-coy-mistress-1209543761961153-8.pdf
to-his-coy-mistress-1209543761961153-8.pdfto-his-coy-mistress-1209543761961153-8.pdf
to-his-coy-mistress-1209543761961153-8.pdf
Susi433136
 
Types of Poems
Types of PoemsTypes of Poems
Types of Poems
rpeppard
 
The World is too much with usThe world is too much with us; la.docx
The World is too much with usThe world is too much with us; la.docxThe World is too much with usThe world is too much with us; la.docx
The World is too much with usThe world is too much with us; la.docx
ssusera34210
 
John donne
John donneJohn donne
John donne
cicilyg
 
Assignment 1 Symbolism and Metaphor in PoetryComplete and post .docx
Assignment 1 Symbolism and Metaphor in PoetryComplete and post .docxAssignment 1 Symbolism and Metaphor in PoetryComplete and post .docx
Assignment 1 Symbolism and Metaphor in PoetryComplete and post .docx
sherni1
 
Poetry in a Week
Poetry in a WeekPoetry in a Week
Poetry in a Week
knuthsa
 
Measure for measure - william shakespeare
Measure for measure - william shakespeareMeasure for measure - william shakespeare
Measure for measure - william shakespeare
Libripass
 

Ähnlich wie To His Coy Mistress - Andrew Marvell (20)

to-his-coy-mistress-1209543761961153-8.pdf
to-his-coy-mistress-1209543761961153-8.pdfto-his-coy-mistress-1209543761961153-8.pdf
to-his-coy-mistress-1209543761961153-8.pdf
 
Types of Poems
Types of PoemsTypes of Poems
Types of Poems
 
D9-ELIT 46C-S18
D9-ELIT 46C-S18D9-ELIT 46C-S18
D9-ELIT 46C-S18
 
Literature-compiled.pdf
Literature-compiled.pdfLiterature-compiled.pdf
Literature-compiled.pdf
 
The World is too much with usThe world is too much with us; la.docx
The World is too much with usThe world is too much with us; la.docxThe World is too much with usThe world is too much with us; la.docx
The World is too much with usThe world is too much with us; la.docx
 
Alfred lord tennyson
Alfred lord tennysonAlfred lord tennyson
Alfred lord tennyson
 
Romanticism
RomanticismRomanticism
Romanticism
 
Metaphysical poets
Metaphysical poetsMetaphysical poets
Metaphysical poets
 
John donne
John donneJohn donne
John donne
 
Figurative Language (Poetic Devices for Senior Students)
Figurative Language (Poetic Devices for Senior Students)Figurative Language (Poetic Devices for Senior Students)
Figurative Language (Poetic Devices for Senior Students)
 
Love through the ages texts overview student work
Love through the ages texts overview student workLove through the ages texts overview student work
Love through the ages texts overview student work
 
Sonnets 101
Sonnets 101 Sonnets 101
Sonnets 101
 
Shakespeare renaissance
Shakespeare renaissanceShakespeare renaissance
Shakespeare renaissance
 
Day 9-ELIT 46C
Day 9-ELIT 46CDay 9-ELIT 46C
Day 9-ELIT 46C
 
The summer's night lay, a poem, in three cantos. canto i
The summer's night lay, a poem, in three cantos. canto iThe summer's night lay, a poem, in three cantos. canto i
The summer's night lay, a poem, in three cantos. canto i
 
Metaphysical poetry
Metaphysical poetryMetaphysical poetry
Metaphysical poetry
 
Assignment 1 Symbolism and Metaphor in PoetryComplete and post .docx
Assignment 1 Symbolism and Metaphor in PoetryComplete and post .docxAssignment 1 Symbolism and Metaphor in PoetryComplete and post .docx
Assignment 1 Symbolism and Metaphor in PoetryComplete and post .docx
 
The sonnet
The sonnetThe sonnet
The sonnet
 
Poetry in a Week
Poetry in a WeekPoetry in a Week
Poetry in a Week
 
Measure for measure - william shakespeare
Measure for measure - william shakespeareMeasure for measure - william shakespeare
Measure for measure - william shakespeare
 

Mehr von Andre Oosthuysen

The Second Coming William Butler Yeats
The Second Coming William Butler YeatsThe Second Coming William Butler Yeats
The Second Coming William Butler Yeats
Andre Oosthuysen
 
God's Grandeur Gerald Manley Hopkins
God's Grandeur Gerald Manley HopkinsGod's Grandeur Gerald Manley Hopkins
God's Grandeur Gerald Manley Hopkins
Andre Oosthuysen
 
When In Disgrace William Shakespeare
When In Disgrace William ShakespeareWhen In Disgrace William Shakespeare
When In Disgrace William Shakespeare
Andre Oosthuysen
 

Mehr von Andre Oosthuysen (20)

My Sweet Old Etcetera
My Sweet Old EtceteraMy Sweet Old Etcetera
My Sweet Old Etcetera
 
You Cannot Know The Fears I Have
You Cannot Know The Fears I HaveYou Cannot Know The Fears I Have
You Cannot Know The Fears I Have
 
Black Dog
Black DogBlack Dog
Black Dog
 
Women Children Babies Cows Cats
Women Children Babies Cows CatsWomen Children Babies Cows Cats
Women Children Babies Cows Cats
 
Karroo Stop
Karroo StopKarroo Stop
Karroo Stop
 
Women Children Babies Cows Cats
Women Children Babies Cows CatsWomen Children Babies Cows Cats
Women Children Babies Cows Cats
 
My Sweet Old Etcetera
My Sweet Old EtceteraMy Sweet Old Etcetera
My Sweet Old Etcetera
 
Not Waving But Drowning
Not Waving But DrowningNot Waving But Drowning
Not Waving But Drowning
 
Anthem For Doomed Youth
Anthem For Doomed YouthAnthem For Doomed Youth
Anthem For Doomed Youth
 
Mending Wall Robert Frost
Mending Wall   Robert FrostMending Wall   Robert Frost
Mending Wall Robert Frost
 
The Second Coming William Butler Yeats
The Second Coming William Butler YeatsThe Second Coming William Butler Yeats
The Second Coming William Butler Yeats
 
God's Grandeur Gerald Manley Hopkins
God's Grandeur Gerald Manley HopkinsGod's Grandeur Gerald Manley Hopkins
God's Grandeur Gerald Manley Hopkins
 
Roy Kloof – Sydney Clouts
Roy Kloof – Sydney CloutsRoy Kloof – Sydney Clouts
Roy Kloof – Sydney Clouts
 
Sunstrike - Douglas Livingstone
Sunstrike - Douglas LivingstoneSunstrike - Douglas Livingstone
Sunstrike - Douglas Livingstone
 
An Irish Airman Foresees His Death - W B Yeats
An Irish Airman Foresees His Death - W B YeatsAn Irish Airman Foresees His Death - W B Yeats
An Irish Airman Foresees His Death - W B Yeats
 
Disabled Wilfred Owen
Disabled   Wilfred OwenDisabled   Wilfred Owen
Disabled Wilfred Owen
 
My Last Duchess Robert Browning
My Last Duchess   Robert BrowningMy Last Duchess   Robert Browning
My Last Duchess Robert Browning
 
Kubla Khan Samuel Taylor Coleridge
Kubla Khan   Samuel Taylor ColeridgeKubla Khan   Samuel Taylor Coleridge
Kubla Khan Samuel Taylor Coleridge
 
On His Blindness John Milton
On His Blindness John MiltonOn His Blindness John Milton
On His Blindness John Milton
 
When In Disgrace William Shakespeare
When In Disgrace William ShakespeareWhen In Disgrace William Shakespeare
When In Disgrace William Shakespeare
 

Kürzlich hochgeladen

The basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptxThe basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptx
heathfieldcps1
 
Salient Features of India constitution especially power and functions
Salient Features of India constitution especially power and functionsSalient Features of India constitution especially power and functions
Salient Features of India constitution especially power and functions
KarakKing
 

Kürzlich hochgeladen (20)

Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdf
 
Wellbeing inclusion and digital dystopias.pptx
Wellbeing inclusion and digital dystopias.pptxWellbeing inclusion and digital dystopias.pptx
Wellbeing inclusion and digital dystopias.pptx
 
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptxHMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
 
On_Translating_a_Tamil_Poem_by_A_K_Ramanujan.pptx
On_Translating_a_Tamil_Poem_by_A_K_Ramanujan.pptxOn_Translating_a_Tamil_Poem_by_A_K_Ramanujan.pptx
On_Translating_a_Tamil_Poem_by_A_K_Ramanujan.pptx
 
Towards a code of practice for AI in AT.pptx
Towards a code of practice for AI in AT.pptxTowards a code of practice for AI in AT.pptx
Towards a code of practice for AI in AT.pptx
 
This PowerPoint helps students to consider the concept of infinity.
This PowerPoint helps students to consider the concept of infinity.This PowerPoint helps students to consider the concept of infinity.
This PowerPoint helps students to consider the concept of infinity.
 
SOC 101 Demonstration of Learning Presentation
SOC 101 Demonstration of Learning PresentationSOC 101 Demonstration of Learning Presentation
SOC 101 Demonstration of Learning Presentation
 
NO1 Top Black Magic Specialist In Lahore Black magic In Pakistan Kala Ilam Ex...
NO1 Top Black Magic Specialist In Lahore Black magic In Pakistan Kala Ilam Ex...NO1 Top Black Magic Specialist In Lahore Black magic In Pakistan Kala Ilam Ex...
NO1 Top Black Magic Specialist In Lahore Black magic In Pakistan Kala Ilam Ex...
 
ICT Role in 21st Century Education & its Challenges.pptx
ICT Role in 21st Century Education & its Challenges.pptxICT Role in 21st Century Education & its Challenges.pptx
ICT Role in 21st Century Education & its Challenges.pptx
 
The basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptxThe basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptx
 
Salient Features of India constitution especially power and functions
Salient Features of India constitution especially power and functionsSalient Features of India constitution especially power and functions
Salient Features of India constitution especially power and functions
 
General Principles of Intellectual Property: Concepts of Intellectual Proper...
General Principles of Intellectual Property: Concepts of Intellectual  Proper...General Principles of Intellectual Property: Concepts of Intellectual  Proper...
General Principles of Intellectual Property: Concepts of Intellectual Proper...
 
Application orientated numerical on hev.ppt
Application orientated numerical on hev.pptApplication orientated numerical on hev.ppt
Application orientated numerical on hev.ppt
 
Python Notes for mca i year students osmania university.docx
Python Notes for mca i year students osmania university.docxPython Notes for mca i year students osmania university.docx
Python Notes for mca i year students osmania university.docx
 
Google Gemini An AI Revolution in Education.pptx
Google Gemini An AI Revolution in Education.pptxGoogle Gemini An AI Revolution in Education.pptx
Google Gemini An AI Revolution in Education.pptx
 
Holdier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfHoldier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdf
 
Plant propagation: Sexual and Asexual propapagation.pptx
Plant propagation: Sexual and Asexual propapagation.pptxPlant propagation: Sexual and Asexual propapagation.pptx
Plant propagation: Sexual and Asexual propapagation.pptx
 
Jamworks pilot and AI at Jisc (20/03/2024)
Jamworks pilot and AI at Jisc (20/03/2024)Jamworks pilot and AI at Jisc (20/03/2024)
Jamworks pilot and AI at Jisc (20/03/2024)
 
Interdisciplinary_Insights_Data_Collection_Methods.pptx
Interdisciplinary_Insights_Data_Collection_Methods.pptxInterdisciplinary_Insights_Data_Collection_Methods.pptx
Interdisciplinary_Insights_Data_Collection_Methods.pptx
 
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptx
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptxExploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptx
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptx
 

To His Coy Mistress - Andrew Marvell

  • 1. “ To His Coy Mistress” by Andrew Marvell
  • 2.
  • 3.
  • 4.
  • 5. “ To His Coy Mistress” by Andrew Marvell
  • 6. Had we but world enough, and time, This coyness, lady, were no crime. We would sit down and think which way To walk, and pass our long love's day; Thou by the Indian Ganges' side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the Flood; And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires, and more slow. An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate.
  • 7. But at my back I always hear Time's winged chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found, Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long preserv'd virginity, And your quaint honour turn to dust, And into ashes all my lust. The grave's a fine and private place, But none I think do there embrace.
  • 8. Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may; And now, like am'rous birds of prey, Rather at once our time devour, Than languish in his slow-chapp'd power. Let us roll all our strength, and all Our sweetness, up into one ball; And tear our pleasures with rough strife Thorough the iron gates of life. Thus, though we cannot make our sun Stand still, yet we will make him run.
  • 9. To His Coy Mistress is one of many “seduction poems”. The message is simple: the coyness of his mistress appeals to him, but life is too short to play games, so it's time to get serious.
  • 10.
  • 11.
  • 12.
  • 13. We would sit down and think which way To walk, and pass our long love's day; Thou by the Indian Ganges' side 5 Shouldst rubies find; I by the tide Of Humber would complain. c.1650 – time of exploration and discovery - EFFECT OF COMPARISON? Her: by the side of the River Ganges in India with rubies Him: by the side of the River Humber in Hull FLATTERY!
  • 14. I would Love you ten years before the Flood; And you should, if you please, refuse Till the conversion of the Jews. 10 My vegetable love should grow Vaster than empires, and more slow. Biblical Flood / Noah’s Ark Over 4000 years ago In Christian texts – just before the end of the world How long? HYPERBOLE? Why does he compare his love to a slow growing vegetable? Why does he use the phrase ‘vaster than empires”? How do we know he will not fall out of love with her quickly?
  • 15. An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, 15 But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, 15 But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. How is time used to praise and flatter her?
  • 16. For, lady, you deserve this state, Nor would I love at lower rate. 20 He called her “Mistress” before. Why does he now call her “lady”? How does this tally with what follows in the poem?
  • 17. But at my back I always hear Time's winged chariot hurrying near; And yonder all before us lie Deserts of vast eternity. START OF ANTITHESIS: we’ve been given the opening statement (thesis), now he discusses the reason why he can’t do as he’d like – the “But” What reason does he give for not being able to do what he would like?
  • 18. HELIOS (or Helius) was the Titan god of the sun. He was also the guardian of oaths and the god of gift of sight. Helios dwelt in a golden palace located in the River Okeanos at the eastern ends of the earth. From there he emerged each dawn driving a chariot drawn by four, fiery winged steeds and crowned with the aureole of the sun. When he reached the land of the Hesperides (Evenings) in the West he descended into a golden cup which carried him around the northern streams of Okeanos back to his rising place in the East. ( www.theoi.com/Titan/Helios.html )
  • 20. But at my back I always hear Time's winged chariot hurrying near; And yonder all before us lie Deserts of vast eternity. START OF ANTITHESIS: we’ve been given the opening statement (thesis), now he discusses the reason why he can’t do as he’d like – the “But” Time = negative, lifeless eternity Rejection of afterlife which will bring relief Reflects rising religious scepticism of the time Desert image: barren, no sex = no children - dull relationship
  • 21. Thy beauty shall no more be found, 25 Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long preserv'd virginity, And your quaint honour turn to dust, And into ashes all my lust. 30 The grave's a fine and private place, But none I think do there embrace. Elegant but artificial – all very nice and honourable but worthless to him
  • 22. Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires 35 At every pore with instant fires, SYNTHESIS – THE SOLUTION The threats disappear – approaches her more positively
  • 23. Now let us sport us while we may; And now, like amorous birds of prey, Rather at once our time devour, Than languish in his slow-chapp'd power. 40 More passionate images and words Hoping to gain eternity through sexual union – they should devour time rather than time devouring them Slow devouring jaws of time
  • 24. Let us roll all our strength, and all Our sweetness, up into one ball; And tear our pleasures with rough strife Through the iron gates of life. Plural pronoun – union, togetherness Break down the “iron gates” of time
  • 25. Thus, though we cannot make our sun 45 Stand still, yet we will make him run. Returns to the image of sun and time. What is his final point? On the surface, this poem is about the attempted seduction of a woman…what is the message underneath about how we should live our lives? PUN?
  • 27.
  • 28.
  • 29.
  • 30.
  • 33.  
  • 34.  
  • 35.  
  • 36.  
  • 37. Overheard in the 'Coy Mistress‘ I think I need another gin - Your chat-up lines are wearing thin. In fact, you seem less hot than - coy. I start to feel you're just a boy. H ad we but world enough, and time, T his coyness, Lady, were no crime. Good Sir, I think you may confuse A grim offence with simple ruse. W e would sit down and think which way T o walk and pass our long love's day. To you it may seem long. To me It's rather short. At half-past three T hou by the Indian Ganges' side S houldst rubies find; I by the tide O f Humber would complain. I would - You would, you say? I ndeed I would
  • 38. Love you ten years before the Flood And you should, if you please, refuse - But why on earth should I refuse? Till the conversion of the Jews. Jews? What's wrong with Jews? Why not? You talk about the Jews a lot. Well Buddhists then, if you prefer . Oh just get to the point, good Sir. My vegetable love should grow - Vegetable? Do you mean That bedroom-wise you're somewhat green - No vast experience then? Vaster than empires and more slow - Aha! You'll make a woman wait; Your vegetable may 'vegetate'. An hundred years should go to praise Thine eyes and on thy forehead gaze; On about my eyes again. What about my knees? It's plain You really think I haven't guessed You're just about to bring in 'breast'. Two hundred to adore each breast - But thirty thousand to the rest... Men are obsessed with cars and numbers. Who, me?
  • 39. Yes, you. You mentioned Humbers. Lady - you are indeed most sage - The most discerning of your age - An age at least to every part, And the last age should show your heart. Heart? You think you're getting that? I'd call the chance of that - well - fat. For Lady, you deserve this state - What - fat? No, Madam - more like Fate. Nor would I love at lower rate. But at my back I always hear Time's wingèd chariot hurrying near - That reminds me. I should get A taxi ordered. Oh, not yet! Yonder all before us lie Deserts of vast eternity. I'm thirsty just to think of it. But Sir - you overstate a bit. What about another drink? No, no! Tis sad to think Thy beauty shall no more be found, Nor, in thy marble vault -
  • 40. The sound Of marble isn't really bound To woo. Let's go for 'alabaster' (Which incidentally rhymes with 'faster') Come on! What use is being profound Unless you kiss me? 'Kiss' shall sound My echoing song; then worms shall try That long preserved virginity - Virginity? Oh please. How arid! I only said I wasn't married. And as for being tried by worms - Well - nothing doing on those terms. And your quaint 'Quaint?' I really must Take exception. Quaint is just - - just too much. - honour turn to dust, And into ashes all my lust - Ashes? Do you plan erupting? Yes, if you keep interrupting. The grave's a fine and private place - But none, I think, do there embrace My point exactly. Let us trace Unerring logic. My informer Says you'd like somewhere much warmer.
  • 41. Now, therefore, while the youthful hue Sits on thy skin like morning dew - Like dew? What's wrong with dew? Well, dew Sounds like a filthy dose of flu. I'm not so sure I'd like the hue Of me imbued with 'morning dew'. And while thy willing soul transpires At every pore with instant fires - Wait, wait! What now? Well, dew and fire Do not mix well. Now let us sport us - "Let us sport us"? You have the passion of a tortoise! Now let us sport us while we may - And now - You said 'now' twice. Make hay While sun permits. But in what way? I thought - like amorous birds of prey. Look here - no fetishes or freaks - Kisses, not pecks. Hugs, not beaks. Certain things I won't allow. And be consistent - 'you' or 'thou?
  • 42. Rather at once our time devour Than languish in his slow-chapt power . Slow-chapt? Yes. I thought it apt To think of time as slow. But 'chapt'? Let us roll – A joint? Agreed. I need the solace of the weed. No, let's roll all our strength and all Our sweetness up into one ball - It's funny that you're drinking Becks . It rhymes, you know, with sex. Sex? Sex. Dear Lady, do not coolly utter Parlance fitter for the gutter. Wot we are the better for A subtly-managed metaphor. Let's tear our pleasures with rough strife Thorough the iron gates of life: Thus, though we cannot make our sun - Whose son? The sun , my love. Not son. Does that mean that you haven't one? Not what I heard. In fact, I thought You'd two or three. I think I ought To call that taxi. Talk's sublime But still - it's nearly pumpkin time. A good-night kiss?
  • 43. Stand still. Stand still? You mean - well yes - of course I will. I've fancied you for ages, pet. I bet you noticed. No, not yet. I thought you had. For goodness sake Get on. Ahem. Right - We will make Our conversation last and last Until this glorious night is past And – No, good Sir. There's little joy In speechifying from the coy. Look here - I have a certain friend. He's not that confident. Pretend That you were me. What would you do If all he did was talk to you While you (that's me), were burning just To get a spot of naked lust? He's wilted somewhere near the stalk. He talks the talk, won't walk the walk. He's frankly - a pedestrian While you - Well can't you make him run?