Keynote at DeSForM 2013

1. Video walk-through of Julian Rosefeldt's Asylum, BALTIC Centre for Contemporary Art, 2004

2. Chris Dorsett
Professor of Fine Art
BxNU Institute of Contemporary Art
Faculty of Arts, Design and Social Sciences
Northumbria University
at a moment’s notice, according to the pleasure of the holder
the semiotics of paper

3. the semiotics of paper
British Art Show 1984
at a moment’s notice, according to the pleasure of the holder

4. the semiotics of paper
British Art Show 1984 Alison Wilding, Blue-black (1984)
at a moment’s notice, according to the pleasure of the holder

5. the semiotics of paper
Pitt Rivers Museum , Oxford
at a moment’s notice, according to the pleasure of the holder

6. the semiotics of paper
Pitt Rivers Museum , Oxford
at a moment’s notice, according to the pleasure of the holder

7. the semiotics of paper
Pitt Rivers Museum , Oxford
at a moment’s notice, according to the pleasure of the holder

8. the semiotics of paper
at a moment’s notice, according to the pleasure of the holder

9. the semiotics of paper
at a moment’s notice, according to the pleasure of the holder

10. the semiotics of paper
Chris Dorsett
Professor of Fine Art
BxNU Institute of Contemporary Art
Faculty of Arts, Design and Social Sciences
Northumbria University
at a moment’s notice, according to the pleasure of the holder

11. Pitt Rivers Museum , Oxford

12. Pitt Rivers Museum , Oxford

13. Pitt Rivers Museum , Oxford

14. Stahl, A. (curator) (2010) Money on Paper: Bank Notes and Related Graphic Arts from the Collections of Vsevolod Onyshkevych and Princeton University
Firestone Library, Princeton University.

15. Stahl, A. (curator) (2010) Money on Paper: Bank Notes and Related Graphic Arts from the Collections of Vsevolod Onyshkevych and Princeton University
Firestone Library, Princeton University.

16. J. S. G. Boggs (1995)

17. J. S. G. Boggs (1995)

18. Roland Farkas, (2011 ) Draw your Money. Studio Gallery, Budapest.

19. Edward Steichan, (1911 ) Monument to Balzac. M. Bauche, (1900 ) Rodin in the Pavillon de l'Alma.
Georg Simmel (1858–1918)

20. Edward Steichan, (1911 ) Monument to Balzac. M. Bauche, (1900 ) Rodin in the Pavillon de l'Alma.

21. Plaster Casts of Greek and Roman sculpture (2012), Northumbria University. Home-made shellac record (1947)

22. Chris Dorsett, (2012) Venus de l'armoire de studio
ink drawing on paper and plaster cast of the Venus de' Medici
Chris Dorsett, (2011) 7 Chakras Twice
pencil drawing on photograph of recordings of my father's voice

23. Chris Dorsett, (2012) Venus de l'armoire de studio
ink drawing on paper and plaster cast of the Venus de' Medici
Chris Dorsett, (2011) 7 Chakras Twice
pencil drawing on photograph of recordings of my father's voice

24. Juliette and Charles PeirceNotebooks of Charles Sanders Peirce

25. The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida,
http://www.clas.ufl.edu/users/jzeman/graphicallogic/alpha.htm
Shin, S-J. (2002) The Iconic Logic of Peirce’s Graphs, Cambridge MA.: MIT Press

26. The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida,
http://www.clas.ufl.edu/users/jzeman/graphicallogic/alpha.htm
Shin, S-J. (2002) The Iconic Logic of Peirce’s Graphs, Cambridge MA.: MIT Press

27. The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida,
http://www.clas.ufl.edu/users/jzeman/graphicallogic/alpha.htm
Shin, S-J. (2002) The Iconic Logic of Peirce’s Graphs, Cambridge MA.: MIT Press

28. The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida,
http://www.clas.ufl.edu/users/jzeman/graphicallogic/alpha.htm
Shin, S-J. (2002) The Iconic Logic of Peirce’s Graphs, Cambridge MA.: MIT Press

30. Hofstadter. D. (1995) Fluid Concepts and Creative Analogies:
computer models of the fundamental mechanisms of thought,
London: Thames and Hudson.
An Antiquary's Billiard Table
Pitt Rivers Museum, University of Oxford.

31. An Antiquary's Billiard Table
Pitt Rivers Museum, University of Oxford.
Encyclopédie
Denis Diderot (1713-1784)

32. Mottram, J., Rust, C. & Till, J. (2007) AHRC Research
Review: Practice-Led Research in Art, Design and
Architecture, Bristol: Arts and Humanities Research
Council.
Alison Wilding, Blue-black (1984)

33. Chris Dorsett
Professor of Fine Art
BxNU Institute of Contemporary Art
Faculty of Arts, Design and Social Sciences
Northumbria University
the semiotics of paper
at a moment’s notice, according to the pleasure of the holder