Picasso's Les Demoiselles d'Avignon- Kahee, Julia & Perus [2013/06]
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Welcome to Modernity, In 1907, Picasso publish Les Demoiselles d'Avignon which is the starting point of the most influential art movement of 20th century. This presentation shows the art history of in the period of Modernism 20th century Presented by Kahee, Julia & Perus
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Picasso's Les Demoiselles d'Avignon- Kahee, Julia & Perus [2013/06]
- 1. Greeting
- 3. Key Vocabulary of Les Demoiselles d’Avignon • • • • Modernism Cubism Simultaneity Iconoclastic
- 4. ARTIST PABLO PICASSO • • • • 25th October 1881 Spain Young talented France
- 5. ARTIST PABLO PICASSO Blue period Rose period Saltimbanque 1901-1904 1904-1906 1905 ‘the last painting of the 19th century’
- 6. THE PAINTING LES DEMOISELLES D'AVIGNON Pablo Picasso, Les Demoiselles d’Avignon 1907, Oil on canvas, 243.9 x 233.7, the Museum of Modern Art, New York
- 7. THE PAINTING PAINTING : DETAIL (INFLUENCE) Matisse Cezanne African mask Iberian Sculpture
- 8. EFFECTS ON ART HISTORY comparing a traditional artwork Why is it important ?
- 9. THE PAINTING IMPORTANCE Different view & Purpose on art - The Birth of Cubism - The start of Abstract art = Challenge!! Pablo Picasso, Les Demoiselles d’Avignon 1907, Oil on canvas, 243.9 x 233.7, the Museum of Modern Art, New York
- 10. Welcome to the most influential art movement of 20 th century
- 11. Cubism The most influential art movement of the 20th century • • • • 1907 – 1914 Pablo Picasso & Georges Braque Art revolution The first abstract style
- 12. Modernity Representation in Cubism • Subject • Freedom
- 13. Cubism character Influenced by Les Demoiselles d’Avignon • • • • Paul Cezanne Geometricity Passage : look flat Simultaneity : show many views at the same time Fourth Dimension : Time
- 14. Timeline Art movement Romanticism Realism 1800-1850 1840-1880 Pablo Picasso, Les Demoiselles d’Avignon impressionism 1870-1880 Post-impressionism 1886-1914 Gustave Courbet The Meeting Claude Monet, Impression, soleil levant Paul Cezanne The Bathers Cubism 1904-1908 Eugène Delacroix La liberté guidant le peuple Fauvism 1907-1914 Henri Matisse, Le bonheur de vivre Georges Braque, Le Viaduc à L'Estaque Traditional Modernism 1907 Portable camera (1816-1888) Long-length films 1900s
- 15. Timeline Influenced by Cubism Futurism Suprematism (1909-1916) (1915-1925) Giacomo Balla, Abstract Speed + Sound Malevich, Suprematist Composition
- 17. Conclusion Conclusion • “I draw not what I see but what I think.” - Pablo Picasso
- 18. Reference : •Berger, J., (1992) SUCCESS AND FAILURE OF PICASSO. Granta Books. •Gardner, H., (1993) Creating Minds. Basic Books. •Roland. Penrose, (1958) Picasso: his life and work, London (Victor Gollancz); First English edition •Alfred H. BARR, (1980) Picasso: Fifty Years of His Art, New York, The Museum of Modern Art. •Timothy, Hilton., (1975) Picasso, London, Thames and Hudson Ltd. •http://www.artyfactory.com/art_appreciation/timelines/art_history_timelines.htm
Hinweis der Redaktion
- Start of Cubism
- As know as the ‘last painting of the 19th century’ It is certainly a ‘mood’ picture, with definite affiliations to the last stages of symbolist art
- Why it is important Start of Cubism Abstract Art
- Art revolution ??? Subject : taken from everyday life in modern city, most of them were the man-made, cheap mass-production. Also guitar and violins because Braque liked music. To represent the value of the manufactured. Freedom : freedom for the artists to create a new technique from their experiment with various material. For example, using comb to make illusion.
- Art revolution ??? Subject : taken from everyday life in modern city, most of them were the man-made, cheap mass-production. Also guitar and violins because Braque liked music. To represent the value of the manufactured. Freedom : freedom for the artists to create a new technique from their experiment with various material. For example, using comb to make illusion.
- What Are the Key Characteristics of Cubism? Geometricity, a simplification of figures and objects into geometrical components and planes that may or may not add up to the whole figure or object known in the natural world. Approximation of the Fourth Dimension. Conceptual, instead of perceptual, reality. Distortion and deformation of known figures and forms in the natural world. Passage, the overlapping and interpenetration of planes. Simultaneity or multiple views, different points of view made visible on one plane.
- Paul Cezanne – Geometric -Post-impressionism‘Do I know Cezanne ? He’s my one and only master.’ - Picasso Henri Matisse -Fauvism Georges Braque -Cubism Guillaume Apollinaire – writer Le Bateau-Lavoir
- Subject : taken from everyday life in modern city, most of them were the man-made, cheap mass-production. Also guitar and violins because Braque liked music. To represent the value of the manufactured. Freedom : freedom for the artists to create a new technique from their experiment with various material. For example, using comb to make illusion.