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Classics and Musical 
Theater 
Myth, Poetry and Plays
Brainstorm: 
today’s musicals similar to Roman poetry? How are they different? 
Roman sources Similarities Musical Theater 
• In Latin 
•Performed typically 
in smaller settings 
(such as in odeon) 
•Provides myths explicitly 
•Performative 
•Themes (love, philosophy, mythology 
“et cetera, et cetera”) 
•Meter and rhythm used 
•Characters/personae created 
•In English 
•Instrumental elements 
•Sung 
•Create reception and 
reinterpretation of myths 
and stories 
•Performed on big stages 
and 
little ones 
What about Greek and Roman plays?
Warm-up: 
Spring Awakening 
From what classical source does this song draw inspiration? 
The Aeneid!
“All that's known 
In history, in science 
Overthrown 
At school, at home, by blind men 
You doubt them 
And soon they bark and hound you 
Till everything you say is just 
Another bad about you 
All they say 
Is 'Trust in what is written' 
Wars are made 
And somehow that is wisdom 
Thought is suspect 
And money is their idol 
And nothing is okay unless 
It's scripted in their Bible 
But I know 
There's so much more to find 
Just in lookin' through myself 
And not at them” 
“Still, I know 
To trust my own true mind 
And to say 
'There's a way through this' 
On I go 
To wonder and to learning 
Name the stars 
And know their dark returning 
I'm calling 
To know the world's true yearning 
The hunger that a child feels 
For everything they're shown 
You watch me 
Just watch me 
I'm calling 
And one day all will know 
You watch me 
Just watch me 
I'm calling 
I'm calling 
And one day all will know” 
Forsan et haec 
olim meminisse 
iuvābit 
Aeneas 
undergoes a 
physical journey 
and a 
journey of 
self-discovery
More Blatant/Obvious 
Reception
Pygmalion (Ovid’s Metamorphoses) 
Review 
Who was Pygmalion? 
How did he feel about women? 
What was his craft? 
What did he make? 
How did he react to his creation? 
What did he request from Venus? 
How did that turn out for him?
My Fair Lady 
George Bernard Shaw’s play Pygmalion, which took its inspiration
An Ordinary Man 
‘Quās [Prōpoetidēs 
fēminae] quod 
Pygmaliōn aevum 
agentēs per crīmen 
viderat, offēnsus vitiīs, 
quae plurima mentī 
femineae natura dedit, 
sine coniuge et caelebs 
vīvēbat. 
-Met. X.243-46
Higgin's Training of Eliza 
You Did it–Higgin's marvels at his acheiving craft 
intereā mīrā fēlīciter arte 
niveum ebur sculpsit 
fōrmamque dedit, quā 
formā nulla fēmina nāscī 
potest, operisque suī 
concepit amorem. 
virginis vērae est faciēs 
-Met. X.247-50
I've Grown Accustomed to her Face 
Pygmaliōn admīrātur statuam et haurit 
pectore simulātī corporis ignēs. 
saepe operī admovet manūs temptantēs, an sit 
corpus an illud ebur, nec adhūc ebur esse fatetur. 
-Met. X. 252-55
On the Street Where You Live 
Exclūsus amātor 
Paraclausithyron
Without You 
Eliza vs. Galatea
Homework 
English) to a modern musical source from the list below or choose your own. modern one; write a paragraph discussing their similarities and differences. Please • “I’ll Cover You” from Rent and Catullus 5 
• “Another Day” (look specifically at Mimi’s part) from Rent and Horace 1.11 
• “The Origin of Love” from Hedwig and the Angry Inch and Aristophanes’ argument in Plato’s 
•“One Hand, One Heart” from West Side Story (you may also look at other parts of this musical • A Funny Thing Happened on the Way to the Forum and Plautus’ Pseudolus or Miles Gloriosus
Mini Musical Project 
portion of a poem, create your own modern musical interpretation/

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Comparisons project musical theater

  • 1. Classics and Musical Theater Myth, Poetry and Plays
  • 2. Brainstorm: today’s musicals similar to Roman poetry? How are they different? Roman sources Similarities Musical Theater • In Latin •Performed typically in smaller settings (such as in odeon) •Provides myths explicitly •Performative •Themes (love, philosophy, mythology “et cetera, et cetera”) •Meter and rhythm used •Characters/personae created •In English •Instrumental elements •Sung •Create reception and reinterpretation of myths and stories •Performed on big stages and little ones What about Greek and Roman plays?
  • 3. Warm-up: Spring Awakening From what classical source does this song draw inspiration? The Aeneid!
  • 4. “All that's known In history, in science Overthrown At school, at home, by blind men You doubt them And soon they bark and hound you Till everything you say is just Another bad about you All they say Is 'Trust in what is written' Wars are made And somehow that is wisdom Thought is suspect And money is their idol And nothing is okay unless It's scripted in their Bible But I know There's so much more to find Just in lookin' through myself And not at them” “Still, I know To trust my own true mind And to say 'There's a way through this' On I go To wonder and to learning Name the stars And know their dark returning I'm calling To know the world's true yearning The hunger that a child feels For everything they're shown You watch me Just watch me I'm calling And one day all will know You watch me Just watch me I'm calling I'm calling And one day all will know” Forsan et haec olim meminisse iuvābit Aeneas undergoes a physical journey and a journey of self-discovery
  • 6. Pygmalion (Ovid’s Metamorphoses) Review Who was Pygmalion? How did he feel about women? What was his craft? What did he make? How did he react to his creation? What did he request from Venus? How did that turn out for him?
  • 7. My Fair Lady George Bernard Shaw’s play Pygmalion, which took its inspiration
  • 8. An Ordinary Man ‘Quās [Prōpoetidēs fēminae] quod Pygmaliōn aevum agentēs per crīmen viderat, offēnsus vitiīs, quae plurima mentī femineae natura dedit, sine coniuge et caelebs vīvēbat. -Met. X.243-46
  • 9. Higgin's Training of Eliza You Did it–Higgin's marvels at his acheiving craft intereā mīrā fēlīciter arte niveum ebur sculpsit fōrmamque dedit, quā formā nulla fēmina nāscī potest, operisque suī concepit amorem. virginis vērae est faciēs -Met. X.247-50
  • 10. I've Grown Accustomed to her Face Pygmaliōn admīrātur statuam et haurit pectore simulātī corporis ignēs. saepe operī admovet manūs temptantēs, an sit corpus an illud ebur, nec adhūc ebur esse fatetur. -Met. X. 252-55
  • 11. On the Street Where You Live Exclūsus amātor Paraclausithyron
  • 12. Without You Eliza vs. Galatea
  • 13. Homework English) to a modern musical source from the list below or choose your own. modern one; write a paragraph discussing their similarities and differences. Please • “I’ll Cover You” from Rent and Catullus 5 • “Another Day” (look specifically at Mimi’s part) from Rent and Horace 1.11 • “The Origin of Love” from Hedwig and the Angry Inch and Aristophanes’ argument in Plato’s •“One Hand, One Heart” from West Side Story (you may also look at other parts of this musical • A Funny Thing Happened on the Way to the Forum and Plautus’ Pseudolus or Miles Gloriosus
  • 14. Mini Musical Project portion of a poem, create your own modern musical interpretation/