3. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /803
Design Fiction Club
Pourquoi
• Le Design Fiction
• La forme du séminaire
-
Intentions et défis
1. Design Fiction comme famille de pratiques
2. Fédérer une communauté hétérogène
3. Contribuer à une culture commune
4. Donner une visibilité à la communauté
4. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /804
Design Fiction Club
Pourquoi
• Le Design Fiction
• La forme du séminaire
-
Intentions et défis
1. Design Fiction comme famille de pratiques — ?
2. Fédérer une communauté hétérogène — (IN)DISCIPLINE
3. Contribuer à une culture commune — PARTICIPATIF
4. Donner une visibilité à la communauté — BUZZ-CONTROL
5. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /805
Design Fiction Club
Pourquoi
• Le Design Fiction
• La forme du séminaire
-
Intentions et défis
1. Design Fiction comme famille de pratiques — ?
2. Fédérer une communauté hétérogène — (IN)DISCIPLINE
3. Contribuer à une culture commune — PARTICIPATIF
4. Donner une visibilité à la communauté — BUZZ-CONTROL
5. Qu’est-ce qu’un séminaire de recherche par le design ?
6. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /806
Design Fiction Club
Enchanté
-
Léa Lippera (Design Friction)
Max Mollon (What If?)
Vous (Les participants)
7. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /807
Design Fiction Club
Enchanté
-
Léa Lippera (Design Friction)
Max Mollon (What If?)
Vous (Les participants)
8. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /808
ABYSSE, IN PEEP-SHOW EXHIBITION (HEAD – GENÈVE), @SALONE INTERNATIONALE DEL MOBILE, MILAN (2010)
9. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /809
DOG&BONE, IN M-A. CARAËS EXPOSITION, @BIENNALE INTERNATIONALE DU DESIGN, ST-ETIENNE (2013)
10. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8010
ALTERNATIVE COMMUNICATION (2009–2014)
11. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8011
ONE HEALTH, INRA, PARIS, 2014
12. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8012
ATELIERS DE CRÉATION ÉTHIQUE, ESPACE ÉTHIQUE IDF, PARIS (2014-2015)
13. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8013
Relire les questions politiques actuelles à la lumière du futur
POLITIQUE FICTION N°1 & N°2, AVEC DESIGN-FRICTION, PARIS (2017)
14. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8014
15. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8015
DOCTORAT, ENSADLAB, PARIS (2017) ; LANCEMENT DU DESIGN FICTION CLUB GAÎTÉ-LYRIQUE, PARIS (2017)
16.
17. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8017
-
Designer la critique et la spéculation,
des présents alternatifs aux futurs pluriels.
• Intro : Design Fiction, de quoi parle-t-on ?
• Découverte
• Débat
• Discussion
• Meetup (21-22)
Séminaire
21/09 | Séance #1 :
Invitée : Léa Lippera
Menu du jour
18. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8018
CONFÉRENCE
max Moll0n
DÉBAT AVEC LES INVITÉS SUIVANTS ET LE PUBLIC
Tiphaine Kazi-Tani
(DESIGNER CHERCHEUR.E, CITÉ DU DESIGN, ST-ÉTIENNE)
David Benqué
(DESIGNER CHERCHEUR, ROYAL COLLEGE OF ARTS, LONDRES)
Modération : Romain Lacroix
Design marabout #1
03 mai 2017 | 19h00
Petite salle
desıgn ctı0n
entre contestation et contre pouvoir
Le Design Fiction relance-t-il
l'innovation… droit dans le mur ?
Venez en débattre.
Max Mollon est designer, enseignant
et doctorant au programme SACRe à l'ENSAD
et à Télécom ParisTech.
Le Design Fiction relance-t-il
l'innovation… droit dans le mur ?
Tiphaine Kazi-Tani
(DESIGNER CHERCHEUR.E, CITÉ DU DESIGN, ST-ÉTIENNE)
David Benqué
(DESIGNER CHERCHEUR, ROYAL COLLEGE OF ARTS, LONDRES)
Design marabout #1
03 mai 2017 | 19h00
Petite salle
Max Mollon est designer, enseignant et doctorant
au programme SACRe à l'ENSAD et à Télécom ParisTech.
Il y conduit une thèse sur sa pratique, où le Design Fiction
relance l'innovation… droit dans le mur !
Face aux crises complexes et aux opinions polarisées
des débats de nos sociétés, peut-on résisiter
au problem-solving, mission usuelle du designer,
pour questionner les enjeux en profondeur ?
C'est l'intention de Max Mollon dont les objets conflictuels
ouvrent une brèche :un espace de confrontation
aux autres et aux visions dominantes ; un espace d'écoute
et d'inter-compréhension. Pour cela, il pousse les
pratiques du Design Critique, Spéculatif et Fiction hors
des milieux de l'art. Mais quelle est leur place en société ?
Venez en débattre.
?
19. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8019
Un exemple de point d’entrée dans le Design Fiction
20. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8020
Le Design Fiction relance-t-il
l'innovation… droit dans le mur ?
Un exemple de point d’entrée dans le Design Fiction :
Les pratiques qui “grippent” les rapports science—société
21. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /80
#1 LiSSER
21
HTTP://WWW.TECNOANDROID.IT/
22. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8022
GOOGLE (2015), GOOGLE CAR, RENAMED WAYMO IN 2016 | BONNEFON J.-F. ET AL (2016), DRIVERLESS CAR DILEMMA, IN SCIENCE JOURNAL
23. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8023
ET SI…
IL NE RESTAIT QUE 15% D’EAU POTABLE SUR TERRE
DÛ À UN DÉSASTRE ÉCOLOGIQUE ?
RE-DESIGNER UNE BOUTEILLE D’EAU N’AURAIT PLUS DE SENS
TAKRAM (2012), SHENU:HYDROLEMIC SYSTEM
24. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8024
TAKRAM (2012), SHENU:HYDROLEMIC SYSTEM
25. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8025
TAKRAM (2012), SHENU:HYDROLEMIC SYSTEM
26. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8026
Une variété de pratiques très différentes, proches de la
contestation, qui “grippent” les rapports design—société.
27. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8027
“Cautionary Tales, Conceptual Design, Contestable Futures,
Design Fiction, Interrogative Design, Radical Design, Satire,
Social Fiction, Speculative Design” (2).
Auquel Dunne ajouta les labels
“Discursive Design, Design for Debate, Future Probe Design” (3).
Je propose d’y rajouter :
“Critical Design”, “Droog Design”, “Reflective Design”, “
Critical Engineering”, “Critical Making”, “
Adversarial Design”, et “Contestant Design”
– et pour des pratiques critiques mais moins (ou pas)
fictionnelles, nous pourrions ajouter le “Critical Software”,
“Critical Technical practice”, “Contestational Design”,
“Values in Design” et le design activiste en général. (1)
”
“
(1) MOLLON, M. (2017) “AN INDEX OF GRIPPING DESIGN PRACTICES”, EXTRACTED FROM MY PHD THESIS
(2) DUNNE & RABY (2007) “CRITICAL DESIGN FAQ” DUNNEANDRABY.CO.UK/CONTENT/BYDANDR/13/0
(3) DUNNE, A. PERSONAL COMMUNICATION AT THE IXDA CONFERENCE, DUBLIN, FEBRUARY 03RD, 2012
28. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8028
(1) MOLLON, M. (2017) “AN INDEX OF GRIPPING DESIGN PRACTICES”, EXTRACTED FROM MY PHD THESIS
(2) DUNNE & RABY (2007) “CRITICAL DESIGN FAQ” DUNNEANDRABY.CO.UK/CONTENT/BYDANDR/13/0
(3) DUNNE, A. PERSONAL COMMUNICATION AT THE IXDA CONFERENCE, DUBLIN, FEBRUARY 03RD, 2012
“Cautionary Tales, Conceptual Design, Contestable Futures,
Design Fiction, Interrogative Design, Radical Design, Satire,
Social Fiction, Speculative Design” (2)
auquel Dunne ajouta les labels
“Discursive Design, Design for Debate, Future Probe Design” (3).
Je propose d’y rajouter :
“Critical Design”, “Droog Design”, “Reflective Design”, “
Critical Engineering”, “Critical Making”, “
Adversarial Design”, et “Contestant Design”
– et pour des pratiques critiques mais moins (ou pas)
fictionnelles, nous pourrions ajouter le “Critical Software”,
“Critical Technical practice”, “Contestational Design”,
“Values in Design” et le design activiste en général. (1)
”
“
29. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8029
”
JAMES AUGER (RCA),JIMMY LOIZEAU (GOLDSMITH UNIVERSITY), FIONA RABBY (UAA VIENNA), ANTHONY DUNNE (RCA),JULIAN BLEEKER
(NEARFUTURELAB), PAUL GARDIEN (PHILIPS), BILL GAVER (GOLDSMITH),JULIAN OLIVER (DE),
ARCHIGRAM (UK) (BACK IN 2014, FROM TOP-LEFT TO BOTTOM-RIGHT)
30. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8030
SUPERSTUDIO, (70’S) LE MONUMENT CONTINU. DUNNE & RABY, (2001) ELECTRO-DRAUGHT EXCLUDER, FROM PLACEBO PROJECT.
AUGER-LOIZEAU, (2001) ISO-PHONE.JULIAN OLIVER, (2012) TRANSPARENCY GRENADE.
31. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8031
(1) MOLLON, M. (2017) “AN INDEX OF GRIPPING DESIGN PRACTICES”, EXTRACTED FROM MY PHD THESIS
(2) DUNNE & RABY (2007) “CRITICAL DESIGN FAQ” DUNNEANDRABY.CO.UK/CONTENT/BYDANDR/13/0
(3) DUNNE, A. PERSONAL COMMUNICATION AT THE IXDA CONFERENCE, DUBLIN, FEBRUARY 03RD, 2012
“Cautionary Tales, Conceptual Design, Contestable Futures,
Design Fiction, Interrogative Design, Radical Design, Satire,
Social Fiction, Speculative Design” (2).
Auquel Dunne ajouta les labels
“Discursive Design, Design for Debate, Future Probe Design” (3).
Je propose d’y rajouter :
“Critical Design”, “Droog Design”, “Reflective Design”, “
Critical Engineering”, “Critical Making”, “
Adversarial Design”, et “Contestant Design”
– et pour des pratiques critiques mais moins (ou pas)
fictionnelles, nous pourrions ajouter le “Critical Software”,
“Critical Technical practice”, “Contestational Design”,
“Values in Design” et le design activiste en général. (1)
”
“
32. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8032
DREAM BED (70’S), ARCHIGRAM
33. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8033
EMILIO AMBASZ (1972) , ITALY THE NEW DOMESTIC LANDSCAPE
34. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8034
(1) MOLLON, M. (2017) “AN INDEX OF GRIPPING DESIGN PRACTICES”, EXTRACTED FROM MY PHD THESIS
(2) DUNNE & RABY (2007) “CRITICAL DESIGN FAQ” DUNNEANDRABY.CO.UK/CONTENT/BYDANDR/13/0
(3) DUNNE, A. PERSONAL COMMUNICATION AT THE IXDA CONFERENCE, DUBLIN, FEBRUARY 03RD, 2012
“Cautionary Tales, Conceptual Design, Contestable Futures,
Design Fiction, Interrogative Design, Radical Design, Satire,
Social Fiction, Speculative Design” (2).
Auquel Dunne ajouta les labels
“Discursive Design, Design for Debate, Future Probe Design” (3).
Je propose d’y rajouter :
“Critical Design”, “Droog Design”, “Reflective Design”, “
Critical Engineering”, “Critical Making”, “
Adversarial Design”, et “Contestant Design”
– et pour des pratiques critiques mais moins (ou pas)
fictionnelles, nous pourrions ajouter le “Critical Software”,
“Critical Technical practice”, “Contestational Design”,
“Values in Design” et le design activiste en général. (1)
”
“
37. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8037
PAOLA ANTONELLI (2008), DESIGN AND THE ELASTIC MIND
38. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8038
DUNNE & RABY (2009), CRITICAL DESIGN MANIFESTO
39. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8039
PAOLA ANTONELLI (2011), PAOLA ANTONELLI,TALK TO ME
40. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8040
(1) MOLLON, M. (2017) “AN INDEX OF GRIPPING DESIGN PRACTICES”, EXTRACTED FROM MY PHD THESIS
(2) DUNNE & RABY (2007) “CRITICAL DESIGN FAQ” DUNNEANDRABY.CO.UK/CONTENT/BYDANDR/13/0
(3) DUNNE, A. PERSONAL COMMUNICATION AT THE IXDA CONFERENCE, DUBLIN, FEBRUARY 03RD, 2012
“Cautionary Tales, Conceptual Design, Contestable Futures,
Design Fiction, Interrogative Design, Radical Design, Satire,
Social Fiction, Speculative Design” (2).
Auquel Dunne ajouta les labels
“Discursive Design, Design for Debate, Future Probe Design” (3).
Je propose d’y rajouter :
“Critical Design”, “Droog Design”, “Reflective Design”, “
Critical Engineering”, “Critical Making”, “
Adversarial Design”, et “Contestant Design”
– et pour des pratiques critiques mais moins (ou pas)
fictionnelles, nous pourrions ajouter le “Critical Software”,
“Critical Technical practice”, “Contestational Design”,
“Values in Design” et le design activiste en général. (1)
”
“
41. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8041
AUDIOTOOTH IMPLANT (2010), AUGER-LOIZEAU
42. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8042
AUDIOTOOTH IMPLANT (2010), AUGER-LOIZEAU
43. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8043
DARWINIANA.ORG/ (ACCESSED IN JUNE 2014) EXTRACT OF“ORDER PRIMATA” EVOLUTION TREE.
DOUGAL DIXON (MORE AT SPECULATIVEEVOLUTION.WIKIA.COM)
BRYNN METHENEY (N.A) A BLUE-THROATED HULOMPOLUS.
44. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8044
(1) MOLLON, M. (2017) “AN INDEX OF GRIPPING DESIGN PRACTICES”, EXTRACTED FROM MY PHD THESIS
(2) DUNNE & RABY (2007) “CRITICAL DESIGN FAQ” DUNNEANDRABY.CO.UK/CONTENT/BYDANDR/13/0
(3) DUNNE, A. PERSONAL COMMUNICATION AT THE IXDA CONFERENCE, DUBLIN, FEBRUARY 03RD, 2012
“Cautionary Tales, Conceptual Design, Contestable Futures,
Design Fiction, Interrogative Design, Radical Design, Satire,
Social Fiction, Speculative Design” (2).
Auquel Dunne ajouta les labels
“Discursive Design, Design for Debate, Future Probe Design” (3).
Je propose d’y rajouter :
“Critical Design”, “Droog Design”, “Reflective Design”, “
Critical Engineering”, “Critical Making”, “
Adversarial Design”, et “Contestant Design”
– et pour des pratiques critiques mais moins (ou pas)
fictionnelles, nous pourrions ajouter le “Critical Software”,
“Critical Technical practice”, “Contestational Design”,
“Values in Design” et le design activiste en général. (1)
”
“
45. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8045
CORNER CONVENIENCE, NEAR-FUTURE LABORATORY, 2012
46. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8046
BRUCE STERLING (TALKS AND BLIG ON WIRED.COM)
47. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8047
DUNNE, A. HERTZIAN TALES. MIT PRESS (MA). (2005).
BLEECKER,J. DESIGN FICTION (PP. 1–49). NEAR FUTURE LABORATORY. (2009).
AUGER,J. H. WHY ROBOT? THE ROYAL COLLEGE OF ART. (PHD THESIS). (2012).
DUNNE & RABY. SPECULATIVE EVERYTHING MIT PRESS. (2015).
48. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8048
AUGER,J. (2011). ALTERNATIVE PRESENTS AND SPECULATIVE FUTURES:DESIGNING
FICTIONS THROUGH THE EXTRAPOLATION AND EVASION OF PRODUCT LINEAGES.,
NEGOTIATING FUTURES / DESIGN FICTIONS, SWISS DESIGN NETWORK 2011, BASEL.
AUGER,J. (2013). SPECULATIVE DESIGN:CRAFTING THE SPECULATION, DIGIT. CREAT.,VOL.
24, NO. 1, PP. 11--35, 2013.
BASSETT, C., STEINMULLER, E. & VOSS, G. (2013). BETTER MADE UP:THE MUTUAL
INFLUENCE OF SCIENCE FICTION AND INNOVATION”, NESTA WORKING PAPER 13/07.
BLEECKER,J. (2009). DESIGN FICTION:A SHORT ESSAY ON DESIGN, SCIENCE, FACT AND
FICTION, NEAR FUTURE LABORATORY, LOS ANGELES, CA,
BLEECKER, (2011). DESIGN FICTION:FROM PROPS TO PROTOTYPES, NEGOTIATING FUTURES
/ DESIGN FICTIONS, SWISS DESIGN NETWORK 2011, BASEL.
BLEECKER,J. & NOVA, N., (2009). A SYNCHRONICITY:DESIGN FICTIONS FOR
ASYNCHRONOUS URBAN COMPUTING.THE ARCHITECTURAL LEAGUE OF NEW YORK, NEW
YORK, NY.
CANDY, S. (2010).THE FUTURES OF EVERYDAY LIFE:POLITICS AND THE DESIGN OF
EXPERIENTIAL SCENARIOS, PHD THESIS.THE UNIVERSITY OF HAWAI.
DISALVO, CARL. (2012). SPECTACLES AND TROPES:SPECULATIVE DESIGN AND
CONTEMPORARY FOOD CULTURES.THE FIBRECULTURE JOURNAL(20).
DUNNE, A. & RABY, F. (2011). DESIGN NOIR:THE SECRET LIFE OF ELECTRONIC OBJECTS.
BASEL:BIRKHÄUSER, 2001.
DUNNE, A. & RABY, F. (2014). SPECULATIVE EVERYTHING:DESIGN, FICTION AND SOCIAL
DREAMING. MIT PRESS.
FORLANO, L. (2013). ETHNOGRAPHIES FROM THE FUTURE:WHAT CAN ETHNOGRAPHERS
LEARN FROM SCIENCE FICTION AND SPECULATIVE DESIGN?, ETHNOGRAPHY MATTERS.
FRANKE, B. (2011). DESIGN FICTION IS NOT NECESSARILY ABOUT THE FUTURE,
NEGOTIATING FUTURES / DESIGN FICTIONS, SWISS DESIGN NETWORK 2011, BASEL.
GALLOWAY, A. (2013).TOWARDS FANTASTIC ETHNOGRAPHY AND SPECULATIVE DESIGN,
ETHNOGRAPHY MATTERS.
GRAND, S. & WIEDMER, M. (2010). DESIGN FICTION:A METHOD TOOLBOX FOR DESIGN
RESEARCH IN A COMPLEX WORLD, DRS, 2010.
HALES, D. (2013). DESIGN FICTIONS AN INTRODUCTION AND PROVISIONAL TAXONOMY,
DIGITAL CREATIVITY, 24:1, 1-10
JAIN, A., ARDERN,J. & PICKARD,J. (2012). DESIGN FUTURESCAPING,JOURNAL OF FUTURES
STUDIES.
JOHNSON, B.D. (2009).“SCIENCE FICTION PROTOTYPES OR:HOW I LEARNED TO STOP
WORRYING ABOUT THE FUTURE AND LOVE SCIENCE FICTION”, IN INTELLIGENT
ENVIRONMENTS 2009 – PROCEEDINGS OF THE 5TH INTERNATIONAL CONFERENCE ON
INTELLIGENT ENVIRONMENTS, IOS PRESS, BARCELONA PP. 3-8.
JOHNSON, B.D. (2011).“LOVE AND GOD AND ROBOTS:THE SCIENCE BEHIND THE SCIENCE
FICTION PROTOTYPE “MACHINERY OF LOVE AND GRACE””, IN WORKSHOP PROCEEDINGS OF
THE 7TH INTERNATIONAL CONFERENCE ON INTELLIGENT ENVIRONMENTS, IOS PRESS,
NOTTINGHAM PP. 99-127.
KIRBY, D. (2010).THE FUTURE IS NOW:DIEGETIC PROTOTYPES AND THE ROLE OF POPULAR
FILMS IN GENERATING REAL-WORLD TECHNOLOGICAL DEVELOPMENT. SOCIAL STUDIES OF
SCIENCE 40 (1), PP. 41-70.
KIRBY, D., 2011 LAB COATS IN HOLLYWOOD:SCIENCE, SCIENTISTS AND CINEMA. MIT PRESS,
CAMBRIDGE, MA.
MARKUSSEN & KNUTZ (2013) 'THE POETICS OF DESIGN FICTION' HTTP://DL.ACM.ORG/
CITATION.CFM?ID=2513531
MARKUSSEN & KNUTZ (2013) 'THE ROLE OF FICTION IN EXPERIMENTS WITHIN DESIGN, ART
& ARCHITECTURE' HTTP://WWW.RE-AD.DK/FILES/40099442/
THEROLEOFFICTIONIN_EXPERIMENTS.PDF
MORRISON, A. (2014). DESIGN PROSPECTS:INVESTIGATING DESIGN FICTION VIA A ROGUE
URBAN DRONE, IN PROCEEDINGS OF DRS 2014 CONFERENCE. UMEÅ, SWEDEN.:
16.06.2014– 19.06.2014
RAFORD, NOAH. (2012). FROM DESIGN TO EXPERIENTIAL FUTURES,THE FUTURE OF
FUTURES:THE ASSOCIATION OF PROFESSIONAL FUTURISTS.
SHEDROFF N. & NOESSEL C. (2012). MAKE IT SO INTERACTION
DESIGN LESSONS FROM SCIENCE FICTION. SAN FRANCISCO:ROSENFELD.
STERLING, B. (2009), DESIGN FICTION, INTERACTIONS 16 (3), PP. 20-24.
WARD, M. (2013). DESIGN FICTION AS PEDAGOGIC PRACTICE TOWARDS A FICTIONALLY
BIASED DESIGN EDUCATION, MEDIUM.
ZELLER, L. (2011) WHATYOU SEE IS WHATYOU DON’T GET:ADDRESSING IMPLICATIONS OF
INFORMATION TECHNOLOGY THROUGH DESIGN FICTION” LECTURE NOTES IN COMPUTER
SCIENCE 6770 PP. 329-336.
LISTE COMPLÉTÉE GRÂCE À NICOLAS NOVA
49. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8049
Une famille de pratiques qui partagent: la fiction. Mais aussi la spéculation, et souvent
la critique, ainsi elles posent des questions, plutôt que de donner des réponses.
50. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8050
Design Fiction
Famille de pratiques
51. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8051
QU’EST CE QUI N’EST PAS DU DESIGN FICTION ?
Tout design qui soit fictif,
ou toute fiction qui traite de design,
n’est pas pour autant du Design Fiction.
Prototype Diégétique (D. Kirby 2011)
L’objet est soutenu par un monde
(et suggère une histoire)
“It’s the deliberate use of diegetic prototypes
to suspend disbelief about change.”
Design Fiction
Famille de pratiques
52. MAX MOLLON – 2017.MAI.03 – DESIGN FICTION – MARABOUT DU DESIGN #1, CENTRE POMPIDOU, PARIS /XX52
PRESENT
POSSIBLE
PLAUSIBLE
PREFERABLE (in Dunne & Raby)
PROBABLE
PREFERABLE (in Bezold, C)
The role of the expert is often, not to pre-
vent the impossible but to make it accept-
able – either it be for the NSA, DARPA,
GOOGLE or Greenpeace – PPPPreferable
for who?
ADAPTED FROM HANCOCK AND BEZOLD (1994) › JOSEPH VOROS (2000) › STUART CANDY › DUNNE & RABY (2009) – maxmollon 2017
ADAPTED FROM HANCOCK AND BEZOLD (1994) › JOSEPH VOROS (2000) › STUART CANDY › DUNNE & RABY (2009) – maxmollon 2017
53. MAX MOLLON – 2017.MAI.03 – DESIGN FICTION – MARABOUT DU DESIGN #1, CENTRE POMPIDOU, PARIS /XX53
PRESENT
POSSIBLE
PLAUSIBLE
PREFERABLE (in Dunne & Raby)
PROBABLE
PREFERABLE (in Bezold, C)
The role of the expert is often, not to pre-
vent the impossible but to make it accept-
able – either it be for the NSA, DARPA,
GOOGLE or Greenpeace – PPPPreferable
for who?
ADAPTED FROM HANCOCK AND BEZOLD (1994) › JOSEPH VOROS (2000) › STUART CANDY › DUNNE & RABY (2009) – maxmollon 2017
ADAPTED FROM HANCOCK AND BEZOLD (1994) › JOSEPH VOROS (2000) › STUART CANDY › DUNNE & RABY (2009) – maxmollon 2017
54.
55. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8055
-
Designer la critique et la spéculation,
des présents alternatifs aux futurs pluriels.
• Intro
• Découverte : entre critique et affirmatif
• Débat
• Discussion
• Meetup (21-22)
Séminaire
21/09 | Séance #1 :
Invitée : Léa Lippera
Menu du jour
56. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8056
-
…
PRODUCTIVITY FUTURE VISIONS (2011), MICROSOFT
57. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8057
-
…
58. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8058
UNINVITED GUESTS (2015), SUPERFLUX
63. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8063
-
…
PUBLI-VOICE (2015), DUNNE & RABY
64. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8064
-
…
TBD CATALOGUE (2014), NEAR FUTURE LABORATORY
65. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8065
-
…
TBD CATALOGUE (2014), NEAR FUTURE LABORATORY
66. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8066
-
…
THE GOLDEN INSTITUTE (2009) DE SASCHA POHFLEPP
67. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8067
-
…
LIFE SUPPORT (2008), REVITAL COHEN & TUUR VAN BALEN
68. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8068
-
…
UNITED MICRO KINGDOMS(2012-2013), DUNNE & RABY
69.
70. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8070
-
Designer la critique et la spéculation,
des présents alternatifs aux futurs pluriels.
• Intro
• Découverte
• Débat : After-life project, Auger Loizeau (2009)
• Discussion
• Meetup (21-22)
Séminaire
21/09 | Séance #1 :
Invitée : Léa Lippera
Menu du jour
71.
72.
73.
74.
75.
76.
77.
78. DESIGN FICTION CLUB – 2017.SEPT.21 – SÉANCE #01 – @GAITÉ-LYRIQUE, PARIS /8078
-
Designer la critique et la spéculation,
des présents alternatifs aux futurs pluriels.
• Intro
• Découverte
• Débat
• Discussion
• Meetup (21-22)
Séminaire
21/09 | Séance #1 :
Invitée : Léa Lippera
Menu du jour