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DANCE
The Dances of the
Philippine Island
Dance
• Dance is an art form that generally
refers to movement of the body,
usually rhythmic and to music, used as
a form of
expression, social interaction or
presented in
a spiritual or performance setting.
Folkdance
• They are dances performed at
social functions by people with little
or no professional training, often to
traditional music or music based on
traditional music.
• They are not designed for public
performance or the stage, although
traditional folkdances may be later
arranged and set for stage
performances.
Philippine Folkdance
• Countries in the world have their own
cultures made more colorful, beautiful and
vibrant because of Folk Dances that are
reflection of who they are. In the east,
the Chinese have their symbolic Dragon
Dance, the Japanese have the ancestral
dance Bon Odori. In the west the
Americans have their Square Dance. On the
other hand, the Philippines will not be left
behind. "The Pearl of The Orient" boast of
a varitey of Filipino Folk Dances.
----------------------------------------------
• Talents from Each Region.... As we
explore each of the regions and
styles, please remember alot of these
Cultural and Folk dances represents
hardships and daily back breaking
tasks, that has turned into a art
form. Many of the dances you will
read about here were actuall
activities or chores that the Filipino
endured to survive the poor economy
----------------------------------------------
• The Philippines consist of 7107
islands, and is broken down in three
groups of islands. The Luzon,
Mindano, and Visayas. Each of these
regions contain different
languages,history, regligon, and
traditions. With each region having
different influence in thier arts,
crafts, and ancestorical dances. Lets
take a trip through each region and
Different kinds of Folk Dances
From LuzViMinda
Folkdance of Luzon
Luzon
• Consisting of the tribes such as Ifugao,
Benquet, Kalinga, Bontoc, Apayo,
Kalinga, sometimes these are call Igorot.
" But sometimes that is considered
degrading ." Cordillerea name also used
for some parts the Luzon Region...
Northern most region of the Philippines,
Luzon gets its Cultural influence from
Hindu-Buddist, Spanish and many ethnic
regilous tribes. All with differences and
beliefs. But in all the Cultural and Folk
Dances from this region represents all
different factions in one way or the
other.
Examples :Idaw
• This dance sometimes has many names
and different versions. Most common is
this dance depicts the hunting ritual
performed before a tribal war. The
tribes men would go out and look up and
watch for the scared Idaw bird. Which
is said to lead the tribe to victory. Also
look at the clothing, Philippines being a
very hot climate, plus the use of as
little material as possible, the
traditional clothing was not made to
cover much of the body....
Banga
• This dance displays the Igorot women on their way to the
river to fetch the daily water supply for thier familys. It
shows the skill and strength of the women as they would
carry heavy laiden clay pots (Banga) full of water. Their
grace and agility while balancing the heavy pots,
sometimes stacks 5 high, is a testiment of the Filipino and
how hardships become a art form and talent. As a young
girl you would start with only one pot. Of course as you
become older and more experienced, along with the fact
that you could provide more water for your family in one
trip. Pots could be stacked as high as 5 or 6. The more
pots you could carry showed your skill and also you
standing amoung the women of that area. They would all
gather and march to the river each day, singing a native
song which is represented by the flute and banging of
bamboo on iron pots in the dance......
Ragsaksakan
• The word means " Merriment".
This dance would be performed
after a successful headhunt and
also for a peace pact between
waring tribles. The colorful hand
woven blankets " blankets of life"
are worn around the neck while
baskets to carry produce or rice
are worn upon the head. Some
La Jota Moncadena
• People of Moncada, Tarlac, call it rather by
a different name: Jota Florana. The Jota
Folrana was danced to the Ilocano/Yogad
bamboo musical instrument ensemble
called tallelet. Dance anthropologist Ramon
Obusan said that the Jota Florana was
danced to accompany a bereaved family to
the burial of a loved one. The high pitched
clicking of the bamboo clickers are supposed
to represent melancholy wails. The slow
portion of the dance is in fact
named patay (death) or desmayo (fainting)
Subli
• Subli is the dance portion of a
devotion performed in honor of the
Mahal na Poong Santa Cruz, a large
crucifix of anubing wood with the face
of the sun in silver at the center.
The icon was discovered in the early
decades of Spanish rule in what is
now the town of Alitagtag, Batangas.
It is the patron of many towns in the
area, notably the ancient town of
Bauan, Batangas.
Folk dance of
Visayas
Visayas
• Being the Central Island of The Philippines,
Visayas is also broken down into three
sections. Central , Eastern, Western.
Consisting of Austronesians, Negritos, these
we Animist Tribal Group. Many others tribes
from around surrounding island would come
after the downfall or break up of thier
tribes. Visayas became a melting pot for
many different Tribes and Cultural
backgrouds. You will find Arbian, Spanish,
and some Western influences in the dances
of this region. You will see that the dances
of the Visayas are more upbeat and exciting,
Examples
Sayaw Ed Tapew na Bangko
• This dance is native to the
barrio of Pangapisan,
Lingayen, Pangasinan, and
demands skill from its
performers who must dance on
top of a bench roughly six
inches wide.
Tinikling
• Tinikling is considered the national
folkdance with a pair of dancers
hopping between two bamboo poles
held just above the ground and struck
together in time to music. Originated
from Leyte Province, this dance is in
fact a mimic movement of “tikling
birds” hopping over trees, grass stems
or over bamboo traps set by farmers.
Dancers perform this dance with
remarkable grace and speed jumping
between bamboo poles.
Maglalatik
• Originally performed in Binan, Laguna as a
mock-war dance that demonstrates a fight
between the Moros and the Christians over
the prized latik or coconut meat during the
Spanish rule, this dance is also shown to pay
tribute to the town’s patron saint, San
Isidro Labrador. It has a four-part
performance such as the palipasan and the
baligtaran showing the intense battle, the
paseo and the escaramusa- the
reconciliation. Moro dancers wear read
trousers while the Christian dancers show up
in blue. All dancers are male; with harnesses
of coconut shells attached on their chests,
backs, thighs and hips
Binasuan
• is a native dance of Pangasinan. This
dance literally means “dancing with
glasses.” The steps are executed with
glasses filled with rice wine balanced
on the head and the hands of the
dancers. Danced to show balance and
to reflect rural gaiety, Binasuan is
performed usually in wedding
ceremonies and occasions in the
barangay.
Itik- itik
• is one of the Philippine folk dances
which have an interesting origin.
According to stories, a Filipina
maiden-dancer of Surigao del Norte
was asked to perform a native dance
in one special occasion. She started
to improvise new steps and imitate
the courtship movements of a local
species of duck known as “itik.” The
spectators began to imitate her and
Folk dance of
Mindanao
MINDANAO
• This is the southern most region of The
Philippines. Being the second largest
island in the Philippines, its Culture
consists of mostly Muslium or " Moro "
people, also composed of other ethnic
groups such as the Maranao, Tausug,
Banguingui, and indigenous tribes know as
Lumad. You will see alot of Arabian, and
Middle Eastern influence in thier
costumes and dances.
Examples
Singkil dance takes its name from the bells worn on
the ankles of the Muslim princess. Perhaps one of the
oldest of truly Filipino dances, the Singkil recounts the
epic legend of the "Darangan" of the Maranao people of
Mindanao. This epic, written sometime in the 14th
century, tells the fateful story of Princess Gandingan,
who was caught in the middle of a forest during an
earthquake caused by the diwatas, or fairies or nymph
of the forest.
The rhythmic clapping of criss-crossed bamboo poles
represent the trees that were falling, which she
gracefully avoids. Her slave loyally accompanies her
throughout her ordeal. Finally, she is saved by the
prince. Dancers wearing solemn faces and maintaining a
dignified pose being dancing at a slow pace which soon
Kini- kini
Kini means the Royal Walk.
Maranao women performed
this dance with scarves. The
beauty of the scarve and the
talent and grace in which it is
displayed. Shows their elite
social upbringing.
Pangalay
A pangalay native to the Badjao,
sometimes known as the "Sea Gypsies."
Pangalay is a dance that emphasizes the
agility of the upper body. The rhythmic
bounce of the shoulder with simultaneous
alternating waving of arms are the basic
movement of this dance. The pangalay is
commonly performed at weddings and
other social gatherings. You will also see
some parts of the Sinkgil in this dance
also. Another part of this dance is also
called the Muslium four Bamboos.
Asik
This is performed by a solo madien,
adorned with fine beads and make up,
long head scarf. She would dance to
win the favor of her Sultan master.
Many time the girls would dance to
win the hearts of her master or to
make up for a wrong she had done.
She would give her whole heart and
soul into this performance to soften
the heart of her master to accept
Philippines
Rich in Culture
Rich in Tradition
Famous in Dancing
Thank You!!!
Mark Anthony A. de
Guzman
BSED MAPEH I- D

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Dances of the Philippine Islands

  • 1. DANCE The Dances of the Philippine Island
  • 2. Dance • Dance is an art form that generally refers to movement of the body, usually rhythmic and to music, used as a form of expression, social interaction or presented in a spiritual or performance setting.
  • 3. Folkdance • They are dances performed at social functions by people with little or no professional training, often to traditional music or music based on traditional music. • They are not designed for public performance or the stage, although traditional folkdances may be later arranged and set for stage performances.
  • 4. Philippine Folkdance • Countries in the world have their own cultures made more colorful, beautiful and vibrant because of Folk Dances that are reflection of who they are. In the east, the Chinese have their symbolic Dragon Dance, the Japanese have the ancestral dance Bon Odori. In the west the Americans have their Square Dance. On the other hand, the Philippines will not be left behind. "The Pearl of The Orient" boast of a varitey of Filipino Folk Dances.
  • 5. ---------------------------------------------- • Talents from Each Region.... As we explore each of the regions and styles, please remember alot of these Cultural and Folk dances represents hardships and daily back breaking tasks, that has turned into a art form. Many of the dances you will read about here were actuall activities or chores that the Filipino endured to survive the poor economy
  • 6. ---------------------------------------------- • The Philippines consist of 7107 islands, and is broken down in three groups of islands. The Luzon, Mindano, and Visayas. Each of these regions contain different languages,history, regligon, and traditions. With each region having different influence in thier arts, crafts, and ancestorical dances. Lets take a trip through each region and
  • 7. Different kinds of Folk Dances From LuzViMinda
  • 9. Luzon • Consisting of the tribes such as Ifugao, Benquet, Kalinga, Bontoc, Apayo, Kalinga, sometimes these are call Igorot. " But sometimes that is considered degrading ." Cordillerea name also used for some parts the Luzon Region... Northern most region of the Philippines, Luzon gets its Cultural influence from Hindu-Buddist, Spanish and many ethnic regilous tribes. All with differences and beliefs. But in all the Cultural and Folk Dances from this region represents all different factions in one way or the other.
  • 10. Examples :Idaw • This dance sometimes has many names and different versions. Most common is this dance depicts the hunting ritual performed before a tribal war. The tribes men would go out and look up and watch for the scared Idaw bird. Which is said to lead the tribe to victory. Also look at the clothing, Philippines being a very hot climate, plus the use of as little material as possible, the traditional clothing was not made to cover much of the body....
  • 11. Banga • This dance displays the Igorot women on their way to the river to fetch the daily water supply for thier familys. It shows the skill and strength of the women as they would carry heavy laiden clay pots (Banga) full of water. Their grace and agility while balancing the heavy pots, sometimes stacks 5 high, is a testiment of the Filipino and how hardships become a art form and talent. As a young girl you would start with only one pot. Of course as you become older and more experienced, along with the fact that you could provide more water for your family in one trip. Pots could be stacked as high as 5 or 6. The more pots you could carry showed your skill and also you standing amoung the women of that area. They would all gather and march to the river each day, singing a native song which is represented by the flute and banging of bamboo on iron pots in the dance......
  • 12. Ragsaksakan • The word means " Merriment". This dance would be performed after a successful headhunt and also for a peace pact between waring tribles. The colorful hand woven blankets " blankets of life" are worn around the neck while baskets to carry produce or rice are worn upon the head. Some
  • 13. La Jota Moncadena • People of Moncada, Tarlac, call it rather by a different name: Jota Florana. The Jota Folrana was danced to the Ilocano/Yogad bamboo musical instrument ensemble called tallelet. Dance anthropologist Ramon Obusan said that the Jota Florana was danced to accompany a bereaved family to the burial of a loved one. The high pitched clicking of the bamboo clickers are supposed to represent melancholy wails. The slow portion of the dance is in fact named patay (death) or desmayo (fainting)
  • 14. Subli • Subli is the dance portion of a devotion performed in honor of the Mahal na Poong Santa Cruz, a large crucifix of anubing wood with the face of the sun in silver at the center. The icon was discovered in the early decades of Spanish rule in what is now the town of Alitagtag, Batangas. It is the patron of many towns in the area, notably the ancient town of Bauan, Batangas.
  • 16. Visayas • Being the Central Island of The Philippines, Visayas is also broken down into three sections. Central , Eastern, Western. Consisting of Austronesians, Negritos, these we Animist Tribal Group. Many others tribes from around surrounding island would come after the downfall or break up of thier tribes. Visayas became a melting pot for many different Tribes and Cultural backgrouds. You will find Arbian, Spanish, and some Western influences in the dances of this region. You will see that the dances of the Visayas are more upbeat and exciting,
  • 17. Examples Sayaw Ed Tapew na Bangko • This dance is native to the barrio of Pangapisan, Lingayen, Pangasinan, and demands skill from its performers who must dance on top of a bench roughly six inches wide.
  • 18. Tinikling • Tinikling is considered the national folkdance with a pair of dancers hopping between two bamboo poles held just above the ground and struck together in time to music. Originated from Leyte Province, this dance is in fact a mimic movement of “tikling birds” hopping over trees, grass stems or over bamboo traps set by farmers. Dancers perform this dance with remarkable grace and speed jumping between bamboo poles.
  • 19. Maglalatik • Originally performed in Binan, Laguna as a mock-war dance that demonstrates a fight between the Moros and the Christians over the prized latik or coconut meat during the Spanish rule, this dance is also shown to pay tribute to the town’s patron saint, San Isidro Labrador. It has a four-part performance such as the palipasan and the baligtaran showing the intense battle, the paseo and the escaramusa- the reconciliation. Moro dancers wear read trousers while the Christian dancers show up in blue. All dancers are male; with harnesses of coconut shells attached on their chests, backs, thighs and hips
  • 20. Binasuan • is a native dance of Pangasinan. This dance literally means “dancing with glasses.” The steps are executed with glasses filled with rice wine balanced on the head and the hands of the dancers. Danced to show balance and to reflect rural gaiety, Binasuan is performed usually in wedding ceremonies and occasions in the barangay.
  • 21. Itik- itik • is one of the Philippine folk dances which have an interesting origin. According to stories, a Filipina maiden-dancer of Surigao del Norte was asked to perform a native dance in one special occasion. She started to improvise new steps and imitate the courtship movements of a local species of duck known as “itik.” The spectators began to imitate her and
  • 23. MINDANAO • This is the southern most region of The Philippines. Being the second largest island in the Philippines, its Culture consists of mostly Muslium or " Moro " people, also composed of other ethnic groups such as the Maranao, Tausug, Banguingui, and indigenous tribes know as Lumad. You will see alot of Arabian, and Middle Eastern influence in thier costumes and dances.
  • 24. Examples Singkil dance takes its name from the bells worn on the ankles of the Muslim princess. Perhaps one of the oldest of truly Filipino dances, the Singkil recounts the epic legend of the "Darangan" of the Maranao people of Mindanao. This epic, written sometime in the 14th century, tells the fateful story of Princess Gandingan, who was caught in the middle of a forest during an earthquake caused by the diwatas, or fairies or nymph of the forest. The rhythmic clapping of criss-crossed bamboo poles represent the trees that were falling, which she gracefully avoids. Her slave loyally accompanies her throughout her ordeal. Finally, she is saved by the prince. Dancers wearing solemn faces and maintaining a dignified pose being dancing at a slow pace which soon
  • 25. Kini- kini Kini means the Royal Walk. Maranao women performed this dance with scarves. The beauty of the scarve and the talent and grace in which it is displayed. Shows their elite social upbringing.
  • 26. Pangalay A pangalay native to the Badjao, sometimes known as the "Sea Gypsies." Pangalay is a dance that emphasizes the agility of the upper body. The rhythmic bounce of the shoulder with simultaneous alternating waving of arms are the basic movement of this dance. The pangalay is commonly performed at weddings and other social gatherings. You will also see some parts of the Sinkgil in this dance also. Another part of this dance is also called the Muslium four Bamboos.
  • 27. Asik This is performed by a solo madien, adorned with fine beads and make up, long head scarf. She would dance to win the favor of her Sultan master. Many time the girls would dance to win the hearts of her master or to make up for a wrong she had done. She would give her whole heart and soul into this performance to soften the heart of her master to accept
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  • 29. Philippines Rich in Culture Rich in Tradition Famous in Dancing Thank You!!! Mark Anthony A. de Guzman BSED MAPEH I- D