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”I hear voices” 
Augmenting audiovisual 
archives by including 
immigrants in remix practices 
Dr. Mariana Salgado 
Postdoctoral Researcher 
Arki Research group 
Department of Media 
School of Arts, Design and Architecture 
Aalto University
Twitter: @salgado 
Blog: 
http://pinatasdigitales.wordpress.com/ 
Arki blog: 
http://arki.mlog.taik.fi/ 
Slideshare: 
http://www.slideshare.net/marianasalgado
INTRO 
• Immigrants &social 
inclusion 
• Audiovisual Archives 
(Case: EUscreenXL) 
• Remix 
• Research questions 
• Research plan 
• Discussion
IMMIGRANTS & INCLUSION 
There are and there will be always immigrants. But the ones that 
migrate are only a small proportion of the population. 
(Saskia Sassen, 1999) 
Underused creative capacity of immigrants-> design research posibility 
to stage participation, create disensus and intervene in the political 
order (Kashavarz & MazĂŠ, 2013) 
Design as an agent of social change 
Inclusion through media (in this case video)
AUDIOVISUAL ARCHIVES 
CC by Verbruggen & Pekel
ARCHIVOS AUDIOVISUALES 
• EUscreen Best Practice Network 
eContentplus programme 
• 36 months (2009-12) 
• Consortium 
29 partners 
17 EU countries 
TV broadcasters, archives, researchers, educators, IT 
companies 
Relation to Europeana 
Access to 40,000 items of audiovisual archive 
About EUscreen
AUDIOVISUAL ARCHIVES 
EUscreenXL is an EU funded project that aims to create public access to AV 
content from broadcasters and archives around Europe. 
EUscreenXL is AV domain aggregator for the Europeana project: 
• 36 meses (2013-16) 
• Consortium 
• Additional 20,000 items of AV content on portal by 2016 
Content in 14 European languages 
Access to 1.000.000 elements of audiovisual material 
About EUscreenXL
AUDIOVISUAL ARCHIVES 
Europeana.eu is an internet portal that acts as an interface to millions of books, 
paintings, films, museum objects and archival records that have been digitised 
throughout Europe. 
About Europeana 
Screenshot from: http://www.europeana.eu/portal/
REMIX 
Remix definition: separating and 
recombining many types of media 
including images, video, literary text, and 
video game assets. 
It is a form of creativity. Is is a culture of 
“rip and create” Fagerjord (2010) 
RIP! A Remix Manifesto
“Our culture no longer bothers to use words like 
appropriation or borrowing to describe those very 
activities. Today's audience isn't listening at all - it's 
participating. Indeed, audience is as antique a term as 
record, the one archaically passive, the other archaically 
physical. The record, not the remix, is the anomaly today. 
The remix is the very nature of the digital” 
(Gibson, 2005).
Political remix 
Imagine This! 
Machinima 
Where are you from? 
Movie Trailers 
Harry Potter mixed with Pride and Prejudice 
Machinima music video 
Machinima music video
Remix practices serve 
as a way to 
contextualize records 
(making them part of 
new entities) and 
decentralize curation 
(remixers 
reconsider which 
videos will be reuse). CC by Stallio in Flickr
Remixers are not perceived 
as possessive. They want 
to share their content and 
have it remixed or 
appropriated by others 
(Dikopoulus et al, 2007). 
This is a different approach 
in respect on how archives 
relate to their content. 
CC by Stallio in Flickr
The ability to share movies 
and feel part of the online 
community is perceived as 
central motivation for 
creating. 
CC by Stallio in Flickr
In practical terms 
CC by Mariana Salgado-Our City project 
Everything is a remix
How cultural diasporas 
could enrich and 
interpret audiovisual 
cultural heritage?
How could new 
media strategies 
support social 
inclusion?
The best that could happen 
Director: Lazar Mitev 
Art Director: Borislav Borisov
Roma cuisine 
Director: Kollyo Petrov 15 aĂąos 
Director de arte: Borislav Borisov
Director: Kollyo Petrov 15 aĂąos. 
Director de arte: Borislav Borisov
Interface Prototype 
workshop 
Tools for remix
Discussion 
On the evolution of media environment to support 
multiculturality 
Societal impact- how to use video remix to empower people? 
Ethics issues in relation to the work with vulnerable populations
Reference 
s 
Diakopulus, N; Luther, K, Medynskiy, Y: Essa, I. (2007) 
Rethinking Authorship: Reconfiguring the author in Online Video 
Remix Culture. 
Fagerjord, A. (2010). After Convergence: YouTube and Remix 
Culture. International Handbook of Internet Research. Edited by 
Husinger et al. 
Keshavarz, M. and MazĂŠ, R. (2013) 'Design and Dissensus: 
Framing and Staging Participation in Design Research', Design 
Philosophy Papers, 1: unpaginated. 
Lammers, E. (2005). Refugees, asylum seekers and 
anthropologists: the taboo on giving. Global Migration 
Perspectives. Global Commission on International Migration. 
Switzerland. 
Sassen, S. (1999) Guests and Aliens. The New Press. USA
Thanks! 
mariana.salgado@aalto.fi 
http://www.slideshare.net/mariana.salgado
Augmenting audiovisual archives by inclusing immigrants in remix practices

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Augmenting audiovisual archives by inclusing immigrants in remix practices

  • 1. ”I hear voices” Augmenting audiovisual archives by including immigrants in remix practices Dr. Mariana Salgado Postdoctoral Researcher Arki Research group Department of Media School of Arts, Design and Architecture Aalto University
  • 2. Twitter: @salgado Blog: http://pinatasdigitales.wordpress.com/ Arki blog: http://arki.mlog.taik.fi/ Slideshare: http://www.slideshare.net/marianasalgado
  • 3. INTRO • Immigrants &social inclusion • Audiovisual Archives (Case: EUscreenXL) • Remix • Research questions • Research plan • Discussion
  • 4. IMMIGRANTS & INCLUSION There are and there will be always immigrants. But the ones that migrate are only a small proportion of the population. (Saskia Sassen, 1999) Underused creative capacity of immigrants-> design research posibility to stage participation, create disensus and intervene in the political order (Kashavarz & MazĂŠ, 2013) Design as an agent of social change Inclusion through media (in this case video)
  • 5. AUDIOVISUAL ARCHIVES CC by Verbruggen & Pekel
  • 6. ARCHIVOS AUDIOVISUALES • EUscreen Best Practice Network eContentplus programme • 36 months (2009-12) • Consortium 29 partners 17 EU countries TV broadcasters, archives, researchers, educators, IT companies Relation to Europeana Access to 40,000 items of audiovisual archive About EUscreen
  • 7. AUDIOVISUAL ARCHIVES EUscreenXL is an EU funded project that aims to create public access to AV content from broadcasters and archives around Europe. EUscreenXL is AV domain aggregator for the Europeana project: • 36 meses (2013-16) • Consortium • Additional 20,000 items of AV content on portal by 2016 Content in 14 European languages Access to 1.000.000 elements of audiovisual material About EUscreenXL
  • 8. AUDIOVISUAL ARCHIVES Europeana.eu is an internet portal that acts as an interface to millions of books, paintings, films, museum objects and archival records that have been digitised throughout Europe. About Europeana Screenshot from: http://www.europeana.eu/portal/
  • 9. REMIX Remix definition: separating and recombining many types of media including images, video, literary text, and video game assets. It is a form of creativity. Is is a culture of “rip and create” Fagerjord (2010) RIP! A Remix Manifesto
  • 10. “Our culture no longer bothers to use words like appropriation or borrowing to describe those very activities. Today's audience isn't listening at all - it's participating. Indeed, audience is as antique a term as record, the one archaically passive, the other archaically physical. The record, not the remix, is the anomaly today. The remix is the very nature of the digital” (Gibson, 2005).
  • 11. Political remix Imagine This! Machinima Where are you from? Movie Trailers Harry Potter mixed with Pride and Prejudice Machinima music video Machinima music video
  • 12. Remix practices serve as a way to contextualize records (making them part of new entities) and decentralize curation (remixers reconsider which videos will be reuse). CC by Stallio in Flickr
  • 13. Remixers are not perceived as possessive. They want to share their content and have it remixed or appropriated by others (Dikopoulus et al, 2007). This is a different approach in respect on how archives relate to their content. CC by Stallio in Flickr
  • 14. The ability to share movies and feel part of the online community is perceived as central motivation for creating. CC by Stallio in Flickr
  • 15. In practical terms CC by Mariana Salgado-Our City project Everything is a remix
  • 16. How cultural diasporas could enrich and interpret audiovisual cultural heritage?
  • 17. How could new media strategies support social inclusion?
  • 18.
  • 19.
  • 20. The best that could happen Director: Lazar Mitev Art Director: Borislav Borisov
  • 21. Roma cuisine Director: Kollyo Petrov 15 aĂąos Director de arte: Borislav Borisov
  • 22. Director: Kollyo Petrov 15 aĂąos. Director de arte: Borislav Borisov
  • 23. Interface Prototype workshop Tools for remix
  • 24.
  • 25. Discussion On the evolution of media environment to support multiculturality Societal impact- how to use video remix to empower people? Ethics issues in relation to the work with vulnerable populations
  • 26. Reference s Diakopulus, N; Luther, K, Medynskiy, Y: Essa, I. (2007) Rethinking Authorship: Reconfiguring the author in Online Video Remix Culture. Fagerjord, A. (2010). After Convergence: YouTube and Remix Culture. International Handbook of Internet Research. Edited by Husinger et al. Keshavarz, M. and MazĂŠ, R. (2013) 'Design and Dissensus: Framing and Staging Participation in Design Research', Design Philosophy Papers, 1: unpaginated. Lammers, E. (2005). Refugees, asylum seekers and anthropologists: the taboo on giving. Global Migration Perspectives. Global Commission on International Migration. Switzerland. Sassen, S. (1999) Guests and Aliens. The New Press. USA

Hinweis der Redaktion

  1. As project initiators we determine the approach, methods, scope, and resources. Participants are engaged and selected afterwards. Normally we tried to avoid dissensus. The staging of the design process involves not only the framing of the problem and the social organization, but a realm of the project that may also endure long after. (MazĂŠ and Keshavarz).
  2. Especialmente el que se comparte en sitios como Europeana o Euscreen? different sorts of empathy, mechanisms to cross boundaries Reflect on the meaning of the characteristics of media that immigrants use? how their stories or their life influence the media in use.