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CLOWNS AND MIMES
by Don L. F. Nilsen and
Alleen Pace Nilsen
Renaissance Court Jesters tended to be small, physically
deformed, wore motley clothes and cap and bells.
But by being marginaled, they were empowered to tell the
king things that other people were not able to tell him.
2
The jester also gained power by
not using his own voice.
He spoke through the voice of his
scepter—a miniature
representation of his own face.
3
The Jester’s Scepter:
The Beginnings of Ventriloquism
Today’s Editorial Cartoonist
4
By making fun of
themselves, and by
targeting all sides of
an issue, today’s
political cartoonists
are also able to say
things that other
reporters are not able
to say about societal
and political issues.
AXTELL PUPPETS:
http://www.axtellpuppets.net/
5
6
COMMEDIA DELL’ARTE
• During the 15th
and 16th
centuries in Italy,
as the world-famous commedia
dell’arte was developing, three basic
clowns began to evolve: The Harlequin,
the Auguste, and the character clown.
7
The unscripted Commedia dell’Arte tradition spawned
street performers, Punch-and-Judy Shows and
France’s “Comédie Française”
8
Auguste (Happy) Clowns
9
VENT HAVEN VENTRILOQUIST CONVENTION:
http://www.venthaven.com/
10
11
THE HARLEQUIN AND SLAPSTICK
• In the latter half of the 16th
century, the “Arlecchino”
(Harlequin) clown started out as a foolish servant
and then developed into a more sophisticated,
acrobatic prankster.
• He carried a large stick that was split so that abrupt
movements would make the separated parts hit
against each other with a loud noise.
• This was the development of “slapstick” comedy.
Harlequin Clowns
12
13
• Harlequin clowns had elegant, patched
costumes with symmetrical patterns and a
black domino mask covering half of their
faces.
• Today’s Harlequin clowns (including mimes)
still wear precise, neatly detailed makeup,
and a sophisticated demeanor of being “in
charge.”
• Their aura of control is sometimes
heightened by the contrast of having a “fool”
companion.
14
MARIANN MARTIN’S WILD THING
LAUGHTER REMEDY (PAUL MCGHEE):
www.LaughterRemedy.com http://www.LaughterRemedy.com
15
MIMES
• An obvious advantage
of mime and pantomime
is that it transcends
language barriers.
• Because of this, Charlie
Chaplin was the first
movie star recognized
and appreciated around
the world.
16
Mimes
17
18
• Another advantage of mime is that
it works in arenas that are too
large or too noisy for people to
hear well.
• This is why circus clowns and the
mascots for athletic teams rely for
their humor on exaggerated body
movements.
19
• Emmett Kelly, the famous Ringling
Brothers clown, was so skilled in
pantomiming the role of Weary Willie
that he was allowed to remain in the
circus arena through the entire
performances.
• His most famous act was to sweep a
circle of light thrown by a spotlight into
a smaller and smaller circle, and then to
chase it under a rug or into a dustbin.
Emmett Kelly Sweeping Light
20
Deep Fun
with Bernie DeKoven
Deep Fun with Bernie DeKoven:
http://www.deepfun.com/clowning-in-lesbos/
21
22
• Harpo Marx was one of the world’s
most beloved pantomimists.
• Harpo was a mute with unruly hair
who could communicate with
others only by means of honks,
whistles, and pantomime.
23
• He wore a fright wig and an overcoat
with enormous inside pockets from
which he pulled such objects as an ice-
cream cone, a cup of coffee, and
various pieces of hardware, including a
blowtorch.
• Somewhere in every movie, he pulled a
face called a “Gookie,” in which he
puffed out his cheeks and crossed his
widened eyes.
Harpo Marx: Broken Mirror, Shooting Keys,
Fright Wig, Overcoat & Gookie Face
24
25
• Harpo’s best known pantomime scene
is in the movie Duck Soup. Groucho
chases Harpo, who accidentally breaks
a floor-length mirror.
• When Groucho looks in the empty
frame, Harpo is standing on the other
side and deftly reflects back every one
of Groucho’s intricate moves.
26
CLOWN WEB SITES
WORLD LAUGHTER TOUR (STEVE WILSON):
http://www.worldlaughtertour.com/
27
• Marcel Marceau had a clown-tramp
character named Bip.
• Bip had tight-fitting high-waisted
pants, a dark jersey designed to set
off his whitened face, and to serve
as a backdrop to his expressive
hand movements. This was a
modern interpretation of the French
Pierrot.
• It is ironic that in
Mel Brooks’s
1976 Silent Movie,
it was Marcel
Marceau who said
the only spoken
line.
28
29
PIERROT
• The “fool” companion of the Harlequin was
the Pierrot.
• Pierrot was a French clown with a bald head,
a flour-whitened face, and an always-gullible
demeanor.
• Pierrot was the straight man for the
Harlequin.
Pierrot (Sad) Clowns
30
Red Rubber Noses:
http://www.rednoses.eu/
31
Red Skelton
32
33
THE CHARACTER CLOWN
• At the turn of the century, character
clowns were becoming very popular.
• They had such identifiable
personalities as tramps, scarecrows,
grandmothers, out-of-work gentlemen,
etc.
Character Clowns
34
35
• Charlie Chaplin, the Marx Brothers, and the
Three Stooges were all character clowns.
• Emmett Kelly’s “Weary Willie,” and Red
Skelton’s “Freddie the Freeloader” were both
influenced by Chaplin’s “Little Tramp.”
• Jerry Lewis and Rowan Atkinson (Mr. Bean)
were also character clowns.
Charlie Chaplin’s Little Tramp, The Three Stooges &
Red Skelton’s Freddie the Freeloader
36
Jerry Lewis as The Nutty Professor
& Rowan Atkinson as Mr. Bean
37
LAUGHTER WORKS (KAY CASKEY AND LAURIE YOUNG):
www.LaughWays.com
38
39
CLOWN TABOOS
• While in character, clowns should
never be seen doing “normal” things
like shopping or eating meals.
• They should also never appear in
public partially out of costume.
40
• One Halloween in Paulsboro, New Jersey, a
police officer dressed up as a clown
managed to arrest 12 individuals, most of
whom were wanted for routine traffic
offenses.
• He explained that instead of getting the usual
“He isn’t home” response, the clown
costume got the policeman into the homes to
make the arrest.
• The real clowns of the world protested.
41
• The clowns of the world also protested
when Bob Dole referred to President
Clinton as “Bozo.”
• Larry Harmon, the creator of the Bozo
Television Program, was not amused
to have the name of “Bozo” used as
an insult.
42
Humor and Health Issues
ASSOCIATION FOR APPLIED & THERAPEUTIC HUMOR:
http://www.aath.org/lifetime-awards
THERAPEUTIC CLOWNS—CANADA:
http://www.therapeuticclowns.ca/resources.html
43
44
CLOWNS AS SPORTS
MASCOTS
• The newest commercial role for clowns is
that of team mascots.
• Some of the most famous include:
– Paws for the Detroit Tigers
– Billy for the Florida Marlins
– the Chicken for the San Diego Padres
Detroit Lions’ Paws, Florida Marlins’ Billy
& San Diego Padres’ Chicken
45
46
• Because of the size of sports arenas and
fields, these clowns are much like early
circus clowns in wearing oversized, one-of-
a-kind costumes.
• They also practice exaggerated pantomimes,
do acrobatics, and use huge props.
– Philly Phanatic rides around on his dune buggy.
– The Phoenix Suns Gorilla makes baskets by
jumping from a trampoline.
Philly Phanatic & His Dune Buggy
Phoenix Suns’ Gorilla Making a Basket
47
48
• Like Circus Clowns, these sports mascots fill
in dead time, provide photo opportunities,
give young children someone to relate to,
and work as genuine clowns at community
events where they represent the team.
• And they are even able to compete as cheer
leaders.
Clowns in Action
49
SEND IN THE CLOWNS! (Frank Sinatra, et. al.):
http://www.yourememberthat.com/media/10939/Send_In_The_Clowns/#.V
BdREfnIY9Y
50

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Clowns and Mimes

  • 1. 1 CLOWNS AND MIMES by Don L. F. Nilsen and Alleen Pace Nilsen
  • 2. Renaissance Court Jesters tended to be small, physically deformed, wore motley clothes and cap and bells. But by being marginaled, they were empowered to tell the king things that other people were not able to tell him. 2
  • 3. The jester also gained power by not using his own voice. He spoke through the voice of his scepter—a miniature representation of his own face. 3 The Jester’s Scepter: The Beginnings of Ventriloquism
  • 4. Today’s Editorial Cartoonist 4 By making fun of themselves, and by targeting all sides of an issue, today’s political cartoonists are also able to say things that other reporters are not able to say about societal and political issues.
  • 6. 6 COMMEDIA DELL’ARTE • During the 15th and 16th centuries in Italy, as the world-famous commedia dell’arte was developing, three basic clowns began to evolve: The Harlequin, the Auguste, and the character clown.
  • 7. 7
  • 8. The unscripted Commedia dell’Arte tradition spawned street performers, Punch-and-Judy Shows and France’s “Comédie Française” 8
  • 10. VENT HAVEN VENTRILOQUIST CONVENTION: http://www.venthaven.com/ 10
  • 11. 11 THE HARLEQUIN AND SLAPSTICK • In the latter half of the 16th century, the “Arlecchino” (Harlequin) clown started out as a foolish servant and then developed into a more sophisticated, acrobatic prankster. • He carried a large stick that was split so that abrupt movements would make the separated parts hit against each other with a loud noise. • This was the development of “slapstick” comedy.
  • 13. 13 • Harlequin clowns had elegant, patched costumes with symmetrical patterns and a black domino mask covering half of their faces. • Today’s Harlequin clowns (including mimes) still wear precise, neatly detailed makeup, and a sophisticated demeanor of being “in charge.” • Their aura of control is sometimes heightened by the contrast of having a “fool” companion.
  • 15. LAUGHTER REMEDY (PAUL MCGHEE): www.LaughterRemedy.com http://www.LaughterRemedy.com 15
  • 16. MIMES • An obvious advantage of mime and pantomime is that it transcends language barriers. • Because of this, Charlie Chaplin was the first movie star recognized and appreciated around the world. 16
  • 18. 18 • Another advantage of mime is that it works in arenas that are too large or too noisy for people to hear well. • This is why circus clowns and the mascots for athletic teams rely for their humor on exaggerated body movements.
  • 19. 19 • Emmett Kelly, the famous Ringling Brothers clown, was so skilled in pantomiming the role of Weary Willie that he was allowed to remain in the circus arena through the entire performances. • His most famous act was to sweep a circle of light thrown by a spotlight into a smaller and smaller circle, and then to chase it under a rug or into a dustbin.
  • 21. Deep Fun with Bernie DeKoven Deep Fun with Bernie DeKoven: http://www.deepfun.com/clowning-in-lesbos/ 21
  • 22. 22 • Harpo Marx was one of the world’s most beloved pantomimists. • Harpo was a mute with unruly hair who could communicate with others only by means of honks, whistles, and pantomime.
  • 23. 23 • He wore a fright wig and an overcoat with enormous inside pockets from which he pulled such objects as an ice- cream cone, a cup of coffee, and various pieces of hardware, including a blowtorch. • Somewhere in every movie, he pulled a face called a “Gookie,” in which he puffed out his cheeks and crossed his widened eyes.
  • 24. Harpo Marx: Broken Mirror, Shooting Keys, Fright Wig, Overcoat & Gookie Face 24
  • 25. 25 • Harpo’s best known pantomime scene is in the movie Duck Soup. Groucho chases Harpo, who accidentally breaks a floor-length mirror. • When Groucho looks in the empty frame, Harpo is standing on the other side and deftly reflects back every one of Groucho’s intricate moves.
  • 26. 26 CLOWN WEB SITES WORLD LAUGHTER TOUR (STEVE WILSON): http://www.worldlaughtertour.com/
  • 27. 27 • Marcel Marceau had a clown-tramp character named Bip. • Bip had tight-fitting high-waisted pants, a dark jersey designed to set off his whitened face, and to serve as a backdrop to his expressive hand movements. This was a modern interpretation of the French Pierrot.
  • 28. • It is ironic that in Mel Brooks’s 1976 Silent Movie, it was Marcel Marceau who said the only spoken line. 28
  • 29. 29 PIERROT • The “fool” companion of the Harlequin was the Pierrot. • Pierrot was a French clown with a bald head, a flour-whitened face, and an always-gullible demeanor. • Pierrot was the straight man for the Harlequin.
  • 33. 33 THE CHARACTER CLOWN • At the turn of the century, character clowns were becoming very popular. • They had such identifiable personalities as tramps, scarecrows, grandmothers, out-of-work gentlemen, etc.
  • 35. 35 • Charlie Chaplin, the Marx Brothers, and the Three Stooges were all character clowns. • Emmett Kelly’s “Weary Willie,” and Red Skelton’s “Freddie the Freeloader” were both influenced by Chaplin’s “Little Tramp.” • Jerry Lewis and Rowan Atkinson (Mr. Bean) were also character clowns.
  • 36. Charlie Chaplin’s Little Tramp, The Three Stooges & Red Skelton’s Freddie the Freeloader 36
  • 37. Jerry Lewis as The Nutty Professor & Rowan Atkinson as Mr. Bean 37
  • 38. LAUGHTER WORKS (KAY CASKEY AND LAURIE YOUNG): www.LaughWays.com 38
  • 39. 39 CLOWN TABOOS • While in character, clowns should never be seen doing “normal” things like shopping or eating meals. • They should also never appear in public partially out of costume.
  • 40. 40 • One Halloween in Paulsboro, New Jersey, a police officer dressed up as a clown managed to arrest 12 individuals, most of whom were wanted for routine traffic offenses. • He explained that instead of getting the usual “He isn’t home” response, the clown costume got the policeman into the homes to make the arrest. • The real clowns of the world protested.
  • 41. 41 • The clowns of the world also protested when Bob Dole referred to President Clinton as “Bozo.” • Larry Harmon, the creator of the Bozo Television Program, was not amused to have the name of “Bozo” used as an insult.
  • 42. 42
  • 43. Humor and Health Issues ASSOCIATION FOR APPLIED & THERAPEUTIC HUMOR: http://www.aath.org/lifetime-awards THERAPEUTIC CLOWNS—CANADA: http://www.therapeuticclowns.ca/resources.html 43
  • 44. 44 CLOWNS AS SPORTS MASCOTS • The newest commercial role for clowns is that of team mascots. • Some of the most famous include: – Paws for the Detroit Tigers – Billy for the Florida Marlins – the Chicken for the San Diego Padres
  • 45. Detroit Lions’ Paws, Florida Marlins’ Billy & San Diego Padres’ Chicken 45
  • 46. 46 • Because of the size of sports arenas and fields, these clowns are much like early circus clowns in wearing oversized, one-of- a-kind costumes. • They also practice exaggerated pantomimes, do acrobatics, and use huge props. – Philly Phanatic rides around on his dune buggy. – The Phoenix Suns Gorilla makes baskets by jumping from a trampoline.
  • 47. Philly Phanatic & His Dune Buggy Phoenix Suns’ Gorilla Making a Basket 47
  • 48. 48 • Like Circus Clowns, these sports mascots fill in dead time, provide photo opportunities, give young children someone to relate to, and work as genuine clowns at community events where they represent the team. • And they are even able to compete as cheer leaders.
  • 50. SEND IN THE CLOWNS! (Frank Sinatra, et. al.): http://www.yourememberthat.com/media/10939/Send_In_The_Clowns/#.V BdREfnIY9Y 50