SlideShare ist ein Scribd-Unternehmen logo
1 von 7
Q1b Key Concepts

Representation
Richard Dyer provides a useful framework to
help us analyse representation….
Richard

Dyer’s Typography (1985)

1.

What is represented?

2.

How is this representative of social
groups?

3.

Who is responsible for the
representation?

4.

What does the audience make of it?
1. What is represented?
What information, through the use of media
language, does the text give you
about characters, subject matter or place?
Consider your character(s):
Social Groups:
•
•
•
•
•
•
•

Age?
Gender?
Sexuality?
Nationality?
Ethnicity?
Regional Identity?
Physical Ability / Disability?

Role in film?
Characteristics?

Consider how you have
suggested this to the
audience through the use of:
•
•
•
•

mise-en-scene
camera
editing
sound

Give specific examples from
your teaser trailer.
2. How is this representative of
social groups?
What does the text suggest is typical? Consider what
it says about particular social groups.


Stereotype? Countertype?



Positive? Negative?



If stereotypes are used, why are they
there?



Are they conventional for the genre?

•
•



What ideologies do the
representations reinforce?

•

You could bring in theory
here as part of your
discussion.
i.e. for gender you could
refer to:
The Bechdel Test
Berger - ‘Men act, women
appear’ (1972)
Mulvey - ‘The Male Gaze’
(1985)
3. Who is responsible for the
representation?
Consider the filmmakers and the institutions responsible for
production.
What agenda do the producers have? Why would they want to
represent things in a certain way? - think about:





target audience
genre
commercial aspect
artistic expression

When analysing your own work, don't just think you are the producers,
think about who you have suggested are the producers of your
text? Independent producer/distributor or major studio?
British/American? etc.
4. What does the audience
make of it?
Taking all of the above into account what might the
audience response be?
As we know not everyone will respond to the text in
the same way so there is not one answer to this!
Consider different audiences.
It is useful to look at the concept of audience to help
address question 4. See Audience resources.

Weitere ähnliche Inhalte

Was ist angesagt?

Genre theory for G325 OCR A2 media exam
Genre theory for G325 OCR A2 media examGenre theory for G325 OCR A2 media exam
Genre theory for G325 OCR A2 media exambearskin_2
 
Representation - Dyer
Representation - DyerRepresentation - Dyer
Representation - DyerLiz Davies
 
Media Studies Revison
Media Studies RevisonMedia Studies Revison
Media Studies RevisonMya007
 
10 g325sectionaq1b-5medialanguage
10 g325sectionaq1b-5medialanguage10 g325sectionaq1b-5medialanguage
10 g325sectionaq1b-5medialanguagectrmedia
 
06 g325sectionaq1b-genre-3
06 g325sectionaq1b-genre-306 g325sectionaq1b-genre-3
06 g325sectionaq1b-genre-3ctrmedia
 
Question 1 B Genre
Question 1 B   GenreQuestion 1 B   Genre
Question 1 B GenreNaamah Hill
 
Example answer for question 1b
Example answer for question 1bExample answer for question 1b
Example answer for question 1bMedia Studies
 
Genre & Narrative Theory
Genre & Narrative TheoryGenre & Narrative Theory
Genre & Narrative TheoryAlice Ward
 
Q1b theory and MANGeR db edit mgoogan guide
Q1b theory and MANGeR db edit mgoogan guideQ1b theory and MANGeR db edit mgoogan guide
Q1b theory and MANGeR db edit mgoogan guideDB3igs
 
media language intro signs & codes
media language intro signs & codesmedia language intro signs & codes
media language intro signs & codeshowardeffinghammedia
 
5. media language
5. media language5. media language
5. media languagectkmedia
 
Media language a2
Media language a2Media language a2
Media language a2sparkly
 

Was ist angesagt? (20)

Lesson 9
Lesson 9Lesson 9
Lesson 9
 
Media Language
Media LanguageMedia Language
Media Language
 
Media language all
Media language  allMedia language  all
Media language all
 
Genre theory for G325 OCR A2 media exam
Genre theory for G325 OCR A2 media examGenre theory for G325 OCR A2 media exam
Genre theory for G325 OCR A2 media exam
 
Genre theory
Genre theoryGenre theory
Genre theory
 
Representation - Dyer
Representation - DyerRepresentation - Dyer
Representation - Dyer
 
Media Studies Revison
Media Studies RevisonMedia Studies Revison
Media Studies Revison
 
Genre revision 2012
Genre revision 2012Genre revision 2012
Genre revision 2012
 
Media language social
Media language socialMedia language social
Media language social
 
10 g325sectionaq1b-5medialanguage
10 g325sectionaq1b-5medialanguage10 g325sectionaq1b-5medialanguage
10 g325sectionaq1b-5medialanguage
 
06 g325sectionaq1b-genre-3
06 g325sectionaq1b-genre-306 g325sectionaq1b-genre-3
06 g325sectionaq1b-genre-3
 
Question 1 B Genre
Question 1 B   GenreQuestion 1 B   Genre
Question 1 B Genre
 
Example answer for question 1b
Example answer for question 1bExample answer for question 1b
Example answer for question 1b
 
Genre & Narrative Theory
Genre & Narrative TheoryGenre & Narrative Theory
Genre & Narrative Theory
 
Media language
Media languageMedia language
Media language
 
Q1b theory and MANGeR db edit mgoogan guide
Q1b theory and MANGeR db edit mgoogan guideQ1b theory and MANGeR db edit mgoogan guide
Q1b theory and MANGeR db edit mgoogan guide
 
media language intro signs & codes
media language intro signs & codesmedia language intro signs & codes
media language intro signs & codes
 
5. media language
5. media language5. media language
5. media language
 
Media language a2
Media language a2Media language a2
Media language a2
 
Genre presentation
Genre presentationGenre presentation
Genre presentation
 

Ähnlich wie Representation for Q1b 2014

Representation for q1b lesson 1
Representation for q1b lesson 1Representation for q1b lesson 1
Representation for q1b lesson 1Liz Davies
 
Representation Updated 2017
Representation Updated 2017Representation Updated 2017
Representation Updated 2017jude.holmes
 
Year 11 media studies cover work
Year 11 media studies cover workYear 11 media studies cover work
Year 11 media studies cover workhughes82
 
AS Media Lesson 7 - realism and stereotypes
AS Media Lesson 7 - realism and stereotypesAS Media Lesson 7 - realism and stereotypes
AS Media Lesson 7 - realism and stereotypesElle Sullivan
 
Representations of gender in the Media
Representations of gender in the MediaRepresentations of gender in the Media
Representations of gender in the MediaJaskirt Boora
 
Teaching Trailers Web Sample
Teaching Trailers Web SampleTeaching Trailers Web Sample
Teaching Trailers Web Samplestoliros
 
Lessons 4 representation
Lessons 4   representationLessons 4   representation
Lessons 4 representationlougwyther
 
Representations
RepresentationsRepresentations
Representationsmeganbrant
 
Representation in your chosen media text
Representation in your chosen media textRepresentation in your chosen media text
Representation in your chosen media texthammonda
 
Representation for q1b
Representation for q1bRepresentation for q1b
Representation for q1bLiz Davies
 
Representationforq1b 120227024931-phpapp01[1]
Representationforq1b 120227024931-phpapp01[1]Representationforq1b 120227024931-phpapp01[1]
Representationforq1b 120227024931-phpapp01[1]jonreigatemedia
 
Representation theory
Representation theoryRepresentation theory
Representation theoryAndy Wallis
 
Representation
RepresentationRepresentation
RepresentationMike Gunn
 
Representation
RepresentationRepresentation
RepresentationMike Gunn
 
Theory Continued
Theory Continued Theory Continued
Theory Continued hughes82
 

Ähnlich wie Representation for Q1b 2014 (20)

Representation for q1b lesson 1
Representation for q1b lesson 1Representation for q1b lesson 1
Representation for q1b lesson 1
 
Representation Updated 2017
Representation Updated 2017Representation Updated 2017
Representation Updated 2017
 
Year 11 media studies cover work
Year 11 media studies cover workYear 11 media studies cover work
Year 11 media studies cover work
 
AS Media Lesson 7 - realism and stereotypes
AS Media Lesson 7 - realism and stereotypesAS Media Lesson 7 - realism and stereotypes
AS Media Lesson 7 - realism and stereotypes
 
Representation
RepresentationRepresentation
Representation
 
Representation
RepresentationRepresentation
Representation
 
Representations of gender in the Media
Representations of gender in the MediaRepresentations of gender in the Media
Representations of gender in the Media
 
Teaching Trailers Web Sample
Teaching Trailers Web SampleTeaching Trailers Web Sample
Teaching Trailers Web Sample
 
Lessons 4 representation
Lessons 4   representationLessons 4   representation
Lessons 4 representation
 
Representation exam
Representation examRepresentation exam
Representation exam
 
Representations
RepresentationsRepresentations
Representations
 
Representations
RepresentationsRepresentations
Representations
 
Tv advertising case study
Tv advertising case studyTv advertising case study
Tv advertising case study
 
Representation in your chosen media text
Representation in your chosen media textRepresentation in your chosen media text
Representation in your chosen media text
 
Representation for q1b
Representation for q1bRepresentation for q1b
Representation for q1b
 
Representationforq1b 120227024931-phpapp01[1]
Representationforq1b 120227024931-phpapp01[1]Representationforq1b 120227024931-phpapp01[1]
Representationforq1b 120227024931-phpapp01[1]
 
Representation theory
Representation theoryRepresentation theory
Representation theory
 
Representation
RepresentationRepresentation
Representation
 
Representation
RepresentationRepresentation
Representation
 
Theory Continued
Theory Continued Theory Continued
Theory Continued
 

Mehr von Liz Davies

Intro to editing
Intro to editingIntro to editing
Intro to editingLiz Davies
 
Intro to sound
Intro to soundIntro to sound
Intro to soundLiz Davies
 
Intro to editing
Intro to editingIntro to editing
Intro to editingLiz Davies
 
Intro to camerawork
Intro to cameraworkIntro to camerawork
Intro to cameraworkLiz Davies
 
Conventions of moving image
Conventions of moving imageConventions of moving image
Conventions of moving imageLiz Davies
 
Intro to mise en scene
Intro to mise en sceneIntro to mise en scene
Intro to mise en sceneLiz Davies
 
Web 2.0 2018 Class 5E
Web 2.0 2018 Class 5EWeb 2.0 2018 Class 5E
Web 2.0 2018 Class 5ELiz Davies
 
Web 2.0 2018 Class 5E
Web 2.0 2018 Class 5EWeb 2.0 2018 Class 5E
Web 2.0 2018 Class 5ELiz Davies
 
Web 2.0 2018 Class 2B
Web 2.0 2018 Class 2BWeb 2.0 2018 Class 2B
Web 2.0 2018 Class 2BLiz Davies
 
Web 2.0 2018 Class 1A
Web 2.0 2018 Class 1AWeb 2.0 2018 Class 1A
Web 2.0 2018 Class 1ALiz Davies
 
Web 2.0 2018 Class 4D
Web 2.0 2018 Class 4DWeb 2.0 2018 Class 4D
Web 2.0 2018 Class 4DLiz Davies
 
Web 2.0 2018 Class 3D
Web 2.0 2018 Class 3DWeb 2.0 2018 Class 3D
Web 2.0 2018 Class 3DLiz Davies
 
Narrative theory - test your knowledge
Narrative theory - test your knowledgeNarrative theory - test your knowledge
Narrative theory - test your knowledgeLiz Davies
 
Narrative 2017
Narrative 2017Narrative 2017
Narrative 2017Liz Davies
 
Q1a Research and Planning
Q1a Research and PlanningQ1a Research and Planning
Q1a Research and PlanningLiz Davies
 
Q1a mark scheme
Q1a mark schemeQ1a mark scheme
Q1a mark schemeLiz Davies
 
Q1a digital technology lesson activities
Q1a digital technology lesson activitiesQ1a digital technology lesson activities
Q1a digital technology lesson activitiesLiz Davies
 
Q1a digital technology lesson activities
Q1a digital technology lesson activitiesQ1a digital technology lesson activities
Q1a digital technology lesson activitiesLiz Davies
 
Cross Media Convergence & Synergy
Cross Media Convergence & SynergyCross Media Convergence & Synergy
Cross Media Convergence & SynergyLiz Davies
 
Crowdfunding and crowdsourcing
Crowdfunding and crowdsourcingCrowdfunding and crowdsourcing
Crowdfunding and crowdsourcingLiz Davies
 

Mehr von Liz Davies (20)

Intro to editing
Intro to editingIntro to editing
Intro to editing
 
Intro to sound
Intro to soundIntro to sound
Intro to sound
 
Intro to editing
Intro to editingIntro to editing
Intro to editing
 
Intro to camerawork
Intro to cameraworkIntro to camerawork
Intro to camerawork
 
Conventions of moving image
Conventions of moving imageConventions of moving image
Conventions of moving image
 
Intro to mise en scene
Intro to mise en sceneIntro to mise en scene
Intro to mise en scene
 
Web 2.0 2018 Class 5E
Web 2.0 2018 Class 5EWeb 2.0 2018 Class 5E
Web 2.0 2018 Class 5E
 
Web 2.0 2018 Class 5E
Web 2.0 2018 Class 5EWeb 2.0 2018 Class 5E
Web 2.0 2018 Class 5E
 
Web 2.0 2018 Class 2B
Web 2.0 2018 Class 2BWeb 2.0 2018 Class 2B
Web 2.0 2018 Class 2B
 
Web 2.0 2018 Class 1A
Web 2.0 2018 Class 1AWeb 2.0 2018 Class 1A
Web 2.0 2018 Class 1A
 
Web 2.0 2018 Class 4D
Web 2.0 2018 Class 4DWeb 2.0 2018 Class 4D
Web 2.0 2018 Class 4D
 
Web 2.0 2018 Class 3D
Web 2.0 2018 Class 3DWeb 2.0 2018 Class 3D
Web 2.0 2018 Class 3D
 
Narrative theory - test your knowledge
Narrative theory - test your knowledgeNarrative theory - test your knowledge
Narrative theory - test your knowledge
 
Narrative 2017
Narrative 2017Narrative 2017
Narrative 2017
 
Q1a Research and Planning
Q1a Research and PlanningQ1a Research and Planning
Q1a Research and Planning
 
Q1a mark scheme
Q1a mark schemeQ1a mark scheme
Q1a mark scheme
 
Q1a digital technology lesson activities
Q1a digital technology lesson activitiesQ1a digital technology lesson activities
Q1a digital technology lesson activities
 
Q1a digital technology lesson activities
Q1a digital technology lesson activitiesQ1a digital technology lesson activities
Q1a digital technology lesson activities
 
Cross Media Convergence & Synergy
Cross Media Convergence & SynergyCross Media Convergence & Synergy
Cross Media Convergence & Synergy
 
Crowdfunding and crowdsourcing
Crowdfunding and crowdsourcingCrowdfunding and crowdsourcing
Crowdfunding and crowdsourcing
 

Kürzlich hochgeladen

Z Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphZ Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphThiyagu K
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactdawncurless
 
Arihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdfArihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdfchloefrazer622
 
Beyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global ImpactBeyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global ImpactPECB
 
Holdier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfHoldier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfagholdier
 
Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfAdmir Softic
 
Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17Celine George
 
Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3JemimahLaneBuaron
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Sapana Sha
 
Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfciinovamais
 
Web & Social Media Analytics Previous Year Question Paper.pdf
Web & Social Media Analytics Previous Year Question Paper.pdfWeb & Social Media Analytics Previous Year Question Paper.pdf
Web & Social Media Analytics Previous Year Question Paper.pdfJayanti Pande
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingTechSoup
 
Measures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SDMeasures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SDThiyagu K
 
Class 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdfClass 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdfAyushMahapatra5
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdfQucHHunhnh
 
Measures of Central Tendency: Mean, Median and Mode
Measures of Central Tendency: Mean, Median and ModeMeasures of Central Tendency: Mean, Median and Mode
Measures of Central Tendency: Mean, Median and ModeThiyagu K
 
Interactive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationInteractive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationnomboosow
 
APM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across SectorsAPM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across SectorsAssociation for Project Management
 

Kürzlich hochgeladen (20)

Mattingly "AI & Prompt Design: The Basics of Prompt Design"
Mattingly "AI & Prompt Design: The Basics of Prompt Design"Mattingly "AI & Prompt Design: The Basics of Prompt Design"
Mattingly "AI & Prompt Design: The Basics of Prompt Design"
 
Z Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphZ Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot Graph
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impact
 
Arihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdfArihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdf
 
Beyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global ImpactBeyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global Impact
 
Holdier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfHoldier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdf
 
Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdf
 
Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17
 
Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
 
Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdf
 
Advance Mobile Application Development class 07
Advance Mobile Application Development class 07Advance Mobile Application Development class 07
Advance Mobile Application Development class 07
 
Web & Social Media Analytics Previous Year Question Paper.pdf
Web & Social Media Analytics Previous Year Question Paper.pdfWeb & Social Media Analytics Previous Year Question Paper.pdf
Web & Social Media Analytics Previous Year Question Paper.pdf
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy Consulting
 
Measures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SDMeasures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SD
 
Class 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdfClass 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdf
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdf
 
Measures of Central Tendency: Mean, Median and Mode
Measures of Central Tendency: Mean, Median and ModeMeasures of Central Tendency: Mean, Median and Mode
Measures of Central Tendency: Mean, Median and Mode
 
Interactive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationInteractive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communication
 
APM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across SectorsAPM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across Sectors
 

Representation for Q1b 2014

  • 2. Richard Dyer provides a useful framework to help us analyse representation….
  • 3. Richard Dyer’s Typography (1985) 1. What is represented? 2. How is this representative of social groups? 3. Who is responsible for the representation? 4. What does the audience make of it?
  • 4. 1. What is represented? What information, through the use of media language, does the text give you about characters, subject matter or place? Consider your character(s): Social Groups: • • • • • • • Age? Gender? Sexuality? Nationality? Ethnicity? Regional Identity? Physical Ability / Disability? Role in film? Characteristics? Consider how you have suggested this to the audience through the use of: • • • • mise-en-scene camera editing sound Give specific examples from your teaser trailer.
  • 5. 2. How is this representative of social groups? What does the text suggest is typical? Consider what it says about particular social groups.  Stereotype? Countertype?  Positive? Negative?  If stereotypes are used, why are they there?  Are they conventional for the genre? • •  What ideologies do the representations reinforce? • You could bring in theory here as part of your discussion. i.e. for gender you could refer to: The Bechdel Test Berger - ‘Men act, women appear’ (1972) Mulvey - ‘The Male Gaze’ (1985)
  • 6. 3. Who is responsible for the representation? Consider the filmmakers and the institutions responsible for production. What agenda do the producers have? Why would they want to represent things in a certain way? - think about:     target audience genre commercial aspect artistic expression When analysing your own work, don't just think you are the producers, think about who you have suggested are the producers of your text? Independent producer/distributor or major studio? British/American? etc.
  • 7. 4. What does the audience make of it? Taking all of the above into account what might the audience response be? As we know not everyone will respond to the text in the same way so there is not one answer to this! Consider different audiences. It is useful to look at the concept of audience to help address question 4. See Audience resources.