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Lessons from Copyright Practice 

for EU Copyright Reform
Leonhard Dobusch

University of Innsbruck
Digital Europe Working Group

Brussels, September 26, 2017
<1>



Copyright in the Books
(1) Rights clearing in each individual case
(2) Prohibition of registration requirements
(3) Ever longer protection terms
Cornerstones of Copyright in the Books
Using a copyrighted
work…
…on a private, not-for-
profit website

(e.g., personal blog)
…for private purpose on
a commercial platform 

(e.g., YouTube, Twitter)
…for commercial, 

for-profit purposes
…in small parts for
creating a new work 

(e.g., remix, sampling)
Prohibited without
clearing copyrights
Prohibited without
clearing copyrights
Prohibited without
clearing copyrights
…as a whole for 

a new work 

(e.g., background music)
Prohibited without
clearing copyrights
Prohibited without
clearing copyrights
Prohibited without
clearing copyrights
…as whole without
creating a new work

(e.g., illustrative image)
Prohibited without
clearing copyrights
Prohibited without
clearing copyrights
Prohibited without
clearing copyrights
Copyright in the Books
<2>



Copyright in Action
Forty-four per cent of all internet users
aged 12+ claimed to be either ‘not
particularly confident’ or ‘not at all’
confident in terms of what is legal and
what isn’t online.
Online copyright infringement tracker
benchmark study, commissioned by the Office
of Communications (Ofcom) UK, 2012
“
DO COPYRIGHT EXPERTS KNOW?
Illegal in spite of non-infringing practices?
A&M Records v. Napster 

(2001)
Arista v. LimeWire 

(2010)
Legal in spite of infringing practices?
Viacom v. YouTube 

(2007)
3%
3%
4%
5%
5%
5%
6%
12%
32%
53%
0% 25% 50%
N.B.: Survey predates launch of Apple Music
PERCENTAGE OF INTERNET ADULTS, PAST 3 MONTHS
RADIO
Source: http://de.slideshare.net/ActivateInc/activate-tech-and-media-outlook-2016
Legal in spite of infringing practices?
YouTube as a Music Library
Source: Heald, P.J. (2013): How Copyright Keeps Works Disappeared, 

http://ssrn.com/abstract=2290181
Views of No.-1-Hits from 

the USA, France, & Brazil 

from 1930-1960
Enforcement and Monetization
(1) Rights clearing in each individual case
(2) Prohibition of registration requirements
(3) Ever longer protection terms
Copyright in the Books
(1) One Stop Shop
(2) Mandatory registration*
(3) Use it or lose it*
Copyright in Action aka »Googleright«
*Aside from highly impractical and expensive notice&takedown in each individual case
»Googleright« in the Press Publisher's Case in Germany
Press publisher's ancillary right often referred to 

as a "Lex Google">
Only Google received permission to use the
content of German Press Publishers free of
charge, to avoid losses in traffic.
>
»Googleright« and the Right to Link
2016: ECJ in GS Media v Sanoma (C-160/15):
The linker is presumed to know about
infringement in case a link is placed to infringing
content in "for profit" contexts.
>
2017: German Federal Court of Justice (BGH) on Google Image search (I ZR 11/16):
Because of the particular importance of search
engines for the basic functioning of the Internet,
this presumption is not valid for search engines.
>
<3>



Lessons for Copyright Reform
Art. 11 on new »press publishers' right«
not only negatively affect freedom of expression and
information, but also distort competition in the
emerging European information market.
“ European Copyright Society, 2017

https://europeancopyrightsocietydotorg.files.wordpress.com/2015/12/ecs-
opinion-on-eu-copyright-reform-def.pdf
Art. 13 on »upload filters«
"serious risks of
contrasts with the
Charter of Fundamental
Rights as well as with
copyright exceptions"“ Hilty & Moscon, 2017

http://www.ip.mpg.de/fileadmin/ipmpg/content/stellungnahmen/
Answers_Article_13_2017_Hilty_Moscon-rev-18_9.pdf
Direct dangers Indirect problems
Hurts competition
and non-profit
platforms for user-
generated content
such as Wikipedia
>
This is the reality of reform proposals seeking to
expand copyright strength and scope:
As much as large incumbents such as Google
may moan and groan, paradoxically they are, in
nearly all cases, the biggest beneficiaries.
REGULATION PARADOX
(1) Without reform, Google wins.
(2) With stricter copyright, Google wins.
(3) »Googleright« shows direction for copyright reform
Using a copyrighted
work…
…on a private, not-for-
profit website

(e.g., personal blog)
…for private purpose on
a commercial platform 

(e.g., YouTube, Twitter)
…for commercial, 

for-profit purposes
…in small parts for
creating a new work 

(e.g., remix, sampling)
legal due to quotation
and remix exception
legal due to quotation
and remix exception
legal with standardized
collecting society fee
(analogous to covers)
…as a whole for 

a new work 

(e.g., background music)
legal due to remix
exception, lump-sum
compensation
legal due to remix
exception, compen-
sation by platform
Prohibited without
clearing copyrights
…as whole without
creating a new work

(e.g., illustrative image)
notice free of charge,
capped fee („ticket“)
notice free of charge,
compensation by
platform
Prohibited without
clearing copyrights
Aligning copyright in the books and in action

with remunerated remix and bagatelle exceptions:
THANK YOU!
E-mail: 

Leonhard.Dobusch@uibk.ac.at
!
Twitter:
@leonidobusch
!
Websites:

bit.ly/LD_UIBK // www.dobusch.net
!
Research blogs:

governancexborders.com // osconjunction.net

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Lessons from Copyright Practice for EU Copyright Reform

  • 1. Lessons from Copyright Practice 
 for EU Copyright Reform Leonhard Dobusch
 University of Innsbruck Digital Europe Working Group
 Brussels, September 26, 2017
  • 3. (1) Rights clearing in each individual case (2) Prohibition of registration requirements (3) Ever longer protection terms Cornerstones of Copyright in the Books
  • 4. Using a copyrighted work… …on a private, not-for- profit website
 (e.g., personal blog) …for private purpose on a commercial platform 
 (e.g., YouTube, Twitter) …for commercial, 
 for-profit purposes …in small parts for creating a new work 
 (e.g., remix, sampling) Prohibited without clearing copyrights Prohibited without clearing copyrights Prohibited without clearing copyrights …as a whole for 
 a new work 
 (e.g., background music) Prohibited without clearing copyrights Prohibited without clearing copyrights Prohibited without clearing copyrights …as whole without creating a new work
 (e.g., illustrative image) Prohibited without clearing copyrights Prohibited without clearing copyrights Prohibited without clearing copyrights Copyright in the Books
  • 6. Forty-four per cent of all internet users aged 12+ claimed to be either ‘not particularly confident’ or ‘not at all’ confident in terms of what is legal and what isn’t online. Online copyright infringement tracker benchmark study, commissioned by the Office of Communications (Ofcom) UK, 2012 “
  • 7.
  • 8.
  • 10. Illegal in spite of non-infringing practices? A&M Records v. Napster 
 (2001) Arista v. LimeWire 
 (2010)
  • 11. Legal in spite of infringing practices? Viacom v. YouTube 
 (2007)
  • 12. 3% 3% 4% 5% 5% 5% 6% 12% 32% 53% 0% 25% 50% N.B.: Survey predates launch of Apple Music PERCENTAGE OF INTERNET ADULTS, PAST 3 MONTHS RADIO Source: http://de.slideshare.net/ActivateInc/activate-tech-and-media-outlook-2016 Legal in spite of infringing practices?
  • 13. YouTube as a Music Library Source: Heald, P.J. (2013): How Copyright Keeps Works Disappeared, 
 http://ssrn.com/abstract=2290181 Views of No.-1-Hits from 
 the USA, France, & Brazil 
 from 1930-1960
  • 15.
  • 16.
  • 17.
  • 18.
  • 19. (1) Rights clearing in each individual case (2) Prohibition of registration requirements (3) Ever longer protection terms Copyright in the Books
  • 20. (1) One Stop Shop (2) Mandatory registration* (3) Use it or lose it* Copyright in Action aka »Googleright« *Aside from highly impractical and expensive notice&takedown in each individual case
  • 21. »Googleright« in the Press Publisher's Case in Germany Press publisher's ancillary right often referred to 
 as a "Lex Google"> Only Google received permission to use the content of German Press Publishers free of charge, to avoid losses in traffic. >
  • 22. »Googleright« and the Right to Link 2016: ECJ in GS Media v Sanoma (C-160/15): The linker is presumed to know about infringement in case a link is placed to infringing content in "for profit" contexts. > 2017: German Federal Court of Justice (BGH) on Google Image search (I ZR 11/16): Because of the particular importance of search engines for the basic functioning of the Internet, this presumption is not valid for search engines. >
  • 24. Art. 11 on new »press publishers' right« not only negatively affect freedom of expression and information, but also distort competition in the emerging European information market. “ European Copyright Society, 2017
 https://europeancopyrightsocietydotorg.files.wordpress.com/2015/12/ecs- opinion-on-eu-copyright-reform-def.pdf
  • 25. Art. 13 on »upload filters« "serious risks of contrasts with the Charter of Fundamental Rights as well as with copyright exceptions"“ Hilty & Moscon, 2017
 http://www.ip.mpg.de/fileadmin/ipmpg/content/stellungnahmen/ Answers_Article_13_2017_Hilty_Moscon-rev-18_9.pdf Direct dangers Indirect problems Hurts competition and non-profit platforms for user- generated content such as Wikipedia >
  • 26. This is the reality of reform proposals seeking to expand copyright strength and scope: As much as large incumbents such as Google may moan and groan, paradoxically they are, in nearly all cases, the biggest beneficiaries. REGULATION PARADOX
  • 27. (1) Without reform, Google wins. (2) With stricter copyright, Google wins. (3) »Googleright« shows direction for copyright reform
  • 28. Using a copyrighted work… …on a private, not-for- profit website
 (e.g., personal blog) …for private purpose on a commercial platform 
 (e.g., YouTube, Twitter) …for commercial, 
 for-profit purposes …in small parts for creating a new work 
 (e.g., remix, sampling) legal due to quotation and remix exception legal due to quotation and remix exception legal with standardized collecting society fee (analogous to covers) …as a whole for 
 a new work 
 (e.g., background music) legal due to remix exception, lump-sum compensation legal due to remix exception, compen- sation by platform Prohibited without clearing copyrights …as whole without creating a new work
 (e.g., illustrative image) notice free of charge, capped fee („ticket“) notice free of charge, compensation by platform Prohibited without clearing copyrights Aligning copyright in the books and in action
 with remunerated remix and bagatelle exceptions:
  • 29. THANK YOU! E-mail: 
 Leonhard.Dobusch@uibk.ac.at ! Twitter: @leonidobusch ! Websites:
 bit.ly/LD_UIBK // www.dobusch.net ! Research blogs:
 governancexborders.com // osconjunction.net