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Photorealism Elyse Engerer, Katelyn Rutherford, Lauren Hoffman
What is Photorealism? ,[object Object],[object Object],[object Object],[object Object]
The Photorealism Movement ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
How It All Began… ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Technique ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Influential Artists ,[object Object],[object Object],[object Object],[object Object]
Richard Estes ,[object Object],[object Object],[object Object],[object Object]
“ Bus Reflections”  (1972)  101 x 132 cm  Oil on canvas
“ Nedick’s” (1970) 121.9 x 167.6 cm Oil on canvas Richard Estes in front of his painting “Downtown” “ Circus Drive-In” (1971) 43.2 x 61 cm Oil on canvas   More Works by Estes
Chuck Close ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
( Before Accident) (After) “ Big Self-Portrait” (1968) Acrylic on canvas 107 1/2 x 83 1/2 in. “ Kiki” 1993 Acrylic on canvas 107 1/2 x 83 1/2 in. “ I discovered about 150 dots is the minimum number  of dots to make a specific recognizable person. You can  make something that looks like a head, with fewer dots,  but you won't be able to give much information about who it is.”
“ Self Portrait” (1995) Screen-print on paper   “ Brad” (2009) Tapestry 104 x 78 in. “ Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record  that's embedded in the work. ” “ Painting is the most magical of mediums.  The transcendence is truly amazing to me  every time I go to a museum and I see how  somebody figured another way to rub colored  dirt on a flat surface and make space where there is no space or make you think of a life  experience.”
Audrey Flack ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Kennedy Motorcade (1964) 38x42 inches  Oil on canvas “ Crayola” (1972-1973) 28x 40 inches Oil over acrylic on canvas
"Art is a powerful force in this world, it is the visual representation of what we think and what we feel, and how  we think and how we feel."
Don Eddy ,[object Object],[object Object],[object Object]
“ G-II” (1978-1979) 44 x 40 in. Acrylic on Canvas “ G-IV” (1979-1980) Acrylic on Canvas 40 x 30 inches
“ A River Called In Lumen Profero” (2008) 48 x 56 in. Acrylic on Canvas “ Canticle for a Small World(detail)”(2006) 16 panels at 11 x 11 inches Panel

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C:\fakepath\photorealism

  • 1. Photorealism Elyse Engerer, Katelyn Rutherford, Lauren Hoffman
  • 2.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8. “ Bus Reflections” (1972) 101 x 132 cm Oil on canvas
  • 9. “ Nedick’s” (1970) 121.9 x 167.6 cm Oil on canvas Richard Estes in front of his painting “Downtown” “ Circus Drive-In” (1971) 43.2 x 61 cm Oil on canvas More Works by Estes
  • 10.
  • 11. ( Before Accident) (After) “ Big Self-Portrait” (1968) Acrylic on canvas 107 1/2 x 83 1/2 in. “ Kiki” 1993 Acrylic on canvas 107 1/2 x 83 1/2 in. “ I discovered about 150 dots is the minimum number of dots to make a specific recognizable person. You can make something that looks like a head, with fewer dots, but you won't be able to give much information about who it is.”
  • 12. “ Self Portrait” (1995) Screen-print on paper “ Brad” (2009) Tapestry 104 x 78 in. “ Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work. ” “ Painting is the most magical of mediums. The transcendence is truly amazing to me every time I go to a museum and I see how somebody figured another way to rub colored dirt on a flat surface and make space where there is no space or make you think of a life experience.”
  • 13.
  • 14. Kennedy Motorcade (1964) 38x42 inches Oil on canvas “ Crayola” (1972-1973) 28x 40 inches Oil over acrylic on canvas
  • 15. "Art is a powerful force in this world, it is the visual representation of what we think and what we feel, and how we think and how we feel."
  • 16.
  • 17. “ G-II” (1978-1979) 44 x 40 in. Acrylic on Canvas “ G-IV” (1979-1980) Acrylic on Canvas 40 x 30 inches
  • 18. “ A River Called In Lumen Profero” (2008) 48 x 56 in. Acrylic on Canvas “ Canticle for a Small World(detail)”(2006) 16 panels at 11 x 11 inches Panel