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How to Critique a Photo

 Kristen Pruett
To Start
• group together with other photographers
• during a critique session, or "crit", do not
    criticize, critique
•   what to think about:
    o   what is good about the photo?
    o   what is not good?
    o   how could it be better?
Evaluating a Print
There are four basic factors to determine a
  photographs standards:
   o   value
   o   clarity
   o   composition
   o   presentation
Value
• value concerns the light in a photograph
• range-from black through shades of gray to white
• contrast-the wider range between the photographs
    darkest and lightest elements
•   the more contrast, the greater the visual impact
    will be
•   photographs should have a range of grays to define
    shapes and provide shading
•   however it is good to distinguish between good
    and bad grays
Improving Value
Think: How can it be better?


• the most common problem is incorrect
    exposure when taking a photo
•   too little light >>> a dark, "muddy" print
•   too much light >>> highlights will be "washed
    out"
•   other aspects that affect contrast include:
    improper developing, slight amounts of leaking
    light, exhausted chemicals, etc.
Clarity
Think: what's in focus? what should be in
  focus?


•key to clarity=focus
•with sharp focus, all edges are very clearly
    defined
•   with soft focus, the edges blur
•   the center of interest, or what the
    photograph is about, should be be in focus
Clarity (cont.)
• clarity also depends on appropriate shutter
    speed
•   if the shutter speed is too slow, the subject
    will be blurred
•   if the shutter speed is too fast, it may
    reduce the photographs impact
Improving Clarity
• focusing is the most common problem-normally
    by failure to set correct distance on the
    focusing ring.
•   depth of field=range of distance that will be in
    focus at any time
•   trick---focus more carefully while using a large
    aperture, after focusing don't move forward or
    backward
•   to control camera shake, try pressing the
    camera tight against your forehead and
    cheekbone, or hold your breath, or brace your
Presentation
• when critiquing, look for the care and skill
    with which the final print has been made
•   how clean is it? Are there any white flecks,
    glitches, scuzz, etc?
•   are there fingerprints on the negative or
    print or scratches and dark circles? This is
    caused by poor agitation when developing
    the film.
Composition
• is there a point of interest? A photograph
    should have one clear point of interest
•   cropping-the way it is framed
•   static balance- just sits there, but that can
    be effective
•   dynamic balance-suggests movement
•   lines and curves have an impact on the
    photo
Aesthetics
• we come to "style"
• often a photograph will have all the right
    elements but still not work
•   sometimes a photograph will lack critically
    important elements, but work very well
Critiquing
Sample 1
Critiquing
Sample 1
• The value of this photograph is decent. There is white and plenty
    of grays, but a minimal amount of black.
•   The clarity of the picture is great. It is in sharp focus and not
    blurred.
•   The presentation of the photo is good, however there is a
    horizontal line through the pants of the subject being
    photographed. However it is minimal and not distracting.
•   The composition of this photograph adds an interesting element. I
    like the way the way the picture is cropped. It is a static balance,
    therefore the object is not in motion.
•   Overall I enjoy this photograph. It contains many critically
    important elements and works altogether.
Critiquing
Sample 2
Critiquing
Sample 2
• value: This photo has a good range of black, and some white. It
    has a range of grays to define the shapes and provide shadowing
    and has a nice contrast.
•   clarity- The photo is focused is the front, however the back of the
    landscape is blurred because of the foggy air. This element works
    with the photo.
•   presentation- This photos presentation is great. There are no
    glitches or markings
•   composition- This photograph doesn't appear to be cropped. It
    shows the whole picture with it's wide landscape. The point of
    interest is unclear because the photo focuses on a large scene.
Critiquing
Sample 3
Critiquing
Sample 3
• value- Part of this photograph is black and white, the other
    part is colored. This makes the photo very interesting.
•   clarity- This picture is clear and focused. The edges are
    sharp.
•   presentation- The final print came out great, with skill and
    care.
•   composition- This shows statics balance. It is artfully
    cropped so that the point of interest is the bouquet of
    flowers.
•   The woman and dress being black and white brings out the
    beautiful colors of the flower.
Sources
Sample 1- Chapter 4 Developing a Critical Eye


Sample 2- Jay Maisel
http://www.jaymaisel.com/recent-work/#image-
  1


Sample 3- H&H Photographers
http://www.handhphotographers.com/#a=0&at=0
  &mi=2&pt=1&pi=10000&s=0&p=0

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How To Critique a Photo

  • 1. How to Critique a Photo Kristen Pruett
  • 2. To Start • group together with other photographers • during a critique session, or "crit", do not criticize, critique • what to think about: o what is good about the photo? o what is not good? o how could it be better?
  • 3. Evaluating a Print There are four basic factors to determine a photographs standards: o value o clarity o composition o presentation
  • 4. Value • value concerns the light in a photograph • range-from black through shades of gray to white • contrast-the wider range between the photographs darkest and lightest elements • the more contrast, the greater the visual impact will be • photographs should have a range of grays to define shapes and provide shading • however it is good to distinguish between good and bad grays
  • 5. Improving Value Think: How can it be better? • the most common problem is incorrect exposure when taking a photo • too little light >>> a dark, "muddy" print • too much light >>> highlights will be "washed out" • other aspects that affect contrast include: improper developing, slight amounts of leaking light, exhausted chemicals, etc.
  • 6. Clarity Think: what's in focus? what should be in focus? •key to clarity=focus •with sharp focus, all edges are very clearly defined • with soft focus, the edges blur • the center of interest, or what the photograph is about, should be be in focus
  • 7. Clarity (cont.) • clarity also depends on appropriate shutter speed • if the shutter speed is too slow, the subject will be blurred • if the shutter speed is too fast, it may reduce the photographs impact
  • 8. Improving Clarity • focusing is the most common problem-normally by failure to set correct distance on the focusing ring. • depth of field=range of distance that will be in focus at any time • trick---focus more carefully while using a large aperture, after focusing don't move forward or backward • to control camera shake, try pressing the camera tight against your forehead and cheekbone, or hold your breath, or brace your
  • 9. Presentation • when critiquing, look for the care and skill with which the final print has been made • how clean is it? Are there any white flecks, glitches, scuzz, etc? • are there fingerprints on the negative or print or scratches and dark circles? This is caused by poor agitation when developing the film.
  • 10. Composition • is there a point of interest? A photograph should have one clear point of interest • cropping-the way it is framed • static balance- just sits there, but that can be effective • dynamic balance-suggests movement • lines and curves have an impact on the photo
  • 11. Aesthetics • we come to "style" • often a photograph will have all the right elements but still not work • sometimes a photograph will lack critically important elements, but work very well
  • 13. Critiquing Sample 1 • The value of this photograph is decent. There is white and plenty of grays, but a minimal amount of black. • The clarity of the picture is great. It is in sharp focus and not blurred. • The presentation of the photo is good, however there is a horizontal line through the pants of the subject being photographed. However it is minimal and not distracting. • The composition of this photograph adds an interesting element. I like the way the way the picture is cropped. It is a static balance, therefore the object is not in motion. • Overall I enjoy this photograph. It contains many critically important elements and works altogether.
  • 15. Critiquing Sample 2 • value: This photo has a good range of black, and some white. It has a range of grays to define the shapes and provide shadowing and has a nice contrast. • clarity- The photo is focused is the front, however the back of the landscape is blurred because of the foggy air. This element works with the photo. • presentation- This photos presentation is great. There are no glitches or markings • composition- This photograph doesn't appear to be cropped. It shows the whole picture with it's wide landscape. The point of interest is unclear because the photo focuses on a large scene.
  • 17. Critiquing Sample 3 • value- Part of this photograph is black and white, the other part is colored. This makes the photo very interesting. • clarity- This picture is clear and focused. The edges are sharp. • presentation- The final print came out great, with skill and care. • composition- This shows statics balance. It is artfully cropped so that the point of interest is the bouquet of flowers. • The woman and dress being black and white brings out the beautiful colors of the flower.
  • 18. Sources Sample 1- Chapter 4 Developing a Critical Eye Sample 2- Jay Maisel http://www.jaymaisel.com/recent-work/#image- 1 Sample 3- H&H Photographers http://www.handhphotographers.com/#a=0&at=0 &mi=2&pt=1&pi=10000&s=0&p=0

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