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Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets

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Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets

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Pirates of the Caribbean: The Curse of the Black Pearl Verbinski dirigió la creación de la banda sonora con Klaus Badelt y Hans Zimmer, que dirigió 15 compositores para terminarla rápidamente. El compositor Alan Silvestri, que había trabajado con Verbinski en Mousehunt y The Mexican, fue originalmente contratado para escribir las partituras de The Curse of the Black Pearl. Sin embargo, surgieron diferencias creativas entre él y el productor Jerry Bruckheimer, por lo que Silvestri respetuosamente abandonó el trabajo sin haber grabado nada Gore Verbinski preguntó a Hans Zimmer, con quien trabajó en The Ring, si quería hacerse cargo. Zimmer declinó debido al cúmulo de trabajo que tenía, ya que en ése momento estaba trabajando en la banda sonora de The Last Samurai. Como resultado Verbinski acudió a Klaus Badelt, un compositor nobel que había trabajado en Remote Control Productions tres años. Zimmer sin embargo terminó colaborando con Badelt para escribir la mayoría de los temas principales, muchos de los cuales surgieron de una demo sintetizada que había creado. Esta demo contenía las primeras versiones de tres de los temas finales del álbum, entre ellos He's A Pirate. Dado que el calendario era muy apretado y la música se necesitaba para la película en tres semanas, otros siete compositores — Ramin Djawadi, James Dooley, Nick Glennie- Smith, Steve Jablonsky, Blake Neely, James McKee Smith, y Geoff Zanelli— ayudaron a orquestar la música. La banda sonora se grabó con un grupo de músicos, reconocido como el Hollywood Studio Symphony, en el transcurso de cuatro días. El corto período de tiempo exigido requirió el uso de un estudio de grabación diferente para cada sesión.
                        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 Cl.B                 Tempo Rubato                                                                                                                           rit.                            8   "The Medallion Calls" DELIBERATELY ( )                                               Pirates of the Caribbean ©Gino Gonçals (Symphonic Suite) (Cover of Clarinets, Aragón, S.XXI) (A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate) From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL Music by KLAUS BADELT Arr. by Gino Gonçals
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             20 2Pirates of the Caribbean
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   3Pirates of the Caribbean
                            solo - espr.. 31                                               solo - espr.. solo - espr..    solo - espr..  solo - espr..                                                                                                                                                                                                                                                                                                                                                           4Pirates of the Caribbean
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              47                                                                                                                                                                  5Pirates of the Caribbean
                                                                                                                                                                                                                "The Black Pearl" Misterioso () 56                                                                                                                      6Pirates of the Caribbean
                                                                                                                                                                                                  accel.                                                                                    Faster ()      66                                                                                                                  7Pirates of the Caribbean
                                                                                    cresc... cresc... cresc...                                                                                                                                         3 3                              3 3    75                3 3        3 3                     3 3         3 3           3 3        3 3                     3 3         3 3             3 3 3          3 3 3                                  3 3 3          3 3 3                       8Pirates of the Caribbean
                                                80                                                                                                                                                                                                                                                                                                                                                                     88                                                  9Pirates of the Caribbean
                                                                                                                                                                                                                                                                                                                                   3      3      3          3 3        3                     3      3      3          3          3 3                                3 3          3                   10Pirates of the Caribbean
                                     3          3 3               3      3      3          3 3          3                3        3        3          3          3 3                                  3 3          3                3         3                3          3 3                                                  3 3          3                                  3          3 3                            3 3          3                                        3          3 3                                                  109 11Pirates of the Caribbean
                                                                                                                                                                                                                        114                                                                                                                                                                             12Pirates of the Caribbean
                                                                                               " TO THE PIRATE´S CAVE" DRIVING, WITH INTENSITY ()    122                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      13Pirates of the Caribbean
                                                                                                                                                                                                                                                                     133                                                                                                                                                                                                                                                                                                                                                                     137                                                         14Pirates of the Caribbean
                                                                                                                                                                                                                                                                                                                                                                     142                                                              cresc... cresc... cresc... cresc...             cresc... cresc...                                                                                                    148         15Pirates of the Caribbean
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 155                                                                                                                                                                                                  16Pirates of the Caribbean
                                                                                                                                                                GENTLY ()                        MORE BROADLY ()  solo - espr..               "ONE LAST SHOT"     167 legato  legato legato             17Pirates of the Caribbean
                                                                                                                             172                                                                                                                                                                                                                                                                                 18Pirates of the Caribbean
                                                                       180                                                                                                                           3 3 3 3              3 3 3 3   "HE´S A PIRATE" BRISKLY, WITH MOTION ()          3      3             3 3 3 3             3 3 3 3             3 3 3 3     3     3              3 3         3 3         3 3         3 3                 3 3          186            3 3          3 3          3 3          3 3                    3 3                    3 3         3 3         3 3         3 3                 3 3         19Pirates of the Caribbean
                         3 3         3 3         3 3         3 3                   3 3                    3 3         3 3         3 3         3 3                   3 3                     3 3          3 3          3 3          3 3                  3 3                  3 3         3 3         3 3         3 3                   3 3                3         3 3         3       3         3 3                 3 3                                     3 3         3 3         3 3             3 3           194                  3 3          3 3          3 3              3 3                   3 3         3 3         3 3             3 3                   3 3         3 3         3 3             3 3                   3 3         3 3         3 3      3         3 3    3         20Pirates of the Caribbean
                                         3 3          3 3          3 3              3 3                   3 3         3 3         3 3      3         3 3    3                 3 3         3 3         3 3         3 3     3     3        3 3           3       3 3       3 3       3 3       3       3       3       3       3       3       3       3       3       3       3           203                                 3        3        3            3        3                 3 3          3 3          3 3         3 3         3 3         3 3          3         3 3        3 3        3 3        3 3        3 3        3 3        3 3             3        3 3        3 3        3 3        3 3        3 3        3 3        3 3          3 3        3 3        3 3        3 3        3 3        3 3        3 3        3 3             3 21Pirates of the Caribbean
                       3 3         3 3       3       3         3 3          3          3           3            3 3         3 3          3 3 3          3 3 3         3 3           210          3 3         3 3          3 3 3          3 3 3         3 3                   3 3         3 3           3 3 3          3 3 3         3 3                    3 3           3 3          3 3 3          3 3 3          3 3                                  3 3        3 3          3 3 3          3 3 3        3 3                          3 3        3 3          3 3 3          3 3 3         3 3        3        3               3 3       3 3          3 3 3          3 3 3       3 3        3        3                  3 3           3 3          3 3 3           3 3 3            3 3        3        3                                          3 3         3 3     218         22Pirates of the Caribbean
                       3 3        3 3           3 3           3 3           3 3      3      3                                             3 3         3 3                  3 3 3          3 3 3             3 3 3             3 3 3             3 3 3             3 3 3             3 3 3                 3 3         3 3         3 3           3 3           3 3                    3 3        3 3        3 3           3 3           3 3                                                                                3 3 3 3             3 3 3 3             3 3 3 3             3 3 3 3                                 3 3 3 3              3 3 3 3              3 3 3 3              3 3 3 3           3           3           3           3                3 3 3 3              3 3 3 3                               3     3              3 3 3              3 3 3          3          3          3           3 23Pirates of the Caribbean
                                                      3 3 3 3               3 3 3 3                                     3 3 3          3 3 3           3 3 3              3 3 3          3          3          3           3        3 3         3 3             3 3 3 3             3 3 3 3                      3 3         3          3 3 3           3 3 3             3         3        3 232       3 3      3    3       3       3       3       3       3                                               3 3 3           3 3 3            3 3 3            3 3 3            3 3 3            3 3 3            3 3 3            3 3 3                        24Pirates of the Caribbean
       Tempo Rubato            rit.        8  "The Medallion Calls" DELIBERATELY ( )    20                                       31     solo - espr..                                                                                                       47                     "The Black Pearl" Misterioso ()56                                   accel.         Faster ()  66                                      cresc...                            3 3 75         3 3        3 3         3 3 3           3 3 3             81                   Pirates of the Caribbean ©Gino Gonçals (Symphonic Suite) (Cover of Clarinets, Aragón, S.XXI) (A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate) From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL Music by KLAUS BADELT Arr. by Gino Gonçals Clarinet 1
                          88                                              3       3               3        3           3                            109                                     114                                   " TO THE PIRATE´S CAVE" DRIVING, WITH INTENSITY () 122                                          133                                             137                        2Pirates of the Caribbean
                           142   cresc...               148                                                                            155                                  GENTLY ()     MORE BROADLY ()  solo - espr..166       "ONE LAST SHOT"                    172                                             180                   "HE´S A PIRATE" BRISKLY, WITH MOTION ()    186       3          3 3 194            3 3         3 3         3 3         3 3          3 3 3Pirates of the Caribbean
           3 3         3 3       3 3       3 203              3 3        3 3        3 3        3 3          3 3 210         3 3         3 3         3 3        3 3          3 3       3 3          3 3     218         3 3                3 3 3         3 3       3 3                    3 3 3 3             3 3 3 3      3                    3 3 3        3 3        3 3 232       3 3               3 3 3   4Pirates of the Caribbean
        Tempo Rubato              rit.        8  "The Medallion Calls" DELIBERATELY ( )                                              20                                            solo - espr..31            solo - espr..                                                                                        47                                   "The Black Pearl" Misterioso ()56                                      accel.             66  Faster ()                                      cresc...                       75  Pirates of the Caribbean ©Gino Gonçals (Symphonic Suite) (Cover of Clarinets, Aragón, S.XXI) (A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate) From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL Music by KLAUS BADELT Arr. by Gino Gonçals Clarinet 2º
         3 3        3 3          3 3 3          3 3 3      80                                                      88                                                           3       3                  3        3            3                          109                                      114                                    122 " TO THE PIRATE´S CAVE" DRIVING, WITH INTENSITY ()                                                                         2Pirates of the Caribbean
                      133                                                             137                                      142    cresc...             148                                                                              155                                      GENTLY ()    MORE BROADLY () 166   legato                      172                                              180                 184 "HE´S A PIRATE" BRISKLY, WITH MOTION ()      3          3 3 3Pirates of the Caribbean
           3 3         3 3         3 3         3 3            3 3         3 3         3 3          3 3 194           3 3           3 3         3 3         3 3          3 3         3 3               3 3       3 3      3203        3          3 3        3 3        3 3        3 3       3 3       3 3 210         3 3      3 3          3 3        3 3       3 3         3 3           3 3     218         3 3                 3 3 3         3 3      3 3                   3 3 3 3                3 3 3 3      3            3 3 3               3 3        3 232     3            3 3 3    4Pirates of the Caribbean
        Tempo Rubato               rit.       8 "The Medallion Calls" DELIBERATELY ( )                                          20                                         31     solo - espr..                                                                                             47                                 "The Black Pearl" Misterioso ()56                                                                       accel.         66  Faster ()                                      cresc...                           75                    Pirates of the Caribbean ©Gino Gonçals (Symphonic Suite) (Cover of Clarinets, Aragón, S.XXI) (A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate) From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL Music by KLAUS BADELT Arr. by Gino Gonçals Clarinet 3º
       80                                                     88                                                        3     3               3        3                                      109                                 114                                  122 " TO THE PIRATE´S CAVE" DRIVING, WITH INTENSITY ()                                                                                                        133                                                                    137                                                                  142   cresc...  2Pirates of the Caribbean
                 148                                                                                      155                                           GENTLY ()    MORE BROADLY ()166                        172                                            180                     "HE´S A PIRATE" BRISKLY, WITH MOTION ()184      3          3 3            3 3         3 3         3 3         3 3            3 3         3 3         3         3 3 194             3 3         3 3         3 3         3 3 3Pirates of the Caribbean
            3 3         3 3         3 3       3 3           3 203         3          3 3        3 3          3 3        3 3       3          3 3 3210            3 3 3          3 3 3          3 3 3           3 3 3            3 3 3          3 3 3          3 3 3        218             3 3                   3 3 3         3 3          3 3                   3 3 3 3              3 3 3 3                3 3 3 3              3 3 3              3 3 3 3              3 3 3             3 3 3 3          3 3 3 232         3            3 3 3    4Pirates of the Caribbean
       Tempo Rubato                rit.       8 "The Medallion Calls" DELIBERATELY ( )                                           20                                      31     solo - espr..                                                                                                        47                                        "The Black Pearl" Misterioso ()56                                                                    accel. Pirates of the Caribbean ©Gino Gonçals (Symphonic Suite) (Cover of Clarinets, Aragón, S.XXI) (A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate) From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL Music by KLAUS BADELT Arr. by Gino Gonçals Clarinet 4º
   66 Faster ()       75                                  81                             87                                                                   3 3             3          3 3          3          3 3          3            3 3         3          3 3          3          3 3            3       109                                  114                                   122 " TO THE PIRATE´S CAVE" DRIVING, WITH INTENSITY ()                                                                                       133                                         137             2Pirates of the Caribbean
                            142   cresc...cresc...               148                                                                   155                                                       GENTLY ()   MORE BROADLY ()166                         172                                                 180                      3 3 3 3  "HE´S A PIRATE" BRISKLY, WITH MOTION ()184               3 3 3 3         3 3          3 3         3 3         3 3           3 3          3 3         3 3       3   194  3Pirates of the Caribbean
Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets
Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets
Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets
Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets
Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets
Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets
Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets
Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets
Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets
Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets
Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets
Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets
Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets
Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets
Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets
Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets
Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets

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Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets

  • 1. Pirates of the Caribbean: The Curse of the Black Pearl Verbinski dirigió la creación de la banda sonora con Klaus Badelt y Hans Zimmer, que dirigió 15 compositores para terminarla rápidamente. El compositor Alan Silvestri, que había trabajado con Verbinski en Mousehunt y The Mexican, fue originalmente contratado para escribir las partituras de The Curse of the Black Pearl. Sin embargo, surgieron diferencias creativas entre él y el productor Jerry Bruckheimer, por lo que Silvestri respetuosamente abandonó el trabajo sin haber grabado nada Gore Verbinski preguntó a Hans Zimmer, con quien trabajó en The Ring, si quería hacerse cargo. Zimmer declinó debido al cúmulo de trabajo que tenía, ya que en ése momento estaba trabajando en la banda sonora de The Last Samurai. Como resultado Verbinski acudió a Klaus Badelt, un compositor nobel que había trabajado en Remote Control Productions tres años. Zimmer sin embargo terminó colaborando con Badelt para escribir la mayoría de los temas principales, muchos de los cuales surgieron de una demo sintetizada que había creado. Esta demo contenía las primeras versiones de tres de los temas finales del álbum, entre ellos He's A Pirate. Dado que el calendario era muy apretado y la música se necesitaba para la película en tres semanas, otros siete compositores — Ramin Djawadi, James Dooley, Nick Glennie- Smith, Steve Jablonsky, Blake Neely, James McKee Smith, y Geoff Zanelli— ayudaron a orquestar la música. La banda sonora se grabó con un grupo de músicos, reconocido como el Hollywood Studio Symphony, en el transcurso de cuatro días. El corto período de tiempo exigido requirió el uso de un estudio de grabación diferente para cada sesión.
  • 2.                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 Cl.B                 Tempo Rubato                                                                                                                           rit.                            8   "The Medallion Calls" DELIBERATELY ( )                                               Pirates of the Caribbean ©Gino Gonçals (Symphonic Suite) (Cover of Clarinets, Aragón, S.XXI) (A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate) From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL Music by KLAUS BADELT Arr. by Gino Gonçals
  • 3.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              20 2Pirates of the Caribbean
  • 4.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    3Pirates of the Caribbean
  • 5.                             solo - espr.. 31                                               solo - espr.. solo - espr..    solo - espr..  solo - espr..                                                                                                                                                                                                                                                                                                                                                           4Pirates of the Caribbean
  • 6.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               47                                                                                                                                                                  5Pirates of the Caribbean
  • 7.                                                                                                                                                                                                                 "The Black Pearl" Misterioso () 56                                                                                                                      6Pirates of the Caribbean
  • 8.                                                                                                                                                                                                   accel.                                                                                    Faster ()      66                                                                                                                  7Pirates of the Caribbean
  • 9.                                                                                     cresc... cresc... cresc...                                                                                                                                         3 3                              3 3    75                3 3        3 3                     3 3         3 3           3 3        3 3                     3 3         3 3             3 3 3          3 3 3                                  3 3 3          3 3 3                       8Pirates of the Caribbean
  • 10.                                                 80                                                                                                                                                                                                                                                                                                                                                                     88                                                  9Pirates of the Caribbean
  • 11.                                                                                                                                                                                                                                                                                                                                    3      3      3          3 3        3                     3      3      3          3          3 3                                3 3          3                   10Pirates of the Caribbean
  • 12.                                      3          3 3               3      3      3          3 3          3                3        3        3          3          3 3                                  3 3          3                3         3                3          3 3                                                  3 3          3                                  3          3 3                            3 3          3                                        3          3 3                                                  109 11Pirates of the Caribbean
  • 13.                                                                                                                                                                                                                         114                                                                                                                                                                             12Pirates of the Caribbean
  • 14.                                                                                                " TO THE PIRATE´S CAVE" DRIVING, WITH INTENSITY ()    122                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      13Pirates of the Caribbean
  • 15.                                                                                                                                                                                                                                                                      133                                                                                                                                                                                                                                                                                                                                                                     137                                                         14Pirates of the Caribbean
  • 16.                                                                                                                                                                                                                                                                                                                                                                      142                                                              cresc... cresc... cresc... cresc...             cresc... cresc...                                                                                                    148         15Pirates of the Caribbean
  • 17.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  155                                                                                                                                                                                                  16Pirates of the Caribbean
  • 18.                                                                                                                                                                 GENTLY ()                        MORE BROADLY ()  solo - espr..               "ONE LAST SHOT"     167 legato  legato legato             17Pirates of the Caribbean
  • 19.                                                                                                                              172                                                                                                                                                                                                                                                                                 18Pirates of the Caribbean
  • 20.                                                                        180                                                                                                                           3 3 3 3              3 3 3 3   "HE´S A PIRATE" BRISKLY, WITH MOTION ()          3      3             3 3 3 3             3 3 3 3             3 3 3 3     3     3              3 3         3 3         3 3         3 3                 3 3          186            3 3          3 3          3 3          3 3                    3 3                    3 3         3 3         3 3         3 3                 3 3         19Pirates of the Caribbean
  • 21.                          3 3         3 3         3 3         3 3                   3 3                    3 3         3 3         3 3         3 3                   3 3                     3 3          3 3          3 3          3 3                  3 3                  3 3         3 3         3 3         3 3                   3 3                3         3 3         3       3         3 3                 3 3                                     3 3         3 3         3 3             3 3           194                  3 3          3 3          3 3              3 3                   3 3         3 3         3 3             3 3                   3 3         3 3         3 3             3 3                   3 3         3 3         3 3      3         3 3    3         20Pirates of the Caribbean
  • 22.                                          3 3          3 3          3 3              3 3                   3 3         3 3         3 3      3         3 3    3                 3 3         3 3         3 3         3 3     3     3        3 3           3       3 3       3 3       3 3       3       3       3       3       3       3       3       3       3       3       3           203                                 3        3        3            3        3                 3 3          3 3          3 3         3 3         3 3         3 3          3         3 3        3 3        3 3        3 3        3 3        3 3        3 3             3        3 3        3 3        3 3        3 3        3 3        3 3        3 3          3 3        3 3        3 3        3 3        3 3        3 3        3 3        3 3             3 21Pirates of the Caribbean
  • 23.                        3 3         3 3       3       3         3 3          3          3           3            3 3         3 3          3 3 3          3 3 3         3 3           210          3 3         3 3          3 3 3          3 3 3         3 3                   3 3         3 3           3 3 3          3 3 3         3 3                    3 3           3 3          3 3 3          3 3 3          3 3                                  3 3        3 3          3 3 3          3 3 3        3 3                          3 3        3 3          3 3 3          3 3 3         3 3        3        3               3 3       3 3          3 3 3          3 3 3       3 3        3        3                  3 3           3 3          3 3 3           3 3 3            3 3        3        3                                          3 3         3 3     218         22Pirates of the Caribbean
  • 24.                        3 3        3 3           3 3           3 3           3 3      3      3                                             3 3         3 3                  3 3 3          3 3 3             3 3 3             3 3 3             3 3 3             3 3 3             3 3 3                 3 3         3 3         3 3           3 3           3 3                    3 3        3 3        3 3           3 3           3 3                                                                                3 3 3 3             3 3 3 3             3 3 3 3             3 3 3 3                                 3 3 3 3              3 3 3 3              3 3 3 3              3 3 3 3           3           3           3           3                3 3 3 3              3 3 3 3                               3     3              3 3 3              3 3 3          3          3          3           3 23Pirates of the Caribbean
  • 25.                                                       3 3 3 3               3 3 3 3                                     3 3 3          3 3 3           3 3 3              3 3 3          3          3          3           3        3 3         3 3             3 3 3 3             3 3 3 3                      3 3         3          3 3 3           3 3 3             3         3        3 232       3 3      3    3       3       3       3       3       3                                               3 3 3           3 3 3            3 3 3            3 3 3            3 3 3            3 3 3            3 3 3            3 3 3                        24Pirates of the Caribbean
  • 26.        Tempo Rubato            rit.        8  "The Medallion Calls" DELIBERATELY ( )    20                                       31     solo - espr..                                                                                                       47                     "The Black Pearl" Misterioso ()56                                   accel.         Faster ()  66                                      cresc...                            3 3 75         3 3        3 3         3 3 3           3 3 3             81                   Pirates of the Caribbean ©Gino Gonçals (Symphonic Suite) (Cover of Clarinets, Aragón, S.XXI) (A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate) From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL Music by KLAUS BADELT Arr. by Gino Gonçals Clarinet 1
  • 27.                           88                                              3       3               3        3           3                            109                                     114                                   " TO THE PIRATE´S CAVE" DRIVING, WITH INTENSITY () 122                                          133                                             137                        2Pirates of the Caribbean
  • 28.                            142   cresc...               148                                                                            155                                  GENTLY ()     MORE BROADLY ()  solo - espr..166       "ONE LAST SHOT"                    172                                             180                   "HE´S A PIRATE" BRISKLY, WITH MOTION ()    186       3          3 3 194            3 3         3 3         3 3         3 3          3 3 3Pirates of the Caribbean
  • 29.            3 3         3 3       3 3       3 203              3 3        3 3        3 3        3 3          3 3 210         3 3         3 3         3 3        3 3          3 3       3 3          3 3     218         3 3                3 3 3         3 3       3 3                    3 3 3 3             3 3 3 3      3                    3 3 3        3 3        3 3 232       3 3               3 3 3   4Pirates of the Caribbean
  • 30.         Tempo Rubato              rit.        8  "The Medallion Calls" DELIBERATELY ( )                                              20                                            solo - espr..31            solo - espr..                                                                                        47                                   "The Black Pearl" Misterioso ()56                                      accel.             66  Faster ()                                      cresc...                       75  Pirates of the Caribbean ©Gino Gonçals (Symphonic Suite) (Cover of Clarinets, Aragón, S.XXI) (A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate) From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL Music by KLAUS BADELT Arr. by Gino Gonçals Clarinet 2º
  • 31.          3 3        3 3          3 3 3          3 3 3      80                                                      88                                                           3       3                  3        3            3                          109                                      114                                    122 " TO THE PIRATE´S CAVE" DRIVING, WITH INTENSITY ()                                                                         2Pirates of the Caribbean
  • 32.                       133                                                             137                                      142    cresc...             148                                                                              155                                      GENTLY ()    MORE BROADLY () 166   legato                      172                                              180                 184 "HE´S A PIRATE" BRISKLY, WITH MOTION ()      3          3 3 3Pirates of the Caribbean
  • 33.            3 3         3 3         3 3         3 3            3 3         3 3         3 3          3 3 194           3 3           3 3         3 3         3 3          3 3         3 3               3 3       3 3      3203        3          3 3        3 3        3 3        3 3       3 3       3 3 210         3 3      3 3          3 3        3 3       3 3         3 3           3 3     218         3 3                 3 3 3         3 3      3 3                   3 3 3 3                3 3 3 3      3            3 3 3               3 3        3 232     3            3 3 3    4Pirates of the Caribbean
  • 34.         Tempo Rubato               rit.       8 "The Medallion Calls" DELIBERATELY ( )                                          20                                         31     solo - espr..                                                                                             47                                 "The Black Pearl" Misterioso ()56                                                                       accel.         66  Faster ()                                      cresc...                           75                    Pirates of the Caribbean ©Gino Gonçals (Symphonic Suite) (Cover of Clarinets, Aragón, S.XXI) (A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate) From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL Music by KLAUS BADELT Arr. by Gino Gonçals Clarinet 3º
  • 35.        80                                                     88                                                        3     3               3        3                                      109                                 114                                  122 " TO THE PIRATE´S CAVE" DRIVING, WITH INTENSITY ()                                                                                                        133                                                                    137                                                                  142   cresc...  2Pirates of the Caribbean
  • 36.                  148                                                                                      155                                           GENTLY ()    MORE BROADLY ()166                        172                                            180                     "HE´S A PIRATE" BRISKLY, WITH MOTION ()184      3          3 3            3 3         3 3         3 3         3 3            3 3         3 3         3         3 3 194             3 3         3 3         3 3         3 3 3Pirates of the Caribbean
  • 37.             3 3         3 3         3 3       3 3           3 203         3          3 3        3 3          3 3        3 3       3          3 3 3210            3 3 3          3 3 3          3 3 3           3 3 3            3 3 3          3 3 3          3 3 3        218             3 3                   3 3 3         3 3          3 3                   3 3 3 3              3 3 3 3                3 3 3 3              3 3 3              3 3 3 3              3 3 3             3 3 3 3          3 3 3 232         3            3 3 3    4Pirates of the Caribbean
  • 38.        Tempo Rubato                rit.       8 "The Medallion Calls" DELIBERATELY ( )                                           20                                      31     solo - espr..                                                                                                        47                                        "The Black Pearl" Misterioso ()56                                                                    accel. Pirates of the Caribbean ©Gino Gonçals (Symphonic Suite) (Cover of Clarinets, Aragón, S.XXI) (A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate) From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL Music by KLAUS BADELT Arr. by Gino Gonçals Clarinet 4º
  • 39.    66 Faster ()       75                                  81                             87                                                                   3 3             3          3 3          3          3 3          3            3 3         3          3 3          3          3 3            3       109                                  114                                   122 " TO THE PIRATE´S CAVE" DRIVING, WITH INTENSITY ()                                                                                       133                                         137             2Pirates of the Caribbean
  • 40.                             142   cresc...cresc...               148                                                                   155                                                       GENTLY ()   MORE BROADLY ()166                         172                                                 180                      3 3 3 3  "HE´S A PIRATE" BRISKLY, WITH MOTION ()184               3 3 3 3         3 3          3 3         3 3         3 3           3 3          3 3         3 3       3   194  3Pirates of the Caribbean