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Open / Free Licensing Mathias Klang
ATT-NC-SA ,[object Object]
AN INFRASTRUCTURE OF SHARING
WHERE THE TROUBLE BEGAN ,[object Object]
WHEREAS PRINTERS, BOOKSELLERS, AND OTHER PERSONS, HAVE OF LATE FREQUENTLY TAKEN THE LIBERTY OF PRINTING, REPRINTING, AND PUBLISHING, OR CAUSING TO BE PRINTED, REPRINTED, AND PUBLISHED BOOKS, AND OTHER WRITINGS, WITHOUT THE CONSENT OF THE AUTHORS OR PROPRIETORS OF SUCH BOOKS AND WRITINGS, TO THEIR VERY GREAT DETRIMENT, AND TOO OFTEN TO THE RUIN OF THEM AND THEIR FAMILIES: FOR PREVENTING THEREFORE SUCH PRACTICES FOR THE FUTURE, AND FOR THE ENCOURAGEMENT OF LEARNED MEN TO COMPOSE AND WRITE USEFUL BOOKS;  ,[object Object]
LAGEN DEN 10 AUGUSTI 1877 OM ÄGANDERÄTT TILL SKRIFT ,[object Object]
 
THE ARCHDEACON GAZED AT THE GIGANTIC EDIFICE FOR SOME TIME IN SILENCE, THEN EXTENDING HIS RIGHT HAND, WITH A SIGH, TOWARDS THE PRINTED BOOK WHICH LAY OPEN ON THE TABLE, AND HIS LEFT TOWARDS NOTRE-DAME, AND TURNING A SAD GLANCE FROM THE BOOK TO THE CHURCH,--"ALAS," HE SAID, "THIS WILL KILL THAT." ,[object Object]
 
ESTABLISHMENT OF A UNION  THE COUNTRIES TO WHICH THIS CONVENTION APPLIES CONSTITUTE A UNION FOR THE PROTECTION OF THE RIGHTS OF AUTHORS IN THEIR LITERARY AND ARTISTIC WORKS. ,[object Object]
Det upphovsrättsliga systemet Lag (1960) om upphovsrätt till litterära  och konstnärliga verk UPPHOVSRÄTTEN Ekonomisk rätt Ideell rätt Exemplarframställning Tillgängliggörande   Spridningsrätt Visningsrätt Framföranderätt Rätt till namnangivelse Skydd för kränkande ändring Skydd för kränkande användning Överföring till allmänheten
THE ROAD TO HELL IS PAVED WITH GOOD INTENTIONS
LIFE IS ORGANIZED AROUND TECHNOLOGY… ,[object Object]
COPYING COST    ZERO
WE HAVE ALTERNATIVES ,[object Object]
IF IT AINT BROKE – THEN DON’T FIX IT… IF IT IS BROKEN – THEN DON’T FIX IT…
 
Starting this Thanksgiving I am going to write a complete Unix–compatible software system called GNU (for Gnu’s Not Unix), and give it away free to everyone who can use it. September 1983
STALLMAN FORKED THE FUNDAMENTAL IDEAS OF CREATION AND PROVED EMPIRICALLY THAT SHARING WORKS ,[object Object]
What does this mean? Free Infrastructure
“ Free software” is a matter of liberty, not price. To understand the concept, you should think of “free” as in “free speech,” not as in “free beer.”
COPYLEFT ,[object Object]
 
COPYLEFT IS NOT  OPPOSITE OR  ANTI-COPYRIGHT ,[object Object]
WHY NOT JUST USE PUBLIC DOMAIN? ,[object Object],[object Object],[object Object]
PROPRIETARY BUT FREE (NO COST?) SEMI FREE  FREE THE LICENSES
WHAT IS FREE? ,[object Object],[object Object],[object Object],[object Object]
Open Source ,[object Object],[object Object],[object Object],[object Object],[object Object]
What makes an OS License? ,[object Object],[object Object],[object Object]
1. Free  Redistribution ,[object Object],[object Object]
2. Source Code ,[object Object],[object Object],[object Object],[object Object]
3. DERIVED WORKS ,[object Object]
4. Integrity of The Author's Source Code ,[object Object]
5. NO DISCRIMINATION AGAINST PERSONS OR GROUPS ,[object Object]
6. No Discrimination Against Fields of Endeavor ,[object Object],[object Object]
7. DISTRIBUTION OF LICENSE ,[object Object]
8. LICENSE MUST NOT BE SPECIFIC TO A PRODUCT ,[object Object]
9. License Must Not Restrict Other Software ,[object Object],[object Object]
10. LICENSE MUST BE TECHNOLOGY-NEUTRAL
72 OSI licenses Microsoft Reciprocal License (Ms-RL) MIT license MITRE Collaborative Virtual Workspace License (CVW License) Motosoto License Mozilla Public License 1.0 (MPL) Mozilla Public License 1.1 (MPL) Multics License NASA Open Source Agreement 1.3 NTP License Naumen Public License Nethack General Public License Nokia Open Source License Non-Profit Open Software License 3.0 (Non-Profit OSL 3.0) OCLC Research Public License 2.0 Open Group Test Suite License Open Software License 3.0 (OSL 3.0) PHP License Python license (CNRI Python License) Python Software Foundation License Qt Public License (QPL) RealNetworks Public Source License V1.0 Reciprocal Public License Reciprocal Public License 1.5 (RPL1.5) Ricoh Source Code Public License Simple Public License 2.0 Sleepycat License Sun Industry Standards Source License (SISSL) Sun Public License Sybase Open Watcom Public License 1.0 University of Illinois/NCSA Open Source License Vovida Software License v. 1.0 W3C License wxWindows Library License X.Net License Zope Public License zlib/libpng license Academic Free License 3.0 (AFL 3.0) Affero GNU Public License Adaptive Public License Apache Software License Apache License, 2.0 Apple Public Source License Artistic license Artistic license 2.0 Attribution Assurance Licenses New and Simplified BSD licenses Boost Software License (BSL1.0) Computer Associates Trusted Open Source License 1.1 Common Development and Distribution License Common Public Attribution License 1.0 (CPAL) Common Public License 1.0 CUA Office Public License Version 1.0 EU DataGrid Software License Eclipse Public License Educational Community License, Version 2.0 Eiffel Forum License Eiffel Forum License V2.0 Entessa Public License Fair License Frameworx License GNU General Public License (GPL) GNU General Public License version 3.0 (GPLv3) GNU Library or "Lesser" General Public License (LGPL) GNU Library or "Lesser" General Public License version 3.0 (LGPLv3) Historical Permission Notice and Disclaimer IBM Public License Intel Open Source License ISC License Jabber Open Source License Lucent Public License (Plan9) Lucent Public License Version 1.02 Microsoft Public License (Ms-PL)
Finding the right fit Restrictive Permissive ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Types of Licenses ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Categorization ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Categorization ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
GPL VERSION 1 JANUARY 1989  ,[object Object]
GPL VERSION 2 JUNE 1991 “LIBERTY OR DEATH” ,[object Object]
GPL VERSION 3 JUNE 2007 ,[object Object],[object Object],[object Object]
Content changes everything
THREE MAD IDEAS…
 
 
 
STALLMAN FORKED THE FUNDAMENTAL IDEAS OF CREATION AND PROVED EMPIRICALLY THAT SHARING WORKS ,[object Object]
CONVERGENCE OF HACKERS AND USERS…  ,[object Object],& DIGITAL GENERATION…
HISTORIK 2001 2003 2004 2005 2006 WWW Facebook YouTube Twitter MySpace Ning Linkedin Second Life
OPEN CONTENT LICENSING  ,[object Object]
LAGEN DEN 10 AUGUSTI 1877 OM ÄGANDERÄTT TILL SKRIFT ,[object Object]
Det upphovsrättsliga systemet Lag (1960) om upphovsrätt till litterära  och konstnärliga verk UPPHOVSRÄTTEN Ekonomisk rätt Ideell rätt Exemplarframställning Tillgängliggörande   Spridningsrätt Visningsrätt Framföranderätt Rätt till namnangivelse Skydd för kränkande ändring Skydd för kränkande användning Överföring till allmänheten
Konstnärliga verk ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Utmärkande drag ,[object Object],[object Object],[object Object]
Skyddstid ,[object Object],[object Object],[object Object],[object Object],[object Object]
Vems upphovsrätt? ,[object Object],[object Object],[object Object],[object Object],[object Object]
Vad är en kopia? Donald Duck av Walt Disney Arne Anka av Charlie Christensen
Form & Innehåll
Fountain - Duchamp (1917) “ The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act”
History 2001   2002   2003   2004   2005   CC  grundad! 1 mil . licenser 4.7 mil .  CC licens verk! 20 mil .
2006   2007   2008   2009   2010   http://creativecommons.org/about/history/ 90 mill! 50 mill! 130 mill!
Licenssystem
Alternativ
Välj licens
Mer info
Japanska
Bulgarien
Finska
Vad skapas? ,[object Object],[object Object],[object Object]
 
Esperanto
Kastellanska
Colombia
Licens
Metatext <a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/2.5/se/&quot;> <img alt=&quot;Creative Commons License&quot; style=&quot;border-width:0&quot; src=&quot;http://i.creativecommons.org/l/by-nc-sa/2.5/se/88x31.png&quot; /> </a> <br /> <span xmlns:dc=&quot;http://purl.org/dc/elements/1.1/&quot; href=&quot;http://purl.org/dc/dcmitype/Sound&quot; property=&quot;dc:title&quot; rel=&quot;dc:type&quot;>klang i duschen</span> by  <a xmlns:cc=&quot;http://creativecommons.org/ns#&quot; href=&quot;http://www.digital-rights.net&quot; property=&quot;cc:attributionName&quot; rel=&quot;cc:attributionURL&quot;>Klang</a> is licensed under a  <a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/2.5/se/&quot;>Creative Commons Erkännande-Ickekommersiell-Dela Lika 2.5 Sverige License</a>.
Sök Google - advanced Yahoo - advanced
BILDER 17/11 ,[object Object],[object Object],Students in Poseidon by appel
open content by appel & klang cc by nc sa
Criticism ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
http://flickr.com/photos/barackobamadotcom/sets/72157608716313371/ by Barack Obama http://flickr.com/photos/barackobamadotcom/3008255125/in/set-72157608716313371/ Election Night Photos:
 
Alison Chiang
Dump your penfriend
Growth
Thank you!

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Icm Lecture

  • 1. Open / Free Licensing Mathias Klang
  • 2.
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  • 11. Det upphovsrättsliga systemet Lag (1960) om upphovsrätt till litterära och konstnärliga verk UPPHOVSRÄTTEN Ekonomisk rätt Ideell rätt Exemplarframställning Tillgängliggörande Spridningsrätt Visningsrätt Framföranderätt Rätt till namnangivelse Skydd för kränkande ändring Skydd för kränkande användning Överföring till allmänheten
  • 12. THE ROAD TO HELL IS PAVED WITH GOOD INTENTIONS
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  • 14. COPYING COST  ZERO
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  • 16. IF IT AINT BROKE – THEN DON’T FIX IT… IF IT IS BROKEN – THEN DON’T FIX IT…
  • 17.  
  • 18. Starting this Thanksgiving I am going to write a complete Unix–compatible software system called GNU (for Gnu’s Not Unix), and give it away free to everyone who can use it. September 1983
  • 19.
  • 20. What does this mean? Free Infrastructure
  • 21. “ Free software” is a matter of liberty, not price. To understand the concept, you should think of “free” as in “free speech,” not as in “free beer.”
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  • 26. PROPRIETARY BUT FREE (NO COST?) SEMI FREE FREE THE LICENSES
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  • 39. 10. LICENSE MUST BE TECHNOLOGY-NEUTRAL
  • 40. 72 OSI licenses Microsoft Reciprocal License (Ms-RL) MIT license MITRE Collaborative Virtual Workspace License (CVW License) Motosoto License Mozilla Public License 1.0 (MPL) Mozilla Public License 1.1 (MPL) Multics License NASA Open Source Agreement 1.3 NTP License Naumen Public License Nethack General Public License Nokia Open Source License Non-Profit Open Software License 3.0 (Non-Profit OSL 3.0) OCLC Research Public License 2.0 Open Group Test Suite License Open Software License 3.0 (OSL 3.0) PHP License Python license (CNRI Python License) Python Software Foundation License Qt Public License (QPL) RealNetworks Public Source License V1.0 Reciprocal Public License Reciprocal Public License 1.5 (RPL1.5) Ricoh Source Code Public License Simple Public License 2.0 Sleepycat License Sun Industry Standards Source License (SISSL) Sun Public License Sybase Open Watcom Public License 1.0 University of Illinois/NCSA Open Source License Vovida Software License v. 1.0 W3C License wxWindows Library License X.Net License Zope Public License zlib/libpng license Academic Free License 3.0 (AFL 3.0) Affero GNU Public License Adaptive Public License Apache Software License Apache License, 2.0 Apple Public Source License Artistic license Artistic license 2.0 Attribution Assurance Licenses New and Simplified BSD licenses Boost Software License (BSL1.0) Computer Associates Trusted Open Source License 1.1 Common Development and Distribution License Common Public Attribution License 1.0 (CPAL) Common Public License 1.0 CUA Office Public License Version 1.0 EU DataGrid Software License Eclipse Public License Educational Community License, Version 2.0 Eiffel Forum License Eiffel Forum License V2.0 Entessa Public License Fair License Frameworx License GNU General Public License (GPL) GNU General Public License version 3.0 (GPLv3) GNU Library or &quot;Lesser&quot; General Public License (LGPL) GNU Library or &quot;Lesser&quot; General Public License version 3.0 (LGPLv3) Historical Permission Notice and Disclaimer IBM Public License Intel Open Source License ISC License Jabber Open Source License Lucent Public License (Plan9) Lucent Public License Version 1.02 Microsoft Public License (Ms-PL)
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  • 50.  
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  • 53.
  • 54.
  • 55. HISTORIK 2001 2003 2004 2005 2006 WWW Facebook YouTube Twitter MySpace Ning Linkedin Second Life
  • 56.
  • 57.
  • 58. Det upphovsrättsliga systemet Lag (1960) om upphovsrätt till litterära och konstnärliga verk UPPHOVSRÄTTEN Ekonomisk rätt Ideell rätt Exemplarframställning Tillgängliggörande Spridningsrätt Visningsrätt Framföranderätt Rätt till namnangivelse Skydd för kränkande ändring Skydd för kränkande användning Överföring till allmänheten
  • 59.
  • 60.
  • 61.
  • 62.
  • 63. Vad är en kopia? Donald Duck av Walt Disney Arne Anka av Charlie Christensen
  • 64.
  • 65.
  • 67. Fountain - Duchamp (1917) “ The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act”
  • 68. History 2001 2002 2003 2004 2005 CC grundad! 1 mil . licenser 4.7 mil . CC licens verk! 20 mil .
  • 69. 2006 2007 2008 2009 2010 http://creativecommons.org/about/history/ 90 mill! 50 mill! 130 mill!
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  • 78.  
  • 83. Metatext <a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/2.5/se/&quot;> <img alt=&quot;Creative Commons License&quot; style=&quot;border-width:0&quot; src=&quot;http://i.creativecommons.org/l/by-nc-sa/2.5/se/88x31.png&quot; /> </a> <br /> <span xmlns:dc=&quot;http://purl.org/dc/elements/1.1/&quot; href=&quot;http://purl.org/dc/dcmitype/Sound&quot; property=&quot;dc:title&quot; rel=&quot;dc:type&quot;>klang i duschen</span> by <a xmlns:cc=&quot;http://creativecommons.org/ns#&quot; href=&quot;http://www.digital-rights.net&quot; property=&quot;cc:attributionName&quot; rel=&quot;cc:attributionURL&quot;>Klang</a> is licensed under a <a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/2.5/se/&quot;>Creative Commons Erkännande-Ickekommersiell-Dela Lika 2.5 Sverige License</a>.
  • 84. Sök Google - advanced Yahoo - advanced
  • 85.
  • 86. open content by appel & klang cc by nc sa
  • 87.
  • 88. http://flickr.com/photos/barackobamadotcom/sets/72157608716313371/ by Barack Obama http://flickr.com/photos/barackobamadotcom/3008255125/in/set-72157608716313371/ Election Night Photos:
  • 89.  

Hinweis der Redaktion

  1. open content by appel &amp; klang cc by nc sa.jpg
  2. From the “Digital Revolution” (working title) a coming documentary by the BBC http://www.bbc.co.uk/digitalrevolution
  3. communication age by Dom Dada cc by nc nd
  4. Bonneville salt flats by ilmungo cc by nc sa
  5. Help by LiminalMike cc by nc sa
  6. Notre-Dame de Paris (Exhibitions UEVF 24/01/09, UNESCO 31/01/09) by hien_it cc by nc sa
  7. berne_07-01-07_04 by coyote-agile cc by nc sa
  8. Upphovrätten bygger på idén att det alster som någon, vem som helst, du eller jag, eller någon annan, skapat , också skall ha rätt att bestämma över detta verk på samma sätt som om det vore en ägodel . Om man ser upphovsrättens verk som en sak , är det lättare att förstå hur principerna och regelkomplexet runt detta. Ingen av oss skulle väl kunna tänka sig att utan lov , gå in till grannen och ta med sig de saker som finns där efter tycke och smak. Dessutom är det brottsligt och kallas för stöld . När det gäller upphovsrätten gäller samma regler, fast vi använder andra ord, upphovsrättsintrång t ex. Att skydda upphovsrätten har ansetts vara viktigt över hela världen. Det finns världsomspännande regler på området. Bernkonventionen från 1898 är den äldsta. Sverige har skrivit under, dvs ratificerat den. Upphovsrätten omfattar många skilda typer av verk. Det gemensamma och typiska för sådana verk som upphovsrätten skyddar är att de lätt kan kopieras och användas utan lov, om inte ägaren/upphovsmannen hade makt att förbjuda det. Allrahelst i vår värld där i stort allt kan med lätthet kopieras till lika fina kopior som originalet.
  9. inferno by Miss K cc by nc sa
  10. Habermas om Informationssystem 24 november 2004 Mathias Klang &lt;klang@informatik.gu.se&gt;
  11. fork in the road by Puff&apos;s Daddy cc by nc sa
  12. Thinking Stallman by nauj27 cc by nc sa
  13. Sailing Stone by romainguy cc by nc sa
  14. after one beer... by camil tulcan cc by nc sa
  15. Peppers by Chris J cc by nc nd
  16. What the boy did.. by shankar, shiv cc by nc sa
  17. X by hidden side cc by nc sa
  18. Rationale: By constraining the license to require free redistribution, we eliminate the temptation to throw away many long-term gains in order to make a few short-term sales dollars. If we didn&apos;t do this, there would be lots of pressure for cooperators to defect.
  19. Rationale: We require access to un-obfuscated source code because you can&apos;t evolve programs without modifying them. Since our purpose is to make evolution easy, we require that modification be made easy.
  20. Rationale: The mere ability to read source isn&apos;t enough to support independent peer review and rapid evolutionary selection. For rapid evolution to happen, people need to be able to experiment with and redistribute modifications.
  21. Rationale: Encouraging lots of improvement is a good thing, but users have a right to know who is responsible for the software they are using. Authors and maintainers have reciprocal right to know what they&apos;re being asked to support and protect their reputations. Accordingly, an open-source license must guarantee that source be readily available, but may require that it be distributed as pristine base sources plus patches. In this way, &amp;quot;unofficial&amp;quot; changes can be made available but readily distinguished from the base source.
  22. Rationale: In order to get the maximum benefit from the process, the maximum diversity of persons and groups should be equally eligible to contribute to open sources. Therefore we forbid any open-source license from locking anybody out of the process. Some countries, including the United States, have export restrictions for certain types of software. An OSD-conformant license may warn licensees of applicable restrictions and remind them that they are obliged to obey the law; however, it may not incorporate such restrictions itself.
  23. Rationale: The major intention of this clause is to prohibit license traps that prevent open source from being used commercially. We want commercial users to join our community, not feel excluded from it.
  24. Rationale: This clause is intended to forbid closing up software by indirect means such as requiring a non-disclosure agreement.
  25. Rationale: This clause forecloses yet another class of license traps. Urmia Salt Lake _ دریاچه ی نمک ارومیه by Mehrad.HM cc by nc sa
  26. Rationale: Distributors of open-source software have the right to make their own choices about their own software. Yes, the GPL is conformant with this requirement. Software linked with GPLed libraries only inherits the GPL if it forms a single work, not any software with which they are merely distributed.
  27. Sound of silence by Daniel Gasienica cc by nc nd Rationale: This provision is aimed specifically at licenses which require an explicit gesture of assent in order to establish a contract between licensor and licensee. Provisions mandating so-called &amp;quot;click-wrap&amp;quot; may conflict with important methods of software distribution such as FTP download, CD-ROM anthologies, and web mirroring; such provisions may also hinder code re-use. Conformant licenses must allow for the possibility that (a) redistribution of the software will take place over non-Web channels that do not support click-wrapping of the download, and that (b) the covered code (or re-used portions of covered code) may run in a non-GUI environment that cannot support popup dialogues.
  28. Source Kamal Hassin Carleton University
  29. The GPL moved to version 3 to protect its copyleft from being undermined by legal or technological developments.
  30. Day 537/20080308-The old man still got it by Mikey aka DaSkinnyBlackMan cc by nc sa
  31. Thinking Stallman by nauj27 cc by nc sa
  32. 800px-JimmyWalesJI5 by joi ito cc by
  33. Help by LiminalMike cc by nc sa
  34. Upphovrätten bygger på idén att det alster som någon, vem som helst, du eller jag, eller någon annan, skapat , också skall ha rätt att bestämma över detta verk på samma sätt som om det vore en ägodel . Om man ser upphovsrättens verk som en sak , är det lättare att förstå hur principerna och regelkomplexet runt detta. Ingen av oss skulle väl kunna tänka sig att utan lov , gå in till grannen och ta med sig de saker som finns där efter tycke och smak. Dessutom är det brottsligt och kallas för stöld . När det gäller upphovsrätten gäller samma regler, fast vi använder andra ord, upphovsrättsintrång t ex. Att skydda upphovsrätten har ansetts vara viktigt över hela världen. Det finns världsomspännande regler på området. Bernkonventionen från 1898 är den äldsta. Sverige har skrivit under, dvs ratificerat den. Upphovsrätten omfattar många skilda typer av verk. Det gemensamma och typiska för sådana verk som upphovsrätten skyddar är att de lätt kan kopieras och användas utan lov, om inte ägaren/upphovsmannen hade makt att förbjuda det. Allrahelst i vår värld där i stort allt kan med lätthet kopieras till lika fina kopior som originalet.
  35. Olsson (2006) ger två exempel på fotografiska bilder, nämligen nyhetsbilder från Hindenburgkatastrofen och mordet på president Kennedy. Nordell (1997) räknar upp amatörfotografier och bilder som tagits i stor hast och som återger en aktuell händelse. Dead fly - FUTAB by Samyra Serin cc by nc sa
  36. Informationspolitik 30 november 2005 Mathias Klang &lt;klang@informatik.gu.se&gt;
  37. the same horizon by Norma Desmond cc by nc sa
  38. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net
  39. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net
  40. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net
  41. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net
  42. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net
  43. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net
  44. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net
  45. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net
  46. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net
  47. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net
  48. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net
  49. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net
  50. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net Article 1 a in French Canadian, Hebrew, and German
  51. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net
  52. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net
  53. 36680176 36371975
  54. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net
  55. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net
  56. Mathias Klang &lt;klang@ituniv.se&gt; www.digital-rights.net
  57. and in last place by ...tim cc by nc nd