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MAKING
COMMERCIAL
PHOTOGRAPHS
COMMERCIAL PHOTOGRAPHY IS
OFTEN MORE COLLABORATIVE IN
NATURE THAN OTHER TYPES OF
PHOTOGRAPHY.
THE CREATE TEAM
JOURNAL
PROMPT
Use
In small groups use a Venn Diagram to demonstrate the similarities and
differences between commercial photography and fine art photography.
Class
In class we will discuss the choices different companies made to be either subtle
or overt in their ad campaign and why they might have made that decision.
Snap/ Capture Snap/ Capture with mobile device any ads you find that inspire your.
Record
Record every commercial photo you come into contact with over a 24-hour
period.
TYPES OF COMMERCIAL PHOTOGRAPHY
 The subject matter for commercial photography
overlaps with other kinds of photography, but what
makes commercial photography different is how the
images are designed and used. Commercial
photography is less about self-expression and more
about meeting the needs of the client.
 Architecture
 Advertising
 Aerial
 Catalog
 Copy work
 Corporate
 Editorial
 Portraits
 Lifestyle
 Medical
 Nature
 Product
 Scientific
 Sports
 Travel
PLANNING A SHOOT
Stage 1
 Start by taking roles needed for a commercial shoot
(photographer, stylist, client) 3 to 4 in a group.
 Identify a mentor for the group that will act as the
art director.
 Document the process.
Stage 2
 Identify the clients needs and the product and
advertisement to be made.
 Your clients for each group will receive a product
that must be advertised with specs and information
about each specific job. This is called the creative
brief.
 You will need to bring from home that product. Any
one from the group could bring in the prop.
PLANNING A SHOOT CONTINUED.
Stage 3
 Set up your product to be photographed.
 Use a three-point lighting system see using light
modifiers handout.
 Get several viewpoints Close, far, Above, ¾, detail
 Use white seamless for the backdrop you will be
preforming a knock-out to place this product into an
advertisement.
 Use a tripod shoot at ƒ8 –ƒ16 iso 200. You may want to
use Manuel or aperture priority mode
Stage 4
 Post-production- input LR- Photoshop to PDF
output
 Emphasis is the most important part of the design.
 You will each get a copies of the final product the
art director has approved.
 You must make a knock-out from one of the images
using the photoshop technique we learned in class.

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Planning a shoot

  • 1. MAKING COMMERCIAL PHOTOGRAPHS COMMERCIAL PHOTOGRAPHY IS OFTEN MORE COLLABORATIVE IN NATURE THAN OTHER TYPES OF PHOTOGRAPHY.
  • 3. JOURNAL PROMPT Use In small groups use a Venn Diagram to demonstrate the similarities and differences between commercial photography and fine art photography. Class In class we will discuss the choices different companies made to be either subtle or overt in their ad campaign and why they might have made that decision. Snap/ Capture Snap/ Capture with mobile device any ads you find that inspire your. Record Record every commercial photo you come into contact with over a 24-hour period.
  • 4. TYPES OF COMMERCIAL PHOTOGRAPHY  The subject matter for commercial photography overlaps with other kinds of photography, but what makes commercial photography different is how the images are designed and used. Commercial photography is less about self-expression and more about meeting the needs of the client.  Architecture  Advertising  Aerial  Catalog  Copy work  Corporate  Editorial  Portraits  Lifestyle  Medical  Nature  Product  Scientific  Sports  Travel
  • 5. PLANNING A SHOOT Stage 1  Start by taking roles needed for a commercial shoot (photographer, stylist, client) 3 to 4 in a group.  Identify a mentor for the group that will act as the art director.  Document the process. Stage 2  Identify the clients needs and the product and advertisement to be made.  Your clients for each group will receive a product that must be advertised with specs and information about each specific job. This is called the creative brief.  You will need to bring from home that product. Any one from the group could bring in the prop.
  • 6. PLANNING A SHOOT CONTINUED. Stage 3  Set up your product to be photographed.  Use a three-point lighting system see using light modifiers handout.  Get several viewpoints Close, far, Above, ¾, detail  Use white seamless for the backdrop you will be preforming a knock-out to place this product into an advertisement.  Use a tripod shoot at ƒ8 –ƒ16 iso 200. You may want to use Manuel or aperture priority mode Stage 4  Post-production- input LR- Photoshop to PDF output  Emphasis is the most important part of the design.  You will each get a copies of the final product the art director has approved.  You must make a knock-out from one of the images using the photoshop technique we learned in class.