SlideShare ist ein Scribd-Unternehmen logo
1 von 11
UDAIPUR DAIRIES                                                                                   2008
Train Journey-Mewar Express

This was the first time I actually went to Nizammudin Station to board the train to this wonderful and picturesque place
called Rajasthan, which until now, I had only seen on the back of postcards, calendars and Travel magazines. I was
really looking forward to this trip.

It was sleeper class- Coach No.S6. We started from Delhi at around 7:00 pm, 20 Jan 2008. Most of the time was spent
playing Uno cards and telling scary and ghost stories. My seat was just next to the coach’s exit door, so every time the
train stopped at any station, the passengers would come in or leave through that door, letting the chilly winds sweep
through my already cold feet. Towards the morning whenever the train stopped at any station there would be chai wallahs
screaming “chai.. chai…chai” .. in perfect rhythm- like beats in a music, following the same pattern every time. It was quite
amusing. When I heard it for the first time, my eyes fluttered open and I was a bit shocked but pretty soon I was smiling
and couldn’t help giggling. This thing surely woke me up and I felt it was actually more effective than my alarm clock. This
was the start of my new refreshing journey…
21 January 2008
On reaching the station, again I couldn’t help but compare the cleanliness and management at that small station with that
of Delhi stations. Everything was pretty neat.

Aastha training centre was about half an hour ride from the station, which we traveled through a mini bus. There were
seven-eight people staying in one room like a dormitory. There was a common bathroom where their were 3 washrooms
and 2 toilets, which had a kind of rotating flush near the tap…definitely something I had never seen before!

After getting ready we went downstairs for breakfast where we were served ‘poha’ and hot tea. Afterwards we washed our
dishes at the room next door and went for the presentation/ class.

The classroom was actually a multipurpose room where they also conducted workshops and training for the rural people.
It had mats and gaddas arranged on the floor with beautiful red and black traditional motifs printed on them. After the
introduction with Ms Lakshmi Murthy, we started the day with reciting Sanskrit slokas and prayers, which made me a bit
nostalgic and I was reminded of my school days.

But soon I was bought back to the present and was pondering upon the role of communication designers in the society-
our social responsibilities. Hearing Touching Tasting Seeing and Smelling are the basic tools for communication. We
discussed about visual perception and visual literacy that basically means that people from one social context have
almost same opinions. The way they read an image. Then we also discussed about IEC: Information to inspire, Education
to empower and Communication to convince you to take an action – development.

I also got to know about the MANTRA’S of SOCIAL COMMUNICATION, they are:

Maidan - research and understanding the playing field.

Dhyaan + kaan – pay attention to your audience and keep ear to ground.

Pehchaan – identify strategy that will be best
Jaan - put passion into playing

                                          Abhiyaan – design the campaign

                                          I saw many posters and works on Dowry, Female infanticide, Sex trade, Anti
                                          human trafficking, against drug abuse and Violence.

                                         What I remember is that, It is important to know your audience before deciding
your text or using images/pictures as they could have different meaning and perception than what you actually want to
convey. “It’s not how nice the picture looks but how clearly it speaks”

Evening we went to Shilpgram in a mini tourist bus. Shilpgram is situated 3 kms west of Udaipur near the Havala village is
the Centre's Shilpgram - the Rural Arts and Crafts Complex. Spread over an undulating terrain of 130 bighas (70 Acres) of
land and surrounded by the Aravallies,

This Rural Arts and Crafts Complex is conceived as a living ethnographic museum to depict the lifestyles of the folk
and tribal people of the West Zone. Within this complex, huts of the member states are constructed incorporating
traditional architectural features of different geographical and ethnic groups within the West Zone of India. I saw huts of
Rajasthan, representing weaver's community from Marwar.

There are 2 huts named after the two sand bound villages of Rama and Sam from the desert region of western Rajasthan.
From the hilly region of Mewar, is a potter's hut from the village Dhol, 70 kms west of Udaipur. Two huts represent the
tribal farmer communities of the Bhil and the Sehariyas of the Southern regions of Rajasthan.

There was also an ornately carved wooden house from Pethapur near Gandhinagar and many other huts from the state of
Gujrat.

Besides that there were pottery stalls, textiles, miniature paintings and swings. There were some cultural
performances in the evening too, where we all sang, danced to the garba beats and also enjoyed the cultural songs
and dance performed by the traditional singers and dancers with ‘manjira’ twisting and turning in sync with
the beats and tunes of folk songs along with hot Pakoras and tea from a small canteen down the road in the shilpgram.
Soon we were back in ashram and by around 8:30 pm, ate ‘roti and sabji’ washed our plates and settled down. I was quite
tired and was the first one to go off to sleep in my room that day!

22 January 2008
We went to Sadhna Centre and saw a presentation on what it is about and its history. Earlier Sadhna used to be a part
of Seva mandir but after it’s success it decided to branch out and started operating as a separate unit.

Its main motive is to empower the rural Indian Women by training them and providing them with work. Most of the work
they used to get earlier was outsourced e.g. FabIndia, freelancers..Etc but now they have opened there own brand and
shop. It has 618 shareholders who are also members/workers of the organization and 70 urban women working under it.

Sadhna has come a long way since it’s inception and has also learned valuable management lessons and learned the
importance design expertise and design codes over the years. They also explained the whole cycle of how the raw
material is distributed among the group leaders and who are responsible for distributing the work and later collecting the
finished products from there group members and submitting the finished goods to the sadhna centre.

Then we saw a movie called ‘Mahu lage’ which means ‘acha lage’ /‘feels nice’. It was directed by an amateur
and compared the socio-economic conditions of three different villages by interviewing the people living there.

                                    Villages like papamaal and angoor ki bangal had some serious caste
                                    differentiation where Rajputs and Tribal refused to consider everybody as equal
                                    creating lot of disharmony. I learned about ‘muster rolls’ where a person (contractor) is
                                    responsible for a certain number of people and takes money from organizations like
                                    govt., NGO’s for private projects to pay the people under him. In these villages what is
                                    happening is that the contractor takes money for more people than actually employed
                                    by him. He would write the name of all the tribals in the list but won’t give the tribals
                                    any work or money. Therefore what is happening is that the contractor is getting richer
                                    whereas the poor people/tribals are becoming poorer.
The movie also showed the contrasting life of another village where everybody was treated as equal members of the
village and how progressive was the development of the village and community people discussed every problem together
and worked together to overcome it. In the film they showed ‘Anicut’ being constructed by the villagers. An ‘anicut’ is a
small dam.

Another very important issue that arose was that of women empowerment. I was really touched by the video
when they showed an evening get-together in the village where both men and women got together and discussed that its
important for women to earn livelihood and stand on their own feet and they also deserve equal respect from males in the
society. It felt nice to see women in the Rural India stand up for there rights.

Then we went to Sadhna shop which was just next door and I bought some lovely earrings and anklet. The products
and prices were almost like Fab India. From there we went to the factory where women sewed, stitched and finished the
products with proper labels and packaging.

Later that day we also went to Sisvi village for a field trip. There we sat on the floor and chatted with a group of
workers from Sadhna, who were busy doing embroidery on a mat. They all worked and supported their families while their
children went to school. Some of them even took work to their houses to do it whenever they got time.

They had two group leaders and one of them had been to China. Her perception of the outer world was expectedly
                                   different from others! She was very impressed by the way women dressed and
                                   worked there. According to her women out there didn’t have to waste much money
                                   to buy bindi or kajal or jewellery and they mostly worked in shops and carry
                                     suitcases. (loved her observation!!!) She was the most outspoken one in her
                                     group and had a friendly disposition unlike others who would pull a pallu
                                     over there face when we tried to speak to them. She said that not all village
                                     women’s family would allow them to go abroad like that and I realized how much
                                     difference that China trip had made to her personality. She even convinced her
                                     friends to sing few traditional songs for us. Later we sat down and had spicy aloo
                                     poori for lunch. The aloo sabzi was red in almost colour. It was an unusual and
lovely experience!
That evening we went to ‘Apni Dhani’ for dinner, which was a truly traditional Rajasthani experience! It was culture treat
I bought lovely key chains, enjoyed camel rides, magic shows and rope walking show while enjoying hot ‘chhanch’ and
papads ..It was amazing. Then we went inside the hut and sat on floor mats and were served with the traditional dal- bati-
churma and yummy Desi ghee jalebi’s. The food was served with so much love and affection that everybody couldn’t help
smiling and laughing and some of us had to literally run outside to stop from being overfed!!!!!!!




23 January 2008
Today we got to learn about vermicompost and it’s uses and benefits over chemical fertilizers. I learned
some interesting facts like how earthworms produces 60 cocoons in one lifetime, lives for about 6-12 months and it can
produce 10 tones of manure in 2 months. Interestingly not many people are aware that the crops from chemical fertilizer
cost Rs160/kg in the market whereas crops from vermicompost manure cost only Rs 16/kg. The vermicompost unit is
2 ft wide 10 ft long and 1 and ½ ft deep. This measurement is scientifically researched and is most
beneficial for earthworms to produce manure. People can create ‘Nadap’ (which is a kind of mini- vermicompost
unit) in their houses by dumping all the biodegradable waste in a pit which will eventually turn into manure. This manure is
natural and far more healthy and nutritive for soil and crops both than chemical fertilizers.

Later that day we went to ‘Shuchi’, a Vermicomposting Unit, It was 5 minute walk from Aastha training centre.
Many of us even bought some manure packages.

After lunch we went to Handmade paper factory where we saw the whole process right from making (80%hosiery with
20% wastepaper)paper pulp mixing to spreading the pulp on mesh and pressing the sheets and finally sun drying them.
We even bought many sheets as there was so much variety and it was cheap too.
Later that day we were briefed about group presentations, the whole class was divided into groups and given a place like
Aastha training centre, sisvi village etc. I was in the Aastha training centre group and we sat down later night and
discussed the design opportunities at that place.

That night we went to this restaurant called ‘AMBRAI’ for dinner which was located on the outskirts of
city palace and in the open with proper laltern lamps and angeethi. It was an amazing experience.




24 January 2008
Today we saw Ms Lakshmi Murthy’s presentation- she showed a lot of her work.

Her main area of niche area is sexual and reproductive health communication for rural adolescents.


                                          Within this:

                                          Design, develop, produce and sell communication products

                                          Conduct workshops for rural audiences on sexual health

                                          Conduct training of trainers and health educators

                                          Why Communication Fails?:
One size fits all Fallacy of participation, Myth of the universal symbol

What makes communication effective?

Audience centered strategy ,Visual literacy, Translation and integration .

We discussed the issue of sexual health in rural areas. The barriers in imparting reproductive health info like ‘ Isn’t it too
graphic for a 14 yr old? Or when does it cross into pornography? Or should it be depicted through pictures at all?? And
such issues.

I learned about Rural pictograms-on social environment and local culture, tradition and health and the effective method of
conducting field surveys. She discussed the challenges she faced as a ceramic designer entering the field of social
communication and how she got scholarships and all to support her vision. It was inspiring and motivating to see her
pamphlets, flip books, brochures,sanitary napkins, take aways- we got a free booklet called “ safai ki jaankari’and story
books with pop outs that were designed to make itinteresting. This also conveyed the message so clearly. The traditional
Kaanwad of Southern Rajasthan. A wooden box with many sets of doors that open out, each surface on the box originally
had paintings of local legends. The Kaawadiya or storyteller moved from village to village with this box narrating stories
of local heros. The same product was used to Communicate for Sexuality issues.




                                                   We also saw a movie on Bondage labour and discussed the
                                                   issue of Women Empowerment with Mr. Kailash who had done
                                                   masters of social work. Later that afternoon the whole class got
divided into groups and was given documents on role of women in vedic ages and middle ages to enact
a play on it! 

Not only was this play an eye opener to the contrast in the position, privileges and power of women back in the Vedic
ages but also how the politicians and power-hungry Brahmins used their authority to rule and enslave women to their own
advantage and introduced practices like sati, purdah system, and other social systems which further degraded the
position of women making her powerless and dependent on the men in her life- father, husband, son.

I felt sad discussing this whole issue and to learn that the female infant mortality rate was actually more in urban places
like Delhi, Punjab, Haryana etc. was more than in rural places despite the education and awareness was a bit disturbing.
Later we presented these problems by enacting a play in groups.

And then we also saw Ms Alka’s presentation that evening, she is from the Art and crafts Institute, Jaipur in the evening.
She showcased a lot of products made from bamboo, Patwa craft, Korai grass in Tamil Nadu. They were very
innovative, beautiful and inspiring.

That evening we went to Hotel Jagat Palace, it had beautiful jharokhas and spectacular view of the City
Palace.
25 January 2008
Today we made a presentation on Aastha Training centre discussing the whole design process and decided to finally
work on the poster for Toilet training for rural people.
Then we went to a ‘pichwai’ painters house. Mr. Rajaram Sharma, where he showed us his work and
discussed the method of making paints by crushing rocks and mixing it with gum and using squirrels feathertail
to make a natural brush and tying it up with pigeon feather. I also tried my hand at it. It requires practice and dedication.
He told us that this kind of work takes months to make but he enjoys it and also teaches it to other students who work
under him. We chatted and had tea as he showed us his awesome paintings with such minute detail that he had placed
magnifying glases next to the paintings for us to observe his work!

From there we went to see the Famous City Palace, which was to say in one word- Grand! To me, it is beautiful,
elegant and royal. They had secret passages, paintings, sculptures and furnished bed rooms on display. Also the view
from the Jharokhas was magnificient!!

It was a memorable experience, not only did I got exposure to social life and culture in Rajasthan but also got to know my
friends better!I really enjoyed this trip. I would always remember Ramneek ma’am and Akhilesh Sir for giving
us the opportunity to enjoy this trip to the fullest

Weitere ähnliche Inhalte

Was ist angesagt?

CRAFT RESEARCH AND CRAFT BASED PROJECT
CRAFT RESEARCH AND CRAFT BASED PROJECTCRAFT RESEARCH AND CRAFT BASED PROJECT
CRAFT RESEARCH AND CRAFT BASED PROJECTJigyasa Arya
 
Madhubani painting
Madhubani painting Madhubani painting
Madhubani painting Rashmi kavya
 
The Motorcycle Diaries
The Motorcycle DiariesThe Motorcycle Diaries
The Motorcycle DiariesLeo Burnett
 
Concept of my kannada novel tarangini teeradalli
Concept of my kannada novel tarangini teeradalliConcept of my kannada novel tarangini teeradalli
Concept of my kannada novel tarangini teeradalliVaman Acharya
 
Patwa craft - India
Patwa craft - IndiaPatwa craft - India
Patwa craft - IndiaArushi Nayan
 
En-route: To the land of weaves and the weavers!
En-route: To the land of weaves and the weavers!En-route: To the land of weaves and the weavers!
En-route: To the land of weaves and the weavers!Priyanka Rao
 
Taal - Musical Instrument (Maharashtra)
 Taal - Musical Instrument (Maharashtra) Taal - Musical Instrument (Maharashtra)
Taal - Musical Instrument (Maharashtra)RahulB77
 
Shodh yatra report compressed copy
Shodh yatra report compressed copyShodh yatra report compressed copy
Shodh yatra report compressed copyMarianne Esders
 
Design Project 3, Photography Design, National Institute of Design
Design Project 3, Photography Design, National Institute of DesignDesign Project 3, Photography Design, National Institute of Design
Design Project 3, Photography Design, National Institute of DesignSneha Sarang
 
HPT NAAC Script- compatibility mode
HPT NAAC Script- compatibility modeHPT NAAC Script- compatibility mode
HPT NAAC Script- compatibility modeKranti Bhatewara
 
DFC2009 India : Education Drive
DFC2009 India : Education DriveDFC2009 India : Education Drive
DFC2009 India : Education DriveGauri Mirashi
 
Note son rural marketing
Note son rural marketingNote son rural marketing
Note son rural marketingBabasab Patil
 
Auke Smit_The Art of Longing and Belonging Kolam as a Reflection of Women's C...
Auke Smit_The Art of Longing and Belonging Kolam as a Reflection of Women's C...Auke Smit_The Art of Longing and Belonging Kolam as a Reflection of Women's C...
Auke Smit_The Art of Longing and Belonging Kolam as a Reflection of Women's C...Auke Smit
 
India through my lens
India through my lensIndia through my lens
India through my lensArun Bhat
 
Immortal inheritance
Immortal inheritanceImmortal inheritance
Immortal inheritanceyushika15296
 
DFC2009 India : Utilization of Modern Medical Facilities
DFC2009 India : Utilization of Modern Medical FacilitiesDFC2009 India : Utilization of Modern Medical Facilities
DFC2009 India : Utilization of Modern Medical FacilitiesGauri Mirashi
 

Was ist angesagt? (20)

CRAFT RESEARCH AND CRAFT BASED PROJECT
CRAFT RESEARCH AND CRAFT BASED PROJECTCRAFT RESEARCH AND CRAFT BASED PROJECT
CRAFT RESEARCH AND CRAFT BASED PROJECT
 
Madhubani painting
Madhubani painting Madhubani painting
Madhubani painting
 
The Motorcycle Diaries
The Motorcycle DiariesThe Motorcycle Diaries
The Motorcycle Diaries
 
Concept of my kannada novel tarangini teeradalli
Concept of my kannada novel tarangini teeradalliConcept of my kannada novel tarangini teeradalli
Concept of my kannada novel tarangini teeradalli
 
Patwa craft - India
Patwa craft - IndiaPatwa craft - India
Patwa craft - India
 
Pillar times 03_01_16
Pillar times 03_01_16Pillar times 03_01_16
Pillar times 03_01_16
 
En-route: To the land of weaves and the weavers!
En-route: To the land of weaves and the weavers!En-route: To the land of weaves and the weavers!
En-route: To the land of weaves and the weavers!
 
Vandemataram1
Vandemataram1Vandemataram1
Vandemataram1
 
Taal - Musical Instrument (Maharashtra)
 Taal - Musical Instrument (Maharashtra) Taal - Musical Instrument (Maharashtra)
Taal - Musical Instrument (Maharashtra)
 
Shodh yatra report compressed copy
Shodh yatra report compressed copyShodh yatra report compressed copy
Shodh yatra report compressed copy
 
Design Project 3, Photography Design, National Institute of Design
Design Project 3, Photography Design, National Institute of DesignDesign Project 3, Photography Design, National Institute of Design
Design Project 3, Photography Design, National Institute of Design
 
Origin
OriginOrigin
Origin
 
HPT NAAC Script- compatibility mode
HPT NAAC Script- compatibility modeHPT NAAC Script- compatibility mode
HPT NAAC Script- compatibility mode
 
DFC2009 India : Education Drive
DFC2009 India : Education DriveDFC2009 India : Education Drive
DFC2009 India : Education Drive
 
Note son rural marketing
Note son rural marketingNote son rural marketing
Note son rural marketing
 
Auke Smit_The Art of Longing and Belonging Kolam as a Reflection of Women's C...
Auke Smit_The Art of Longing and Belonging Kolam as a Reflection of Women's C...Auke Smit_The Art of Longing and Belonging Kolam as a Reflection of Women's C...
Auke Smit_The Art of Longing and Belonging Kolam as a Reflection of Women's C...
 
India through my lens
India through my lensIndia through my lens
India through my lens
 
Dimple bawri oct 11
Dimple bawri oct 11Dimple bawri oct 11
Dimple bawri oct 11
 
Immortal inheritance
Immortal inheritanceImmortal inheritance
Immortal inheritance
 
DFC2009 India : Utilization of Modern Medical Facilities
DFC2009 India : Utilization of Modern Medical FacilitiesDFC2009 India : Utilization of Modern Medical Facilities
DFC2009 India : Utilization of Modern Medical Facilities
 

Andere mochten auch

An insight on the city of Udaipur
An insight on the city of UdaipurAn insight on the city of Udaipur
An insight on the city of UdaipurTour My India
 
Udaipur city palace, udaipur [Rajasthan]India
Udaipur city palace, udaipur [Rajasthan]IndiaUdaipur city palace, udaipur [Rajasthan]India
Udaipur city palace, udaipur [Rajasthan]IndiaJayakrishnan kichu
 
Case study hastha shilpa heritage village
Case study hastha shilpa heritage villageCase study hastha shilpa heritage village
Case study hastha shilpa heritage villagemichellesahay
 
Dhokra power point presentation
Dhokra power point presentationDhokra power point presentation
Dhokra power point presentationCraftedindia
 
AR.Nimish patel(abhikram)
AR.Nimish patel(abhikram)AR.Nimish patel(abhikram)
AR.Nimish patel(abhikram)Bhaven Shah
 
From local forests to the global forest: Resilience and involution of local f...
From local forests to the global forest: Resilience and involution of local f...From local forests to the global forest: Resilience and involution of local f...
From local forests to the global forest: Resilience and involution of local f...CIFOR-ICRAF
 
UDAIPUR TOWN PLANNING
UDAIPUR TOWN PLANNINGUDAIPUR TOWN PLANNING
UDAIPUR TOWN PLANNINGDipesh Jain
 
A report to a visit to a craft( bell metal craft)
A report to a visit to a craft( bell metal craft)A report to a visit to a craft( bell metal craft)
A report to a visit to a craft( bell metal craft)Anjali Savla
 
Lucio costa town planning
Lucio costa town planningLucio costa town planning
Lucio costa town planningDipesh Jain
 
Udaipur: a study of city's growth, life and vibrancy
Udaipur: a study of city's growth, life and vibrancyUdaipur: a study of city's growth, life and vibrancy
Udaipur: a study of city's growth, life and vibrancyHILLFORT
 
The oberoi hotels
The oberoi hotelsThe oberoi hotels
The oberoi hotelsvibhabehl
 
Architecture and Planning of jaipur
Architecture and Planning of jaipurArchitecture and Planning of jaipur
Architecture and Planning of jaipursaumyakohli
 
Jawahar kala kendra Case study
Jawahar kala kendra Case studyJawahar kala kendra Case study
Jawahar kala kendra Case studymichellesahay
 
Anjali Singh design portfolio
Anjali Singh design portfolioAnjali Singh design portfolio
Anjali Singh design portfolioAnnji Singh
 

Andere mochten auch (17)

An insight on the city of Udaipur
An insight on the city of UdaipurAn insight on the city of Udaipur
An insight on the city of Udaipur
 
MY UDAIPUR CITY
MY UDAIPUR CITYMY UDAIPUR CITY
MY UDAIPUR CITY
 
Udaipur city palace, udaipur [Rajasthan]India
Udaipur city palace, udaipur [Rajasthan]IndiaUdaipur city palace, udaipur [Rajasthan]India
Udaipur city palace, udaipur [Rajasthan]India
 
Case study hastha shilpa heritage village
Case study hastha shilpa heritage villageCase study hastha shilpa heritage village
Case study hastha shilpa heritage village
 
Dhokra power point presentation
Dhokra power point presentationDhokra power point presentation
Dhokra power point presentation
 
Chhattisgarh
ChhattisgarhChhattisgarh
Chhattisgarh
 
AR.Nimish patel(abhikram)
AR.Nimish patel(abhikram)AR.Nimish patel(abhikram)
AR.Nimish patel(abhikram)
 
From local forests to the global forest: Resilience and involution of local f...
From local forests to the global forest: Resilience and involution of local f...From local forests to the global forest: Resilience and involution of local f...
From local forests to the global forest: Resilience and involution of local f...
 
UDAIPUR TOWN PLANNING
UDAIPUR TOWN PLANNINGUDAIPUR TOWN PLANNING
UDAIPUR TOWN PLANNING
 
A report to a visit to a craft( bell metal craft)
A report to a visit to a craft( bell metal craft)A report to a visit to a craft( bell metal craft)
A report to a visit to a craft( bell metal craft)
 
Lucio costa town planning
Lucio costa town planningLucio costa town planning
Lucio costa town planning
 
Udaipur
UdaipurUdaipur
Udaipur
 
Udaipur: a study of city's growth, life and vibrancy
Udaipur: a study of city's growth, life and vibrancyUdaipur: a study of city's growth, life and vibrancy
Udaipur: a study of city's growth, life and vibrancy
 
The oberoi hotels
The oberoi hotelsThe oberoi hotels
The oberoi hotels
 
Architecture and Planning of jaipur
Architecture and Planning of jaipurArchitecture and Planning of jaipur
Architecture and Planning of jaipur
 
Jawahar kala kendra Case study
Jawahar kala kendra Case studyJawahar kala kendra Case study
Jawahar kala kendra Case study
 
Anjali Singh design portfolio
Anjali Singh design portfolioAnjali Singh design portfolio
Anjali Singh design portfolio
 

Ähnlich wie Udaipur Diaries

Ethnography - Drovana, Kutchh
Ethnography - Drovana, KutchhEthnography - Drovana, Kutchh
Ethnography - Drovana, KutchhSamina-Rahman
 
Community service
Community serviceCommunity service
Community servicetykraichok
 
Bio data v.b.chandrasekaran- A voyage Exploring Values in Volunteerism
Bio data v.b.chandrasekaran- A voyage Exploring Values in Volunteerism Bio data v.b.chandrasekaran- A voyage Exploring Values in Volunteerism
Bio data v.b.chandrasekaran- A voyage Exploring Values in Volunteerism V.B.Chandrasekaran Balasubramaniam
 
Content Strategy Ideas for Zostel Brand
Content Strategy Ideas for Zostel Brand Content Strategy Ideas for Zostel Brand
Content Strategy Ideas for Zostel Brand Anil Poonia
 
Essay My Personal Achievements. Online assignment writing service.
Essay My Personal Achievements. Online assignment writing service.Essay My Personal Achievements. Online assignment writing service.
Essay My Personal Achievements. Online assignment writing service.Beth Payne
 
Observation | Stories | Insights Week 1
Observation | Stories | Insights Week 1Observation | Stories | Insights Week 1
Observation | Stories | Insights Week 1Aniruddh Naik
 
Chamundi 35 dt 6 mar2014
Chamundi 35 dt 6 mar2014Chamundi 35 dt 6 mar2014
Chamundi 35 dt 6 mar2014Arun Belawadi
 
Jagriti Yatra Experience Gaurav Ketkar
Jagriti Yatra Experience Gaurav KetkarJagriti Yatra Experience Gaurav Ketkar
Jagriti Yatra Experience Gaurav KetkarGaurav Ketkar
 
Asmanpur village casestudy
Asmanpur village casestudyAsmanpur village casestudy
Asmanpur village casestudyLobsang Jampa
 
Psychology Extended Essay Introduction
Psychology Extended Essay IntroductionPsychology Extended Essay Introduction
Psychology Extended Essay IntroductionMissy Davis
 
Smiling sun (1)
Smiling sun (1)Smiling sun (1)
Smiling sun (1)sanjaynehe
 
Desi-pun (2010 book) - freelance talents
Desi-pun (2010 book) - freelance talentsDesi-pun (2010 book) - freelance talents
Desi-pun (2010 book) - freelance talentsMohit Sharma
 
Desi Pun! (Mohit Sharma)
Desi Pun! (Mohit Sharma)Desi Pun! (Mohit Sharma)
Desi Pun! (Mohit Sharma)Mohit Sharma
 

Ähnlich wie Udaipur Diaries (20)

Ethnography - Drovana, Kutchh
Ethnography - Drovana, KutchhEthnography - Drovana, Kutchh
Ethnography - Drovana, Kutchh
 
Community service
Community serviceCommunity service
Community service
 
Bio data v.b.chandrasekaran- A voyage Exploring Values in Volunteerism
Bio data v.b.chandrasekaran- A voyage Exploring Values in Volunteerism Bio data v.b.chandrasekaran- A voyage Exploring Values in Volunteerism
Bio data v.b.chandrasekaran- A voyage Exploring Values in Volunteerism
 
Content Strategy Ideas for Zostel Brand
Content Strategy Ideas for Zostel Brand Content Strategy Ideas for Zostel Brand
Content Strategy Ideas for Zostel Brand
 
Bio data v.b.chandrasekaran
Bio data v.b.chandrasekaranBio data v.b.chandrasekaran
Bio data v.b.chandrasekaran
 
Sibm - Briraj Desai
Sibm - Briraj DesaiSibm - Briraj Desai
Sibm - Briraj Desai
 
1st month report from India: Dace, Martins
1st month report from India: Dace, Martins1st month report from India: Dace, Martins
1st month report from India: Dace, Martins
 
Essay My Personal Achievements. Online assignment writing service.
Essay My Personal Achievements. Online assignment writing service.Essay My Personal Achievements. Online assignment writing service.
Essay My Personal Achievements. Online assignment writing service.
 
Observation | Stories | Insights Week 1
Observation | Stories | Insights Week 1Observation | Stories | Insights Week 1
Observation | Stories | Insights Week 1
 
Chamundi 35 dt 6 mar2014
Chamundi 35 dt 6 mar2014Chamundi 35 dt 6 mar2014
Chamundi 35 dt 6 mar2014
 
ASCE at AUB - Sri Lanka Journal
ASCE at AUB - Sri Lanka JournalASCE at AUB - Sri Lanka Journal
ASCE at AUB - Sri Lanka Journal
 
Ind eng-417-ppt
Ind eng-417-pptInd eng-417-ppt
Ind eng-417-ppt
 
Jagriti Yatra Experience Gaurav Ketkar
Jagriti Yatra Experience Gaurav KetkarJagriti Yatra Experience Gaurav Ketkar
Jagriti Yatra Experience Gaurav Ketkar
 
My Heritage Essay
My Heritage EssayMy Heritage Essay
My Heritage Essay
 
Asmanpur village casestudy
Asmanpur village casestudyAsmanpur village casestudy
Asmanpur village casestudy
 
Psychology Extended Essay Introduction
Psychology Extended Essay IntroductionPsychology Extended Essay Introduction
Psychology Extended Essay Introduction
 
Smiling sun (1)
Smiling sun (1)Smiling sun (1)
Smiling sun (1)
 
HHF Success Stories
HHF Success StoriesHHF Success Stories
HHF Success Stories
 
Desi-pun (2010 book) - freelance talents
Desi-pun (2010 book) - freelance talentsDesi-pun (2010 book) - freelance talents
Desi-pun (2010 book) - freelance talents
 
Desi Pun! (Mohit Sharma)
Desi Pun! (Mohit Sharma)Desi Pun! (Mohit Sharma)
Desi Pun! (Mohit Sharma)
 

Mehr von Kannu Priya Rawat

Conversion Centered Design principles to design Website Carousal
Conversion Centered Design principles to design Website CarousalConversion Centered Design principles to design Website Carousal
Conversion Centered Design principles to design Website CarousalKannu Priya Rawat
 
Websites in Brand Development: Levi's® 501and Sunsilk GOG
Websites in Brand Development: Levi's® 501and Sunsilk GOGWebsites in Brand Development: Levi's® 501and Sunsilk GOG
Websites in Brand Development: Levi's® 501and Sunsilk GOGKannu Priya Rawat
 
Retail Environment Design for ucma studio
Retail Environment Design for ucma studioRetail Environment Design for ucma studio
Retail Environment Design for ucma studioKannu Priya Rawat
 
Photo Diary : A day on Delhi roads, 2008 - a visual story
Photo Diary : A day on Delhi roads, 2008 - a visual storyPhoto Diary : A day on Delhi roads, 2008 - a visual story
Photo Diary : A day on Delhi roads, 2008 - a visual storyKannu Priya Rawat
 
Stationery Design, Packaging design and Website design for O3 India
Stationery Design, Packaging design and Website design for O3 IndiaStationery Design, Packaging design and Website design for O3 India
Stationery Design, Packaging design and Website design for O3 IndiaKannu Priya Rawat
 
Developing Brand Identity - O3 India
Developing Brand Identity - O3 IndiaDeveloping Brand Identity - O3 India
Developing Brand Identity - O3 IndiaKannu Priya Rawat
 
Visual Merchandising Portfolio
Visual Merchandising PortfolioVisual Merchandising Portfolio
Visual Merchandising PortfolioKannu Priya Rawat
 

Mehr von Kannu Priya Rawat (20)

Conversion Centered Design principles to design Website Carousal
Conversion Centered Design principles to design Website CarousalConversion Centered Design principles to design Website Carousal
Conversion Centered Design principles to design Website Carousal
 
Design trends
Design trendsDesign trends
Design trends
 
Portfolio kannu priya
Portfolio kannu priyaPortfolio kannu priya
Portfolio kannu priya
 
Denim Wall Merchandising
Denim Wall Merchandising Denim Wall Merchandising
Denim Wall Merchandising
 
Autumn WInter Changeover
Autumn WInter ChangeoverAutumn WInter Changeover
Autumn WInter Changeover
 
Mannequin
MannequinMannequin
Mannequin
 
Websites in Brand Development: Levi's® 501and Sunsilk GOG
Websites in Brand Development: Levi's® 501and Sunsilk GOGWebsites in Brand Development: Levi's® 501and Sunsilk GOG
Websites in Brand Development: Levi's® 501and Sunsilk GOG
 
Launch of raasa
Launch of raasaLaunch of raasa
Launch of raasa
 
Retail Environment Design for ucma studio
Retail Environment Design for ucma studioRetail Environment Design for ucma studio
Retail Environment Design for ucma studio
 
Experience Design - Factors
Experience Design - FactorsExperience Design - Factors
Experience Design - Factors
 
Photo Diary : A day on Delhi roads, 2008 - a visual story
Photo Diary : A day on Delhi roads, 2008 - a visual storyPhoto Diary : A day on Delhi roads, 2008 - a visual story
Photo Diary : A day on Delhi roads, 2008 - a visual story
 
Stationery Design, Packaging design and Website design for O3 India
Stationery Design, Packaging design and Website design for O3 IndiaStationery Design, Packaging design and Website design for O3 India
Stationery Design, Packaging design and Website design for O3 India
 
Developing Brand Identity - O3 India
Developing Brand Identity - O3 IndiaDeveloping Brand Identity - O3 India
Developing Brand Identity - O3 India
 
Fashionista Hats
Fashionista HatsFashionista Hats
Fashionista Hats
 
Ittars And Perfumes
Ittars And Perfumes  Ittars And Perfumes
Ittars And Perfumes
 
Visual Merchandising Portfolio
Visual Merchandising PortfolioVisual Merchandising Portfolio
Visual Merchandising Portfolio
 
Mumbai Presentation
Mumbai PresentationMumbai Presentation
Mumbai Presentation
 
Abstraction
AbstractionAbstraction
Abstraction
 
Louis Vuitton
Louis VuittonLouis Vuitton
Louis Vuitton
 
The Body Shop
The Body ShopThe Body Shop
The Body Shop
 

Udaipur Diaries

  • 1. UDAIPUR DAIRIES 2008 Train Journey-Mewar Express This was the first time I actually went to Nizammudin Station to board the train to this wonderful and picturesque place called Rajasthan, which until now, I had only seen on the back of postcards, calendars and Travel magazines. I was really looking forward to this trip. It was sleeper class- Coach No.S6. We started from Delhi at around 7:00 pm, 20 Jan 2008. Most of the time was spent playing Uno cards and telling scary and ghost stories. My seat was just next to the coach’s exit door, so every time the train stopped at any station, the passengers would come in or leave through that door, letting the chilly winds sweep through my already cold feet. Towards the morning whenever the train stopped at any station there would be chai wallahs screaming “chai.. chai…chai” .. in perfect rhythm- like beats in a music, following the same pattern every time. It was quite amusing. When I heard it for the first time, my eyes fluttered open and I was a bit shocked but pretty soon I was smiling and couldn’t help giggling. This thing surely woke me up and I felt it was actually more effective than my alarm clock. This was the start of my new refreshing journey…
  • 2. 21 January 2008 On reaching the station, again I couldn’t help but compare the cleanliness and management at that small station with that of Delhi stations. Everything was pretty neat. Aastha training centre was about half an hour ride from the station, which we traveled through a mini bus. There were seven-eight people staying in one room like a dormitory. There was a common bathroom where their were 3 washrooms and 2 toilets, which had a kind of rotating flush near the tap…definitely something I had never seen before! After getting ready we went downstairs for breakfast where we were served ‘poha’ and hot tea. Afterwards we washed our dishes at the room next door and went for the presentation/ class. The classroom was actually a multipurpose room where they also conducted workshops and training for the rural people. It had mats and gaddas arranged on the floor with beautiful red and black traditional motifs printed on them. After the introduction with Ms Lakshmi Murthy, we started the day with reciting Sanskrit slokas and prayers, which made me a bit nostalgic and I was reminded of my school days. But soon I was bought back to the present and was pondering upon the role of communication designers in the society- our social responsibilities. Hearing Touching Tasting Seeing and Smelling are the basic tools for communication. We discussed about visual perception and visual literacy that basically means that people from one social context have almost same opinions. The way they read an image. Then we also discussed about IEC: Information to inspire, Education to empower and Communication to convince you to take an action – development. I also got to know about the MANTRA’S of SOCIAL COMMUNICATION, they are: Maidan - research and understanding the playing field. Dhyaan + kaan – pay attention to your audience and keep ear to ground. Pehchaan – identify strategy that will be best
  • 3. Jaan - put passion into playing Abhiyaan – design the campaign I saw many posters and works on Dowry, Female infanticide, Sex trade, Anti human trafficking, against drug abuse and Violence. What I remember is that, It is important to know your audience before deciding your text or using images/pictures as they could have different meaning and perception than what you actually want to convey. “It’s not how nice the picture looks but how clearly it speaks” Evening we went to Shilpgram in a mini tourist bus. Shilpgram is situated 3 kms west of Udaipur near the Havala village is the Centre's Shilpgram - the Rural Arts and Crafts Complex. Spread over an undulating terrain of 130 bighas (70 Acres) of land and surrounded by the Aravallies, This Rural Arts and Crafts Complex is conceived as a living ethnographic museum to depict the lifestyles of the folk and tribal people of the West Zone. Within this complex, huts of the member states are constructed incorporating traditional architectural features of different geographical and ethnic groups within the West Zone of India. I saw huts of Rajasthan, representing weaver's community from Marwar. There are 2 huts named after the two sand bound villages of Rama and Sam from the desert region of western Rajasthan. From the hilly region of Mewar, is a potter's hut from the village Dhol, 70 kms west of Udaipur. Two huts represent the tribal farmer communities of the Bhil and the Sehariyas of the Southern regions of Rajasthan. There was also an ornately carved wooden house from Pethapur near Gandhinagar and many other huts from the state of Gujrat. Besides that there were pottery stalls, textiles, miniature paintings and swings. There were some cultural performances in the evening too, where we all sang, danced to the garba beats and also enjoyed the cultural songs and dance performed by the traditional singers and dancers with ‘manjira’ twisting and turning in sync with the beats and tunes of folk songs along with hot Pakoras and tea from a small canteen down the road in the shilpgram.
  • 4. Soon we were back in ashram and by around 8:30 pm, ate ‘roti and sabji’ washed our plates and settled down. I was quite tired and was the first one to go off to sleep in my room that day! 22 January 2008 We went to Sadhna Centre and saw a presentation on what it is about and its history. Earlier Sadhna used to be a part of Seva mandir but after it’s success it decided to branch out and started operating as a separate unit. Its main motive is to empower the rural Indian Women by training them and providing them with work. Most of the work they used to get earlier was outsourced e.g. FabIndia, freelancers..Etc but now they have opened there own brand and shop. It has 618 shareholders who are also members/workers of the organization and 70 urban women working under it. Sadhna has come a long way since it’s inception and has also learned valuable management lessons and learned the importance design expertise and design codes over the years. They also explained the whole cycle of how the raw material is distributed among the group leaders and who are responsible for distributing the work and later collecting the finished products from there group members and submitting the finished goods to the sadhna centre. Then we saw a movie called ‘Mahu lage’ which means ‘acha lage’ /‘feels nice’. It was directed by an amateur and compared the socio-economic conditions of three different villages by interviewing the people living there. Villages like papamaal and angoor ki bangal had some serious caste differentiation where Rajputs and Tribal refused to consider everybody as equal creating lot of disharmony. I learned about ‘muster rolls’ where a person (contractor) is responsible for a certain number of people and takes money from organizations like govt., NGO’s for private projects to pay the people under him. In these villages what is happening is that the contractor takes money for more people than actually employed by him. He would write the name of all the tribals in the list but won’t give the tribals any work or money. Therefore what is happening is that the contractor is getting richer whereas the poor people/tribals are becoming poorer.
  • 5. The movie also showed the contrasting life of another village where everybody was treated as equal members of the village and how progressive was the development of the village and community people discussed every problem together and worked together to overcome it. In the film they showed ‘Anicut’ being constructed by the villagers. An ‘anicut’ is a small dam. Another very important issue that arose was that of women empowerment. I was really touched by the video when they showed an evening get-together in the village where both men and women got together and discussed that its important for women to earn livelihood and stand on their own feet and they also deserve equal respect from males in the society. It felt nice to see women in the Rural India stand up for there rights. Then we went to Sadhna shop which was just next door and I bought some lovely earrings and anklet. The products and prices were almost like Fab India. From there we went to the factory where women sewed, stitched and finished the products with proper labels and packaging. Later that day we also went to Sisvi village for a field trip. There we sat on the floor and chatted with a group of workers from Sadhna, who were busy doing embroidery on a mat. They all worked and supported their families while their children went to school. Some of them even took work to their houses to do it whenever they got time. They had two group leaders and one of them had been to China. Her perception of the outer world was expectedly different from others! She was very impressed by the way women dressed and worked there. According to her women out there didn’t have to waste much money to buy bindi or kajal or jewellery and they mostly worked in shops and carry suitcases. (loved her observation!!!) She was the most outspoken one in her group and had a friendly disposition unlike others who would pull a pallu over there face when we tried to speak to them. She said that not all village women’s family would allow them to go abroad like that and I realized how much difference that China trip had made to her personality. She even convinced her friends to sing few traditional songs for us. Later we sat down and had spicy aloo poori for lunch. The aloo sabzi was red in almost colour. It was an unusual and lovely experience!
  • 6. That evening we went to ‘Apni Dhani’ for dinner, which was a truly traditional Rajasthani experience! It was culture treat I bought lovely key chains, enjoyed camel rides, magic shows and rope walking show while enjoying hot ‘chhanch’ and papads ..It was amazing. Then we went inside the hut and sat on floor mats and were served with the traditional dal- bati- churma and yummy Desi ghee jalebi’s. The food was served with so much love and affection that everybody couldn’t help smiling and laughing and some of us had to literally run outside to stop from being overfed!!!!!!! 23 January 2008 Today we got to learn about vermicompost and it’s uses and benefits over chemical fertilizers. I learned some interesting facts like how earthworms produces 60 cocoons in one lifetime, lives for about 6-12 months and it can produce 10 tones of manure in 2 months. Interestingly not many people are aware that the crops from chemical fertilizer cost Rs160/kg in the market whereas crops from vermicompost manure cost only Rs 16/kg. The vermicompost unit is 2 ft wide 10 ft long and 1 and ½ ft deep. This measurement is scientifically researched and is most beneficial for earthworms to produce manure. People can create ‘Nadap’ (which is a kind of mini- vermicompost unit) in their houses by dumping all the biodegradable waste in a pit which will eventually turn into manure. This manure is natural and far more healthy and nutritive for soil and crops both than chemical fertilizers. Later that day we went to ‘Shuchi’, a Vermicomposting Unit, It was 5 minute walk from Aastha training centre. Many of us even bought some manure packages. After lunch we went to Handmade paper factory where we saw the whole process right from making (80%hosiery with 20% wastepaper)paper pulp mixing to spreading the pulp on mesh and pressing the sheets and finally sun drying them. We even bought many sheets as there was so much variety and it was cheap too.
  • 7. Later that day we were briefed about group presentations, the whole class was divided into groups and given a place like Aastha training centre, sisvi village etc. I was in the Aastha training centre group and we sat down later night and discussed the design opportunities at that place. That night we went to this restaurant called ‘AMBRAI’ for dinner which was located on the outskirts of city palace and in the open with proper laltern lamps and angeethi. It was an amazing experience. 24 January 2008 Today we saw Ms Lakshmi Murthy’s presentation- she showed a lot of her work. Her main area of niche area is sexual and reproductive health communication for rural adolescents. Within this: Design, develop, produce and sell communication products Conduct workshops for rural audiences on sexual health Conduct training of trainers and health educators Why Communication Fails?:
  • 8. One size fits all Fallacy of participation, Myth of the universal symbol What makes communication effective? Audience centered strategy ,Visual literacy, Translation and integration . We discussed the issue of sexual health in rural areas. The barriers in imparting reproductive health info like ‘ Isn’t it too graphic for a 14 yr old? Or when does it cross into pornography? Or should it be depicted through pictures at all?? And such issues. I learned about Rural pictograms-on social environment and local culture, tradition and health and the effective method of conducting field surveys. She discussed the challenges she faced as a ceramic designer entering the field of social communication and how she got scholarships and all to support her vision. It was inspiring and motivating to see her pamphlets, flip books, brochures,sanitary napkins, take aways- we got a free booklet called “ safai ki jaankari’and story books with pop outs that were designed to make itinteresting. This also conveyed the message so clearly. The traditional Kaanwad of Southern Rajasthan. A wooden box with many sets of doors that open out, each surface on the box originally had paintings of local legends. The Kaawadiya or storyteller moved from village to village with this box narrating stories of local heros. The same product was used to Communicate for Sexuality issues. We also saw a movie on Bondage labour and discussed the issue of Women Empowerment with Mr. Kailash who had done masters of social work. Later that afternoon the whole class got
  • 9. divided into groups and was given documents on role of women in vedic ages and middle ages to enact a play on it!  Not only was this play an eye opener to the contrast in the position, privileges and power of women back in the Vedic ages but also how the politicians and power-hungry Brahmins used their authority to rule and enslave women to their own advantage and introduced practices like sati, purdah system, and other social systems which further degraded the position of women making her powerless and dependent on the men in her life- father, husband, son. I felt sad discussing this whole issue and to learn that the female infant mortality rate was actually more in urban places like Delhi, Punjab, Haryana etc. was more than in rural places despite the education and awareness was a bit disturbing. Later we presented these problems by enacting a play in groups. And then we also saw Ms Alka’s presentation that evening, she is from the Art and crafts Institute, Jaipur in the evening. She showcased a lot of products made from bamboo, Patwa craft, Korai grass in Tamil Nadu. They were very innovative, beautiful and inspiring. That evening we went to Hotel Jagat Palace, it had beautiful jharokhas and spectacular view of the City Palace.
  • 10. 25 January 2008 Today we made a presentation on Aastha Training centre discussing the whole design process and decided to finally work on the poster for Toilet training for rural people.
  • 11. Then we went to a ‘pichwai’ painters house. Mr. Rajaram Sharma, where he showed us his work and discussed the method of making paints by crushing rocks and mixing it with gum and using squirrels feathertail to make a natural brush and tying it up with pigeon feather. I also tried my hand at it. It requires practice and dedication. He told us that this kind of work takes months to make but he enjoys it and also teaches it to other students who work under him. We chatted and had tea as he showed us his awesome paintings with such minute detail that he had placed magnifying glases next to the paintings for us to observe his work! From there we went to see the Famous City Palace, which was to say in one word- Grand! To me, it is beautiful, elegant and royal. They had secret passages, paintings, sculptures and furnished bed rooms on display. Also the view from the Jharokhas was magnificient!! It was a memorable experience, not only did I got exposure to social life and culture in Rajasthan but also got to know my friends better!I really enjoyed this trip. I would always remember Ramneek ma’am and Akhilesh Sir for giving us the opportunity to enjoy this trip to the fullest