SlideShare ist ein Scribd-Unternehmen logo
1 von 13
A2 Media
MS4 - Text
Exam Approaches
 There are no right or wrong answers (apart from factual details)
and there is likely to be a variety of responses to the questions ‒ this is
wholly acceptable and each response will be considered individually.
Candidates are expected to refer to three texts within each answer but
it is not expected that the texts will be referred to equally.
 If you do not refer to three texts in your answer marks will be
deducted no matter how good the response may be.
 There is no definitive list for each question and examiners will be
open-minded and engage with what the candidates have written.
Relevant answers will be rewarded on merit and each response will be
considered individually as long as clear and detailed engagement is
made with the questions.
General Guidelines
Genre
RepresentationNarrative
Conventions
Themes/Roles/Theory Characters/CRASH
3 X
Scene
Analysis for
each Text
= 20
marks
AO1 –
Demonstrate
knowledge &
understanding of
media concepts,
contexts and
critical debates
Meanings?
Responses?
Audience
Social/Cultural/Political
= 10
marks
AO2 –
Apply knowledge &
understanding of
how meanings and
responses are
created
Total
= 30 marks
‘A’ Grade
Exam Response
AO1 – Demonstrate
knowledge &
understanding of
media
concepts, contexts
and critical debates
AO2 – Apply
knowledge &
understanding of
how meanings and
responses are
created
Question Focus
Key Concept
(Interchangeable)
C
O
N
T
E
N
T
A2. How typical are your three main texts of their genre?
[30]
This question does invite candidates to contextualise their
chosen texts within a genre and to discuss elements of
typicality. Depending on the texts selected candidates may
argue that the tests are either typical or untypical. Look for
coherence of argument. Points about genre may include
references to:
Key signifiers and iconography
Storylines and plots
Characters and their functions
Stars/celebrities
Use of camera, sound, editing
Use of dialogue, language, music.
Narrative
RepresentationGenre
Conventions
Themes/Roles/Theory
Propp/Todorov
Characters/CRASH
3 X
Scene
Analysis for
each Text
= 20
marks
AO1 –
Demonstrate
knowledge &
understanding of
media
concepts, conte
xts and critical
debates
Meanings?
Responses?
Audience
Social/Cultural/Political
= 10
marks
AO2 –
Apply knowledge &
understanding of
how meanings and
responses are
created
A2. How important are characters to the narrative of your
three main texts? (30)
Candidates may argue that they are, or are not, important
depending on the texts selected. Please mark on merit
and look for coherence of argument – and for points being
backed-up. Lower grade candidates may just describe
characters; higher grade candidates should be engaging
with the how important part of the question. Please take
character to mean performer within the narrative.
Points made might include reference to:
‱ Character description (mark on merit)
‱ Role or function of the character within the narrative
‱ Reference to theory (e.g. Propp, Todorov etc) – please
ensure used relevantly.
Representation
GenreNarrative
ConventionsThemes/Roles/Theory
Characters/CRASH/Mulvey
3 X
Scene
Analysis for
each Text
= 20
marks
AO1 –
Demonstrate
knowledge &
understanding of
media
concepts, conte
xts and critical
debates
Meanings?
Responses?
Audience
Social/Cultural/Political
= 10
marks
AO2 –
Apply knowledge &
understanding of
how meanings and
responses are
created
A1. Explore the different ways in which people are
represented in your three main texts. [30]
This is quite an open question so please be prepared to
mark seen responses on merit. In the texts ‘people’ may be
fictionalised characters, but it is important – in order to
access higher level ‒ that candidates are discussing the
ways in which they are represented within the text and not
simply describing roles.
Points covered may include reference to:
Characters, roles and attitudes
Appearance – dress codes, body language, mode of
address
Stereotypes, traditional or unconventional representations
Theory as appropriate – for example Mulvey, etc.
M
A
R
K
S
C
H
E
M
E
B
A

Weitere Àhnliche Inhalte

Was ist angesagt?

English revision 2015
English revision 2015English revision 2015
English revision 2015
Emma Sinclair
 
UPSR ENGLISH EXAMINATION FORMAT
UPSR ENGLISH EXAMINATION FORMATUPSR ENGLISH EXAMINATION FORMAT
UPSR ENGLISH EXAMINATION FORMAT
Soo Teng
 
Mark scheme for tv drama
Mark scheme for tv dramaMark scheme for tv drama
Mark scheme for tv drama
Naamah Hill
 
129104332 bull-s-eyes-2-english-paper-1-sk-sjkc
129104332 bull-s-eyes-2-english-paper-1-sk-sjkc129104332 bull-s-eyes-2-english-paper-1-sk-sjkc
129104332 bull-s-eyes-2-english-paper-1-sk-sjkc
share with me
 
Heroes exam format
Heroes exam formatHeroes exam format
Heroes exam format
hammonda
 
Representationofclassandstatus 121219110918-phpapp01
Representationofclassandstatus 121219110918-phpapp01Representationofclassandstatus 121219110918-phpapp01
Representationofclassandstatus 121219110918-phpapp01
Emma Leslie
 
Unit 3 project rubric
Unit 3 project rubricUnit 3 project rubric
Unit 3 project rubric
Gonzo24
 
Transportation
TransportationTransportation
Transportation
maggie1984
 
G322 – recap january 2017
G322 – recap january 2017G322 – recap january 2017
G322 – recap january 2017
TWBSMedia
 
Fm4 section a check list
Fm4 section a check listFm4 section a check list
Fm4 section a check list
jwright61
 
Reminders sec3 mye_paper1
Reminders sec3 mye_paper1Reminders sec3 mye_paper1
Reminders sec3 mye_paper1
Yip Feng
 

Was ist angesagt? (20)

English revision 2015
English revision 2015English revision 2015
English revision 2015
 
UPSR ENGLISH EXAMINATION FORMAT
UPSR ENGLISH EXAMINATION FORMATUPSR ENGLISH EXAMINATION FORMAT
UPSR ENGLISH EXAMINATION FORMAT
 
Mark scheme for tv drama
Mark scheme for tv dramaMark scheme for tv drama
Mark scheme for tv drama
 
Representation of Age
Representation of AgeRepresentation of Age
Representation of Age
 
Lesson 10 - Female representation in Action Adventure films
Lesson 10 - Female representation in Action Adventure filmsLesson 10 - Female representation in Action Adventure films
Lesson 10 - Female representation in Action Adventure films
 
129104332 bull-s-eyes-2-english-paper-1-sk-sjkc
129104332 bull-s-eyes-2-english-paper-1-sk-sjkc129104332 bull-s-eyes-2-english-paper-1-sk-sjkc
129104332 bull-s-eyes-2-english-paper-1-sk-sjkc
 
Lesson 11 - Action Adventure ethnicity and buddy movies
Lesson 11  - Action Adventure ethnicity and buddy moviesLesson 11  - Action Adventure ethnicity and buddy movies
Lesson 11 - Action Adventure ethnicity and buddy movies
 
Heroes exam format
Heroes exam formatHeroes exam format
Heroes exam format
 
Representationofclassandstatus 121219110918-phpapp01
Representationofclassandstatus 121219110918-phpapp01Representationofclassandstatus 121219110918-phpapp01
Representationofclassandstatus 121219110918-phpapp01
 
OCR AS Englsh Language Paper 2 2018: things to remember
OCR AS Englsh Language Paper 2 2018: things to rememberOCR AS Englsh Language Paper 2 2018: things to remember
OCR AS Englsh Language Paper 2 2018: things to remember
 
Lesson 9 - TV Comedy Q4b mark scheme
Lesson 9 - TV Comedy Q4b mark schemeLesson 9 - TV Comedy Q4b mark scheme
Lesson 9 - TV Comedy Q4b mark scheme
 
Sound in TV Drama
Sound in TV DramaSound in TV Drama
Sound in TV Drama
 
Breaking Bad: Genre, Narrative, Representation
Breaking Bad: Genre, Narrative, RepresentationBreaking Bad: Genre, Narrative, Representation
Breaking Bad: Genre, Narrative, Representation
 
Unit 3 project rubric
Unit 3 project rubricUnit 3 project rubric
Unit 3 project rubric
 
Notes and paragraphs
Notes and paragraphsNotes and paragraphs
Notes and paragraphs
 
Transportation
TransportationTransportation
Transportation
 
Astorga_ E_&_Jones_ K_Read act 1
Astorga_ E_&_Jones_ K_Read act 1Astorga_ E_&_Jones_ K_Read act 1
Astorga_ E_&_Jones_ K_Read act 1
 
G322 – recap january 2017
G322 – recap january 2017G322 – recap january 2017
G322 – recap january 2017
 
Fm4 section a check list
Fm4 section a check listFm4 section a check list
Fm4 section a check list
 
Reminders sec3 mye_paper1
Reminders sec3 mye_paper1Reminders sec3 mye_paper1
Reminders sec3 mye_paper1
 

Andere mochten auch

Lost audience response
Lost audience responseLost audience response
Lost audience response
christimothy12
 
Lost audience targeting
Lost audience targetingLost audience targeting
Lost audience targeting
christimothy12
 
Media quiz january
Media quiz januaryMedia quiz january
Media quiz january
christimothy12
 
Mm29 lost
Mm29 lostMm29 lost
Mm29 lost
jwright61
 
Lost audience targeting
Lost audience targetingLost audience targeting
Lost audience targeting
christimothy12
 
Mock exam response
Mock exam responseMock exam response
Mock exam response
christimothy12
 
Intro to representation
Intro to representationIntro to representation
Intro to representation
christimothy12
 
Representation in the Inbetweeners
Representation in the InbetweenersRepresentation in the Inbetweeners
Representation in the Inbetweeners
perkiniho
 
Lady Gaga - Born this way
Lady Gaga - Born this wayLady Gaga - Born this way
Lady Gaga - Born this way
christimothy12
 

Andere mochten auch (20)

MS3 Evaluation
MS3 EvaluationMS3 Evaluation
MS3 Evaluation
 
Tv link cards
Tv link cardsTv link cards
Tv link cards
 
WJEC - MS4 The Walking Dead - Industry and Audience
WJEC - MS4 The Walking Dead - Industry and AudienceWJEC - MS4 The Walking Dead - Industry and Audience
WJEC - MS4 The Walking Dead - Industry and Audience
 
Lost audience response
Lost audience responseLost audience response
Lost audience response
 
Lost audience targeting
Lost audience targetingLost audience targeting
Lost audience targeting
 
Media quiz january
Media quiz januaryMedia quiz january
Media quiz january
 
Mm29 lost
Mm29 lostMm29 lost
Mm29 lost
 
Lost audience targeting
Lost audience targetingLost audience targeting
Lost audience targeting
 
Mock exam response
Mock exam responseMock exam response
Mock exam response
 
Intro to representation
Intro to representationIntro to representation
Intro to representation
 
MS4 Exam Paper
MS4 Exam PaperMS4 Exam Paper
MS4 Exam Paper
 
Key concepts & theories for a2
Key concepts & theories for a2Key concepts & theories for a2
Key concepts & theories for a2
 
Representation in the Inbetweeners
Representation in the InbetweenersRepresentation in the Inbetweeners
Representation in the Inbetweeners
 
Lesson 11 - Mediation
Lesson 11 - MediationLesson 11 - Mediation
Lesson 11 - Mediation
 
Peaky blinders
Peaky blindersPeaky blinders
Peaky blinders
 
AS Media Lesson 4 - Feminism
AS Media Lesson 4 - FeminismAS Media Lesson 4 - Feminism
AS Media Lesson 4 - Feminism
 
Lesson 12 - Age
Lesson 12 - AgeLesson 12 - Age
Lesson 12 - Age
 
Lady Gaga - Born this way
Lady Gaga - Born this wayLady Gaga - Born this way
Lady Gaga - Born this way
 
Lesson 9 - Ethnicity
Lesson 9 - EthnicityLesson 9 - Ethnicity
Lesson 9 - Ethnicity
 
The Night Manager Case Study
The Night Manager Case StudyThe Night Manager Case Study
The Night Manager Case Study
 

Ähnlich wie A2 media exam approaches

MS1 - AS media feedback May 2014
MS1 - AS media feedback May 2014MS1 - AS media feedback May 2014
MS1 - AS media feedback May 2014
Amanda Simmons
 
Ű­Ù„ Ű§ŰłŰ§ÙŠÙ…Ù†ŰȘ aa100b 00966597837185 Ű­Ù„ÙˆÙ„ Ű§ŰłŰ§ÙŠÙ…Ù†ŰȘۧŰȘ aa100b Ù…Ù‡Ù†ŰŻŰł Ű§Ű­Ù…ŰŻ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„Űč...
Ű­Ù„ Ű§ŰłŰ§ÙŠÙ…Ù†ŰȘ aa100b 00966597837185 Ű­Ù„ÙˆÙ„ Ű§ŰłŰ§ÙŠÙ…Ù†ŰȘۧŰȘ aa100b Ù…Ù‡Ù†ŰŻŰł Ű§Ű­Ù…ŰŻ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„Űč...Ű­Ù„ Ű§ŰłŰ§ÙŠÙ…Ù†ŰȘ aa100b 00966597837185 Ű­Ù„ÙˆÙ„ Ű§ŰłŰ§ÙŠÙ…Ù†ŰȘۧŰȘ aa100b Ù…Ù‡Ù†ŰŻŰł Ű§Ű­Ù…ŰŻ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„Űč...
Ű­Ù„ Ű§ŰłŰ§ÙŠÙ…Ù†ŰȘ aa100b 00966597837185 Ű­Ù„ÙˆÙ„ Ű§ŰłŰ§ÙŠÙ…Ù†ŰȘۧŰȘ aa100b Ù…Ù‡Ù†ŰŻŰł Ű§Ű­Ù…ŰŻ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„Űč...
Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ Űčمل ۭۧۚۧ۫
 
aa100b ~ Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b ** 00966597837185 ~Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ~ Ű­Ù„ÙˆÙ„,ÙˆŰ§ŰŹŰšŰ§ŰȘ,Ű§Ù„ŰŹŰ§Ù…ŰčŰ©,...
aa100b ~ Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b ** 00966597837185 ~Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ~ Ű­Ù„ÙˆÙ„,ÙˆŰ§ŰŹŰšŰ§ŰȘ,Ű§Ù„ŰŹŰ§Ù…ŰčŰ©,...aa100b ~ Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b ** 00966597837185 ~Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ~ Ű­Ù„ÙˆÙ„,ÙˆŰ§ŰŹŰšŰ§ŰȘ,Ű§Ù„ŰŹŰ§Ù…ŰčŰ©,...
aa100b ~ Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b ** 00966597837185 ~Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ~ Ű­Ù„ÙˆÙ„,ÙˆŰ§ŰŹŰšŰ§ŰȘ,Ű§Ù„ŰŹŰ§Ù…ŰčŰ©,...
Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ Űčمل ۭۧۚۧ۫
 
# Ű­Ù„ aa100b ÙˆŰ§ŰŹŰš aa100b 00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…ÙŰȘÙˆŰ­Ű©
# Ű­Ù„ aa100b ÙˆŰ§ŰŹŰš aa100b 00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…ÙŰȘÙˆŰ­Ű©# Ű­Ù„ aa100b ÙˆŰ§ŰŹŰš aa100b 00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…ÙŰȘÙˆŰ­Ű©
# Ű­Ù„ aa100b ÙˆŰ§ŰŹŰš aa100b 00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…ÙŰȘÙˆŰ­Ű©
Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ Űčمل ۭۧۚۧ۫
 
aa100b 00966597837185 TMA Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ @ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…...
aa100b 00966597837185 TMA Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ @ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…...aa100b 00966597837185 TMA Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ @ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…...
aa100b 00966597837185 TMA Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ @ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…...
Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ Űčمل ۭۧۚۧ۫
 
aa100b 00966597837185 TMA Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ @ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…...
aa100b 00966597837185 TMA Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ @ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…...aa100b 00966597837185 TMA Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ @ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…...
aa100b 00966597837185 TMA Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ @ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…...
Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ Űčمل ۭۧۚۧ۫
 
aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ:00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b , ÙˆŰ§ŰŹŰšŰ§ŰȘ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„...
aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ:00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b , ÙˆŰ§ŰŹŰšŰ§ŰȘ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„...aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ:00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b , ÙˆŰ§ŰŹŰšŰ§ŰȘ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„...
aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ:00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b , ÙˆŰ§ŰŹŰšŰ§ŰȘ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„...
Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ Űčمل ۭۧۚۧ۫
 
aa100b TMA Answers 00966597837185 ENG.Ahmed Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b
aa100b TMA Answers 00966597837185 ENG.Ahmed Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b aa100b TMA Answers 00966597837185 ENG.Ahmed Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b
aa100b TMA Answers 00966597837185 ENG.Ahmed Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b
Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ Űčمل ۭۧۚۧ۫
 
#Ű­Ù„ aa100b ÙˆŰ§ŰŹŰš aa100b 00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…ÙŰȘÙˆŰ­Ű©
#Ű­Ù„ aa100b ÙˆŰ§ŰŹŰš aa100b 00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…ÙŰȘÙˆŰ­Ű©#Ű­Ù„ aa100b ÙˆŰ§ŰŹŰš aa100b 00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…ÙŰȘÙˆŰ­Ű©
#Ű­Ù„ aa100b ÙˆŰ§ŰŹŰš aa100b 00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…ÙŰȘÙˆŰ­Ű©
Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ Űčمل ۭۧۚۧ۫
 
Aa100bŰ­Ù„ ÙˆŰ§ŰŹŰš aa100b - 00966597837185 - aa100b Ű­Ù„ÙˆÙ„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© aa1...
Aa100bŰ­Ù„ ÙˆŰ§ŰŹŰš aa100b - 00966597837185 - aa100b Ű­Ù„ÙˆÙ„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© aa1...Aa100bŰ­Ù„ ÙˆŰ§ŰŹŰš aa100b - 00966597837185 - aa100b Ű­Ù„ÙˆÙ„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© aa1...
Aa100bŰ­Ù„ ÙˆŰ§ŰŹŰš aa100b - 00966597837185 - aa100b Ű­Ù„ÙˆÙ„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© aa1...
Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ Űčمل ۭۧۚۧ۫
 
Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b ** 00966597837185 <Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ> Ű­Ù„ÙˆÙ„,ÙˆŰ§ŰŹŰšŰ§ŰȘ,Ű§Ù„ŰŹŰ§Ù…ŰčŰ©,Ű§Ù„ŰčŰ±ŰšÙŠŰ©,ۧ...
Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b ** 00966597837185 <Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ> Ű­Ù„ÙˆÙ„,ÙˆŰ§ŰŹŰšŰ§ŰȘ,Ű§Ù„ŰŹŰ§Ù…ŰčŰ©,Ű§Ù„ŰčŰ±ŰšÙŠŰ©,ۧ...Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b ** 00966597837185 <Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ> Ű­Ù„ÙˆÙ„,ÙˆŰ§ŰŹŰšŰ§ŰȘ,Ű§Ù„ŰŹŰ§Ù…ŰčŰ©,Ű§Ù„ŰčŰ±ŰšÙŠŰ©,ۧ...
Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b ** 00966597837185 <Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ> Ű­Ù„ÙˆÙ„,ÙˆŰ§ŰŹŰšŰ§ŰȘ,Ű§Ù„ŰŹŰ§Ù…ŰčŰ©,Ű§Ù„ŰčŰ±ŰšÙŠŰ©,ۧ...
Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ Űčمل ۭۧۚۧ۫
 
TITLE OF PAPER HERE1TITLE OF PAPER HERE3Full Title
TITLE OF PAPER HERE1TITLE OF PAPER HERE3Full Title TITLE OF PAPER HERE1TITLE OF PAPER HERE3Full Title
TITLE OF PAPER HERE1TITLE OF PAPER HERE3Full Title
TakishaPeck109
 
MS1 - AS media feedback May 2014
MS1 - AS media feedback May 2014MS1 - AS media feedback May 2014
MS1 - AS media feedback May 2014
Amanda Simmons
 
MS1 AS Media Studies Summer 2011 mark scheme
MS1 AS Media Studies Summer 2011 mark schemeMS1 AS Media Studies Summer 2011 mark scheme
MS1 AS Media Studies Summer 2011 mark scheme
Jaskirt Boora
 
Slides on english grade 10 to 12 requirements
Slides on english grade 10 to 12 requirementsSlides on english grade 10 to 12 requirements
Slides on english grade 10 to 12 requirements
Nosfundo
 
Scasi Specs Slims
Scasi Specs SlimsScasi Specs Slims
Scasi Specs Slims
Tony Rodgers
 
Unit 3 success criteria
Unit 3 success criteriaUnit 3 success criteria
Unit 3 success criteria
alexgreen196
 

Ähnlich wie A2 media exam approaches (20)

MS1 - AS media feedback May 2014
MS1 - AS media feedback May 2014MS1 - AS media feedback May 2014
MS1 - AS media feedback May 2014
 
Ű­Ù„ Ű§ŰłŰ§ÙŠÙ…Ù†ŰȘ aa100b 00966597837185 Ű­Ù„ÙˆÙ„ Ű§ŰłŰ§ÙŠÙ…Ù†ŰȘۧŰȘ aa100b Ù…Ù‡Ù†ŰŻŰł Ű§Ű­Ù…ŰŻ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„Űč...
Ű­Ù„ Ű§ŰłŰ§ÙŠÙ…Ù†ŰȘ aa100b 00966597837185 Ű­Ù„ÙˆÙ„ Ű§ŰłŰ§ÙŠÙ…Ù†ŰȘۧŰȘ aa100b Ù…Ù‡Ù†ŰŻŰł Ű§Ű­Ù…ŰŻ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„Űč...Ű­Ù„ Ű§ŰłŰ§ÙŠÙ…Ù†ŰȘ aa100b 00966597837185 Ű­Ù„ÙˆÙ„ Ű§ŰłŰ§ÙŠÙ…Ù†ŰȘۧŰȘ aa100b Ù…Ù‡Ù†ŰŻŰł Ű§Ű­Ù…ŰŻ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„Űč...
Ű­Ù„ Ű§ŰłŰ§ÙŠÙ…Ù†ŰȘ aa100b 00966597837185 Ű­Ù„ÙˆÙ„ Ű§ŰłŰ§ÙŠÙ…Ù†ŰȘۧŰȘ aa100b Ù…Ù‡Ù†ŰŻŰł Ű§Ű­Ù…ŰŻ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„Űč...
 
aa100b ~ Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b ** 00966597837185 ~Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ~ Ű­Ù„ÙˆÙ„,ÙˆŰ§ŰŹŰšŰ§ŰȘ,Ű§Ù„ŰŹŰ§Ù…ŰčŰ©,...
aa100b ~ Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b ** 00966597837185 ~Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ~ Ű­Ù„ÙˆÙ„,ÙˆŰ§ŰŹŰšŰ§ŰȘ,Ű§Ù„ŰŹŰ§Ù…ŰčŰ©,...aa100b ~ Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b ** 00966597837185 ~Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ~ Ű­Ù„ÙˆÙ„,ÙˆŰ§ŰŹŰšŰ§ŰȘ,Ű§Ù„ŰŹŰ§Ù…ŰčŰ©,...
aa100b ~ Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b ** 00966597837185 ~Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ~ Ű­Ù„ÙˆÙ„,ÙˆŰ§ŰŹŰšŰ§ŰȘ,Ű§Ù„ŰŹŰ§Ù…ŰčŰ©,...
 
# Ű­Ù„ aa100b ÙˆŰ§ŰŹŰš aa100b 00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…ÙŰȘÙˆŰ­Ű©
# Ű­Ù„ aa100b ÙˆŰ§ŰŹŰš aa100b 00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…ÙŰȘÙˆŰ­Ű©# Ű­Ù„ aa100b ÙˆŰ§ŰŹŰš aa100b 00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…ÙŰȘÙˆŰ­Ű©
# Ű­Ù„ aa100b ÙˆŰ§ŰŹŰš aa100b 00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…ÙŰȘÙˆŰ­Ű©
 
aa100b 00966597837185 TMA Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ @ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…...
aa100b 00966597837185 TMA Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ @ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…...aa100b 00966597837185 TMA Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ @ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…...
aa100b 00966597837185 TMA Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ @ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…...
 
aa100b 00966597837185 TMA Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ @ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…...
aa100b 00966597837185 TMA Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ @ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…...aa100b 00966597837185 TMA Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ @ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…...
aa100b 00966597837185 TMA Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ @ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…...
 
aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ:00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b , ÙˆŰ§ŰŹŰšŰ§ŰȘ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„...
aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ:00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b , ÙˆŰ§ŰŹŰšŰ§ŰȘ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„...aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ:00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b , ÙˆŰ§ŰŹŰšŰ§ŰȘ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„...
aa100b Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ:00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b , ÙˆŰ§ŰŹŰšŰ§ŰȘ Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„...
 
aa100b TMA Answers 00966597837185 ENG.Ahmed Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b
aa100b TMA Answers 00966597837185 ENG.Ahmed Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b aa100b TMA Answers 00966597837185 ENG.Ahmed Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b
aa100b TMA Answers 00966597837185 ENG.Ahmed Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b
 
#Ű­Ù„ aa100b ÙˆŰ§ŰŹŰš aa100b 00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…ÙŰȘÙˆŰ­Ű©
#Ű­Ù„ aa100b ÙˆŰ§ŰŹŰš aa100b 00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…ÙŰȘÙˆŰ­Ű©#Ű­Ù„ aa100b ÙˆŰ§ŰŹŰš aa100b 00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…ÙŰȘÙˆŰ­Ű©
#Ű­Ù„ aa100b ÙˆŰ§ŰŹŰš aa100b 00966597837185 Ű­Ù„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© Ű§Ù„ŰčŰ±ŰšÙŠŰ© Ű§Ù„Ù…ÙŰȘÙˆŰ­Ű©
 
Aa100bŰ­Ù„ ÙˆŰ§ŰŹŰš aa100b - 00966597837185 - aa100b Ű­Ù„ÙˆÙ„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© aa1...
Aa100bŰ­Ù„ ÙˆŰ§ŰŹŰš aa100b - 00966597837185 - aa100b Ű­Ù„ÙˆÙ„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© aa1...Aa100bŰ­Ù„ ÙˆŰ§ŰŹŰš aa100b - 00966597837185 - aa100b Ű­Ù„ÙˆÙ„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© aa1...
Aa100bŰ­Ù„ ÙˆŰ§ŰŹŰš aa100b - 00966597837185 - aa100b Ű­Ù„ÙˆÙ„ ÙˆŰ§ŰŹŰšŰ§ŰȘ aa100b Ű§Ù„ŰŹŰ§Ù…ŰčŰ© aa1...
 
Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b ** 00966597837185 <Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ> Ű­Ù„ÙˆÙ„,ÙˆŰ§ŰŹŰšŰ§ŰȘ,Ű§Ù„ŰŹŰ§Ù…ŰčŰ©,Ű§Ù„ŰčŰ±ŰšÙŠŰ©,ۧ...
Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b ** 00966597837185 <Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ> Ű­Ù„ÙˆÙ„,ÙˆŰ§ŰŹŰšŰ§ŰȘ,Ű§Ù„ŰŹŰ§Ù…ŰčŰ©,Ű§Ù„ŰčŰ±ŰšÙŠŰ©,ۧ...Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b ** 00966597837185 <Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ> Ű­Ù„ÙˆÙ„,ÙˆŰ§ŰŹŰšŰ§ŰȘ,Ű§Ù„ŰŹŰ§Ù…ŰčŰ©,Ű§Ù„ŰčŰ±ŰšÙŠŰ©,ۧ...
Ű­Ù„ ÙˆŰ§ŰŹŰš aa100b ** 00966597837185 <Ű§Ù„Ù…Ù‡Ù†ŰŻŰł ŰŁŰ­Ù…ŰŻ> Ű­Ù„ÙˆÙ„,ÙˆŰ§ŰŹŰšŰ§ŰȘ,Ű§Ù„ŰŹŰ§Ù…ŰčŰ©,Ű§Ù„ŰčŰ±ŰšÙŠŰ©,ۧ...
 
TITLE OF PAPER HERE1TITLE OF PAPER HERE3Full Title
TITLE OF PAPER HERE1TITLE OF PAPER HERE3Full Title TITLE OF PAPER HERE1TITLE OF PAPER HERE3Full Title
TITLE OF PAPER HERE1TITLE OF PAPER HERE3Full Title
 
MS1 - AS media feedback May 2014
MS1 - AS media feedback May 2014MS1 - AS media feedback May 2014
MS1 - AS media feedback May 2014
 
MS1 AS Media Studies Summer 2011 mark scheme
MS1 AS Media Studies Summer 2011 mark schemeMS1 AS Media Studies Summer 2011 mark scheme
MS1 AS Media Studies Summer 2011 mark scheme
 
Interview paper. Interview someone about how their cultural backgrou.docx
Interview paper. Interview someone about how their cultural backgrou.docxInterview paper. Interview someone about how their cultural backgrou.docx
Interview paper. Interview someone about how their cultural backgrou.docx
 
Slides on english grade 10 to 12 requirements
Slides on english grade 10 to 12 requirementsSlides on english grade 10 to 12 requirements
Slides on english grade 10 to 12 requirements
 
Scasi Specs Slims
Scasi Specs SlimsScasi Specs Slims
Scasi Specs Slims
 
Unit 3 success criteria
Unit 3 success criteriaUnit 3 success criteria
Unit 3 success criteria
 
AS Media : Last Minute Tips for MS1
AS Media : Last Minute Tips for MS1AS Media : Last Minute Tips for MS1
AS Media : Last Minute Tips for MS1
 
VCE English 2016
VCE English 2016VCE English 2016
VCE English 2016
 

Mehr von jwright61

Cinema verite
Cinema veriteCinema verite
Cinema verite
jwright61
 
Urban stories exam approach
Urban stories exam approachUrban stories exam approach
Urban stories exam approach
jwright61
 
Verisimilitude
VerisimilitudeVerisimilitude
Verisimilitude
jwright61
 
Fight club 3
Fight club 3Fight club 3
Fight club 3
jwright61
 
Fight club 2
Fight club 2Fight club 2
Fight club 2
jwright61
 
Fight club
Fight clubFight club
Fight club
jwright61
 
Fight club film analysis1
Fight club film analysis1Fight club film analysis1
Fight club film analysis1
jwright61
 
Lady gaga born this way
Lady gaga born this way Lady gaga born this way
Lady gaga born this way
jwright61
 
Mm38 fight club
Mm38 fight clubMm38 fight club
Mm38 fight club
jwright61
 
Fightclubbooklet
FightclubbookletFightclubbooklet
Fightclubbooklet
jwright61
 
Media mag city of god
Media mag city of godMedia mag city of god
Media mag city of god
jwright61
 
Gbh s&s march 2014
Gbh s&s march 2014Gbh s&s march 2014
Gbh s&s march 2014
jwright61
 
Under the skin s&s april 2014
Under the skin s&s april 2014Under the skin s&s april 2014
Under the skin s&s april 2014
jwright61
 
Theories of authorship part2
Theories of authorship part2Theories of authorship part2
Theories of authorship part2
jwright61
 
Theories of authorship part1
Theories of authorship part1Theories of authorship part1
Theories of authorship part1
jwright61
 
La haine
La haineLa haine
La haine
jwright61
 
A grade noir film storyboard as
A grade noir film storyboard asA grade noir film storyboard as
A grade noir film storyboard as
jwright61
 
Horror genre:codes and conventions
Horror genre:codes and conventionsHorror genre:codes and conventions
Horror genre:codes and conventions
jwright61
 
Narrative
NarrativeNarrative
Narrative
jwright61
 

Mehr von jwright61 (20)

Cinema verite
Cinema veriteCinema verite
Cinema verite
 
Urban stories exam approach
Urban stories exam approachUrban stories exam approach
Urban stories exam approach
 
Verisimilitude
VerisimilitudeVerisimilitude
Verisimilitude
 
Fight club 3
Fight club 3Fight club 3
Fight club 3
 
Fight club 2
Fight club 2Fight club 2
Fight club 2
 
Fight club
Fight clubFight club
Fight club
 
Fight club film analysis1
Fight club film analysis1Fight club film analysis1
Fight club film analysis1
 
Lady gaga born this way
Lady gaga born this way Lady gaga born this way
Lady gaga born this way
 
Mm38 fight club
Mm38 fight clubMm38 fight club
Mm38 fight club
 
Fightclubbooklet
FightclubbookletFightclubbooklet
Fightclubbooklet
 
Media mag city of god
Media mag city of godMedia mag city of god
Media mag city of god
 
Gbh s&s march 2014
Gbh s&s march 2014Gbh s&s march 2014
Gbh s&s march 2014
 
Under the skin s&s april 2014
Under the skin s&s april 2014Under the skin s&s april 2014
Under the skin s&s april 2014
 
Theories of authorship part2
Theories of authorship part2Theories of authorship part2
Theories of authorship part2
 
Theories of authorship part1
Theories of authorship part1Theories of authorship part1
Theories of authorship part1
 
Living with crime vers
Living with crime versLiving with crime vers
Living with crime vers
 
La haine
La haineLa haine
La haine
 
A grade noir film storyboard as
A grade noir film storyboard asA grade noir film storyboard as
A grade noir film storyboard as
 
Horror genre:codes and conventions
Horror genre:codes and conventionsHorror genre:codes and conventions
Horror genre:codes and conventions
 
Narrative
NarrativeNarrative
Narrative
 

KĂŒrzlich hochgeladen

The basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptxThe basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptx
heathfieldcps1
 
Spellings Wk 3 English CAPS CARES Please Practise
Spellings Wk 3 English CAPS CARES Please PractiseSpellings Wk 3 English CAPS CARES Please Practise
Spellings Wk 3 English CAPS CARES Please Practise
AnaAcapella
 

KĂŒrzlich hochgeladen (20)

Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdf
 
Understanding Accommodations and Modifications
Understanding  Accommodations and ModificationsUnderstanding  Accommodations and Modifications
Understanding Accommodations and Modifications
 
General Principles of Intellectual Property: Concepts of Intellectual Proper...
General Principles of Intellectual Property: Concepts of Intellectual  Proper...General Principles of Intellectual Property: Concepts of Intellectual  Proper...
General Principles of Intellectual Property: Concepts of Intellectual Proper...
 
Unit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxUnit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptx
 
Mehran University Newsletter Vol-X, Issue-I, 2024
Mehran University Newsletter Vol-X, Issue-I, 2024Mehran University Newsletter Vol-X, Issue-I, 2024
Mehran University Newsletter Vol-X, Issue-I, 2024
 
Unit-V; Pricing (Pharma Marketing Management).pptx
Unit-V; Pricing (Pharma Marketing Management).pptxUnit-V; Pricing (Pharma Marketing Management).pptx
Unit-V; Pricing (Pharma Marketing Management).pptx
 
The basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptxThe basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptx
 
Spellings Wk 3 English CAPS CARES Please Practise
Spellings Wk 3 English CAPS CARES Please PractiseSpellings Wk 3 English CAPS CARES Please Practise
Spellings Wk 3 English CAPS CARES Please Practise
 
TỔNG ÔN TáșŹP THI VÀO LỚP 10 MÔN TIáșŸNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGở Â...
TỔNG ÔN TáșŹP THI VÀO LỚP 10 MÔN TIáșŸNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGở Â...TỔNG ÔN TáșŹP THI VÀO LỚP 10 MÔN TIáșŸNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGở Â...
TỔNG ÔN TáșŹP THI VÀO LỚP 10 MÔN TIáșŸNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGở Â...
 
FSB Advising Checklist - Orientation 2024
FSB Advising Checklist - Orientation 2024FSB Advising Checklist - Orientation 2024
FSB Advising Checklist - Orientation 2024
 
On National Teacher Day, meet the 2024-25 Kenan Fellows
On National Teacher Day, meet the 2024-25 Kenan FellowsOn National Teacher Day, meet the 2024-25 Kenan Fellows
On National Teacher Day, meet the 2024-25 Kenan Fellows
 
How to Give a Domain for a Field in Odoo 17
How to Give a Domain for a Field in Odoo 17How to Give a Domain for a Field in Odoo 17
How to Give a Domain for a Field in Odoo 17
 
Unit-IV; Professional Sales Representative (PSR).pptx
Unit-IV; Professional Sales Representative (PSR).pptxUnit-IV; Professional Sales Representative (PSR).pptx
Unit-IV; Professional Sales Representative (PSR).pptx
 
Graduate Outcomes Presentation Slides - English
Graduate Outcomes Presentation Slides - EnglishGraduate Outcomes Presentation Slides - English
Graduate Outcomes Presentation Slides - English
 
This PowerPoint helps students to consider the concept of infinity.
This PowerPoint helps students to consider the concept of infinity.This PowerPoint helps students to consider the concept of infinity.
This PowerPoint helps students to consider the concept of infinity.
 
Single or Multiple melodic lines structure
Single or Multiple melodic lines structureSingle or Multiple melodic lines structure
Single or Multiple melodic lines structure
 
Mixin Classes in Odoo 17 How to Extend Models Using Mixin Classes
Mixin Classes in Odoo 17  How to Extend Models Using Mixin ClassesMixin Classes in Odoo 17  How to Extend Models Using Mixin Classes
Mixin Classes in Odoo 17 How to Extend Models Using Mixin Classes
 
Google Gemini An AI Revolution in Education.pptx
Google Gemini An AI Revolution in Education.pptxGoogle Gemini An AI Revolution in Education.pptx
Google Gemini An AI Revolution in Education.pptx
 
Fostering Friendships - Enhancing Social Bonds in the Classroom
Fostering Friendships - Enhancing Social Bonds  in the ClassroomFostering Friendships - Enhancing Social Bonds  in the Classroom
Fostering Friendships - Enhancing Social Bonds in the Classroom
 
Micro-Scholarship, What it is, How can it help me.pdf
Micro-Scholarship, What it is, How can it help me.pdfMicro-Scholarship, What it is, How can it help me.pdf
Micro-Scholarship, What it is, How can it help me.pdf
 

A2 media exam approaches

  • 1. A2 Media MS4 - Text Exam Approaches
  • 2.  There are no right or wrong answers (apart from factual details) and there is likely to be a variety of responses to the questions ‒ this is wholly acceptable and each response will be considered individually. Candidates are expected to refer to three texts within each answer but it is not expected that the texts will be referred to equally.  If you do not refer to three texts in your answer marks will be deducted no matter how good the response may be.  There is no definitive list for each question and examiners will be open-minded and engage with what the candidates have written. Relevant answers will be rewarded on merit and each response will be considered individually as long as clear and detailed engagement is made with the questions. General Guidelines
  • 3. Genre RepresentationNarrative Conventions Themes/Roles/Theory Characters/CRASH 3 X Scene Analysis for each Text = 20 marks AO1 – Demonstrate knowledge & understanding of media concepts, contexts and critical debates
  • 4. Meanings? Responses? Audience Social/Cultural/Political = 10 marks AO2 – Apply knowledge & understanding of how meanings and responses are created
  • 5. Total = 30 marks ‘A’ Grade Exam Response AO1 – Demonstrate knowledge & understanding of media concepts, contexts and critical debates AO2 – Apply knowledge & understanding of how meanings and responses are created Question Focus Key Concept (Interchangeable) C O N T E N T
  • 6. A2. How typical are your three main texts of their genre? [30] This question does invite candidates to contextualise their chosen texts within a genre and to discuss elements of typicality. Depending on the texts selected candidates may argue that the tests are either typical or untypical. Look for coherence of argument. Points about genre may include references to: Key signifiers and iconography Storylines and plots Characters and their functions Stars/celebrities Use of camera, sound, editing Use of dialogue, language, music.
  • 7. Narrative RepresentationGenre Conventions Themes/Roles/Theory Propp/Todorov Characters/CRASH 3 X Scene Analysis for each Text = 20 marks AO1 – Demonstrate knowledge & understanding of media concepts, conte xts and critical debates
  • 8. Meanings? Responses? Audience Social/Cultural/Political = 10 marks AO2 – Apply knowledge & understanding of how meanings and responses are created
  • 9. A2. How important are characters to the narrative of your three main texts? (30) Candidates may argue that they are, or are not, important depending on the texts selected. Please mark on merit and look for coherence of argument – and for points being backed-up. Lower grade candidates may just describe characters; higher grade candidates should be engaging with the how important part of the question. Please take character to mean performer within the narrative. Points made might include reference to: ‱ Character description (mark on merit) ‱ Role or function of the character within the narrative ‱ Reference to theory (e.g. Propp, Todorov etc) – please ensure used relevantly.
  • 10. Representation GenreNarrative ConventionsThemes/Roles/Theory Characters/CRASH/Mulvey 3 X Scene Analysis for each Text = 20 marks AO1 – Demonstrate knowledge & understanding of media concepts, conte xts and critical debates
  • 11. Meanings? Responses? Audience Social/Cultural/Political = 10 marks AO2 – Apply knowledge & understanding of how meanings and responses are created
  • 12. A1. Explore the different ways in which people are represented in your three main texts. [30] This is quite an open question so please be prepared to mark seen responses on merit. In the texts ‘people’ may be fictionalised characters, but it is important – in order to access higher level ‒ that candidates are discussing the ways in which they are represented within the text and not simply describing roles. Points covered may include reference to: Characters, roles and attitudes Appearance – dress codes, body language, mode of address Stereotypes, traditional or unconventional representations Theory as appropriate – for example Mulvey, etc.