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MEDIA LITERACY CONFERENCE
   2010 November 18/19
1. The importance of story board
in audiovisual education
   The story board is a
    graphical resource that
    acts as an organizer in
    the process of
    audiovisual production.


                       Its origin is
                       attributed to
                       Webb Smith, a
                       cartoonist for
                       Disney.

      MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
 It symbolizes a bridge
  between the written (the
  script) and the audiovisual
  (the shot).
 It facilitates the capturing of
  the audiovisual language
  (sound + video).
 It avoids possible unforeseen
  errors in the script, be they in
  the text or the choice of
  camera shots.


     MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
1. The importance of story board
in audiovisual education
    It is a useful resource for measuring the
     time a production will last.
    It does not require a significant
     investment in time and money in terms
     of the real production.
    It is an activity that can be done
     individually or in a group.
    It enables creative development.




       MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
1. The importance of story board
in audiovisual education




    MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
1. The importance of story board
in audiovisual education
     We believe story boarding is a creative strategy for four main
                                                            reasons:
  It makes children think in images.
  It enables them to understand audiovisual continuity.
  It allows them to visualize scenes.
  It instils the theory of film shots and their meaning.




        MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
   «Boys and girls learn to recognize and
    interpret the media’s specific
    rhetorical devices that show images in
    movement. It is an important fact
    because it reveals a process of
    learning about a rhetorical system that
    plays a significant role in our culture».
    (C. Bazalgette).

      MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
Travelling side




                                                    Tilt angle




MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
MEDIA LITERACY CONFERENCE
   2010 November 18/19

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Children’s story boards. a key tool for understanding media literacy. Presentación 2010.

  • 1. MEDIA LITERACY CONFERENCE 2010 November 18/19
  • 2. 1. The importance of story board in audiovisual education  The story board is a graphical resource that acts as an organizer in the process of audiovisual production. Its origin is attributed to Webb Smith, a cartoonist for Disney. MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
  • 3.  It symbolizes a bridge between the written (the script) and the audiovisual (the shot).  It facilitates the capturing of the audiovisual language (sound + video).  It avoids possible unforeseen errors in the script, be they in the text or the choice of camera shots. MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
  • 4. 1. The importance of story board in audiovisual education  It is a useful resource for measuring the time a production will last.  It does not require a significant investment in time and money in terms of the real production.  It is an activity that can be done individually or in a group.  It enables creative development. MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
  • 5. 1. The importance of story board in audiovisual education MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
  • 6. 1. The importance of story board in audiovisual education We believe story boarding is a creative strategy for four main reasons:  It makes children think in images.  It enables them to understand audiovisual continuity.  It allows them to visualize scenes.  It instils the theory of film shots and their meaning. MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
  • 7. MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
  • 8. MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
  • 9. MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
  • 10. «Boys and girls learn to recognize and interpret the media’s specific rhetorical devices that show images in movement. It is an important fact because it reveals a process of learning about a rhetorical system that plays a significant role in our culture». (C. Bazalgette). MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
  • 11. MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
  • 12. MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
  • 13. Travelling side Tilt angle MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
  • 14. MEDIA LITERACY CONFERENCE. London. 2010 November 18/19- Jacqueline Sánchez Carrero
  • 15. MEDIA LITERACY CONFERENCE 2010 November 18/19