Lesson for 4th quarter Music and Arts in MAPEH

1. Traditional
Asian
Theater
MUSIC

2. Festivals &
Theatrical
Forms of
ARTS

4. INDONESIA
N WAYANG
KULIT

5. WAYANG (play) KULIT
(leather) is a shadow
play with two
dimensional leather
puppets.
It is originated in two
epic stories, the

7. A. THE PUPPETS
The DALANG is the
manipulator-narrator
who sits cross-
legged at the back of
the screen or cloth.

8. A. THE PUPPETS
He gives the movement
and voice to the puppets
which corresponds to the
actors.
He provides signal to the
musicians if music is

10. B. THE
MUSICIANS
The GAMELAN
musicians accompany
the dalang in delivering
the play.
They are seated at the
back of the dalang

12. C. THE LIGHTS
Lights may be in a form of
traditional coconut-oil
lamp (DAMAR) or electric
bulb that serves as a light
behind the white screen
to give shadow to the

13. D.
CHARACTERS

14. KRISHNA
It is designed with
his figure looking
straight forward as
symbol of bravery.

15. SEMAR
He is one of the
PUNOKAWAN
(clowns). He is
divine and very
wise.

16. GARENG
He is often
regarded as the
elder son of
Semar, he is a de-
formed dwarf.

17. PETRUK
He is the 2nd
son of Semar.
He has a large
predatory
mouth.

18. BAGONG
He is the youngest
son of Semar,
very fat man
with a big belly.

19. 1. WAYANG WONG/
WAYANG ORANG

20. 2. WAYANG
GOLEK
Puppets are
shaped like
wooden dolls
with rounded
heads and arms.

21. 3. WAYANG
TOPENG
This is performed
by men who
wear masks
which is called
as TOPENG.

23. KABUKI
IN

24. KA (song) BU
(dance)
KI (skill)
Japanese traditional
theater
“the art of singing

25. A. MUSIC
DEBAYASHI
It is an incidental
music played on the
kabuki stage known
as DEGATARI.

26. DEBAYASHI

27. GIDAYU-BUSHI
Traditional
narrative music
accompanied by
shamisen

28. GIDAYU-BUSHI

29. ONGAKU
Musicians use
wooden clappers to
announce the
beginning and
ending of the

30. B. DANCE
The dance has
unique characteristic
patterns and styles in
terms of body
movements. It uses

31. C. COSTUME
The kabuki performers
wear elaborate
costumes with bold
colors and patterns to
heighten the drama of
the performance.

32. C. COSTUME

33. D. MAKE-UP
KESHO (kabuki make-
up)
KUMODORI
(extravagant make-
up use for

34. The kabuki actors do
not wear masks but
they cover their faces,
neck, and hands with
white paint and apply
red paint around their

35. CHINESE
PEKING
OPERA

36. CHARACTERS
1.SHENG- the
main male role
which
includes:

37. a. laosheng
older role
and wears
sensible
costumes

38. b. xiaosheng
young male
role who
sings in a
high shrill voice

39. c. wusheng
a martial role
who does
acrobatics
and has a natural
voice in singing

40. CHARACTERS
2. TAN or
DAN- the
female role
which

41. a. laodan
an old woman
b. wudan
martial woman
c. daomadan
young female
warriors

42. d. quingyi
elite and
virtuous woman
e. huadan
unmarried
woman

43. CHARACTERS
3. JING has a
forceful
character that
can produce a

45. CHARACTERS
4. CHOU
means ugly
is a clown

47. B. COSTUME
a. MANG is a
court robe
worn only by
imperial family
members, prime,
ministers, or generals.

48. B. COSTUME
b. PEI is worn
as casual clothing
by imperial
members or upper-
class persons

49. B. COSTUME
c. KAO is a
kind of armor
worn by
warriors

50. FESTIVA
LS IN
ASIA

51. Chinese New
Year

52. Loi Krathong

53. Kodo Taiko
Drum

54. Asian Theater
Form as
Compared to
Philippine
Theater

55. SARSWELA/ZARSUE
LA

56. SENAKULO

57. ATI-ATIHAN

58. PUPPET

59. PETA IN MUSIC AND
ARTS
In A Bond Paper/Paper
Draw Your Own Peking
Opera Design And Apply
Colors On It.
Below Your Drawing
Explain The Design That
You Draw And What Is

60. Note: Gold and silver colors are
usually used for gods and spirits.