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ASPECT RATIOS
The term Aspect Ratio refers to the width of a picture (or screen) in relation to its height. Ratios are expressed in the form "width x height". For example, a 4x3 ratio means the picture is 4 units wide by 3 units high. Alternatively a colon may be used (e.g. 4:3 or 16:9) or a ratio to the number 1
Note that the actual physical size of the picture is irrelevant — aspect ratio refers only to the relationship between width and height. There are three common aspect ratios are used mostly in video and film production.
4:3 This is the standard television format used throughout the second half of the 20th Century. Sometimes referred to as 12x9.
16:9 This format has gained acceptance as the new standard for widescreen TV, DVD and high-definition video.
21:9 (Cinemascope) A very wide screen format used for theatrical release movies.
Converting Between Aspect Ratios The problem of converting pictures between different formats has plagued film and television companies for years. Conversions almost always involve compromise and often annoy the end user, the film director, or both.
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Aspect ratios

  • 2. The term Aspect Ratio refers to the width of a picture (or screen) in relation to its height. Ratios are expressed in the form "width x height". For example, a 4x3 ratio means the picture is 4 units wide by 3 units high. Alternatively a colon may be used (e.g. 4:3 or 16:9) or a ratio to the number 1
  • 3. Note that the actual physical size of the picture is irrelevant — aspect ratio refers only to the relationship between width and height. There are three common aspect ratios are used mostly in video and film production.
  • 4. 4:3 This is the standard television format used throughout the second half of the 20th Century. Sometimes referred to as 12x9.
  • 5. 16:9 This format has gained acceptance as the new standard for widescreen TV, DVD and high-definition video.
  • 6. 21:9 (Cinemascope) A very wide screen format used for theatrical release movies.
  • 7. Converting Between Aspect Ratios The problem of converting pictures between different formats has plagued film and television companies for years. Conversions almost always involve compromise and often annoy the end user, the film director, or both.
  • 8.