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Chapter 11
• It is never simply about violence
• Violence is personal and also intimate
• All deaths are planned
• Accidents in literature are not accidents
Key Points
“Violence is one of the most personal and even intimate
acts between human beings, but it can also be cultural
and societal in its implications. It can be symbolic,
thematic, biblical, Shakespearean, Romantic, allegorical,
transcendent.Violence in real life just is. If someone
punches you in the nose in a supermarket parking lot, it’s
simply aggression. It doesn’t contain meaning beyond the
act itself. Violence in literature, though, while it is literal,
is usually also something else.That same punch in the
nose may be a metaphor.”
Quote 1
“Is it fair to compare them? I mean, do death by
consumption or heart disease really fall into the same
universe as a stabbing? Sure. Different but the same.
Different: no guilty party exists in the narrative (unless
you count the author, who is present everywhere and
nowhere). Same: does it really matter to the dead person?
Or this: writers kill off characters for the same set of
reasons – make action happen, cause plot complications,
end plot complications, put other characters under stress.
And that’s not enough reason for violence to exist?”
Quote 2
“It’s nearly impossible to generalize about the meanings
of violence, except that there are generally more than
one, and its range of possibilities is far larger than with
something like rain or snow. Authors rarely introduce
violence straightforwardly, to perform only its one
appointed task, so we ask questions. What does this type
of misfortune represent thematically? What famous or
mythic death does this one resemble? Why this sort of
violence and not some other?The answers may have to
do with psychological dilemmas, with spiritual crises, with
historical or social or political concerns.”
Quote 3
• The Count of Monte Cristo
• Wuthering Heights
• Kite Runner
• Criminal Minds
Examples

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College prof. presentation

  • 2. • It is never simply about violence • Violence is personal and also intimate • All deaths are planned • Accidents in literature are not accidents Key Points
  • 3. “Violence is one of the most personal and even intimate acts between human beings, but it can also be cultural and societal in its implications. It can be symbolic, thematic, biblical, Shakespearean, Romantic, allegorical, transcendent.Violence in real life just is. If someone punches you in the nose in a supermarket parking lot, it’s simply aggression. It doesn’t contain meaning beyond the act itself. Violence in literature, though, while it is literal, is usually also something else.That same punch in the nose may be a metaphor.” Quote 1
  • 4. “Is it fair to compare them? I mean, do death by consumption or heart disease really fall into the same universe as a stabbing? Sure. Different but the same. Different: no guilty party exists in the narrative (unless you count the author, who is present everywhere and nowhere). Same: does it really matter to the dead person? Or this: writers kill off characters for the same set of reasons – make action happen, cause plot complications, end plot complications, put other characters under stress. And that’s not enough reason for violence to exist?” Quote 2
  • 5. “It’s nearly impossible to generalize about the meanings of violence, except that there are generally more than one, and its range of possibilities is far larger than with something like rain or snow. Authors rarely introduce violence straightforwardly, to perform only its one appointed task, so we ask questions. What does this type of misfortune represent thematically? What famous or mythic death does this one resemble? Why this sort of violence and not some other?The answers may have to do with psychological dilemmas, with spiritual crises, with historical or social or political concerns.” Quote 3
  • 6. • The Count of Monte Cristo • Wuthering Heights • Kite Runner • Criminal Minds Examples