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CERAMICS AND SCULPTURE COURSE
            EPHS
Clay
                      
 Clay is formed by the decomposition of rock through
  the action of weathering.
 Impurities, such as sitcks and leaves are taken out
  and the clay is then packaged for our use.
 If interested, you can dig up and purify your own
  clay: http://www.ehow.com/video_4946364_using-
  natural-clay-pottery.html
Wedging
 Kneading the clay with fingers and the heel of the hands in a rocking spiral
motion, forces out trapped air pockets and helps to distribute moisture evenly
                             throughout the clay.


Attaching clay
SCORING
   
   • SCORING is the best
     way of attaching one
     piece of clay to another.
   • If clay is not properly
     scored, it will fall apart
     either when drying or
     during the firing
     process.
SLIP
SLIP is liquefied clay.
Slip is applied to scored
surfaces and acts as a
sort of “glue” onto
attach one piece of clay
to another.
Hand building
     
 Three Methods… All Ancient…
PINCH POTS
PINCH POTS are formed by
quickly pinching and
turning a kneaded ball of
clay. One of the most
simple hand building
techniques.
COILING
   

       COILING is an ancient
        hand building method
        in which walls are
        constructed with and
        rolled, rope-like pieces
        of clay. The joints are
        then smoothed over to
        create one solid piece.
SLAB ROLLLING
        
Hand Rolled Here.      Use of Slats Important!
                     Slab construction is
                      another rand building
                      technique, in which the
                      clay is rolled out onto flat
                      pieces. The slabs are
                      usually an
                      even, consistent thickness
                      and are then
                      cut, scored, slipped and
                      joined together. Best at
                      the LEATHERHARD
                      stage.
STAGES OF CLAY
      
SLIP
                   
 Slip: Watered down
 clay in muddy form.
Plastic
                    
Workable wet stage;
 molding stage; can
 recycle. At this
 point, it can still be
 joined to other
 pieces.
Leather-Hard
            
Stiff and will hold its shape; can still be
joined to other pieces. May be carved into.
           Can still be recycled.
Greenware
                 
 Bone-dry; can be carved into; VERY FRAGILE. Can
               still recycle. Kiln ready.
Bisqueware
               
 Fired once in the kiln. CAN NOT BE RECYCLED.
          Glazing/Surface Treatment Stage.
Glazeware
                
 Result of a second firing. Completed if item is
                      glazed.
KILN

• Furnace used for
  “firing”
  greenware/glazed
  bisqueware.
• In order to become
  permanent, clay must be
  fired at very high
  temperatures in a kiln.
• We fire anywhere from
  1800-2400 degrees
  Fahrenheit.
After seeing each technique modeled by the
teacher, you will create a small pot utilizing
  each of the three outlined handbuilding
     techniques. (PINCH, COIL, SLAB)
IMPORTANT to
               REMEMBER!!
                   
 The Ten Golden Rules of Ceramics Clay must be thoroughly covered up with a
  plastic bag to keep it from drying out. This applies to works in progress and moist
  clay.
 Clay dust can be harmful if you are exposed to it for long periods of time, so keep
  your area clean, clay scraps off the floor and clean with water and a sponge.
 Clay can be no thicker then your thumb.
 In order for clay to stick together it MUST be scored and slipped together while the
  clay is moist or leather hard.
 Wedge clay to remove air bubbles, achieve uniform consistency, and to line up the
  particles of clay.
 Trapped air can cause clay to explode. So hollow out sculptural forms and put
  needle holes from the bottom so air can escape.
 Don't glaze the bottom of a piece.
 Always wash the piece before glazing.
 Always handle your project with two hands at all times. In other words BE
  CAREFUL it’s your hard work. Never lift pots by the rim.
 NEVER HANDLE ANOTHER PERSONS WORK EVEN IF IT LOOKS COOL!

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Introduction to ceramics

  • 2. Clay   Clay is formed by the decomposition of rock through the action of weathering.  Impurities, such as sitcks and leaves are taken out and the clay is then packaged for our use.  If interested, you can dig up and purify your own clay: http://www.ehow.com/video_4946364_using- natural-clay-pottery.html
  • 3. Wedging Kneading the clay with fingers and the heel of the hands in a rocking spiral motion, forces out trapped air pockets and helps to distribute moisture evenly throughout the clay.
  • 5. SCORING  • SCORING is the best way of attaching one piece of clay to another. • If clay is not properly scored, it will fall apart either when drying or during the firing process.
  • 6. SLIP SLIP is liquefied clay. Slip is applied to scored surfaces and acts as a sort of “glue” onto attach one piece of clay to another.
  • 7. Hand building  Three Methods… All Ancient…
  • 8. PINCH POTS PINCH POTS are formed by quickly pinching and turning a kneaded ball of clay. One of the most simple hand building techniques.
  • 9. COILING   COILING is an ancient hand building method in which walls are constructed with and rolled, rope-like pieces of clay. The joints are then smoothed over to create one solid piece.
  • 10. SLAB ROLLLING  Hand Rolled Here. Use of Slats Important!  Slab construction is another rand building technique, in which the clay is rolled out onto flat pieces. The slabs are usually an even, consistent thickness and are then cut, scored, slipped and joined together. Best at the LEATHERHARD stage.
  • 12. SLIP   Slip: Watered down clay in muddy form.
  • 13. Plastic  Workable wet stage; molding stage; can recycle. At this point, it can still be joined to other pieces.
  • 14. Leather-Hard  Stiff and will hold its shape; can still be joined to other pieces. May be carved into. Can still be recycled.
  • 15. Greenware   Bone-dry; can be carved into; VERY FRAGILE. Can still recycle. Kiln ready.
  • 16. Bisqueware   Fired once in the kiln. CAN NOT BE RECYCLED. Glazing/Surface Treatment Stage.
  • 17. Glazeware   Result of a second firing. Completed if item is glazed.
  • 18. KILN  • Furnace used for “firing” greenware/glazed bisqueware. • In order to become permanent, clay must be fired at very high temperatures in a kiln. • We fire anywhere from 1800-2400 degrees Fahrenheit.
  • 19. After seeing each technique modeled by the teacher, you will create a small pot utilizing each of the three outlined handbuilding techniques. (PINCH, COIL, SLAB)
  • 20. IMPORTANT to REMEMBER!!   The Ten Golden Rules of Ceramics Clay must be thoroughly covered up with a plastic bag to keep it from drying out. This applies to works in progress and moist clay.  Clay dust can be harmful if you are exposed to it for long periods of time, so keep your area clean, clay scraps off the floor and clean with water and a sponge.  Clay can be no thicker then your thumb.  In order for clay to stick together it MUST be scored and slipped together while the clay is moist or leather hard.  Wedge clay to remove air bubbles, achieve uniform consistency, and to line up the particles of clay.  Trapped air can cause clay to explode. So hollow out sculptural forms and put needle holes from the bottom so air can escape.  Don't glaze the bottom of a piece.  Always wash the piece before glazing.  Always handle your project with two hands at all times. In other words BE CAREFUL it’s your hard work. Never lift pots by the rim.  NEVER HANDLE ANOTHER PERSONS WORK EVEN IF IT LOOKS COOL!