2. PAINTER OR
ARTIST OF
SKILL WHO
WAS FULLY
TRAINED BY
THE LOCAL
ARTISAN GUILD
• USUALLY
EXTREMELY
NOTICEABLE
OR FAMOUS
ARTWORKS
What is a “Master” or
“masterpiece”
3. BRIGHTON, ENGLAD
First Artist Reference: • WAS PREVIOUSLY Patrick
A
PAINTER, BUT STARTED
EXPERIMENTING WITH
COLLAGE AS A MEDIUM
Bremer
• PRICE OF PAINT WAS
TOO HIGH AND HE HAD
A STACK OF NATIONAL
GEOGRAPHIC
MAGAZINES IN THE
CORNER OF HIS STUDIO
• SINCE THEN HE HAS
GAINED RECOGNITION
FOR HIS FIGURE AND
PORTRAIT PIECES
• USES COLLAGE IN
TERMS OF COLORS,
VALUES, AND
TEXTURES, RATHER
THAN FOR OBJECTS
10. What are you going to
do...REMAKING A MASTERPIECE!
• Last class you
should have
looked through
the chosen
“masterpieces”
and researched
at least 3 as
part of your
classwork
11. What are you going to
do...REMAKING A MASTERPIECE!
• You are going to
select your favorite
MASTERPIECE
that you
researched
• In your
sketchbook, sketch
your
MASTERPIECE in
terms of
12. What are you going to
do...REMAKING A MASTERPIECE!
• Looking through
the magazines,
newspaper, and
other papers
supplied, find
COLLAGE
PIECES
• You are TRYING
TO MATCH your
“masterpiece” so
think in terms of
COLOR, SIZE,
Painting
Collage
17. Second Artist Reference: Lee
Kyu Hak
• In this series he
brings depth to
famous paintings or
artworks done by
artists such as Van
Gogh and Duchamp
• Uses collage
materials to recreate
the brushstrokes of
the painting he is
recreating
• Rolls strips of
magazine and
18. Some of Lee Kyu Hak’s
Collage
Masterpiece Hak’s Collage
19. Some of Lee Kyu Hak’s
Collage
Masterpiece Hak’s Collage
20. Some of Lee Kyu Hak’s
Collage
Masterpiece Hak’s Collage
21. Some of Lee Kyu Hak’s
Collage
Masterpiece Hak’s Collage
22. Some of Lee Kyu Hak’s
Collage
Masterpiece Hak’s Collage