1. Universidad Anáhuac Diseño Multimedia
Workshop
8. – 12. November 2010
Experimental Multimedia
Sketching and Prototyping
Animated Text Visualization

2. Universidad Anáhuac Diseño Multimedia
Workshop
8. – 12. November 2010
Experimental Multimedia
Sketching and Prototyping
Animated Text Visualization

3. Draw

4. Beauty

8. Nervous

12. Strict

16. Generate

21. Text

22. Triangles
Pablo Neruda
Three triangles of birds crossed
Over the enormous ocean which extended
In winter like a green beast.
Everything just lay there, the silence,
The unfolding gray, the heavy light
Of space, some land now and then.
Over everything there was passing
A flight
And another flight
Of dark birds, winter bodies
Trembling triangles
Whose wings,
Frantically flapping, hardly
Can carry the gray cold, the desolate days
From one place to another
Along the coast of Chile.

23. T
T
h
h
r
r
e
e
e
e
t
t
r
r
i
i
a
a
n
n
g
g
l
l
e
e
s
s
o
o
f
f
b
b
i
i
r
r
d
d
s
s
c
c
r
r
o
o
s
s
s
s
e
e
d
d
O
O
v
v
e
e
r
r
t
t
h
h
e
e
e
e
n
n
o
o
r
r
m
m
o
o
u
u
s
s
o
o
c
c
e
e
a
a
n
n
w
w
h
h
i
i
c
c
h
h
e
e
x
x
t
t
e
e
n
n
d
d
e
e
d
d
I
I
n
n
w
w
i
i
n
n
t
t
e
e
r
r
l
l
i
i
k
k
e
e
a
a
g
g
r
r
e
e
e
e
n
n
b
b
e
e
a
a
s
s
t
t
.
.
E
E
v
v
e
e
r
r
y
y
t
t
h
h
i
i
n
n
g
g
j
j
u
u
s
s
t
t
l
l
a
a
y
y
t
t
h
h
e
er
re
e
,
,
t
th
he
e
s
si
il
l
e
e
n
nc
ce
e,
,
T
T
h
h
e
e
u
u
n
n
f
f
o
o
l
l
d
di
i
n
n
g
gg
g
r
r
a
a
y
y,
,t
t
h
he
eh
h
e
ea
av
vy
y
l
li
ig
g
h
h
t
tO
O
f
f
s
s
p
p
a
a
c
c
e
e
,
,
s
s
o
o
m
m
e
e
l
l
a
a
n
n
d
d
n
n
o
o
w
w
a
a
n
n
d
d
t
t
h
h
e
e
n
n
.
.
O
O
v
v
e
e
r
r
e
e
v
v
e
e
r
r
y
y
t
t
h
h
i
i
n
n
g
g
t
t
h
h
e
e
r
r
e
e
w
w
a
a
s
s
p
p
a
a
s
s
s
s
i
i
n
n
g
g
A
A
f
f
l
l
i
i
g
g
h
h
t
t
A
A
n
n
d
d
a
a
n
n
o
o
t
t
h
h
e
e
r
r
f
f
l
l
i
i
g
g
h
h
t
t
O
O
f
f
d
d
a
a
r
r
k
k
b
b
i
i
r
r
d
d
s
s
,
,
w
w
i
i
n
n
t
t
e
e
r
r
b
b
o
o
d
d
i
i
e
e
s
s
T
T
r
r
e
e
m
m
b
b
l
l
i
i
n
n
g
g
t
t
r
r
i
i
a
a
n
n
g
g
l
l
e
e
s
s
W
W
h
h
o
o
s
s
e
e
w
w
i
i
n
n
g
g
s
s
,
,F
F
r
ra
an
n
t
t
i
ic
ca
al
l
l
l
y
yf
f
l
l
a
ap
pp
p
i
i
n
n
g
g,
,h
h
a
ar
r
d
d
l
l
y
y
C
C
a
a
n
n
c
c
a
a
r
r
r
r
y
y
t
t
h
h
e
e
g
g
r
r
a
a
y
y
c
c
o
o
l
l
d
d
,
,
t
t
h
h
e
e
d
d
e
e
s
s
o
o
l
l
a
a
t
t
e
e
d
d
a
a
y
y
s
s
F
F
r
r
o
o
m
m
o
o
n
n
e
e
p
p
l
l
a
a
c
c
e
e
t
t
o
o
a
a
n
n
o
o
t
t
h
h
e
e
r
r
A
A
l
l
o
o
n
n
g
g
t
t
h
h
e
e
c
c
o
o
a
a
s
s
t
t
o
o
f
f
C
C
h
h
i
i
l
l
e
e
.
.
T
T
h
h
r
r
e
e
e
e
t
t
r
r
i
i
a
a
n
n
g
g
l
l
e
e
s
s
o
o
f
f
b
b
i
i
r
r
d
d
s
s
c
c
r
r
o
o
s
s
s
s
e
e
d
d
O
O
v
v
e
e
r
r
t
t
h
h
e
e
e
e
n
n
o
o
r
r
m
m
o
o
u
u
s
s
o
o
c
c
e
e
a
a
n
n
w
w
h
h
i
i
c
c
h
h
e
e
x
x
t
t
e
e
n
n
d
d
e
e
d
dI In
n
w wi
i
n nt
t
e
e
r rlike a green beast. E
E
v
v
e
e
r
r
y
y
t
t
h
h
i
i
n
n
g
g
j
j
u
u
s
s
t
t
l
l
a
a
y
y
t
t
h
h
e
e
r
r
e
e
,
,
t
t
h
h
e
e
s
s
i
i
l
l
e
e
n
n
c
c
e
e
,
,
T
T
he unfolding gray, the
e
h
h
e
e
a
a
v
v
y
y
l
l
i
i
g
g
h
h
t
t
O
O
f
f
s
s
p
p
a
a
ce, some land now and
t
t
h
he
en
n
.
.O
Ov
v
e
e
r
re
ev
ve
e
r
ry
yt
t
h
hi
i
n
n
g
g
t
t
h
h
e
e
r
r
e
e
w
w
a
a
s
s
p
p
a
a
s
s
s
s
i
i
n
n
g
g
A
Af
fl
l
i
i
g
gh
h
t
t
A
An
nd
d
a
an
n
o
ot
t
h
h
e
er
r
f
f
l
l
i
i
g
g
h
h
t
t
O
O
f
f
d
d
a
a
r
r
k
k
b
b
i
i
r
r
ds, winter bodies Tre
e
m
mb
b
l
li
in
n
g
gt
t
r
ri
i
a
a
n
ng
g
l
le
es
s
W
W
h
ho
o
s
s
e
e
w
w
i
i
n
n
g
g
s
s
,
,
F
F
r
r
a
a
n
n
t
t
i
i
c
c
a
a
l
l
l
l
y
y
f
f
l
l
a
a
p
p
p
p
i
i
n
n
g
g
,
,
h
h
a
a
r
r
d
d
l
l
y
y
C
Ca
an
nc
ca
ar
rr
ry
yt
th
he
eg
gr
ra
ay
yc
co
ol
l
d
d,
,
t
th
h
e
ed
d
e
es
s
o
o
l
la
a
t
te
ed
da
a
y
y
s
sF
Fr
r
o
om
mo
on
n
e
e
p
p
l
l
a
ac
c
e
et
t
o
oa
a
nother Along the coas st
t
o of
f
C
C
h
h
i il
l
e
e
. .

25. Metamorphosis
Franz Kafka
One morning, when Gregor Samsa woke from troubled dreams, he found himself
transformed in his bed into a horrible vermin. He lay on his armour-like back, and if
he lifted his head a little he could see his brown belly, slightly domed and divided by
arches into stiff sections. The bedding was hardly able to cover it and seemed ready
to slide off any moment. His many legs, pitifully thin compared with the size of the
rest of him, waved about helplessly as he looked.

26. O
O
n
n
e
e
m
m
o
o
r
r
n
n
i
i
n
n
g
g
,
,
w
w
h
h
e
e
n
n
G
G
r
r
e
e
g
g
o
o
r
r
S
S
a
a
m
m
s
s
a
a
w
w
o
o
k
k
e
e
f
f
r
r
o
o
m
m
t
t
r
r
o
o
u
u
b
b
l
l
e
e
d
d
d
d
r
r
e
e
a
a
m
m
s
s
,
,
h
h
e
e
f
f
o
o
u
u
n
n
d
d
h
h
i
i
m
m
s
s
e
e
l
l
f
f
t
t
r
r
a
a
n
n
s
s
f
f
o
o
r
r
m
m
e
e
d
d
i
i
n
n
h
h
i
i
s
s
b
b
e
e
d
d
i
i
n
n
t
t
o
o
a
a
h
h
o
o
r
r
r
r
i
i
b
b
l
l
e
e
v
v
e
e
rm
m
i
i
n
n
.
.
H
H
e
e
l
l
ay
y
o
o
n
n
h
h
i
i
s
s
a
a
rm
m
o
o
u
u
r
r
-
-
l
l
ik
k
e ba
a
c
c
k
k
,
,
a
a
nd
d
i
i
f
f
h
h
e
e
li
i
ft
t
ed
d
h
h
i
i
s
s
he
e
ad
d
a
a
l
l
i
i
tt
t
le
e
h
h
e
e
c
c
o
o
u
u
ld
d
s
s
ee
e
h
h
i
i
s br
r
ow
w
n b
b
e
e
l
l
ly
y
, sl
l
i
i
g
gh
h
tl
l
y do
o
me
ed
d
a
a
nd
d
d
d
iv
v
i
i
d
de
e
d
dby
y
a
a
rc
ch
h
e es
s
i
i
nt
t
o st ti
i
f ff
f
s
s
ec
c
ti
io
o
n
ns
s
. Th
h
e be
ed
d
d
di
i
ng
g
w
w
as
sh
ha
a
rd
d
ly
y
a
a
bl
le
e
t
t
o co
o
ve er i
i
t an
n
d se
ee
e
m
m
e
e
d re
e
ad
d
y t
t
o sl
l
id
d
e o
o
f
f
f
f
a
a
ny
y
m
m
om
m
e
e
n
n
t
t
. Hi
i
s
ma
a
n
n
y le
e
gs
s
, p
p
i
i
t
t
if
f
ul
l
ly
yt
t
h
h
in
n
c
c
om
m
pa
a
r
r
e
e
d
d
w
w
it
th th
h
e
e
s
s
iz
ze of
f
t
t
h
h
e re
est
t
o
o
f
h
h
im
m, wa
a
ve
e
d a
a
bo
out
th
h
el
l
p
p
le
ess
sly
y
a
a
s h
h
e lo
ook
k
ed
d
.

27. Dracula
Bram Stoker
„Do you know what day it is?“ I answered that it was the fourth of May. She shook
her head as she said again:„Oh, yes! I know that! I know that, but do you know what
day it is?“ On my saying that I did not understand, she went on:„It is the eve of St.
George‘s Day. Do you not know that tonight, when the clock strikes midnight, all the
evil things in the world will have full sway? Do you know where you are going, and
what you are going to?“ She was in such evident distress that I tried to comfort her,
but without effect. Finally, she went down on her knees and implored me not to go;
at least to wait a day or two before starting. It was all very ridiculous but I did not
feel comfortable. However, there was business to be done, and I could allow nothing
to interfere with it.

30. "
"
D
D
o
o
y
y
o
o
u
u
k
k
n
n
o
o
w
w
w
w
h
h
a
a
t
t
d
d
a
a
y
y
i
i
t
t
i
i
s
s
?
?
"
"
I
I
a
a
n
n
s
s
w
w
e
e
r
r
e
e
d
d
t
t
h
h
a
a
t
t
i
i
t
t
w
w
a
a
s
s
t
t
h
h
e
e
f
f
o
o
u
u
r
r
t
t
h
h
o
o
f
f
M
M
a
a
y
y
.
.
S
S
h
h
e
e
s
s
h
h
o
o
o
o
k
k
h
h
e
e
r
r
h
h
e
e
a
a
d
d
a
a
s
s
s
s
h
h
e
e
s
s
a
a
i
i
d
d
a
a
g
g
a
a
i
i
n
n
:
:
"
"
O
O
h
h
,
,
y
y
e
e
s
s
!
!
I
I
k
k
n
n
o
o
w
w
t
t
h
h
a
a
t
t
!
!
I
I
k
k
n
n
o
o
w
w
t
t
h
h
a
a
t
t
,
,
b
b
u
u
t
t
d
d
o
o
y
y
o
o
u
u
k
k
n
n
o
o
w
w
w
w
h
h
a
a
t
t
d
d
a
a
y
y
i
i
t
t
i
i
s
s
?
?
"
"
O
O
n
n
m
m
y
y
s
sa
a
y
y
i
i
n
n
g
g
t
t
h
h
a
a
t
t
I
I
d
d
i
i
d
d
n
n
o
o
t
t
u
u
n
n
d
d
e
e
r
r
s
s
t
t
a
a
n
n
d
d
,
,
s
s
h
h
e
e
w
w
e
e
n
n
t
t
o
o
n
n:
:
"
"
I
I
t
t
i
i
s
s
t
t
h
h
e
e
e
e
v
v
e
e
o
o
f
f
S
S
t
t
.
.
G
G
e
e
o
o
r
r
g
g
e
e
'
'
s
s
D
D
a
a
y
y
.
.
D
D
o
o
y
y
o
o
u
u
n
n
o
o
t
t
k
k
n
n
o
o
w
w
t
t
h
h
a
a
t
t
t
to
o
n
ni
i
g
g
h
h
t
t
,
,
w
w
h
h
e
e
n
n
t
t
h
h
e
e
c
c
l
l
o
o
c
c
k
k
s
s
t
t
r
r
i
i
k
k
e
e
s
s
m
m
i
i
d
d
n
n
i
i
g
g
h
h
t
t
,
,
a
a
l
l
l
l
t
th
h
e
e
e
e
v
v
i
i
l
l
t
t
h
h
i
i
n
n
g
g
s
s
i
i
n
n
t
t
h
h
e
e
w
wo
o
r
r
l
l
d
d
w
w
i
i
l
l
l
l
h
h
a
a
v
v
e
e
f
f
u
u
l
l
l
l
s
sw
w
a
a
y
y
? ?D
D
o
o
y
y
o
o
u
u
k
k
n
n
o
o
w
w
w
w
h
h
e
e
r
r
e
ey
y
o
o
u
u
a
ar
r
e
e
g
g
o
o
i
i
n
n
g
g
,
,a
a
n
n
d
dw
wh
h
a
a
t
t
y
y
o
o
u
u
a
a
r
re
e
g
go
o
i
i
n
n
g
g
t
to
o
?
?
"
"
S
S
h
he
e
w
wa
a
s
s
i
i
n
n
s
s
u
u
c ch
h
e
e
v vi
i
d
de
e
n
n
t
td
d
i
i
s
st
t
r
r
e es
s
s
s
t
t
h
h
a
a
t
t
I
It
t
r
r
i
i
e
e
d
d
t
t
o
oc
c
o
o
m
mf
f
o
o
r
rt
t
h
he
e
r
r
,
,b
b
u
ut
t
w
w
i
i
t
t
h
ho
ou
u
t
t
e
e
f
f
f
fe
e
c
c
t
t.
.
F
F
i
i
n
na
al
l
l
l
y
y
,
,
s
s
h
h
e
e
w
w
e
e
n nt
t
d
do
o
w
w
n
n
o
o
n
n
h
h
e
e
r
r
k
kn ne
e
e
e
s
sa
a
n
nd
d
i im
m
p
p
l
lo or
r
e
ed
d
m
m
e
en
no
o
t
t
t to
o
g
go
o
;
;
a
a
t
t
l
l
e
e
a
a
s st
t
t
t
o
o
w
w
a
a
i
i
t
t
a
a
d
d
a
a
y
y
o
o
r
r
t
t
w
w
o
o
b
b
e ef
f
o
o
r
r
e
e
s
st
t
a
a
r
r
t
t
i
i
n
n
g
g
.
.
I
I
t
t
w
w
a
a
s
sa
a
l
l
l lv
v
e
e
r
r
y
y
r
r
i
i
d
d
i
i
c
c
u
u
l
l
o
o
u
us
s
b
b
u
u
t
t
I
I
d
d
i
i
d
d
n
n
o
o
t
t
f
f
e
e
e
el
l
c
c
o
om
m
f
fo
o
r
r
t
t
a
a
b
b
l
l
e
e
.
.
H
H
o
o
w
w
e
e
v
v
e
e
r
r
,
,
t
t
h
h
e
e
r
r
e
ew
w
a
a
s
s
b
b
u
u
s
s
i
i
n
n
e
e
s
s
s
s
t
t
o
o
b
b
e
e
d
do
o
n
n
e
e
,
,
a
a
n
n
d
d
I
I
c
c
o
o
u
u
l
l
d
d
a
a
l
l
l
l
o
o
w
w
n
n
o
o
t
t
h
h
i
i
n
n
g
g
t
t
o
o
i
i
n
n
t
t
e
e
r
r
f
f
e
e
r
r
e
e
w
w
i
i
t
t
h
h
i
i
t
t
.
.

31. "
"
D
D
o
o
y
y
o
o
u
u
k
k
n
n
o
o
w
w
w
w
h
h
a
a
t
t
d
d
a
a
y
y
i
i
t
t
i
i
s
s
?
?
"
"
I
I
a
a
n
n
s
s
w
w
e
e
r
r
e
e
d
d
t
t
h
h
a
a
t
t
i
i
t
t
w
w
a
a
s
s
t
t
h
h
e
e
f
f
o
o
u
u
r
r
t
t
h
h
o
o
f
f
M
M
a
a
y
y
.
.
S
S
h
h
e
e
s
s
h
h
o
o
o
o
k
k
h
h
e
e
r
r
h
h
e
e
a
a
d
d
a
a
s
s
s
s
h
h
e
e
s
s
a
a
i
i
d
d
a
a
g
g
a
a
i
i
n
n
:
:
"
"
O
O
h
h
,
,
y
y
e
e
s
s
!
!
I
I
k
k
n
n
o
o
w
w
t
t
h
h
a
a
t
t
!
!
I
I
k
k
n
n
o
o
w
w
t
t
h
h
a
a
t
t
,
,
b
b
u
u
t
t
d
d
o
o
y
y
o
o
u
u
k
k
n
n
o
o
w
w
w
w
h
h
a
a
t
t
d
d
a
a
y
y
i
i
t
t
i
i
s
s
?
?
"
"
O
O
n
n
m
m
y
y
s
s
a
a
y
y
i
i
n
n
g
g
t
t
h
h
a
a
t
t
I
I
d
d
i
i
d
d
n
n
o
ot
t
u
un
nd
de
er
rs
st
ta
an
nd
d,
,s
sh
he
ew we
ennt
to
on
n:
:"
"I
It
ti
is
st
th
he
ee
ev
ve
eo
of
f
S
St
t
.
.
G
G
e
e
o
o
r
r
g
g
e
e
'
'
s
s
D
D
a
a
y
y
.
.
D
D
o
o
y
y
o
o
u
u
n
n
o
o
t
t
k
k
n
n
o
o
w
w
t
t
h
h
a
a
t
t
to
o
nig
g
ht, when the clock strikes midnight, all
the evil things in the world will have full sway? Do you know where
you are going, and what you are going to?" She was in such evident
distress that I tried to comfort her, but without effect. Finally, she
went down on her knees and implored me not to go; at least to wait
a day or two before starting. It was all very ridiculous but I did not
feel comfortable. However, there was business to be done, and I could
allow nothing to interfere with it.

32. The Tragedy
Of King Lear
William Shakespeare