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Art and Culture of the Spanish Golden Age Session 7: Portraiture ARTH 299 SPAN 301
Diego Velázquez,  Philip IV,  1623-27
Diego Velázquez,  Philip IV in Brown and Silver , 1631-32
Diego Velázquez,  Philip IV on Horseback , ca. 1635-36
Velázquez,  The Fraga Philip , 1644
Diego Velázquez,  Philip IV , ca. 1653
Titian,  The Emperor Charles V , 1533
Ti tian,  Charles V at Mühlberg , 1548
Titian,  La Gloria , 1553-1554
Antonis Mor,  Philip II , ca. 1549-1550
Titian,  Philip II , 1551
Juan Pantoja de la Cruz after Titian,  Charles V in Armour , 1605 Titian,  Philip II , 1551
Juan Pantoja de la Cruz,  Philip II , ca. 1590
El Greco,  Dream of Philip II
Juan Pantoja de la Cruz,  Annunciation , ca. 1605
Anthonis Mor,  Joanna of Austria , ca. 1549
Alonso Sanchez Coello,  The Infantas Isabel Clara Eugenia and Catalina Micaela , 1575
Diego Velázquez,  Philip IV,  1623-27
Juan Pantoja de la Cruz,  Philip II , ca. 1590 Diego Velázquez,  Philip IV,  1623-27
Diego Velázquez,  Philip IV on Horseback , ca. 1635-36
Peter Paul Rubens (copy after),  Equestrian Portrait of Philip IV , 1628 Diego Velázquez,  Philip IV on Horseback , ca. 1635-36
Diego Velázquez,  Philip IV on Horseback , ca. 1635-36 Titian,  Charles V at Mühlberg , 1548
Diego Velázquez,  Philip IV on Horseback , ca. 1635-36 Diego Velázquez,  The Prince Baltasar Carlos , ca. 1635-36
Reconstruction of the Salón del Reino at the Buen Retiro Palace (Madrid), ca. 1635-36
Velázquez,  The Fraga Philip , 1644 Hyacinthe Rigaud,  Portrait of Louis XIV , 1701
Diego Velázquez,  Queen Mariana of Austria , ca. 1652-53 Diego Velázquez,  The Infanta Margarita in Blue , ca. 1659
Diego Velázquez,  Philip IV , ca. 1653
Juan Bautista Maino,  The Recapture of Bahía , ca. 1635
Paul Pontius (after Peter Paul Rubens),  Philip IV , 1628 Henrico Estefano,  Philip IV, “Defiendo a quien me defiende/ I defend those who defend me”  from  El Fernando, o Sevilla Restaurada , 1632
Velázquez,  Don Gaspar de Guzmán, the Count-Duke of Olivares, on Horseback , ca. 1631
Paulus Pontius (after Velázquez and Rubens),  The Count-Duke of Olivares , ca. 1628 Henrico Estefano,  The Count-Duke of Olivares as Hercules , from  El Fernando, o Sevilla Restaurada , 1632
 
Velázquez,  Antonia de Ipeñarrieta with Son , early 1630s Velázquez,  Pedro de Barberana , early 1630s
Bartolomé Esteban Murillo,  Retrato de Nicolás de Omazur , 1660s Bartolomé Esteban Murillo,  Retrato de Isabel Malcampo , 1660s
Velázquez,  Lady with a fan  (possibly portrait of Marie de Rohan, Duchess of Chevreuse, 1638
Velázquez,  La venerable madre Jerónima de la Fuente , 1620
Francisco Pacheco,  Francisco de Quevedo , from  Libro de Descripcion de Rerdaderos Retratos de Ilustres y Memorables Varones , 1620s   Anonymous,  Francisco de Quevedo , ca. 1625-30
Velázquez,  Portrait of Juan Martínez Montañés , 1635
Jusepe Ribera,  Maddalena Ventura with her Husband  (“The bearded woman”), 1631 Sebastián Covarrubias,  Bearded Woman , from  Emblemas Morales , 1610
Jusepe Ribera,  Cabeza grotesca , ca. 1622
Velázquez,  Portrait of the Jester Calabazas , ca. 1638 Velázquez,  Francisco Lezcano , ca. 1638
Velázquez,  El Primo , ca. 1638
Francisco Zurbarán,  Saint Isabel of Portugal , ca. 1630-35
Francisco Zurbarán,  Saint Casilda , 1630-35 Francisco Zurbarán,  Saint Margaret of Antioch , before 1635
Francisco Zurbarán,  Saint Catalina , ca. 1635-40 Francisco Zurbarán,  Saint Eulalia , ca. 1635-40
Alonso Cano,  Saint Catalina , 1640s Bartolomé Esteban Murillo,  Saint Rufina , c. 1665
Francisco Zurbarán,  Temptation of Saint Jerome , ca. 1638-39
 
Interior of the Church of the Clarisas (Nuns), Seville  Interior of the Church of Saint Agustín, Bogotá
Anonymous,  Procession of Corpus Christi in Cuzco , 17 th  cent. Anonymous,  Procession of Corpus Christi in Cuzco , 17 th  cent. Detail

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Pp Session7