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Putting the ‘x-rated’ in comics: Underground Comix "Underground comics were more like art and less like comics.”   Gilbert Shelton  “ In those days who among us knew we were creating “Art”? Certainly not those of us creating it. In fact, as far as we were concerned, these little comic books we cranked out were anti-Art. Not canvasses on a gallery wall viewed by the few, but an ephemeral sheath of newsprint to be read on the toilet and discarded... All we really had in mind was youthful anarchistic fun. And to establish a forum where we could give the finger to the established authorities and moon the vapid Art world, to display a wanton and unbecoming lack of propriety by way of our untrained comix and to release a pathogen targeting the orthodox.” Skip Williamson  http://open.salon.com/blog/snappy_sam/2009/04/10/the_birth_of_underground_comix S. Clay Wilson
Comix: In brief ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
New distribution methods ,[object Object],[object Object],[object Object],S. Clay Wilson
New production methods ,[object Object],[object Object],[object Object],[object Object],Vaughn Bodé
Aesthetics ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Doug Potter
Changing The Role of Story ,[object Object],[object Object],[object Object],Rick Griffin
[object Object],[object Object],OVERVIEW
The ‘Comics Code’ ,[object Object],[object Object]
Doctor Wirtham's Comix & Stories ,[object Object],[object Object]
Mad Magazine ,[object Object],[object Object],[object Object],[object Object],[object Object]
Underground media ,[object Object]
Zap Comix ,[object Object],[object Object],[object Object],R. Crumb
Zap Comix ,[object Object],[object Object],Victor Moscoso
Zap Comix R. Crumb R. Crumb
Zap Comix
R. Crumb ,[object Object],[object Object],[object Object]
Radical America Komics
Anti-war Gilbert Shelton
Anti-war Gilbert Shelton
Drugs Gilbert Shelton
Sex ,[object Object],[object Object],[object Object]
Women’s Comix  ,[object Object]
Wimmen's Comix Collective ,[object Object],[object Object]
Small Press publishers ,[object Object],The niche markets of Underground Comix encouraged the foundation of small press publishing. In the early 1970s, the "comic book convention" was initiated, where dealers sold rare and valuable comic books at collectors prices. Out of this atmosphere, the comic book specialty shop was born.  The underground and conventional comic book venues found common ground in the specialty shop, perhaps because both strains existed outside the accepted popular culture. As a concept, the comic shop thrived, partly because the forum allowed publishers direct contact with their readers, and as a result, many publishers experimented with different kinds of books, directed at different segments of the comic book store patronage.
End of the Era ,[object Object]
Punk Comix ,[object Object]
The Underground dies ,[object Object],[object Object],[object Object],[object Object],[object Object],Dave Sims
The Underground created the new mainstream ,[object Object],[object Object],[object Object],Bryan Talbot
Alternative comics ,[object Object],[object Object],[object Object],[object Object],Art Spiegelman
Underground in the UK ,[object Object],[object Object],[object Object]
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Underground Comix

  • 1. Putting the ‘x-rated’ in comics: Underground Comix &quot;Underground comics were more like art and less like comics.” Gilbert Shelton “ In those days who among us knew we were creating “Art”? Certainly not those of us creating it. In fact, as far as we were concerned, these little comic books we cranked out were anti-Art. Not canvasses on a gallery wall viewed by the few, but an ephemeral sheath of newsprint to be read on the toilet and discarded... All we really had in mind was youthful anarchistic fun. And to establish a forum where we could give the finger to the established authorities and moon the vapid Art world, to display a wanton and unbecoming lack of propriety by way of our untrained comix and to release a pathogen targeting the orthodox.” Skip Williamson http://open.salon.com/blog/snappy_sam/2009/04/10/the_birth_of_underground_comix S. Clay Wilson
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Hinweis der Redaktion

  1. They tackled taboo topics of politics, sex, drugs, history and everyday life in ways that were even more daring than the most exalted and groundbreaking films of their time. The undergrounds were produced through tiny publishing houses by a comparative handful of folks in a far-ranging variety of styles.