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Contents
Graphic Design
   Sculpture
 Photography
Raw Furnishings
Graphic Design
      HD




           G       raphic design stimulates both sides of my
                   brain. The creative side is highly utilized
                   when creating a new spin on a design. The
           reasoning side joins the party when I apply my
           sense of “grammar” to the visual language.

           Whether it is graphic design or 3-D design, I lean
           toward the modern end of the style spectrum.
           There is just something about cool and clean lines
           that are balanced in such a way as to push the
           boundaries of what we consider to be “success-
           ful design” that drives an obsession within me to
           become better at dictating where those lines exist
           within space. Honestly, my heart is beating faster
           just from writing that sentence.




4                                                                5
T   he essence of
    graphic design is that of
    directing the viewers eye
    & attention to the client.
    Knowing how the visual
    language impacts the
    psychology & sociology of
    the target demographic is
    paramount for success.




6                            7
U   sing letter forms, images and
    different shapes to embody and
    project a group’s purpose is no
    easy task.
    To ensure success in achieving the desired product,
    designers have to create multiple solutions to be
    able to hone in on a client’s expectations.




8                                                    9
HD
                        Sculpture

               C       onvey a message with an object
                of depth and volume. Communicating in
             this way is like knowing a language that ev-
            eryone understands to some extent. The act of
          creating these forms is incredibly empowering.

        My preferred vehicle for conveying messages lately has been
      a raw robotic form but, I plan to include more abstract forms
     in the future. I enjoy working on custom pieces that are very
       personal in nature for anyone willing to commission their
         creation.

           I strive to become comfortable working with new
              materials. Currently metal, wood, clay, Plexiglas
                and plaster are among my favorite materi-
                  als to use.


10                                                                    11
Emotional                                                                                                                 Old Rivet
Robot II
[aprox. 4.5” x 6”]
                                                                                                                          Gearson
                                                                                                                                [aprox. 4.5 “ x 9”]
Materials: stoneware, mild steel,                                                                        Materials: maple, mild steal, copper, steel
stainless steel                                                                                                             wool, galvanized steel

This project was my first attempt at making figurative                                        This is the first robot that I made for someone else
sculpture with ceramics and metals. The meaning of each                               using their favorite music and artwork as reference for the
piece is not always clear to me. It seems that I can only look at                  initial design of the piece. I listened to music from Radiohead
a piece in retrospect and speculate why I made the aesthetic choices         and fixated on the album artwork. This figure is unique due to the
that I made while processing the materials into their current form.    wooden head. A free moving copper heart resides inside the hollow chest.




    12                                                                                                                                      13
Bad Day                                                                                                              Optimist
Bot                                                                                                                    Prime
[aprox. 3.5’ x 2’]                                                                                                         [aprox. 4” x 6”]

Materials: ceramic/metal                                                                                         Materials: mild steel, brass

The ceramic chest piece was sculpted from stoneware                                This robot figure is made entirely of scrap metal found
clay body and fired in a raku kiln. The arms and head are                       in the Middle Tennessee State University metal shop. I was
completely constructed from steel and other scrap parts found               commissioned by a classmate and professional artist to design/
around the metal shop at the time of construction. The construction   create a robot for her. Her reference material that she gave me was
of all of my robot forms are very impulsive in origin.                                                                       the band Sting.




    14                                                                                                                               15
Photography
      HD




        M         y experience with photography grew from a
           stroll to a steady jog when I started to explore the
           many layers of graphic design. Understanding and
           reproducing what makes a exceptional picture takes
           a great amount of skill. The visual language practiced
           within graphic design and 3-D design translates
           seemlessly into the act of capturing a still image.

           Good Photography is 75% subject matter and 25%
           is knowing how to take that subject matter to a
           more exciting place. This is where formal training of
           a visual language comes into play.

           A successful shot is complete when the shutter
           closes. However, Utilizing the appropriate software
           can elevate a golden shot to a platinum one.




16                                                                  17
18   19
Create the
     emotion &
     capture it.
     Support and highlight what you have captured.
     Capitalizing these elements inspire me to take my work farther than
     expected.




20                                                                         21
Raw
     Furnishings
                   F              unctional art is beauty with
                     a purpose. The balance between form and
                   function is give and take. I have found that if I
                strive to uphold the integrity of both to achieve a
              happy medium and a happy designer. My favorite as-
            pect of designing these pieces is working completely from
          logic. Instead of researching how these products are tradi-
       tionally manufactured, I construct a functional piece using both
     reason and creativity. There is something about the problem solving
        involved that I enjoy.

          Building within the modern style is exciting. To be able
           to design and build beautiful objects that give people
              comfort is exhilarating. With each piece that I
                produce I gain a greater understanding of how
                  furniture functions and how to improve
                    that function. The challenge is doing it
                      with unique style.




22                                                                         23
VL-AH                                       Task Chair
SOFA                                              [aprox. 3.5’ x 2’]

[aprox. 7’ x 3.5’ x 2.5’]            Materials: mild/stainless steel,
                                                    leather, rubber
Materials: mild steel, vinyl, wood




   24                                                        25
Rocking                        2[42]
Chair                          bowl
[aprox. 4’ x 2’]       [aprox. 18”’ x 18”]

Material: mild steel   Material: mild steel




   26                               27
Spiral                                                        Dim Lamp
Fountain                                                     [aprox. 16” x 10” x 6”’]

[aprox. 6.5’ x 1’ x 1’]                       Materials: mild steel, brass, glass, wood

Materials: mild steel, brass, copper, glass




   28                                                                           29
Contact
    Clar ke Hosp
hospdesign@gmail.com
   615-738-6090
UIC Hospfolio

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UIC Hospfolio

  • 1.
  • 2. Contents Graphic Design Sculpture Photography Raw Furnishings
  • 3. Graphic Design HD G raphic design stimulates both sides of my brain. The creative side is highly utilized when creating a new spin on a design. The reasoning side joins the party when I apply my sense of “grammar” to the visual language. Whether it is graphic design or 3-D design, I lean toward the modern end of the style spectrum. There is just something about cool and clean lines that are balanced in such a way as to push the boundaries of what we consider to be “success- ful design” that drives an obsession within me to become better at dictating where those lines exist within space. Honestly, my heart is beating faster just from writing that sentence. 4 5
  • 4. T he essence of graphic design is that of directing the viewers eye & attention to the client. Knowing how the visual language impacts the psychology & sociology of the target demographic is paramount for success. 6 7
  • 5. U sing letter forms, images and different shapes to embody and project a group’s purpose is no easy task. To ensure success in achieving the desired product, designers have to create multiple solutions to be able to hone in on a client’s expectations. 8 9
  • 6. HD Sculpture C onvey a message with an object of depth and volume. Communicating in this way is like knowing a language that ev- eryone understands to some extent. The act of creating these forms is incredibly empowering. My preferred vehicle for conveying messages lately has been a raw robotic form but, I plan to include more abstract forms in the future. I enjoy working on custom pieces that are very personal in nature for anyone willing to commission their creation. I strive to become comfortable working with new materials. Currently metal, wood, clay, Plexiglas and plaster are among my favorite materi- als to use. 10 11
  • 7. Emotional Old Rivet Robot II [aprox. 4.5” x 6”] Gearson [aprox. 4.5 “ x 9”] Materials: stoneware, mild steel, Materials: maple, mild steal, copper, steel stainless steel wool, galvanized steel This project was my first attempt at making figurative This is the first robot that I made for someone else sculpture with ceramics and metals. The meaning of each using their favorite music and artwork as reference for the piece is not always clear to me. It seems that I can only look at initial design of the piece. I listened to music from Radiohead a piece in retrospect and speculate why I made the aesthetic choices and fixated on the album artwork. This figure is unique due to the that I made while processing the materials into their current form. wooden head. A free moving copper heart resides inside the hollow chest. 12 13
  • 8. Bad Day Optimist Bot Prime [aprox. 3.5’ x 2’] [aprox. 4” x 6”] Materials: ceramic/metal Materials: mild steel, brass The ceramic chest piece was sculpted from stoneware This robot figure is made entirely of scrap metal found clay body and fired in a raku kiln. The arms and head are in the Middle Tennessee State University metal shop. I was completely constructed from steel and other scrap parts found commissioned by a classmate and professional artist to design/ around the metal shop at the time of construction. The construction create a robot for her. Her reference material that she gave me was of all of my robot forms are very impulsive in origin. the band Sting. 14 15
  • 9. Photography HD M y experience with photography grew from a stroll to a steady jog when I started to explore the many layers of graphic design. Understanding and reproducing what makes a exceptional picture takes a great amount of skill. The visual language practiced within graphic design and 3-D design translates seemlessly into the act of capturing a still image. Good Photography is 75% subject matter and 25% is knowing how to take that subject matter to a more exciting place. This is where formal training of a visual language comes into play. A successful shot is complete when the shutter closes. However, Utilizing the appropriate software can elevate a golden shot to a platinum one. 16 17
  • 10. 18 19
  • 11. Create the emotion & capture it. Support and highlight what you have captured. Capitalizing these elements inspire me to take my work farther than expected. 20 21
  • 12. Raw Furnishings F unctional art is beauty with a purpose. The balance between form and function is give and take. I have found that if I strive to uphold the integrity of both to achieve a happy medium and a happy designer. My favorite as- pect of designing these pieces is working completely from logic. Instead of researching how these products are tradi- tionally manufactured, I construct a functional piece using both reason and creativity. There is something about the problem solving involved that I enjoy. Building within the modern style is exciting. To be able to design and build beautiful objects that give people comfort is exhilarating. With each piece that I produce I gain a greater understanding of how furniture functions and how to improve that function. The challenge is doing it with unique style. 22 23
  • 13. VL-AH Task Chair SOFA [aprox. 3.5’ x 2’] [aprox. 7’ x 3.5’ x 2.5’] Materials: mild/stainless steel, leather, rubber Materials: mild steel, vinyl, wood 24 25
  • 14. Rocking 2[42] Chair bowl [aprox. 4’ x 2’] [aprox. 18”’ x 18”] Material: mild steel Material: mild steel 26 27
  • 15. Spiral Dim Lamp Fountain [aprox. 16” x 10” x 6”’] [aprox. 6.5’ x 1’ x 1’] Materials: mild steel, brass, glass, wood Materials: mild steel, brass, copper, glass 28 29
  • 16. Contact Clar ke Hosp hospdesign@gmail.com 615-738-6090