26. 팔각형을 심플하게 변형
C:62 M:0 Y:5 K:0
R:0 G:216 B:255
하늘색을 주조색으로 설정해
맑고 밝은 이미지
부조색은 오픈컬러
>> 변화, 다양성 강조
C:? M:? Y:? K:?
R:? G:? B:?
BLUE SKY
그라데이션을 사용해
자연스럽게 어우러짐 강조
27. 5.최종 디자인
C:62 M:0 Y:5 K:0
R:0 G:216 B:255
BLUE SKY
하늘색을 주조색으로 설정해
맑고 밝은 이미지
(로고는 원컬러 사용)
정팔각형 그리드를 사용해 전체적으로
대칭적이고 도형적인 느낌이 들도록 디자인
각을 다듬어 모나지 않은
동글동글한 느낌 강조
획을 끊어주어
열려있는 듯한 느낌 강조
33. In Taiwan, too, I suspect the sense of national identity is flexible,
though for different reasons than in Ireland.In Taiwan, too, I
suspect the sense of national identity is flexible, though for
different reasons than in Ireland.In Taiwan, too, I suspect the
sense of national identity is flexible, though for different reasons
than in Ireland.In Taiwan, too, I suspect the sense of national
identity is flexible, though for different reasons than in Ireland.In
Taiwan, too, I suspect the sense of national identity is flexible,
though for different reasons than in Ireland.In Taiwan, too, I
In Taiwan, too, I suspect the sense of
national identity is flexible, though for
different reasons than in Ireland.In
Taiwan, too, I suspect the sense of
national identity is flexible, though for
different reasons than in Ireland.In
Taiwan, too, I suspect the sense of
national identity is flexible, though for
different reasons than in Ireland.In
Taiwan, too, I suspect the sense of
In Taiwan, too, I suspect the sense of national identity is flexible, though
for different reasons than in Ireland.In Taiwan, too, I suspect the sense of
national identity is flexible, though for different reasons than in Ireland.In
Taiwan, too, I suspect the sense of national identity is flexible, though for
5.최종 디자인