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Achieving Empathy

    Sympathy
               Kristian Egge
                 K0147159
Sympathy vs. Empathy

These are two of the most commonly misunderstood
terms in the English language.
They are both an act of feeling, but;

       Sympathy means feeling FOR something

              Empathy is feeling WITH.
Sympathy vs. Empathy

For instance:
Sympathy is feeling sorry for someone.

While, empathy on the other hand can be described as sharing a
feeling with someone.

                - ‘‘putting yourself in their shoes’’.
Empathy to create comedy

Empathy in comedy is about identifying yourself with
the character on screen.
If the character on screen embarasses him/herself you
feel that emotion

 - You identify yourself with it and you emphasise.
Empathy to create comedy

‘‘All great cartoon characters are based on human
       behaviour we reckognize in ourselves.’’

                     - Chuck Jones
      (Legendary AnimationDirector at Warner Brothers)
The seven basic emotions

Anger
Disgust
Fear
Happiness
Sadness
Surprise
Contempt
‘‘Go for the empathy as much as the gag. Remember
the heart. Don’t just try to be funny. Evoke tears as well
as laughter’’
              - Ed Hooks (Acting for animators)
Maximus
        ‘‘Tangled’’
(Walt Disney Animation Studios)
Maximus

                     Maximus trying to get to Flynn:

                              Determined
                                  &
                              Frustrated

           As an audience we emphasise with his frustration.

          - And the increase in frustration creates comedy,
the emotion builds and the harder he tries the funnier the scene becomes.
Maximus behavior

Determined to catch Flynn -> Frustrated when he can’t get passed Rapunzel.

Tries to keep in control of the situation:

He does not want to sit down or let go of the boot.
He tries to keep his pride for as long as possible.
He needs to feel that he is making the choice to sit down
and that he decides when to let go of the boot.

 -   To us this is funny because we emphasise with his frustration and his stubbornness.
                                          -
Maximus emotions

In the clip Maximus goes through a range of emotions:

   Angry
   Sad
   Happy
   Disgust

All of these in a short period of time, but because he displays all these feelings it all
becomes funnier to us.

                                - It ‘‘plays to our heart’’.
Warwick
    ‘‘Lifes too short’’
(R.Gervais, S.Merchant, W.Davies)
Warwicks behavior
Determined to get his trophy -> refuses to accept any help.

Tries to show that he is in ‘control’ of the situation:
While hanging from the shelf he turns around and says ‘‘all right?’’

Even after falling down he tries to control the situation:

It was their fault that he ended up on the floor.
They must admit that they where supposed to move the trophy down anyway.
Pretends he forgot what he came for – hoping to walk away with some pride.

- As an audience we find this is funny because we emphasise with his stubbornness and
the fact that he is humiliated in front of his ex-wife and her new boyfriend.
Warwicks emotions

In the clip Warwick goes through these emotions:

  Fear
  Anger
  Disgust
  Contempt
  Sadness
What they have in common

They have a lot of the same negative emotions.

Both are stubborn characters that tries to keep their pride for
as long as possible.

They both need a female character to help them
communicate and keep them from ending up in a fight.
What separates the clips
The animation:
Goes through a lot of emotions in a short period of time and then
adds a slapstick gag to get a laugh at the end.
                               (Funny to everyone)

The live action:
Has less emotions and has the slapstick gag in the middle (the fall).
They then use the humiliation of that to make us emphasise with
the character at the end.
                          (Aimed at an older audience)
“Animation is not about moving characters around;
 it is about creating characters who move people.”
              - Angie Jones , Jamie Oliff
Thanks for listening!
References

Links:

   http://www.differencebetween.net/language/difference-between-sympathy-and-
   empathy/
   http://www.psychic101.com/empathy.html

Litterature:

   “Thinking Animation: Bridging the Gap Between 2D and CG’’ (2006, Jamie Oliff & Angie
   Jones)
   “Acting for animators” (2000, Ed Hooks)

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Achieving empathy not sympathy without clips

  • 1. Achieving Empathy Sympathy Kristian Egge K0147159
  • 2. Sympathy vs. Empathy These are two of the most commonly misunderstood terms in the English language. They are both an act of feeling, but; Sympathy means feeling FOR something Empathy is feeling WITH.
  • 3. Sympathy vs. Empathy For instance: Sympathy is feeling sorry for someone. While, empathy on the other hand can be described as sharing a feeling with someone. - ‘‘putting yourself in their shoes’’.
  • 4. Empathy to create comedy Empathy in comedy is about identifying yourself with the character on screen. If the character on screen embarasses him/herself you feel that emotion - You identify yourself with it and you emphasise.
  • 5. Empathy to create comedy ‘‘All great cartoon characters are based on human behaviour we reckognize in ourselves.’’ - Chuck Jones (Legendary AnimationDirector at Warner Brothers)
  • 6. The seven basic emotions Anger Disgust Fear Happiness Sadness Surprise Contempt
  • 7. ‘‘Go for the empathy as much as the gag. Remember the heart. Don’t just try to be funny. Evoke tears as well as laughter’’ - Ed Hooks (Acting for animators)
  • 8. Maximus ‘‘Tangled’’ (Walt Disney Animation Studios)
  • 9. Maximus Maximus trying to get to Flynn: Determined & Frustrated As an audience we emphasise with his frustration. - And the increase in frustration creates comedy, the emotion builds and the harder he tries the funnier the scene becomes.
  • 10. Maximus behavior Determined to catch Flynn -> Frustrated when he can’t get passed Rapunzel. Tries to keep in control of the situation: He does not want to sit down or let go of the boot. He tries to keep his pride for as long as possible. He needs to feel that he is making the choice to sit down and that he decides when to let go of the boot. - To us this is funny because we emphasise with his frustration and his stubbornness. -
  • 11. Maximus emotions In the clip Maximus goes through a range of emotions: Angry Sad Happy Disgust All of these in a short period of time, but because he displays all these feelings it all becomes funnier to us. - It ‘‘plays to our heart’’.
  • 12.
  • 13. Warwick ‘‘Lifes too short’’ (R.Gervais, S.Merchant, W.Davies)
  • 14. Warwicks behavior Determined to get his trophy -> refuses to accept any help. Tries to show that he is in ‘control’ of the situation: While hanging from the shelf he turns around and says ‘‘all right?’’ Even after falling down he tries to control the situation: It was their fault that he ended up on the floor. They must admit that they where supposed to move the trophy down anyway. Pretends he forgot what he came for – hoping to walk away with some pride. - As an audience we find this is funny because we emphasise with his stubbornness and the fact that he is humiliated in front of his ex-wife and her new boyfriend.
  • 15. Warwicks emotions In the clip Warwick goes through these emotions: Fear Anger Disgust Contempt Sadness
  • 16.
  • 17. What they have in common They have a lot of the same negative emotions. Both are stubborn characters that tries to keep their pride for as long as possible. They both need a female character to help them communicate and keep them from ending up in a fight.
  • 18. What separates the clips The animation: Goes through a lot of emotions in a short period of time and then adds a slapstick gag to get a laugh at the end. (Funny to everyone) The live action: Has less emotions and has the slapstick gag in the middle (the fall). They then use the humiliation of that to make us emphasise with the character at the end. (Aimed at an older audience)
  • 19. “Animation is not about moving characters around; it is about creating characters who move people.” - Angie Jones , Jamie Oliff
  • 21. References Links: http://www.differencebetween.net/language/difference-between-sympathy-and- empathy/ http://www.psychic101.com/empathy.html Litterature: “Thinking Animation: Bridging the Gap Between 2D and CG’’ (2006, Jamie Oliff & Angie Jones) “Acting for animators” (2000, Ed Hooks)