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Main image and representation analysis 
This Billboard magazine cover 
consists of a lot of mise en scene 
features. Firstly, the lighting creates a 
real sense of isolation and darkness 
that the artist, Eminem, has found 
himself in. As his target audience 
would know, Eminem was in a very 
rough situation where he was addicted 
to drugs and it reached a point where 
he almost died so this use of lighting 
where only part of his face can be 
seen shows his bad character and 
shows a dangerous side to him as 
well. However the clever use of 
ligthing in this image also reveals 
something else about the artist. As the 
caption suggests, Eminem is working 
on recovering and going back to being 
the great artist he once was. He even 
admits in an interview that his album Relapse was disappointing because he was 
on drugs, despite the number of awards he received for it. His next album 
Recovery was to show that he’s back and this time he’s not playing around – he 
wants to make up for his previous album. So the fact that part of his face can be 
seen coming out of his hoodie shows that he is emerging from the depths of 
despair he was in and is ironically going through his ‘revovery’. Secondly, the 
costume shows another side to the artist. It emphasises the fact that he was in a 
place of darkness where he felt completely alone and that fact that he has his 
hood shielding his face shows that he doesn’t want to be seen or identified as the 
artist who went through those drug problems and released poor quality music as 
a result of it. The costume also shows that Eminem as an artist isn’t one that 
brags about having an expensive lifestyle like the majority of other artists, 
particularly ones in the hip-hop industry. The hoodie expresses a sense of 
normality and a lack of extravagance – here is a man who is simply about the 
music and not the fame. 
The camerawork used in this magazine cover is also very clever in representing 
the artist. In a lot of magazines, specifically music magazines, the artist is often 
looking directly into the camera with their face and body facing the camera too. 
However, as shown in the image, there has been a different approach in the 
making of this magazine. Eminem is facing sideways but he is still looking into the 
camera – a look that conveys the impression that Eminem isn’t an artist that likes 
to be focused on, sharply contrasting with other artists. This emphasises again 
that he was essentially in ‘hell’ as the cover line suggests and he doesn’t want to 
be known as the artist would dropped dramatically. The camerawork also implies 
a sense of danger and menace in the artist – almost as if he’s rising from the 
dead.
This magazine double page spread includes many features of mise en scene and 
camerawork too. Firstly, again the lighting in this image showcases a lot of ideas 
about the artist, Eminem. He stands out in this double page spread because the 
background is black whereas he is shown as bright and completely contrasting 
the background. This is a clever use of juxtaposition. It could show the good and 
evil side of Eminem – Slim Shady, his alter-ego being the evil one and Eminem 
being the good one. Another example of mise en scene is the use of costume. 
The artist is wearing a basketball vest – a sleeveless vest – and tracksuit bottoms 
finished off with basketball trainers. It is a very casual costume and it is often his 
attire and this is because he doesn’t really care about his appearance, he only 
cares about the music and the sounds he’s producing. The tattoos on his arms 
show that he also cares deeply about is family and especially his children, he has 
his daughter Hailie’s name and face inked on his arm. The magazine wants to 
express and this would very much pass the approval of Eminem, that this is an 
artist who is very down to Earth and is extremely passionate about his music and 
family. This is something that Eminem addresses in essentially all of his songs, 
the fact that he is in the music industry purely for the music and to give his 
daughter the life that he always wished she had. This is expressed explicitly in his 
songs ‘Mockingbird’ and ‘When I’m Gone’. 
The use of camerawork in this double page spread very cleverly shows little sign 
of wealth in Eminem’s life. It is obvious that he is a very successful artist who has 
an extreme amount of wealth but the camerawork further reinforces the idea that 
he is a very humble figure who is respected for this. The shot used is a medium 
shot and it captures his whole body whilst he is sitting down, giving the 
impression that he looks homeless or ‘on the streets’. This acts very cleverly as a 
sort of flashback to Eminem’s horrible past, filled with deprivation and poverty. 
Essentially every single one of the Eminem’s fans know and understand his story 
from rags to riches and this forms a huge part of his popularity. It also highlights a 
message he often gives to people of “no matter how great you become, never 
forget how you started’.

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Main image and representation analysis

  • 1. Main image and representation analysis This Billboard magazine cover consists of a lot of mise en scene features. Firstly, the lighting creates a real sense of isolation and darkness that the artist, Eminem, has found himself in. As his target audience would know, Eminem was in a very rough situation where he was addicted to drugs and it reached a point where he almost died so this use of lighting where only part of his face can be seen shows his bad character and shows a dangerous side to him as well. However the clever use of ligthing in this image also reveals something else about the artist. As the caption suggests, Eminem is working on recovering and going back to being the great artist he once was. He even admits in an interview that his album Relapse was disappointing because he was on drugs, despite the number of awards he received for it. His next album Recovery was to show that he’s back and this time he’s not playing around – he wants to make up for his previous album. So the fact that part of his face can be seen coming out of his hoodie shows that he is emerging from the depths of despair he was in and is ironically going through his ‘revovery’. Secondly, the costume shows another side to the artist. It emphasises the fact that he was in a place of darkness where he felt completely alone and that fact that he has his hood shielding his face shows that he doesn’t want to be seen or identified as the artist who went through those drug problems and released poor quality music as a result of it. The costume also shows that Eminem as an artist isn’t one that brags about having an expensive lifestyle like the majority of other artists, particularly ones in the hip-hop industry. The hoodie expresses a sense of normality and a lack of extravagance – here is a man who is simply about the music and not the fame. The camerawork used in this magazine cover is also very clever in representing the artist. In a lot of magazines, specifically music magazines, the artist is often looking directly into the camera with their face and body facing the camera too. However, as shown in the image, there has been a different approach in the making of this magazine. Eminem is facing sideways but he is still looking into the camera – a look that conveys the impression that Eminem isn’t an artist that likes to be focused on, sharply contrasting with other artists. This emphasises again that he was essentially in ‘hell’ as the cover line suggests and he doesn’t want to be known as the artist would dropped dramatically. The camerawork also implies a sense of danger and menace in the artist – almost as if he’s rising from the dead.
  • 2. This magazine double page spread includes many features of mise en scene and camerawork too. Firstly, again the lighting in this image showcases a lot of ideas about the artist, Eminem. He stands out in this double page spread because the background is black whereas he is shown as bright and completely contrasting the background. This is a clever use of juxtaposition. It could show the good and evil side of Eminem – Slim Shady, his alter-ego being the evil one and Eminem being the good one. Another example of mise en scene is the use of costume. The artist is wearing a basketball vest – a sleeveless vest – and tracksuit bottoms finished off with basketball trainers. It is a very casual costume and it is often his attire and this is because he doesn’t really care about his appearance, he only cares about the music and the sounds he’s producing. The tattoos on his arms show that he also cares deeply about is family and especially his children, he has his daughter Hailie’s name and face inked on his arm. The magazine wants to express and this would very much pass the approval of Eminem, that this is an artist who is very down to Earth and is extremely passionate about his music and family. This is something that Eminem addresses in essentially all of his songs, the fact that he is in the music industry purely for the music and to give his daughter the life that he always wished she had. This is expressed explicitly in his songs ‘Mockingbird’ and ‘When I’m Gone’. The use of camerawork in this double page spread very cleverly shows little sign of wealth in Eminem’s life. It is obvious that he is a very successful artist who has an extreme amount of wealth but the camerawork further reinforces the idea that he is a very humble figure who is respected for this. The shot used is a medium shot and it captures his whole body whilst he is sitting down, giving the impression that he looks homeless or ‘on the streets’. This acts very cleverly as a sort of flashback to Eminem’s horrible past, filled with deprivation and poverty. Essentially every single one of the Eminem’s fans know and understand his story from rags to riches and this forms a huge part of his popularity. It also highlights a message he often gives to people of “no matter how great you become, never forget how you started’.