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Imagination, sensual delight, a sharp wit …
these qualities were enormously prized in sixteenth-century Ferrara, where one of the most cultured
and powerful courts of the High Renaissance held sway.
Dosso Dossi was the idiosyncratic, brilliant painter most responsible for turning those values into
a glorious artistic reality.
Dosso Dossi:
Court Painter in Renaissance Ferrara
Mythology and Allegories
DOSSI, Dosso
Jupiter, Mercury and the
Virtue
Jupiter, Mercure et la
Vertu
1515-1518
Wawel Royal Castle,
Cracow
DOSSI, Dosso
Aeneas and Achates on the
Libyan Coast
Enée et Achate sur la côte
libyenne
1520
National Gallery of Art,
Washington
DOSSI, Dosso
Apollo and Daphne
Apollon et Daphné
1524
Galleria Borghese, Rome
DOSSI, Dosso
Melissa
1520
Galleria Borghese, Rome
DOSSI, Dosso
Anger or the Tussle
Colère ou Querelle
1515-1516
Collezione Vittorio Cini,
Venice
DOSSI, Dosso, DOSSI, Battista
Witchcraft (Allegory of Hercules)
Sorcellerie (Allégorie d'Hercule)
1540-1542
Galleria degli Uffizi, Florence
DOSSI, Dosso, DOSSI, Battista
Allegory of Music
Allégorie de la musique
1522
Museo Horne, Florence
DOSSI, Dosso, DOSSI, Battista
Allegory of Fortune
L'Allégorie de la Fortune
1530
Getty Center J. Paul Getty
Museum, Los Angeles
DOSSI, Dosso
Sibyl
Sibylle
1524-1525
The Hermitage, St. Petersburg
DOSSI, Dosso
Nymph and Satyr
Nymphe et Satyre
1510-1516
Galleria Palatina (Palazzo
Pitti), Florence
DOSSI, Dosso
Circe and her Lovers in a
Landscape
Circé et ses amants dans un
paysage
1514-1516
National Gallery of Art,
Washington
olga_oes
Dosso Dossi: Court Painter in Renaissance Ferrara.
Mythology and Allegories
images and text credit www.
Music Antonio Lucio Vivaldi,La Follia. Adagio
created olga.e.
thanks for watching
Dosso Dossi, real name Giovanni di Niccolò de Luteri, was an Italian Renaissance painter who belonged
to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular
Giorgione and early Titian.
Dosso and his less talented younger brother Battista were the leading painters at the court of Ferrara
under Alfonso I d'Este and Ercole II d'Este.
Dosso's virtuosic painting performance was a kind of magical invention.
The play of his imagination is evident not only in the many pictures representing mythological or literary
subjects but also in his religious paintings, which are lyrical and original, filled with spectacular visual
effects.
When Ferrara's fortunes changed, at the end of the sixteenth century, most of Dosso's paintings were
taken to Rome and ultimately dispersed.

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Dosso Dossi,Court Painter in Renaissance Ferrara.Mythology and Allegories

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  • 3. Imagination, sensual delight, a sharp wit … these qualities were enormously prized in sixteenth-century Ferrara, where one of the most cultured and powerful courts of the High Renaissance held sway. Dosso Dossi was the idiosyncratic, brilliant painter most responsible for turning those values into a glorious artistic reality.
  • 4. Dosso Dossi: Court Painter in Renaissance Ferrara Mythology and Allegories
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  • 7. DOSSI, Dosso Jupiter, Mercury and the Virtue Jupiter, Mercure et la Vertu 1515-1518 Wawel Royal Castle, Cracow
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  • 9. DOSSI, Dosso Aeneas and Achates on the Libyan Coast Enée et Achate sur la côte libyenne 1520 National Gallery of Art, Washington
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  • 13. DOSSI, Dosso Apollo and Daphne Apollon et Daphné 1524 Galleria Borghese, Rome
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  • 21. DOSSI, Dosso Anger or the Tussle Colère ou Querelle 1515-1516 Collezione Vittorio Cini, Venice
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  • 24. DOSSI, Dosso, DOSSI, Battista Witchcraft (Allegory of Hercules) Sorcellerie (Allégorie d'Hercule) 1540-1542 Galleria degli Uffizi, Florence
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  • 29. DOSSI, Dosso, DOSSI, Battista Allegory of Music Allégorie de la musique 1522 Museo Horne, Florence
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  • 32. DOSSI, Dosso, DOSSI, Battista Allegory of Fortune L'Allégorie de la Fortune 1530 Getty Center J. Paul Getty Museum, Los Angeles
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  • 39. DOSSI, Dosso Nymph and Satyr Nymphe et Satyre 1510-1516 Galleria Palatina (Palazzo Pitti), Florence
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  • 42. DOSSI, Dosso Circe and her Lovers in a Landscape Circé et ses amants dans un paysage 1514-1516 National Gallery of Art, Washington
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  • 47. olga_oes Dosso Dossi: Court Painter in Renaissance Ferrara. Mythology and Allegories images and text credit www. Music Antonio Lucio Vivaldi,La Follia. Adagio created olga.e. thanks for watching
  • 48. Dosso Dossi, real name Giovanni di Niccolò de Luteri, was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian. Dosso and his less talented younger brother Battista were the leading painters at the court of Ferrara under Alfonso I d'Este and Ercole II d'Este. Dosso's virtuosic painting performance was a kind of magical invention. The play of his imagination is evident not only in the many pictures representing mythological or literary subjects but also in his religious paintings, which are lyrical and original, filled with spectacular visual effects. When Ferrara's fortunes changed, at the end of the sixteenth century, most of Dosso's paintings were taken to Rome and ultimately dispersed.