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woestemannen.blogspot.com woeste mannen.  hommes sauvages.  wild men.  tijs sven naoufal lennart
woestemannen.blogspot.com woeste mannen.  hommes sauvages.  wild men.  tijs sven naoufal lennart
woestemannen.blogspot.com woeste mannen.  hommes sauvages.  wild men.  > Create a concept which brings different media types together. the assignment.
woestemannen.blogspot.com woeste mannen.  hommes sauvages.  wild men.  > Peer production of content will structurally alter production  processes in the creative industry.
woestemannen.blogspot.com woeste mannen.  hommes sauvages.  wild men.  consumer everybody is a creator. > prosumer
woestemannen.blogspot.com woeste mannen.  hommes sauvages.  wild men.  > futuristic audiences do what they want to do and  whenever they want to do it. > freedom. who, when, what?
woestemannen.blogspot.com woeste mannen.  hommes sauvages.  wild men.  > the audiences will find you!
woestemannen.blogspot.com woeste mannen.  hommes sauvages.  wild men.
woestemannen.blogspot.com woeste mannen.  hommes sauvages.  wild men.  > Woedend produces different on three different levels: - Advertisements - Games for the popular consoles - Mobiles and social networking how does peer production affect Woedend?
woestemannen.blogspot.com woeste mannen.  hommes sauvages.  wild men.  adverstisements will still be produced. BUT: targetted at groups for which a specific add is relevant.  sites with peer produced content are increasing their  revenues by incorporating adds. (like before a clip) advertisements.
woestemannen.blogspot.com woeste mannen.  hommes sauvages.  wild men.  - this depends on what type of game - modification programs can be made available for peer  production. - creating games may involve thousands of individuals,  instead of a few programmers games.
woestemannen.blogspot.com woeste mannen.  hommes sauvages.  wild men.  - people already state their favorite brands on their  hyvespages.  - predetermined preferences may be used to define  consumer groups and target them with specific  adds and offers.  - networking sites can be used to share interesting offers  with friends. mobile phones and social applications.
woestemannen.blogspot.com woeste mannen.  hommes sauvages.  wild men.  is altering the production process but: - for each product it is altering different parts of the production- chain.  - some products are more adaptable to this environment:  customizing Nike’s is more likely then customizing toilet  paper. peer production.
woeste mannen.  hommes sauvages.  wild men.  > some major companies are in danger!
woeste mannen.  hommes sauvages.  wild men.  > the open source networks are free accessible and  function the same as mediums where you have to  pay for.
woeste mannen.  hommes sauvages.  wild men.  > such as: encarta > wikipedia major telecoms > skype recording industry > p2p free software > microsoft source: Prof. Yochai Berkler
woeste mannen.  hommes sauvages.  wild men.  > but wherever there are problems, there also arise opportunities.
woeste mannen.  hommes sauvages.  wild men.  > by using open source networks there can be  created open source platforms or applications  which will help companies/government institutions.
woeste mannen.  hommes sauvages.  wild men.  >  final thought
woeste mannen.  hommes sauvages.  wild men.  Get the Microsoft TAG reader & snap with your Smartphone!

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Woeste Mannen Presentatie2

  • 1. woestemannen.blogspot.com woeste mannen. hommes sauvages. wild men. tijs sven naoufal lennart
  • 2. woestemannen.blogspot.com woeste mannen. hommes sauvages. wild men. tijs sven naoufal lennart
  • 3. woestemannen.blogspot.com woeste mannen. hommes sauvages. wild men. > Create a concept which brings different media types together. the assignment.
  • 4. woestemannen.blogspot.com woeste mannen. hommes sauvages. wild men. > Peer production of content will structurally alter production processes in the creative industry.
  • 5. woestemannen.blogspot.com woeste mannen. hommes sauvages. wild men. consumer everybody is a creator. > prosumer
  • 6. woestemannen.blogspot.com woeste mannen. hommes sauvages. wild men. > futuristic audiences do what they want to do and whenever they want to do it. > freedom. who, when, what?
  • 7. woestemannen.blogspot.com woeste mannen. hommes sauvages. wild men. > the audiences will find you!
  • 8. woestemannen.blogspot.com woeste mannen. hommes sauvages. wild men.
  • 9. woestemannen.blogspot.com woeste mannen. hommes sauvages. wild men. > Woedend produces different on three different levels: - Advertisements - Games for the popular consoles - Mobiles and social networking how does peer production affect Woedend?
  • 10. woestemannen.blogspot.com woeste mannen. hommes sauvages. wild men. adverstisements will still be produced. BUT: targetted at groups for which a specific add is relevant. sites with peer produced content are increasing their revenues by incorporating adds. (like before a clip) advertisements.
  • 11. woestemannen.blogspot.com woeste mannen. hommes sauvages. wild men. - this depends on what type of game - modification programs can be made available for peer production. - creating games may involve thousands of individuals, instead of a few programmers games.
  • 12. woestemannen.blogspot.com woeste mannen. hommes sauvages. wild men. - people already state their favorite brands on their hyvespages. - predetermined preferences may be used to define consumer groups and target them with specific adds and offers. - networking sites can be used to share interesting offers with friends. mobile phones and social applications.
  • 13. woestemannen.blogspot.com woeste mannen. hommes sauvages. wild men. is altering the production process but: - for each product it is altering different parts of the production- chain. - some products are more adaptable to this environment: customizing Nike’s is more likely then customizing toilet paper. peer production.
  • 14. woeste mannen. hommes sauvages. wild men. > some major companies are in danger!
  • 15. woeste mannen. hommes sauvages. wild men. > the open source networks are free accessible and function the same as mediums where you have to pay for.
  • 16. woeste mannen. hommes sauvages. wild men. > such as: encarta > wikipedia major telecoms > skype recording industry > p2p free software > microsoft source: Prof. Yochai Berkler
  • 17. woeste mannen. hommes sauvages. wild men. > but wherever there are problems, there also arise opportunities.
  • 18. woeste mannen. hommes sauvages. wild men. > by using open source networks there can be created open source platforms or applications which will help companies/government institutions.
  • 19. woeste mannen. hommes sauvages. wild men. > final thought
  • 20. woeste mannen. hommes sauvages. wild men. Get the Microsoft TAG reader & snap with your Smartphone!

Hinweis der Redaktion

  1. Sheet 1&2- een intro van de woestemannen (20 sec:P)
  2. Sheet 1&2- een intro van de woestemannen (20 sec:P)
  3. Sheet 3- Vervolgens duidelijk maken wat onze opdracht is vanuit woedend comm.
  4. Sheet 4- De stelling, zonder nog te vertellen dat we voor zijn (dat kan denk ik het beste aan het eind van ons verhaal)
  5. Sheet 5- Vervolgens het verhaal dat in deze huidige tijden er geen volgers meer zijnn van media, maar interactiviteit van publieken de boventoon voeren (prosumers)
  6. Sheet 6 - deze sheet gaat over het kenmerk van de tegenwoordige publieken (iedereen belist zelf wanneer er welk emdium gebruikt wordt, end aarbij komt vrijheid kijken.
  7. Sheet 7 -  in het geval van onze casus is het dus belangrijk dat publiek ons medium weten te vinden. ze bepalen immers zelf wanneer en wat ze precies gebruiken kwa media
  8. Sheet 8- nog een voorbeeld (van benkler), dat de participatie van publieken met de dag groter wordt. Vroeger hielden 10 mensen Wikipedia bij, tegenwoordig zijn het miljoenen mensen die de site bijschaven.
  9. Sheet 5- Vervolgens het verhaal dat in deze huidige tijden er geen volgers meer zijnn van media, maar interactiviteit van publieken de boventoon voeren (prosumers)
  10. Sheet 6 - deze sheet gaat over het kenmerk van de tegenwoordige publieken (iedereen belist zelf wanneer er welk emdium gebruikt wordt, end aarbij komt vrijheid kijken.
  11. Sheet 6 - deze sheet gaat over het kenmerk van de tegenwoordige publieken (iedereen belist zelf wanneer er welk emdium gebruikt wordt, end aarbij komt vrijheid kijken.
  12. Sheet 6 - deze sheet gaat over het kenmerk van de tegenwoordige publieken (iedereen belist zelf wanneer er welk emdium gebruikt wordt, end aarbij komt vrijheid kijken.
  13. Sheet 6 - deze sheet gaat over het kenmerk van de tegenwoordige publieken (iedereen belist zelf wanneer er welk emdium gebruikt wordt, end aarbij komt vrijheid kijken.
  14. Bedrijven zijn in gevaar, maar waarom? Bad economy, people don’t have time to help the Wikipedia’s in this world.
  15. Bedrijven/branches die in de problemen worden gebracht door deze ontwikkelingen
  16. Bedrijven moet niet kijken naar de huidige problemen, maar inspelen op de mogelijkheden die deze nieuwe ontwikkeling met zich mee brengen
  17. Voorbeeld van NASA die de screensaver verspreidde over heel de wereld die help bij het vertalen van buitenaardse geluiden. Kijk anders op http://www.youtube.com/watch?v=NgYE75gkzkM vanaf 15:00 minuten!
  18. Voorbeeld van NASA die de screensaver verspreidde over heel de wereld die help bij het vertalen van buitenaardse geluiden. Kijk anders op http://www.youtube.com/watch?v=NgYE75gkzkM vanaf 15:00 minuten!
  19. Laatste pagina en de mogelijk voor studenten om met hun Smartphone een snelkoppeling naar de Woestemannen blog te ontvangen.