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Claude Debussy  (1862-1918) musical modernism •  move away from conventional practices of representation in the arts challenges to •  scales •  melody •  harmony •  rhythm •  tone color •  time •  tonality •  and more
Claude Debussy  (1862-1918) musical modernism Paris  (1889 International Exposition)
Claude Debussy  (1862-1918) musical modernism Paris gamelan
 
Claude Debussy “ Pagodas”, from  Prints  (1899) influenced by hearing gamelan music multiple melodies moving at separate tempos (at start) percussive, resonant timbre exoticism: attempt to evoke “the East” (title, scales, music) impressionistic effects
Claude Debussy  (1862-1918) “ Clouds”, from Three Nocturnes (1899) Impressionism  - blurred impression of outer reality
Claude Monet (French impressionist painter)
James Whistler
Debussy, “Clouds”, from Three Nocturnes (1899) oscillating, repeated, cyclical chords motivic, not goal-oriented unconventional development, unconventional form alternative scales •  pentatonic scale •  octatonic scale
Debussy, “Clouds”, from Three Nocturnes (1899) Some Musical Effects: Not about progress, development, goals  •  Listen to individual moments Different sense of Time (floating, suspended) Not as clear a sense of form or individual measures

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25 debussy

  • 1. Claude Debussy (1862-1918) musical modernism • move away from conventional practices of representation in the arts challenges to • scales • melody • harmony • rhythm • tone color • time • tonality • and more
  • 2. Claude Debussy (1862-1918) musical modernism Paris (1889 International Exposition)
  • 3. Claude Debussy (1862-1918) musical modernism Paris gamelan
  • 4.  
  • 5. Claude Debussy “ Pagodas”, from Prints (1899) influenced by hearing gamelan music multiple melodies moving at separate tempos (at start) percussive, resonant timbre exoticism: attempt to evoke “the East” (title, scales, music) impressionistic effects
  • 6. Claude Debussy (1862-1918) “ Clouds”, from Three Nocturnes (1899) Impressionism - blurred impression of outer reality
  • 7. Claude Monet (French impressionist painter)
  • 9. Debussy, “Clouds”, from Three Nocturnes (1899) oscillating, repeated, cyclical chords motivic, not goal-oriented unconventional development, unconventional form alternative scales • pentatonic scale • octatonic scale
  • 10. Debussy, “Clouds”, from Three Nocturnes (1899) Some Musical Effects: Not about progress, development, goals • Listen to individual moments Different sense of Time (floating, suspended) Not as clear a sense of form or individual measures