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Composition is the
arrangement of shapes
to keep the eye moving
with pleasure.
Glenn Hirsch
Ilya Repin
line has rhythm
Giovanni Tiepolo
Claude Lorraine
Victor Hugo
Paul Signac
Positive and Negative Shapes
create rhythm
M.C. Escher
Jackson
Pollock
Diebenkorn
Matisse
Picasso
Robert Bechtel, watercolor
DIAGONALS keep the eye moving
Gericault
Giovanni Tiepolo, 1760
Anders
Zorn
Anders Zorn, watercolor
Diebenkorn
Goya
John Singer
Sargent
Victor Hugo
Andrew Wyeth
watercolor and colored pencil
Stephen Scott Young, watercolor
Stephen Scott Young, watercolor
SCALE unites smaller shapes into large
shapes by unifying the color
Adam Hirsch
Nicolas Poussin
Nicolas Poussin
Chen Rong Nine Dragons 1244
Chen Rong Nine Dragons 1244
Victor Hugo
Richard Diebenkorn
translation of value
dark on top of light
light on top of dark
A ‘translation
of value’ white
against dark,
and dark
against light
Georges Seurat
Nicolas Poussin
Value studies are a means of simplifying, organizing, and
expressing the essential massing of light and dark.
To appreciate abstraction it’s important to understand that
this is really about structural contrasts and relationships,
not things.
Using a limited number of tones is a way to sift out the
clutter of small details to get to the poetry of the big
abstract tonal structure – the real bones of the subject.
Guercino
Caravaggio
Victor Hugo
Translation of value -
light against dark, and
dark against light.
Mo Seder
Illuminated Manuscripts
The word manuscript is derived from
the Latin words manus (hand) and
scriptus, from scribere (to write).
Illuminated, from the Latin illuminare
(to light up), denotes the glow created
by the radiant colors of the illustrations,
as well as by real gold and silver.
Positive and Negative Shape creates rhythm
Repetition creates rhythm
Scale creates impact
Diagonals keep the eye moving all over the picture
The exchange of value creates relationships

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