Collette Jaycox, Second Place Winner, ASRL Award 2010
1. 2010
COLETTE JAYCOX ANDRE SOBEL AWARD
SECOND PLACE WINNER
CONFIDENT DRIVEN
CURIOUS EMPATHETIC
DETERMINED ORIGINAL
POWERFUL
Colette has almost completed her treatment protocol, but it has been a
long journey for her to get there. Before her diagnosis, she was actively
involved in her school and community as the captain of her high school
debate team, president of her Amnesty International chapter, and
events manager for the Phoenix, her schoolâs arts and literary magazine,
as well as interning for a local mayoral campaign. After cancer yanked
her out of her old life, she continued to stay involved with all of her old
commitments long-distance as well as complete her AP classes through
the Stanford Hospital School, muscling through the queasiness,
exhaustion, memory loss, and pain associated with chemotherapy to
ïŹnish her coursework.
Colette was particularly inspired to write her piece by her struggles with
memory loss during the darker days of her treatment, and how this
affected her and her relationships with the people around her. She is so
grateful for the support of her family and her closest friends, without
whom she would have been unable to cope as well as she did.
She plans to use the Award funding to help pay her tuition costs at
Columbia University, where she attending this fall.
SPONSORED BY:
2. COLETTE JAYCOXâS ESSAY
Chai
I havenât seen you for so long.
I am kitty-curled in your car, shotgun seat, my ïŹngers wrapped around a wonderfully hot chai latte.
I had asked for tea, but the barista had messed up my order. Iâm not particularly upset. It is warm, and
that seeps through the cardboard cup, though my skin. Steam curls around the lid and fades. The night
is navy-black, and storelights ïŹicker through layers of window and breath.
EMILY
You lean back in the driverâs seat, upset for me. My nurses say I should try to avoid caffeine. âWhy
did you order that?â you demand. âColette, you told me you werenât supposed to have caffeine! You
shouldnât drink it.â
âI tried to order tea, remember?â I tell you. âBesides, Iâll be ïŹne.â I grin. âAt this rate, youâll be
competing with my mother soon.â
You laugh, and sip at your own drink. You havenât seen me for a long time either, not like this,
bright-eyed and without IVs streaming from the ïŹats of my hands. I beam. The windows fog milky with
conversation, uninterrupted by the bleating of a hospital monitor, and absentmindedly I begin tracing
shapes: pacmen, stars. You write on your side, then erase it with the cuff of your sleeve. My ïŹngers feel
like cool glass, and I realize I am cold again, but I donât see the need to complain. I know how you will
react, and I donât want you to have to worry about me.
You told me once that when you ïŹrst heard my diagnosis, you and your mother huddled together
and cried. Strangely, this surprises me. I myself have yet to cry. I havenât been able to cry, not when I saw
the look on the ïŹrst x-ray techâs face, not when I felt the clicking wheels of gurney wheels meeting
linoleum ïŹoor, not when the doctor looming over me said I have T-cell lymphoma, cancer, a giant tumor
pushing against my lungs.
Not even when one of the fellows, the one Iâm told the head nurse had to keep herself from ripping
to shreds later, told me I could die.
But I will live. I will most certainly live. They discovered that the growing mass had yet to slink into
my bone marrow. I am assured that this is good news. Two years of chemo, the nurses tell me brightly,
and Iâll be as right as rain. I spend the ïŹrst month- the hardest month- in a state of ïŹoating
consciousness, unable to even think, drifting on chemo cocktail and morphine, for the pain. You cry for
me. And I am so frightened- I can feel the chemo eating away at my memory so that the words that I
want will hum in the background of my mind, there but inexplicitly not there, and all I can do is fall back
on slang, on shrugs, and on the looks in my eyes. I think things multiple times now, so as to make sure
the thought is anchored ïŹrmly in its place. Otherwise, thereâs the danger of it simply ïŹoating away, like a
little boat cast adrift from its moorings, bobbing off to be lost to the horizon and the sea.
I can never tell you this, because telling you would make it real and not just a trick of my mind and
over-ampliïŹed paranoia. But I think that you know. You see me shake my bald head in a quiet alarm when
I forget what I mean to say and all I can offer are odd snatches of understanding. And when you see me
do this, you donât bring me hats, like everybody else does. You bring me books and shards of gossip
from shared friends, and ïŹll in the spaces that I no longer know how to.
3. COLETTE JAYCOXâS ESSAY
But sometimes, you too will fall silent. You will refuse to say the word âcancerâ aloud, and I will tease you
about my having the âillness-that-cannot-be-named.â You will ask, again and again, if Iâm sure Iâm alright;
you will start to say something and then sputter to a stop, unsure of yourself. You are scared of me
because you love me, and you are afraid that you will hurt me without meaning to. Sometimes I want to
reach out to you and hug you, despite of all the wires in my arms, and tell you that you know me too well
to ever hurt me, even by accident, that you can read me in the shake of my head, but I donât do this
because I can read you as well as you can read me, and so I pretend not to see. I know that you will
realize soon enough on your own. And you do. You ïŹnd that I am not made of glass, that I will not break,
and that itâs alright to smile when I grumble that I look like a Dicksonian waif. Slowly, the IV tubes recede
EMILY
from my skin. And I buy a notebook that ïŹts into my back pocket to capture thoughts, like a ïŹreïŹy bottle
in deep summer.
Iâm living. Iâm doing ïŹne. And thatâs why itâs so nice to be curled up in your car with a cup of chai
to ward against the cold, why itâs so nice to feel myself laughing. Weâre quirky together. You and I
scramble into the backseat, drawing on the rear windowâs sheet of steam. The windows will have to be
washed later, to get rid of our smudges, our ïŹngerprints, but right now neither of us cares. The night is
cold, but your car is warm, and it is cozy as a sickle moon glows through the bits of window we have
wiped clean with our hands.
4. YOU ARE ABOUT
[YOUR STORY]
Andre Sobel was a remarkable young man who had natural dignity, a promising
future and an unconventional sense of humor. Andreâs young life ended just one
year after he was diagnosed with a brain tumor. He was 19. He was the beloved
son of Erwin and Valerie Sobel and brother to Simone.
Andre was well traveled, often seeking destinations that were frequented by his
favorite authors, like Samuel Beckett, St. Augustine and Franz Kafka. The books
Andre treasured were ïŹlled with his margin comments, underlinings and
asterisks, the stamp of his rich intellectual curiosity. But the ïŹnest of all his gifts
were his qualities of mercy and compassion.
To honor Andre, and out of their deep love and respect for him, his family
established the Andre Sobel River of Life Foundation and shortly thereafter the
Andre Sobel Essay Award. The purpose of the competition is to honor the young
survivors of a catastrophic illness. If a young person considered themselves to be
a âsurvivorâ or were the companion of a survivor, they were invited to enter the
essay competition.
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This year, several cash awards were granted. The ïŹrst place winner received a
$5,000 cash prize Smaller cash prizes were awarded to the runner-ups. The
cash award can be used in any way the recipient chooses.
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