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Technology for creativity
at Thomas Tallis School
Context
1998: Thomas Tallis School designated a specialist arts
college

2002: Joined Creative Partnerships network of schools

2004: Joined first wave of government’s Building Schools
for the Future programme

2005: Designated a Leading Edge school

2008: Successful in becoming one of thirty national Schools
of Creativity

2011: Designated an Artsmark Gold school
The Creative Age
“An audience or a willing collaborator can
provide an alternative incentive for creative
production. Before the era of mass
production this was how much of our
culture that didn’t emerge from patronage
was experienced – around the piano after
dinner, on the football terraces, in craft-
making traditions and festivals. The
internet has made it significantly easier to
find and locate audiences for and
collaborators in creative work.”
Their Space
Here Comes Everybody

“This is something that people in
the media world don't understand.
Media in the 20th century was run
as a single race--consumption. How
much can we produce? How much
can you consume? Can we produce
more and you'll consume more?
And the answer to that question has
generally been yes. But media is
actually a triathlon, it's three
different events. People like to
consume, but they also like to
produce, and they like to share.”
Our starting point (2009)
ICT taught as a discrete subject at all key stages

Resources organised in separate ICT rooms
equipped with standard PCs

The school website/VLE used to provide
information

Very little cross-curricular use of ICT

No handheld devices
What staff wanted (2010)
"Improving network performance & enhancing the wireless
network"
"We need to completely re-imagine our approach to ensure
that we meet the challenges ahead and offer the sort of
learning experiences that will equip our students for the
world they will inhabit"
"Update, go for quality hardware - more cost effective and
time saving in the long run"
"More dedicated mobile units - with more powerful machines
including Macs available in all areas of the school. I would
recommend that these are based in hubs and so shared by
different faculties”
"Training - a lot of knowledge is assumed"
Ethos
The right tool for the job
Flexible and agile
Learning comes first
Digital literacy
Digital citizenship
Creativity
HTTP://DOUGBELSHAW.COM/BLOG/
“[Flaubert] didn’t just hate the railway as
such; he hated the way it flattered people
with the illusion of progress. What was the
point of scientific advance without moral
advance? The railway would merely permit
more people to move about, meet and be
stupid together.”
― Julian Barnes
TALLIS LAB
AN ENQUIRING MINDS CURRICULUM
Pif Paf
GCSE PHOTOGRAPHY
 MOBILE WEBSITES




SHAY’S EPORTFOLIO
YEAR 9
MATHS CONCEPTS IN BSL
HTTP://SWIMMING-TO-KENYA.WEEBLY.COM

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Technology for creativity at tallis latest

  • 1. Technology for creativity at Thomas Tallis School
  • 2. Context 1998: Thomas Tallis School designated a specialist arts college 2002: Joined Creative Partnerships network of schools 2004: Joined first wave of government’s Building Schools for the Future programme 2005: Designated a Leading Edge school 2008: Successful in becoming one of thirty national Schools of Creativity 2011: Designated an Artsmark Gold school
  • 3. The Creative Age “An audience or a willing collaborator can provide an alternative incentive for creative production. Before the era of mass production this was how much of our culture that didn’t emerge from patronage was experienced – around the piano after dinner, on the football terraces, in craft- making traditions and festivals. The internet has made it significantly easier to find and locate audiences for and collaborators in creative work.”
  • 5. Here Comes Everybody “This is something that people in the media world don't understand. Media in the 20th century was run as a single race--consumption. How much can we produce? How much can you consume? Can we produce more and you'll consume more? And the answer to that question has generally been yes. But media is actually a triathlon, it's three different events. People like to consume, but they also like to produce, and they like to share.”
  • 6. Our starting point (2009) ICT taught as a discrete subject at all key stages Resources organised in separate ICT rooms equipped with standard PCs The school website/VLE used to provide information Very little cross-curricular use of ICT No handheld devices
  • 7. What staff wanted (2010) "Improving network performance & enhancing the wireless network" "We need to completely re-imagine our approach to ensure that we meet the challenges ahead and offer the sort of learning experiences that will equip our students for the world they will inhabit" "Update, go for quality hardware - more cost effective and time saving in the long run" "More dedicated mobile units - with more powerful machines including Macs available in all areas of the school. I would recommend that these are based in hubs and so shared by different faculties” "Training - a lot of knowledge is assumed"
  • 8. Ethos The right tool for the job Flexible and agile Learning comes first Digital literacy Digital citizenship Creativity
  • 10. “[Flaubert] didn’t just hate the railway as such; he hated the way it flattered people with the illusion of progress. What was the point of scientific advance without moral advance? The railway would merely permit more people to move about, meet and be stupid together.” ― Julian Barnes
  • 11. TALLIS LAB AN ENQUIRING MINDS CURRICULUM
  • 13.
  • 14. GCSE PHOTOGRAPHY MOBILE WEBSITES SHAY’S EPORTFOLIO